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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Georgiana Cavendish"/1) | (@(roleclean,performerclean) "Georgiana Cavendish")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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130 results for: Keyword - Georgiana Cavendish
We found 109 matches on Author, 17 matches on Event Comments, 6 matches on Performance Comments, 0 matches on Performance Title, and 0 matches on Roles/Actors.

101
26 June 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: LODOISKA

Song: In Act II of mainpiece a song by Mrs Crouch

102
20 September 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: My Grandmother

103
30 October 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Devil to Pay

104
03 February 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: Lodoiska

105
04 June 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: My Grandmother

106
26 April 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Wedding Day

107
01 November 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Prisoner

Ballet: End: The Scotch Ghost. As17961029, but Villagers-Mrs _Thompson

108
23 February 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: No Song No Supper

109
16 June 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: High Life below Stairs

Dance: II afterpiece: Mock Minuet, as17960920

Ballet: End: The Scotch Ghost. As17970605

110
14 October 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Children in the Wood

Entertainment: Entertainment. Not listed on playbill (see17971016). Morning Herald, 16 Oct.: A representation of the late engagement with the Dutch-; was unexpectedly given after the play. It was followed by some fire@works-, in which was a star, ending after various mutations in a sun, emblematic of British Glory!

111
27 March 1742 @ Covent Garden

Performances

Mainpiece Title: Love For Love

Performance Comment: Ben-Bridgwater; Valentine-Hale; Tattle-Chapman; Foresight-Hippisley; Sir Sampson-Marten; Scandal-Cashell; Jeremy-Woodward; Trapland-James; Buckram-Harrington; Angelica-Mrs Horton; Mrs Frail-Mrs Pritchard; Mrs Foresight-Mrs Woodward; Nurse-Mrs Martin; Jenny-Mrs Bland; Miss Prue-Miss Georgiana Bellamy, who never appeared on any stage before.
Cast
Role: Miss Prue Actor: Miss Georgiana Bellamy, who never appeared on any stage before.

Dance: TThe Peasants, as17420210; Chacone, as17411230; Rigadone Provencale, as17420226; Hornpipe proper to the play-Vaughan

112
18 August 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Lord Russel

Performance Comment: Russel-Palmer; Cavendish-Bannister Jun.; Charles the Second-Aickin; Duke of York-Williamson; Spencer-Davies; Lieutenant-Usher; Bedford-Bensley; Lady Margaret Russel-Miss Kemble; Lady Russel-Miss Woollery. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Cavendish Actor: Bannister Jun.

Afterpiece Title: The Agreeable Surprise

113
02 June 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Lord Russel

Performance Comment: Russel-Palmer; Cavendish-Bannister Jun.; Charles the Second-Aickin; Duke of York-Williamson; Spencer-Davies; Lieutenant-Usher; Bedford-Bensley; Lady Margaret Russel-Mrs Inchbald; Lady Russel-Miss Woollery .
Cast
Role: Cavendish Actor: Bannister Jun.

Afterpiece Title: The Son-in-Law

114
22 June 1786 @ Haymarket Theatre

Performances

Mainpiece Title: Lord Russel

Performance Comment: Russel-Palmer; Cavendish-Bannister Jun.; Charles the Second-Aickin; Duke of York-Williamson; Spencer-Davies; Lieutenant-Usher; Bedford-Bensley; Lady Margaret Russel-Mrs Inchbald; Lady Russel-Miss Woollery .
Cast
Role: Cavendish Actor: Bannister Jun.

Afterpiece Title: The Widow's Vow

Dance: End of mainpiece How sweet's the Love that meets Return by Byrn, Mrs Goodwin, the two Miss Simonets

115
18 January 1678 @ Whitehall or St. James's

Event Comment: The Earl of Arran to the Duchess of Ormond, 19 Jan. 1677@8: I met her Lord [Lord Cavendish] last night at the French play (HMC, Ormonde MSS., New Series, 1906, IV, 90). Henri Forneron, Louise de Keroualle, Duchess of Portsmouth (London, 1887): [The Duchess of Portsmouth] was at the last extremity when a slight change for the better took place, and she got up, had herself dressed, and dragged herself to her Sedan chair, to be carried to the French play, where she heard the king was to be with Madame Mazarin. The players had come to London for a short time, and Charles attended all their representations (pp. 197-98). Forneron apparently drew this information from a letter dated 20 Jan. 1677@8

Performances

116
09 November 1692 @ Drury Lane Theatre

Event Comment: The United Company. This performance is known by one of the rare playbills extant from this period. It is in HMC, Verney MSS., 7th Report, p. 509, and reproduced opposite page 240 in Lawrence, Elizabethan Playhouse, 2d Series: Never Acted but once. At the Theatre Royal, in Drury-Lane, this present Wensday being the Nineth day of November, will be presented, A New Play called, Henry the Second King of England. No money to be return'd after the curtain is drawn. By their Majesties Servants. Vivant Rex & Regina. Lady Margaret Russell to Katherine Russell, 10 Nov. 1692: You will be surprised that Lady Cavendish has been hindered by a little sore throat from going yesterday to a new play of King Henry and Rosamond, which is much commended (HMC, 12th Report, Appendix, Part V, Rutland MSS., p. 124)

Performances

Mainpiece Title: Henry The Second

117
04 March 1697 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. James Brydges, Diary: To ye playhouse in Lincolns inn fields, where I met Lds Henry Cavendish, Grey of Ruthia, & Abergavenny (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

118
31 January 1702 @ Stationer's Hall

Event Comment: For the Entertainment of the Lords Spiritual & Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Music: The First Anthem, Compos'd by Dr William Turner-; The Second Anthem Compos'd by Dr John Blow-; The Third Anthem, Compos'd by Dr William Turner-

Entertainment: The Introductory Poem Upon Musick, Written by Mr Tate, Poet-Laureat to her Majesty-; The Oration-; The Second Poem, Written by Mr Tate-

119
21 May 1702 @ Chelsea College

Event Comment: For the Entertainment of the Lords Spiritual and Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Entertainment: The Oration-; The Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem Upon God's Omnipresence- , By Dr Braddy; Domine Probasti-; Psal. CXXXIX-; Psalm CVI-; Jubilitat Deo-

120
01 November 1729 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness. [The Prince, accompanied by the Duke of Manchester, Lord Charles Cavendish, and Colonel Schutz, present.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Perseus and Andromeda

121
27 December 1729 @ Drury Lane Theatre

Event Comment: By Command of His Royal Highness. [The Prince, attended by Lord Charles Cavendish and Colonel Townshend, and Princess Caroline, attended by the Countess of Suffolk, present.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Beggar's Wedding

122
10 March 1746 @ Hickford's Room

Event Comment: HHickford's Great Room, Brewer St. Benefit Brown. Tickets 5s. Tickets at Walsh, in Catherine St., Strand; Mrs Wamsley's/Musick/shop the Corner of Picadilly; Simpson's Musick shop in Swithin's Alley, Cornhill; Johnson's Musick shop, Cheapside; Brown's in Margaret St., near Cavendish Square; and at the place of performance

Performances

Mainpiece Title: A Concert

123
08 May 1779 @ Covent Garden

Event Comment: Benefit for Dumay, Harris & Holloway. [For Wright see 13 May. Mrs Sutton was from dl.] Public Advertiser, 7 May: Tickets to be had of Dumay, Sand-hill, behind the Foundling Hospital; of Harris, No. 42, Wells-street, Cavendish-square; of Holloway, Newington Butts

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Liverpool Prize

Dance: End II: Minuet-Dumay, Miss Dagueville; and the Minuet de la Cour-Holloway, Miss Besford; End I afterpiece: New Dance-Harris, Mrs Sutton (1st appearance on that stage); with a New Allemande-

Ballet: End: The Humours of Newmarket. As17790503, but Jockeys-Holloway; Ladies-Miss +Besford

124
07 March 1782 @ King's Theatre

Event Comment: Benefit for Pacchierotti. A Serious Opera; the Music by Bertoni. Tickets to be had of Pacchierotti, No. 8, Great Marybone-street, Cavendish-square

Performances

Mainpiece Title: Quinto Fabio

Dance: End of Act I Pastoral Dance, as17820129; End of Act II New Divertisement Dance, as17820216; End of Act III Divertisement Dance, as17811117, but Raymond in place of Bournonville

125
09 May 1782 @ King's Theatre

Event Comment: By Desire of His Royal Highness the Prince of Wales. Benefit for Gardel. Tickets, half a guinea each, to be had of Gardel, No. 26, Margaret-street, Cavendish-square. 1st ballet: With entirely new Music, and a new Overture by Carter (Morning Herald, 25 May)

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411