SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Giffard great Service I have had great Success in all "/1) | (@(roleclean,performerclean) "Giffard great Service I have had great Success in all ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1625 matches on Event Comments, 989 matches on Performance Comments, 338 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .

Performances

Mainpiece Title: The Widow Bewitch'd

Performance Comment: The Principal Parts-Giffard, W. Giffard, Williams, Penkethman, Collet, Mrs Giffard, Mrs Haughton, Miss Vaughan, Mrs Palmer, Mrs Mountfort; but edition of 1730 lists: Colonel Courtly-W. Giffard; Freelove-W. Williams; Stanza-Giffard; Cockade-Penkethman; Anchor-Collet; Old Lady Languish-Mrs Palmer; Young Lady Languish-Mrs Haughton; Arabella-Miss Vaughan; Matilda-Mrs Giffard; Mimick-Mrs Mountford; Prologue-Giffard; Epilogue-Mrs Haughton.
Event Comment: A New Tragedy. [By William Havard.] Boxes 3s. Boxes and Balconies on the Stage 4s. Pit 2s. Gallery 1s

Performances

Mainpiece Title: Scanderbeg

Performance Comment: Parts-Giffard, Delane, Hulet, W. Giffard, Rosco, Bardin, Huddy, Winstone, Mrs Giffard, Mrs Hamilton. The Prologue-the Author, but edition of 1733 lists: Amurat-Delane; Abdalla-Wm. Giffard; Orcan-Huddy; Selim-Winstone; Scanderbeg-Giffard; Lysander-Bardin; Hali@Vizem-Hulet; Heli-Rosco; Deamira-Mrs Giffard; Zaida-Mrs Hamilton; Prologue-the Author; Epilogue-Mrs Giffard.

Performances

Mainpiece Title: The Temple Beau

Performance Comment: Temple Beau-Giffard; other parts by W. Giffard, W. Williams, Penkethman, Burney, W. Bullock, Collett, Mrs Giffard, Mrs Haughton, Mrs Purden, Mrs Seal; but edition of 1730 lists Sir Avarice Pedant-Collet; Sir Harry Wilding-Penkethman; Wilding-Giffard; Veromil-W. Giffard; Valentine-Williams; Pedant-Bullock; Pincet-Bardin; Lady Lucy Pedant-Mrs Giffard; Lady Gravely-Mrs Haughton; Bellaria-Mrs Purden; Clarissa-Mrs Seal; Prologue by James Ralph-Giffard; Epilogue by a Friend-Mrs Giffard.
Cast
Role: Temple Beau Actor: Giffard
Role: Wilding Actor: Giffard
Role: Veromil Actor: W. Giffard
Role: Lady Lucy Pedant Actor: Mrs Giffard
Role: James Ralph Actor: Giffard
Role: Epilogue by a Friend Actor: Mrs Giffard.

Performances

Mainpiece Title: Alzira; Or, The Americans

Performance Comment: Parts by Giffard, Johnson, Wright, Havard, Aston, Mrs Giffard; but edition of 1736 lists: Don Carlos-Wright; Don Alvarez-Giffard; Zamor-Johnson; Ezmont-Havard; Alzira-Mrs Giffard. Prologue spoken by Giffard. Epilogue spoken by Mrs Giffard .

Dance: By Vallois and Mrs Bullock

Performances

Mainpiece Title: The Fatal Villainy

Performance Comment: Parts-Giffard, Huddy, W. Giffard, Smith, W. Williams, Bardin, Mrs Giffa rd, Mrs Purden; but edition of 1730 lists: King of Arragon-Will. Giffard; Ramirez-Huddy; Rinaldo-Williams; Sebastian-Henry Giffard; Alonzo-Smith; Victoria-Mrs Giffard; Bellamante-Mrs Purden; Prologue-; Epilogue-Mrs Giffard.
Event Comment: Not Acted these Forty Years. Written by Mr Dryden. And new Scenes, Machines, and other Decorations, particularly An Exact Representation of Merlin's Cave, as in the Royal Gardens at Richmond. Boxes and Balconies on the Stage 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. No After-Money will be taken. [According to edition of 1736, the Prologue and Epilogue were written by Mr Sterling.]

Performances

Mainpiece Title: King Arthur; Or, Merlin The British Enchanter

Performance Comment: King Arthur-Johnson; Merlin-Rosco; Oswald-Giffard; Conon-Havard; Osmond-W. Giffard; Aurelius-Richardson; Albanact-Woodward; Guillamar-Hamilton; Grimbald-Lyon; Philadel-Mrs Hamilton; Matilda-Miss Tollett; Emmeline-Mrs Giffard. In it music by Purcell, sung by Kelly, Touchbury, Nichols, Kellner, Mrs Chambers, Miss Jones, Miss Gerrard; Venus sung by Miss Wilson, her first on any stage; Cupid-Miss Thornowets, her first on any stage. Dances by Haughton, Mrs Bullock, Le Sac, Vallois, Delagarde, Topham, Mrs Woodward, Mrs Vallois, Miss Gerrard, Mrs Dove. With a New Prologue and Epilogue, spoken by Giffard and Mrs Giffard .

Performances

Mainpiece Title: King Charles The First; An Historical Play

Performance Comment: Edition of 1737 lists: King Charles-Giffard; Duke of York-Master Giffard; Duke of Gloucester-Master W. Hamilton; Bishop Juxon-Havard; Duke of Richmond-Bardin; Marquis of Lindsey-Richardson; Oliver Cromwell-Wright; Fairfax-Johnson; Bardshaw-Rosco; Ireton-W. Giffard; Colonel Tomlinson-Hamilton; Queen-Mrs Giffard; Princess Elizabeth-Miss Norris; Lady Fairfax-Mrs Roberts; Prologue-Giffard; Epilogue-Mrs Giffard.
Cast
Role: King Charles Actor: Giffard
Role: Duke of York Actor: Master Giffard
Role: Ireton Actor: W. Giffard
Role: Queen Actor: Mrs Giffard
Role: Prologue Actor: Giffard
Role: Epilogue Actor: Mrs Giffard.
Event Comment: London Daily Post and General Advertiser, 1 May: Last Night The Conscious Lovers was perform'd [at GF] in Honour of the Royal Marriage, when there was a very splendid Appearance of Ladies and Gentlemen, to whom Mr Giffard had distributed Tickets. The Stage was decorated in a particular Manner with several Glass Lustres. And the Outside of the House illuminated with a great Number of Candles, a large Quantity of Liquor given to the Populace. [The Prologue is in London Daily Post and General Advertiser, 1 May; in London Daily Post and General Advertiser, 26 April, an announcement had been made that no money would be received on this night.]

Performances

Mainpiece Title: The Conscious Lovers

Event Comment: On this date Jean Chamouveau received #300 for the services of a French company, who presumably acted at court on 16 Dec. 1661 (CSP, Treasury Books, 1660-1667, p. 311, in Nicoll, Restoration Drama, p. 252)

Performances

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The English Monsieur; sitting for privacy sake in an upper box: the play hath much mirth in it as to that particular humour. After the play done, I down to Knipp, and did stay her undressing herself; and there saw the several players, men and women go by; and pretty to see how strange they are all, one to another, after the play is done. Here I saw a wonderful pretty maid of her own, that come to undress her, and one so pretty that she says she intends not to keep her, for fear of her being undone in her service, by coming to the playhouse. Here I hear Sir W. Davenant is just now dead; and so who will succeed him in the mastership of the house is not yet known. The eldest Davenport is, it seems, gone from this house to be kept by somebody; which I am glad of, she being a very bad actor.... [Mrs Knepp] tells me mighty news, that my Lady Castlemayne is mightily in love with Hart of their house; and he is much with her in private, and she goes to him, and do give him many Presents; and that the thing is most certain, and Becke Marshall only privy to it, and the means of bringing them together, which is a very odd thing; and by this means she is even with the King's love to Mrs Davis

Performances

Mainpiece Title: The English Monsieur

Event Comment: During February and March 1678@9 two plays, titles unknown, were acted before the King. See an order: To Edward Griffin, Esq. Treasurer of the Chamber, to be paid over to John Lacy, assigne of Charles Killigrew, Mastr of the revells, for two plays acted before his said Majestie in Feb'ry and March 1678@9 (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII 1851, 34)

Performances

Event Comment: On this date a payment was made to the foreign performers who had come in the spring: To Francis Duperier, for the charge and expences of ye French players attending his Majestie at Windsor and Winchester, and returning to London (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII [1851], 93)

Performances

Event Comment: Evelyn, Diary: I was to heare the Musique of the Italians in the new chapel, now first of all opened at White-hall publiquely for the Popish Service

Performances

Mainpiece Title: Concert

Event Comment: Rich's Company. Post Boy, 31 May-2 June 1698: London, June 2nd. This Day, at the Theatre in Drury-Lane, will be Acted a Play, called, The Plain-Dealer, upon a very charitable Account, the Profits of the Play being given for the Release of a distressed Gentleman from Prison: And the chief Part is acted by Capt. Griffin, formerly a famous Actor, and lately Captain of a Company of Foot in His Majesty's Service, through the Wars in Ireland

Performances

Mainpiece Title: The Plain Dealer

Event Comment: Both playhouses were closed for the burial services of John Dryden. See The Patentee; or some Reflections in Verse (1700), titlepage

Performances

Event Comment: Receipts: #147 3s. 6d. Signora Schiavonetti is announced as in the Service of her Highness the Princess Sophia of Hanover

Performances

Mainpiece Title: Hydaspes

Event Comment: Benefit Mrs Knight. At the particular Desire of several Ladies of Quality. Receipts: money #27 17s. 6d. and tickets #23 13s. The Epilogue was printed in Weekly Journal or British Gazetteer, 7 April, with a note: The Author of the following Epilogue would never have thought of publishing such a Trifle, but to let the Town see that scandalous Piece (as some were pleas'd to call it) not fit to be spoken. Mrs Knight's Zeal to the Government (which she has always express'd at the Worst of Times) cannot be enough applauded....It was wrote with no other Design than to do her some Service on her Benefit-Day; but has had indeed a quite contrary Effect, and kept back that Part of her Audience whose Money is as good as other Peoples, tho' their Principles (as being Tories) are the worst in the World

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Cobler of Preston

Song: As17160215

Dance: delaGarde, Moreau, Thurmond Jr, Mrs Schoolding, Mrs Cross; particularly the last new comic dance-Moreau, Mrs Cross

Event Comment: He gives his humble Duty to the Quality and Service to his Friends and Acquaintances, hoping they will grace his first Night, at 6 p.m. 1s. N.B. All this is perform'd by Mr Anthony Aston, his Wife and Son of 10 Years only, and will continue Nightly, Bills being stuck up of the whole Entertainment, which varies each Night

Performances

Mainpiece Title: Tony Aston's Medley

Entertainment: 1: A new Prologue-; 2: Riot and Arabella-; 3: Woodcock Squib and Hillaria-; 4: Serjeant Kite and Mob-; 5: Ben and Miss Prue-; 6: Fondlewife and Laetitia-; 7: Teague-; 8: Jerry Blackacre and Widow-; 9: Drunken Man-; 10: A new Epilogue-; With Dances, new Comical Songs-

Event Comment: By His Royal Highness's Command. According to the Original Weekly Journal 26 April the Prince was present, but Edward Harley Jr writing to Abigail Harley on 6 May stated: The P..., not long ago, bespoke at the Old Playhouse, a play called the Indian Emperor. The K...hearing of it, sent to the players to tell them that if the P...came, and they acted that play, he would turn them out of his service, which message they sent to the P..., who had the good sense not to come, so the Indian Emperor was acted.-Portland MS, V, 560

Performances

Mainpiece Title: The Indian Emperour

Dance: Serious and Comic Dancing-

Event Comment: [By Sir John Vanbrugh and Colley Cibber.] All the Characters new drest. Mist's 13 Jan.: On Wednesday last a most horrid, barbarous, and cruel Murder was committed...upon a posthumous Child of the late Sir John Vanbroog, by one who, for some Time past, has gone by the Name of Keyber. It was a fine Child born, and would certainly have lived long, had it not fallen into such cruel Hands. Davies (Dramatic Miscellanies, III, 260-61): In all the tumults and isturbances of the theatre on the first night of a new play, which was formerly a time of more dangerous service, to the actors, than it has been of late, Mrs Oldfield was entirely mistress of herself; she thought it her duty, amidst the most violent opposition and uproar, to exert the utmost of her abilities to serve the author. In the comedy of uproar, to exert the utmost of her abilities to serve the author. In the comedy of the Provoked Husband, Cibber's enemies tried all their power to get the play condemned. The reconciliation scene wrought so effectually upon the sensible and generous part of the audience, that the conclusion was greatly and generously approved. Amidst a thousand applauses, Mrs Oldfield came forward to speak the epilogue; but when she had pronounced the first line,-Methinks I hear some powder'd critic say-a man, of no distinguished appearance, from the seat next to tne orchestra, saluted her with a hiss. She fixed her eye upon him immediately, made a very short pause, and spoke the words poor creature! loud enough to be heard by the audience, with such a look of mingled scorn, pit, and contempt, that the most uncommon applause justified her conduct in this particular, and the poor reptile sunk down with fear and trembling. See also Cibber, Apology, I, 310-11; Victor, History of the Theatres, II, 105

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performances

Mainpiece Title: The Stratagem

Performance Comment: Advertised but appearently not given because of service for Mrs Oldfield.
Event Comment: To Macklin the Player: The Laity as well as Priests of all Religons are the same. Macklin, Thou mayst remember when thou wert learning the part of Shylock in the Merchant of Venice, thou camest daily to the Change, and artfully dids't introduce thyself into my company, till thou hads't stolen my Face, my Looks, and not content with the Index, thou did'st turn over the volume of my Mind, as it if thy Author had been wanting in the manner of his character, and dids't show me on the stage to the Disgrace of my Tribe, for which we wish thee not in Abraham's Bosom, thou may'st be sure. Now if thou hast a mind to compromise the Affair, and serve thyself at thy Benefit time, publicly delcare what Place thou did'st frequent, and what set of Christians thou did'st herd with, before thou playd'st the part of Iago in the Moor of Venice; Comply and our Rancor to thee will be turn'd into Love and Service. s@Zorobabel. PS I will call to thee tonight at thy Synagogue in the Hay-market, about the sixth Hour, as you players reckon, for intelligence.-Daily Advertiser

Performances

Mainpiece Title: Othello

Event Comment: The Rebellion, is so far from being a disadvantage to the play-houses that, I assure you, it brings them very good houses; and the masters receive so much profit from the Nonjuror, that I wish it does not give them a respect for the name the rest of their lives.-Mrs Cibber to Garrick, 24 Oct. in Boaden, Private Correspondence of Garrick, I, 37. She continues: There will be no operas this year, so if you, Mr Quin and I, agree to play without any salary, and pick up some of the best actors and actresses that are disengaged, at what salary you both think proper, I make no doubt we shall get a licence to play there for fifty, sixty, or any number of nights you agree upon. Mr Heidigger shall pay scenes, & pay those that receive wages; and deliver the overplus to some proper person to enlist men to serve in any of the regiments of Guards, at five pounds per man;--this is the service St. Martin's Parish puts the money to that they collect,--and I mention it, because it is thought the most serviceable to the Government, of any scheme yet proposed

Performances

Mainpiece Title: The Nonjuror

Cast
Role: Heartly Actor: Giffard

Afterpiece Title: The Debauchees

Dance: V: Grand Comic Dance, as17450926

Event Comment: To the Author of the General Advertiser: Sir: Several Parodies on the favourite Soliloquy in Hamlet having appear'd lately, and all of the serious and grave Kind; the following Attempt in Burlesque, if you think it will be agreeable to the Publick, is at their and your Service: Yours, Rigdum Funnidos. @To drink, or not to Drink? that is the Question--@Whether 'tis easier for a Man, to suffer@The Pangs and Horrors of Outrageous Thirst;@Or boldly venture on a Sea of Liquor.... Receipts: #140 (Cross); #111 19s. 6d. (Powel)

Performances

Mainpiece Title: The Provoked Husband; Or, A Journey To London

Afterpiece Title: The Devil to Pay