SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Jeffreys"/1) | (@(roleclean,performerclean) "George Jeffreys")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4195 matches on Author, 681 matches on Performance Comments, 590 matches on Event Comments, 176 matches on Performance Title, and 3 matches on Roles/Actors.
Event Comment: Benefit for Portal, Stevenson, Percey, George, Bowley, Woollams, Massingham, Edwards and Chumbley [box-keepers]. Mainpiece: In II a Masquerade. Receipts: #61 3s. (26.4.0; 24.4.0; 0.12.6; odd money: 10.2.6; tickets: none listed) (charge: #211 17s. 6d.)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: No Song No Supper

Event Comment: "...Richard III, which I saw performed at Drury-lane theatre at the beginning of the present season...The dresses of the characters which here make their appearance are in the usual half-and-half mode, made up from portraits of Charles I's reign, and from unrestrained fancy. Richard's habit, indeed, shews a faint hint, at the costume of his day; but how modernized! A fancy cap and feather,with a milliner's white-ribband rose, sewed thereon. A deep ruff, of that make not known until the reign of James I From the neck depends a ribband With the George: this decoration never seen in paintings till about the fashions of the abovementioned monarch's court. On his legs and feet, white silk stockings, white shoes, and red roses. These latter ornaments unknown before Elizabeth or James I's modes of dress prevailed; at any rate, they should have been white ones to have accorded with the party-badge in his cap." Writer signing himself "An Artist and an Antiquary" in Gentleman's Magazine, Apr. 1800, p. 319. Receipts: #225 16s. 6d. (178.3.6; 47.12.0; 0.1.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Embarkation

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor; Epilogue by George Colman, ynger (see text)]: With new Scenes and Dresses. Morning Chronicle, 7 Dec. 1799: This day is published Management (2s.). Afterpiece: In 3 acts. Receipts: #259 18s. (254.3.6; 5.14.6)

Performances

Mainpiece Title: Management

Afterpiece Title: The Miser

Event Comment: The last time of the Company's performing this Season. Benefit for Portal, Stevenson, Percey, George, Bowley, Woollams, Massingham, J. Edwards, Chumbley [box-keepers]. Receipts: #54 3s. (32.2; 22.1; 0.0; tickets: none listed) (charge: none listed)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Follies of a Day

Song: In course evening: The Soldier tir'd of War's alarms-Miss Stephens; End I afterpiece: Crazy Jane-Mrs Bland

Event Comment: Mainpiece [1st time; CO 3, by Joseph George Holman]: The Overture and the whold of the Musick by Davy. Books of the Songs to be had at the Theatre. [Miss Wheatley was from cg.] Morning Chronicle, 20 Aug. 1800: This day at twelve o'clock is published What a Blunder! (2s.)

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: The Deaf Lover