SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Germain Francois Poulain de Saint Foix"/1) | (@(roleclean,performerclean) "Germain Francois Poulain de Saint Foix")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1004 matches on Performance Title, 444 matches on Performance Comments, 178 matches on Event Comments, 159 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Word For Nature

Afterpiece Title: The Captive of Spilburg

Dance: a Dance, as17981114, but _Male, W. _Banks, Johnston; +New Hornpipe, as17981114

Performances

Mainpiece Title: A Word For Nature

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Performances

Mainpiece Title: Medonte

Dance: End I: Peggy's Love-Didelot, Laborie, Mme Rose, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; End Opera: Ariadne et Bacchus- [Performers not listed]

Performances

Mainpiece Title: Medonte

Dance: I: Peggy's Love- [see17981208]; End Opera: Ariadne et Bacchus, as17981208

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Performances

Mainpiece Title: Medonte

Performances

Mainpiece Title: Medonte

Dance: As17981226

Performances

Mainpiece Title: Medonte

Dance: As17981211

Performances

Mainpiece Title: Nina

Dance: As18000322

Performances

Mainpiece Title: Nina

Dance: As18000429

Performances

Mainpiece Title: The Carmelite

Performance Comment: Principal Characters by Smith, Kemble, Aickin, Packer, Fawcctt, Phillimore, Palmer; Mrs Siddons. [Cast from text (C. Dilly and G. Nicol, 1784): Saint Valori-Smith; Montgomeri-Kemble; Lord De Courci-Aickin; Gyfford-Packer; Raymond-Fawcett; Fitz-Allan-Phillimore; Lord Hildebrand-Palmer; Matilda-Mrs Siddons.] Prologue spoken by Palmer. Epilogue spoken by Mrs Siddons. [These were spoken, as here assigned, at the 1st 11 performances only (see17840301785).] hathi. Prologue spoken by Palmer. Epilogue spoken by Mrs Siddons. [These were spoken, as here assigned, at the 1st 11 performances only (see17840301785).] hathi.
Cast
Role: : Saint Valori Actor: Smith

Afterpiece Title: The Spanish Rivals

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The School Boy

Dance: Richmond Maggot by Le Sac and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, De la Garde, Mrs De L'Orme, La Coquette Francois by Lally, S. Lally, Mlle Salle

Performance Comment: Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, De la Garde, Mrs De L'Orme, La Coquette Francois by Lally, S. Lally, Mlle Salle .

Performances

Mainpiece Title: Pompey The Great

Performance Comment: Edition of 1664: wo actors' names. Prologue At the House-; Epilogue at the House-; Epilogue to the King at Saint James's-; Epilogue To the Dutchess at Saint James's-; [One Epilogue was written by Sir Edward Deering.] [At the end: After which a grand Masque [is Danc'd before Caesar and Cleopatra[, made (as well as the other Dances and the Tunes to them) by Mr John Ogilby-.

Performances

Mainpiece Title: King Henry Iv, Part I

Performance Comment: Hotspur-Quin, who never appear'd on this Stage before; King-Keene; Prince of Wales-J. Leigh; Northumberland-Schoolding; Westmoreland-Ogden; Worcester-Corey; Mortimer-Williams; Glendower-Husband; Douglas-Smith; Falstaff-Bullock Sr; Francois-Spiller.
Cast
Role: Francois Actor: Spiller.

Dance: As17171022; A new Serious Dance-Moreau, Mrs Bullock

Event Comment: [Bingham is identified by MS annotation on Kemble playbill.] Afterpiece [1st time; CO 2, by Miles Peter Andrews, based on Le Bucheron; ou, Les Trois Souhaits, by Jean Francois Guichard. Music by Francois Hippolyte Barthelemon]: With New Scenes, Dresses and Decorations. Books of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 17 Mar, 1778: This Day is published the Songs in Belphegor (6d.). [Text 1st published in Dublin: For the Booksellers, 1788.] Receipts: #196 0s. 6d. (156.5.0; 38.13.6; 1.2.0)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Belphegor; or, The Wishes

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: Ways and Means

Afterpiece Title: The Castle of Sorrento

Performance Comment: Characters by Fawcett, Johnstone, Suett, Davies, Linton, Abbot, Chippendale, Miss Griffiths, Miss DeCamp. [Cast from text (Cadell and Davies, 1799): Blinval-Fawcett; Governor of Sorrento-Johnstone; Germain-Suett; Count Murville-Davies; Centinel-Linton [unassigned in text; see18000614]; Footman-Abbot; Corporal-Chippendale; Rosina-Miss Griffiths; Widow Belmont-Miss DeCamp; Chorus-Lyons, Kenrick, Little, Willoughby, Dibble, Aylmer, Brown, Caulfield Jun.
Cast
Role: Germain Actor: Suett

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Social Songsters

Afterpiece Title: The Castle of Sorrento

Performance Comment: Blinval-Fawcett; Governor O'Rourke O'Donnel-Johnstone; Count Murville-Hill; Germain-Emery; Corporal-Lee; Sentinel-Linton; Widow Belmont-Mrs Chapman; Rosina-Mrs Atkins.
Cast
Role: Germain Actor: Emery

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Jew

Afterpiece Title: The Castle of Sorrento

Performance Comment: Blinval-Fawcett; Governor-Johnstone; Germain-Emery; Count Murville-Hill; Centinel-Linton; Footman-Abbot; Corporal-Chippendale; Rosina (for that night)-Mrs Atkins; Mrs Belmont-Miss DeCamp.
Cast
Role: Germain Actor: Emery

Song: 3rd piece: Chorus-Kenrick, Little, Willoughby, Dibble, Aylmer

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Castle of Sorrento

Performance Comment: As18000725 but Germain-Suett.
Cast
Role: Germain Actor: Suett.

Song: As18000725

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Afterpiece Title: Calisto's Additional performers

Event Comment: At Cleopatra's Cataract between the several acts of her concert, will be pour'd upon the Town a cataract of Originals and Amazing Geniusses, brought by that antient Soverign from Anamamboo, Upper Egypt, and the renown'd Kingdom of Abyssinia. These being an entire new set of performers will exhibit that evening in a new manner sever strange and surprising Feats of an Egyptian Broomstick, the Ghosts, Witches, Imps, modern Saints, Ballad Singer, Conjuror, and Elizabeth Canning. Boxes 5s. Pit 3s. Gallery 2s. To begin at 6 p.m. [A cryptic "puff" in the Daily Advertiser suggests that Mrs Midnight has abdicated in favour of Cleopatra, who will now take over the Haymarket.

Performances

Mainpiece Title: Aethiopian Concert

Event Comment: Paid Kingswood for feathers as per bill #48 8s.; Paid Stedman & Bewley (linnen drapers) #38 3s.; Paid Nicholls for 26 Georges, #7 16s. (Account Book). [The last item was for stage property insignia equipment for the Institution of the Garter, as St George was the Patron Saint of the order.] Receipts: #163 8s. (Account Book)

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Fairy Prince

Event Comment: The Journal of Sir Richard Bulstrode (p. 19): This evening is repeated in the great Hall by foure persons of quality the Indian Emper, but the Company is made very private, soe as few attempt to gett in. Jean Chappuzeau, Le Theatre Francois (Paris, 1675), p. 55, states that in 1668 he saw a revival of The Indian Emperor in London. Pepys, Diary: 14 Jan.: They fell to discourse of last night's work at court, where the ladies and Duke of Monmouth and others acted The IndianEmperour; wherein they told me these things most remarkable: that not any woman but the Duchesse of Monmouth and Mrs Cornwallis did any thing but like fools and stocks, but that these two did do most extraordinary well: that not any man did any thing well but Captain O'Bryan, who spoke and did well, but, above all things, did dance most incomparably. That she did sit near the players of the Duke's house; among the rest, Mis Davis, who is the most impertinent slut, she says, in the world; and the more, now the King do show her countenance; and is reckoned his mistress, even to the scorne of the whole world; the King gazing on her, and my Lady Castlemayne being melancholy and out of humour, all the play, not smiling once. The King, it seems, hath given her a ring of #700, which she shews to every body, and owns that the King did give it her; and he hath furnished a house for her in Suffolke Street most richly, which is a most infinite shame. It seems she is bastard of Colonell Howard, my Lord Berkshire, and that he do pimp to her for the King, and hath got her for him; but Pierce says that she is a most homely jade as ever she saw, though she dances beyond any thing in the world

Performances

Mainpiece Title: The Indian Emperour