Event Comment: Mainpiece: Written by George Duke of Buckingham. Receeipts: #73 15s. (Account Book); #80 (Rylands MS.)

Event Comment: Mainpiece: Written by George, Duke of Buckingham

Event Comment: Written by George Duke of Buckingham. Never perform'd there before. Tis hop'd no Gentleman will take it ill if they are not admitted behind the Scenes, it being impossible to go through the Performance, if the Passages are not kept clear. Tickets at 4s., 2s. 6d., 1s. 6d. [prices repeated for the run of this play]

Event Comment: Written by George, Duke of Buckingham. Perform'd to a very numerous and crowded Audience. (Daily Advertiser, 8 Oct.)

Event Comment: Never acted there before [i.e., by this company]. Written by George, Duke of Buckingham. Mr Bayes' Troops have been on their March for some Days past from their last Encampment in Goodman's Fields; they march'd in good Order through the City without Beat of Drum, and were received at Lincoln's Inn Fields, where they have now pitch'd their Tents with great Acclamations of Joy by the Populace. We hear they will be re-enforced by some Auxiliaries from Covent-Garden; and we can assure the Publick, there will certainly be a Battle of Monday next, so the Report of their going quietly into Winter Quarters without coming to Action, proves a groundless Tale, and was merely calculated to serve some private Ends. Daily Advertiser, 4 Dec

Event Comment: Benefit Berkley, Bride, Pritchard, Saunders, and Keisher. Tickets for Lawley, Lathbury, George will be taken

Event Comment: Written by George Duke of Buckingham. Mainpiece: Not acted these 5 years [see 29 March 1742]. With all the Music, Songs, Dances, Scenes, Machines, Habits, and other Decorations proper to the play. Also the Additional reinforcement of Mr Bayes's new Rais'd Troops

Event Comment: ctually no play. Death of George II closed theatres three weeks.] Mainpiece: Not acted in 2 years. [See 28 April 1759. There was no income this night, but the play list had to be met. The house carried a profitable balance of #318 16s. 5d. The payroll plus other expenses came to #284 12s. 9d., leaving a thin balance of #34 3s. 8d. (Account Book). Other bills included #14 17s. to Luppino for making dancing dresses; Robertson 10s. for attendance four nights in The Rape; Miss Ibbott #5 5s. for performing the part of Queen Elizabeth in the Earl of Essex; Marenesi and wife advanced weekly #2 2s. till the Theatre opened again (Account Book)

Event Comment: Paid half year's rent to the Marquis of Tavistock, due Michelmas last #150 4s. 7d.; Paid George Garrick for use of the managers #21; Paid Mr Barry on his note #30 Mr (Fauxhall acct) #1 1s. Rec'd stopages #3 7s. (Treasurer's Book). Receipts: #259 13s. (Treasurer's Book)

Event Comment: Afterpiec : A New Burletta [by George Colman]. The Characters New Dress'd. The Music entirely New composed by Mr Arnold. Books of the Burletta to be had at the Theatre. [Books sold at each subsequent performance this season. See Town and Country Magazine (from Theatre No. XII, p. 593) for comment on the afterpiece.

Event Comment: Benefit for Baddeley. Miss Sherry made her first appearance upon this Stage in Lady Macbeth, a Sensible Speaker pretty good voice Short Clumsy Figure met with Applause--The Farce very well receiv'd (Hopkins Diary). Afterpiece: A Farce by George Downing. Paid 6 day's salary at #82 19s. 9d., #497 18s. 6d.; Mrs Abington on Cloaths acct, #2; Mr S. French 6 days #1 10s. (Treasurer's Book). Receipts: #135 1s. 6d. Charges: #68 12s. Profits to Baddeley: #66 9s. 6d. (Treasurer's Book)

Event Comment: Afterpiece: Altered from Milton [by George Colman]. Books of the Entertainment to be had at the Theatre. Receipts: #181 4s. 6d

Event Comment: Mainpiece: A New Comedy (never performed) [by George Colman]. Paid Miller for performing 11 nights in The Sylphs #2 15s. Paid Mr Anderson for 2 suits of women's cloaths #21 (Account Book). [The mainpiece received a scourging review in the Westminster Magazine for Feb. 1774. Gibbon attended, "We dined at the Shakespeare and went in a body to support it....Though we got a verdict for our client his cause was but a bad one. It is a very confused miscellany of several plays and tales" (John Hampden@Journal, p. 18).] Receipts: #258 3s. (Account Book)

Event Comment: Mrs Baddeley who play'd the Lady in Comus got out of the Enchanted Seat before her time & made a great Laugh the Farce was much hiss'd at the End (Hopkins Diary). [The Masque (never performed there) is the version reduced to two Acts by George Colman.] Benefit for Cautherly. Paid Mr J. Aickin in part of #60 in lieu of Benefit (remiting #10 to his credit) #50. Receipts: #197 11s. 6d. Charges: #68 17s. Profits to Cautherly: #128 15s. 6d. (Treasurer's Book)

Event Comment: Mainpiece [1st time; BO 3]: Being the Sequel to The Beggar's Opera, Written by Gay, with Alterations [by George Colman elder; the overture (a compilation of airs from The Beggar's Opera) and 6 new airs by Samuel Arnold]. Books of the Opera to be had at the Theatre. [Mrs Colles is identified on playbill of 9 July.] Public Advertiser, 20 June: This Day is published Polly (1s.)

Event Comment: Mainpiece [1st time; PAST 3]: Taken from [The Winter's Tale, by] Shakespeare [altered by George Colman elder]. Afterpiece: Likewise taken from [A Midsummer-Night's Dream, by] Shakespeare. Books of both pieces to be had at the Theatre. The Musick of both pieces by the most eminent Composers [i.e. Michael Arne, Dibdin, Dr Burney, Hook, Theodore Smith, Dr Arnold]. The Characters new dressed

Event Comment: Mainpiece [1st time; CO 3, by George Colman elder, based on Le Barbier de Seville; ou, La Precaution Inutile, by Pierre Augustin Caron de Beaumarchais; music by Samuel Arnold and, by attribution, Pierre Alexandre Monsigny. Prologue by the author (Collection...of English Prologues and Epilogues, II, 209). Epilogue by David Garrick (Garrick's Poetical Works, II, 340). Larpent MS 436; not published; synopsis of plot in London Magazine, Sept. 1777, pp. 467-69]: With New Dresses and Scenes

Event Comment: Mainpiece: Altered from [The Artful Wife, by William? Taverner. [1st time; C 3, by George Colman elder. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 20 May. Public Advertiser, 19 May, notes that the Prologue was the same as that spoken on 15 May 1777. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep Places are to be at the door in Suffolk-street by Five o'clock. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On account of the Performers employed at other Theatres the second Night of Representation cannot be till Thursday, the 21st inst. [On this night, the 18th, Baddeley's name is in the playbills at both dl and hay.

Event Comment: Mainpiece: 8th time [i.e. in continuation of the reckoning for the previous season. Prologue by George Colman elder. Epilogue by David Garrick (see 30 Aug. 1777)]. Books of the Songs to be had at the Theatre

Event Comment: Mainpiece [1st time; c 4, by George Colman elder. Prologue by the author (Prose on Several Occasions, III, 244). Epilogue by David Garrick (Poetical Works, II, 351). Larpent MS 450; synopsis of plot in London Chronicle, 11 July Postcript; not published]

Event Comment: Mainpiece: Not acted these 150 years [acted 31 Jan. 1723]. Written by Beaumont and Fletcher [with alterations by George Colman elder. Prologue by David Garrick (Poetical Works, II, 354)]. The Musick by Purcell. New Scenes, Dresses and Decorations. Public Advertiser, 30 July 1778: This Afternoon at five is published Bonduca (1s.)

Event Comment: The Flitch of Bacon [announced on playbill of 9 June] is obliged to be deferred. [Mainpiece: Prologue by George Colman, the elder.

Event Comment: Mainpiece [1st time; C 4, by George Colman elder. Prologue by the author (Morning Chronicle, 13 Oct.). Scenery by Rooker (ibid. 1 Sept.). Larpent MS 490; not published; synopsis of plot in London Magazine, Sept. 1779, pp. 405-7]. "The first three acts want business, and the denouement is rather suddenly brought about...The greatness of the task of performing a character of which Mrs Abington had been announced as the intended representative seemed to inspire [Miss Farren] with additional zeal, and helped her to gain additional credit" (Morning Chronicle, 1 Sept.)

Event Comment: 1st piece [1st time; PREL I, by George Colman, the elder]. "The ground-work was the apologies received from the great actors, who all preferred their suburban shades to the temperature of the Haymarket...The prompter enters to apologize to the audience and return the money, but his plea is rendered nugatory by certain oratorical and mimetic personages stationed in the pit and boxes, who not at first being recognized by the house as professional people, a great confusion was produced. When Mrs Webb arose to address the audience, the joke became apparent, and a prodigious interest was excited' (Boaden, Siddons, 1,208). [In 2nd piece the playbill lists Baddeley, but "Previous to the beginning of the Play, Palmer came forward...and acquainted [the audience] that Baddeley then lay speechless [as the result of a stroke], and Hitchcock, the prompter, would, with their permission, read Baddeley's Part" (London Chronicle, 31 May). The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Public Advertiser, 6 July 1780: This Day is published The Manager in Distress (1s.)

Event Comment: "My father [George Colman elder] told me that, on the seventh of June, on which day and night desolation had attained its climax [because of the Gordon riots], and London is said to have been seen from one spot blazing in thirty-six different parts, the receipt of his playhouse exceeded twenty pounds. This sum appears somewhat of the smallest for the night's receipt of a Theatre Royal in London; but how, instead of twenty pounds-worth of spectators, twenty persons, or one person, could have calmly paid money to witness, in the midst of this general dismay, a theatrical entertainment, is astonishing' (Peake, II, 47)