SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Giffard great Service I have had great Success in all "/1) | (@(roleclean,performerclean) "Giffard great Service I have had great Success in all ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1625 matches on Event Comments, 989 matches on Performance Comments, 338 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Concert

Music: A great Consort of Musick-; several new songs-Mr Elford, Mr Weldon all compos'd on purpose for this Entertainment by the said Mr Weldon; Some of the Songs to be accompanied by a Flute-Mr Peasable; and a new Symphony for a Flute and a Violin-Mr Peasable, the Famous Signior Gasparini; who will perform several Italian Sonatas-Mr Peasable; accompanied-Mr Depar; and other great Symphonies-the best Masters

Event Comment: At Mr Goff's new Playhouse in Hampstead. This Consort will be perform'd with much better Decorum than before. [In Post Boy, 13-15 Sept., it was announced that the Justices for Middlesex had served an order at Hampstead forbidding the players "to act any more there."

Performances

Mainpiece Title: Concert

Music: Several Celebrated Songs, Comic Dialogues by the late Mr Henry Purcel, other great English Masters, for 1, 2 and 3 voices; the whole, as it will be perform'd, and by whom, in our great Bills to which we refer-

Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

Performances

Mainpiece Title: Pompey The Great

Event Comment: The King's Company. Pepys, Diary: By one o'clock to the King's house: a new play, The Duke of Lerma, of Sir Robert Howard's: where the King and Court was; and Knepp and Nell spoke the prologue most excellently, especially Knepp, who spoke beyond any creature I ever heard. The play designed to reproach our King with his mistresses, that I was troubled for it, and expected it should be interrupted; but it ended all well, which salved all. The play a well-writ and good play, only its design I did not like of reproaching the King, but altogether a very good and most serious play

Performances

Mainpiece Title: The Great Favourite; Or, The Duke Of Lerma

Performances

Mainpiece Title: The Great Favourite; Or, The Duke Of Lerma

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: The Rivall Queene. See also Nicoll, Restoration Drama, p. 346. That this is the premiere is indicated by a letter from the Marquis of Worcester to the Marchioness, 17 March 1676@7: Sir Charles Sedley's Cleopatra has been acted often, and to-day a new play of the death of Alexander, but I have not been to see either, living a mighty drudging life (HMC, 12th Report, Appendix, Beaufort MSS., IX, 66). Downes (Roscius Anglicanus, p. 11), has a cast which agrees (except for omissions) with that in the edition of 1677. Downes adds (p. 16): [Hart in] Alexander, towards the latter End of his Acting; if he Acted in any one of these but once in a Fortnight, the House was fill'd as at a New Play, especially Alexander, he Acting that with such Grandeur and Agreeable Majesty, That one of the Court was pleas'd to Honour him with this Commendation; That Hart might Teach any King on Earth how to Comport himself

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performance Comment: Edition of 1677: Prologue to Alexander by Sir Char. Scroop, Baronet-; Epilogue-; Alexander-Hart; Clytus-Mohun; Lysimachus-Griffin; Hephestion-Clarke; Cassander-Kenaston; Polyperchon-Goodman; Philip-Powell; Thessalus-Wiltshire; Perdiccas-Lydall; Eumenes-Watson; Meleager-Perin; Aristander-Coysh; Sysigambis-Mrs Corey; Statira-Mrs Boutell; Roxana-Mrs Marshall; Parisatis-Mrs Baker.
Cast
Role: Perdiccas Actor: Lydall
Role: Roxana Actor: Mrs Marshall
Event Comment: The King's Company. This performance is known from a document in The Theatrical Inquisitor and Monthly Mirror, July 1816, p. 26, and in Fitzgerald, A New History, I, 145. This document lists the receipts and attendance: The King's box, #1 10s., possibly six persons; Mr Hayles' boxes, #2 16s., possibly 14 persons; Mr Mohun's boxes, #3 16s., possibly 19 persons; Mr Yate's boxes, #1 15s. 6d., possibly 9 persons; James' boxes, #2 4s., possibly 11 persons. Mr Kent's pit, 112 persons; and Mr Britan's pit, 79 persons; a total of 191 persons paying #23 17s. 6d. Mr Bracy's gallery, 100 persons; Mr Johnson's gallery, 44 persons; a total of 144 persons, paying #10 16s. Upper Gallery, 119 persons, paying #5 19s. Mrs Kempton (upper gallery?), 5s. The house rent is listed as #5 14s. The attendance appears to total at least 513 persons. Compare these data with those for 12 Dec. 1677

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

Event Comment: The King's Company. This play was acted at Oxford on 19 March 1680@1 before Charles II (see True Protestant Mercury, 19-23 March 1680@1; Wilson, Theatre Notes from the Newdigate Newsletters, p. 80; and Smith's Protestant Intelligence, 24-28 March 1681). The play may have been given first in London; if not, it probably was not acted there until after Easter, 3 April 1681. The company also performed The Plain Dealer in Oxford on 21 March 1680@1 (Smith's Protestant Intelligence, 24-28 March 1681)

Performances

Mainpiece Title: Tamerlane The Great

Performances

Mainpiece Title: Constantine The Great

Event Comment: The United Company. An order (L. C. 5@147, p. 52, in Nicoll, Restoration Drama, p. 356), dated 19 Dec. 1685, calls for a payment of #20 for the King and Queen at Alexander, but the order does not indicate whether the performance occurred on this date

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performance Comment: . Possibly Goodman acted Alexander after the death of Hart on 18 Aug. 1683; or Mountfort may have succeeded to the role.

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

Performances

Mainpiece Title: London's Great Jubilee

Performance Comment: Restor'd and Perform'd On Tuesday, October the 29th 1689. For the Entertainment of the Right Honourable Sir ThomasPilkington Kt. Lord Mayor of the City of London. Containing a Description of the several Pageants and Speeches together with a Song for the Entertainment of Their Majesties, who with their Royal Highnesses the Prince and Princess of Denmark, the whole Court, and both Houses of Parliament, Honour His Lordship this Year with their Presence. All set forth at the Proper Cost and Charges of the Right Worshipful Company of Skinners. [By Matthew Taubman.]

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performances

Mainpiece Title: Antiochus The Great

Event Comment: To all the Nobility and Gentry: In Honour of the Queen s Coronation. At 5 p.m

Performances

Mainpiece Title: Concert

Music: Mr Abell's new Consort of English Musick-; [composed on the Royal Subject [the Queen's Coronation]: With other Songs in several Languages-; accompanied-the greatest Masters [of Instrumental Musick

Performances

Mainpiece Title: Cimbiline King Of Brittain; The Great Protector Of His Country

Performances

Mainpiece Title: Cymbeline King Of Brittain; The Great Protector Of His Country

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Entertainment: With several Extraordinary Entertainments that are particularly bespoke by some Gentry, which will be express'd at large in the great Bills

Performances

Mainpiece Title: Entertainments

Dance: That Variety of Rope/danceing and Tumbling-; as far exceeds all that has ever yet been publickly seen; where the Lady Mary, who has given such great Satisfaction to the highest Nobility of the Kingdom, will outdo whatever she has perform'd before

Event Comment: Benefit Mrs Lee. At the Desire of several Persons of Quality. [In Daily Courant, 29 May, the admission had been advertised as boxes 6s., pit 4s., gallery 2s. 6d., but on 31 May Daily Courant stated that "all seal'd Tickets that have been dispos'd of by Mrs Lee" at these rates "shall be accounted for" at 5s., 3s., 2s.

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Song: Singing In Italian the Famous-Signiora Maria Margarita Gallia , lately arriv'd from Italy, who has never yet Sung in England; the Musick which accompanies her Singing is compos'd by Signior Joseph Saggion-

Dance: The Wedding Dance, compos'd by Monsieur L'Abbe,-Monsieur L'Abbe, Mrs Elford

Performances

Mainpiece Title: Timon Of Athens

Related Works
Related Work: The History of Timon of Athens, the Man-Hater Author(s): Thomas Shadwell
Related Work: Timon of Athens Author(s): Thomas Shadwell

Entertainment: A variety, which will be express'd in the Great Bills-

Performances

Mainpiece Title: Aesop

Music: Vocal and Instrumental Music-; particularly some new Sonatas for the Violin lately brought from Rome, Compos'd by the Great Arcangelo Corelli-Gasperini, others

Song: Several of the best Stage Songs-Leveridge, Mrs Campion

Dance: Mrs Campion, Devonshire Girl, DuRuel

Performances

Mainpiece Title: The Maid's Tragedy

Related Works
Related Work: The Maid's Tragedy Altered Author(s): Edmund Waller

Music: A Masque set to Musick by the late Mr Henry Purcell,-Mr Leveridge, others; And a piece of Instrumental Musick composed by the great Arcangelo Corelli for a Flute and Violin-Signior Gasperini, Mr Paisible

Dance: DuRuel, Mrs Mayers