SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Monck Berkeley"/1) | (@(roleclean,performerclean) "George Monck Berkeley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4198 matches on Author, 653 matches on Performance Comments, 597 matches on Event Comments, 174 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Abroad And At Home

Related Works
Related Work: Abroad and at Home Author(s): Joseph George Holman

Afterpiece Title: An Egeirophadron

Afterpiece Title: The Round Tower; or, The Chieftains of Ireland

Song: In: Together let us range-Incledon, Mrs Atkins

Performances

Mainpiece Title: The Votary Of Wealth

Related Works
Related Work: The Votary of Wealth Author(s): Joseph George Holman

Afterpiece Title: A Divertisement

Dance: Afterpiece: Minuet de la Cour and Gavot-Klanert, Mrs Watts

Performances

Mainpiece Title: The Red-cross Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Joseph George Holman

Afterpiece Title: The Follies of a Day

Performances

Mainpiece Title: The Red-cross Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Joseph George Holman

Afterpiece Title: High Life below Stairs

Dance: In II afterpiece: Mock Minuet-Palmer, Miss DeCamp

Performances

Mainpiece Title: The Red-cross Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Joseph George Holman

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: The Red-cross Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Joseph George Holman

Afterpiece Title: Fortune's Frolick

Performances

Mainpiece Title: The Red-cross Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Joseph George Holman

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: The Red-cross Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Joseph George Holman

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Votary Of Wealth

Related Works
Related Work: The Votary of Wealth Author(s): Joseph George Holman

Afterpiece Title: Robin Hood

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Naval Pillar

Afterpiece Title: The Death of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Dance: In 2nd piece: As17991007

Song: In 2nd piece: As17991011

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Death of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Afterpiece Title: The Naval Pillar

Dance: In 3rd piece: As17991007

Song: In 3rd piece: As17991011

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Death of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Afterpiece Title: The Naval Pillar

Dance: In 3rd piece: As17991007

Song: In 3rd piece: As17991011

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Death of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Song: Vocal Parts, as17990930, but _Dyke, Whitmore, added: Ms +Litchfield, Ms +Mills, Ms +Dibdin, _Incledon

Performances

Mainpiece Title: Abroad And At Home

Related Works
Related Work: Abroad and at Home Author(s): Joseph George Holman

Afterpiece Title: The Volcano

Performances

Mainpiece Title: The Votary Of Wealth

Related Works
Related Work: The Votary of Wealth Author(s): Joseph George Holman

Afterpiece Title: The Rendezvous

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: Abroad And At Home

Related Works
Related Work: Abroad and at Home Author(s): Joseph George Holman

Afterpiece Title: Britain's Sons; or, Success to our Heroes

Afterpiece Title: The Turnpike Gate

Song: In: Together let us range the Fields-Incledon, Mrs Atkins; The Soldier Tir'd (from Artaxerxes)-Mrs Atkins

Event Comment: The date of the premiere is not known, but Robert Hooke, attended play on 27 Aug. 1675 which might well refer not to Psyche but to Duffett's travesty of it. In addition, John Harold Wilson has argued that the reference in the Prologue to "The new-come Elephant" probably concerns the elephant imported by Lord George Berkeley and sold by 12 Aug. 1675 (see The Diary of Robert Hooke, p. 174). The cast also contains a number of "young actors" who might well have had an opportunity to act in a play in the summer vacation

Performances

Mainpiece Title: Psyche Debauched

Event Comment: Mainpiece: By Desire. Last Time of performing it. Receipts: #153 14s. 6d. Barry's 113 of surplus came to #24 11s. 6d. Paid George Lambert (scene painter) 3 months' salary #25. The following additional Renters came in this night at 1 share each: Thomas Fludyer, John Calcraft, Charles Lanoe, and Samuel Berkeley. Richard Vincent Sr bought in at 2 shares (Account Book)

Performances

Mainpiece Title: Mariamne

Afterpiece Title: The Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Joseph George Holman
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Mainpiece: By Particular Desire. Recipts: #222 0s. 6d. Paid Meares (Tailor) #1 11s. 4d.; Paid Mr Monck 80 days salary to this day #20; Paid Xmas Boxes: King's Footmen, #2 2s., Chairmen, #2 2s., Prince of Wales Footmen, #1 1s., Chairmen, #1 1s., Princess of Wales Footmen #1 1s., Chairmen #1 1s., Porters at Inns of Court #3 14s

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Englishman Returned from Paris

Dance: II: The Threshers, as17591005

Event Comment: Receipts: #122 15s. 6d. Paid Meares (tailor) #4 1s. 4d.; Kemp for 6 nights #9 12s.; Monck for 6 days #1 10s.; Sarjant for his salary to Xmas '59, #5; Music in Beggar's Opera 2 nights

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Duke and no Duke

Dance: As17600108, but Comic Dance [probably The Plowman]-Poitier, Mlle Capdeville

Event Comment: Mainpiece [1st time; MD 3, by the Hon. Francis North. Johnstone was from cg]: The Music partly new by Gyrowetz, and partly compiled [by Miss Monck, or Monckton] from Paisiello, Sacchini, and Guglielmi. With new Dresses, Decorations, &c. Books of the Songs to be had at the Theatre. Oracle, 27 June: The chief excellence of this piece is the preservation of costume. Gazetteer, 27 June: Bensley disgraced a performance otherwise good by concluding his sentences with a rant, and a look at the gallery. Times, 9 July 1791: This day is published The Kentish Barons (1s. 6d.)

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Kentish Barons

Event Comment: Christopher Rich's Company. The date of this revival is not certain. Apparently the revival was in preparation before the division of the company, but the publication of the Songs in 1695 confines the production to the period between mid-April and the late autumn. For the opera, see The Works of John Dryden, Vol. VIII: The Plays, edited by John Harrington Smith and Dougald MacMillan (Berkeley and Los Angeles, 1692), pp. 325-30; Moore, Henry Purcell and the Restoration Theatre, Chapter VI;and Purcell's Works, Purcell Society, Vol. XIX. The Songs (1695), the music by Henry Purcell, lists the following pieces and singers: I, Wake, wake, Quivera, sung by Freeman. I, Why shou'd men quarrel, sung by The Boy, with Flutes. Their looks are such that mercy flows, sung by Freeman. II, I come to sing, sung by Freeman. Scorn'd Envy here's nothing, sung by Freeman. Begone, curst Feinds of Hell, sung by Freeman. III, Ah, how happy we are, sung by Freeman and Church. I attempt from Love's sickness to fly, sung by Mrs Cross. IV, They tell us that you mighty powers above, sung by Mrs Cross. In addition, other parts of the opera appeared elsewhere: Act V, a Masque, set by Daniel Purcell, O Bless the Genial Bed with chast delights, in Deliciae Musicae, First Book of the Second Volume, 1696. [The others, since they do not name the performers, are omitted here.

Performances

Mainpiece Title: The Indian Queen

Event Comment: [By Joseph Addison.] Never Acted before. G. Berkeley to Sir John Percival, 16 April: On Tuesday last...Cato was acted the first time. I am informed the front boxes were all bespoke for nine days, a fortnight before the play was acted. I was present with Mr Addison, and two or three more friends in a side box, where we had a table and two or three flasks of burgundy and champagne, with which the author (who is a very sober man) thought it necessary to support his spirits in the concern he was then under, and indeed it was a pleasant refreshment to us all between the acts....The actors were at the expence of new habits, which were very magnificent. (Rand, p. 113. See also Victor, II, 29-31, and Cibber, I, 122-23, II, 127-33)

Performances

Mainpiece Title: Cato

Event Comment: G. Berkeley to Sir John Percival: Mr Addison's play has taken wonderfully, they have acted it now almost a month, and would I belive act it a month longer were it not that Mrs Oldfield cannot hold out any longer, having had for several nights past, as I am informed, a midwife behind the scenes (Rand, p. 115)

Performances

Mainpiece Title: Cato

Event Comment: Benefit for ye Middlesex Hospital. Part of Pit laid into Boxes. Tickets to be had at Mr John Horne's, Treasurer of the Hospital, in Market St., near Newport Market; At Tom's Coffee House, Cornhill; The White Hart Tavern, Holborn; The Bedford Coffee House, Covent Garden; Berkeley Square Coffee House; at the Hospital, and of Varney at the Theatre, where places may be taken. Receipts: #280 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Author

Song: I: Miss Young