Event Comment: At The George Inn Yard

Event Comment: At The George Inn Yard

Event Comment: At The George Inn Yard

Event Comment: At The George Inn Yard

Event Comment: At The George Inn Yard

Event Comment: Mainpiece: Not acted these two years. [George II's death had closed the theatres on 4 Nov. the previous year.] Income from Boxes #14 15s. Paid Mr Powell for two years att[endin]g Office & pass [?] Ac[count]. #100. Advanced to Hull #20. Receipts: #64 16s. (Winston Theatrical Record)

Event Comment: Income from Boxes #17 6s. Paid subscription to St George's Hospital one year #5 5s. Paid Foote one-quarter part of #89 2s., being the surplus above #60, allow'd for charge as per agreement #22 5s. 6d. Receipts: #149 2s. (Winston Theatrical Record)

Event Comment: With New Habits, Scenes, Decorations and Music. Full Prices. Songs in the Entertainment will be given out at the Theatre. Afterpiece compos'd by Love, perform'd with success (Victor, I, 40). [N.B. In June 1762 the King of the Cherokee Indians arrived with two of his chiefs to pay respects to King George III. On 28 August they appeared at Marylebone Gardens. A dmission Price to see them 6d. (London Chronicle, No 857 & 860).

Event Comment: By Command of their Majesties, an Occasional Oratorio "selected from the most celebrated compositions of the late George Frederick Handel." Pit and Boxes to be put together. No person to be admitted without Tickets which will be deliver'd this day at the Office in the Theatre at half a guinea each. First Gallery 5s. Upper Gallery 3s. 6d. Galleries to be opened at half past Four. Pit and Boxes at Five. To begin at half after Six. This day Publish'd Price 1s. An Occasional Oratorio, as it is to be performed at Covent Garden...J. and R. Tonson. [The most provocative commentary on Oratorios may be found in [Robert Maddison's] An Examination of the Oratorios performed This Season at Covent Garden, (London, 1763) 63 pages, wherein he seeks to define the genre, then judge the performances in terms of his definition.

Event Comment: Benefit for Miss Catley and Hull. Afterpiece: By Desire, but for last time this season. No Building on Stage (playbill). [The Briton" song is Larpent MS 203, high praise of George III, as a truly British king.] Such as please to send for tickets shall have the words of the Ode gratis

Event Comment: Benefit for the Colleges of Philadelphia and New York. Mainpiece a Sacred Ode written by Dr Brown set to select Airs, Duets and Choruses from Mr Handel, and other Eminent Composers, with the addition of several new songs. Pit and Boxes to be put together. No Persons to be admitted without tickets, which will be deliver'd at the Office of the theatre at 1!2 a Guinea each; and also at the following Coffee House, viz: the Smyrna, Pall Mall; the Mount, Grosvenor St; George's, Temple Bar; the Rainbow, Cornhill, the New York, Sweetings's Alley; and the Pennsylvania, Birchin Lane. First Gallery 5s. Second Gallerp 3s. 6d. Galleries to be opened at half past Four, Pit and Boxes at Five. To begin at 1!2 after Six (playbill). This philanthropic enterprise, of which the theatrical benefit was but a part, seems not to have born much fruit for the respective Colleges. See Letter to the Governors of the Colleges of New York, respecting the Collection that was made in the Kingdom in 1762 and 1763, for the Colleges of Philadelphia and New York, to which are added Explanatory notes and appendix. By Sir James Jay, M. D. (London, 1771). The funds collected seem largely to have been used up in a law suit. The Governor of the College of New York, Rev. Dr Johnson, asked Jay to collect funds, which he did. Alderman Trecothick wrote Dr Johnson that the funds were not safe in Jay's hands. The Governors insulted Jay, and when they found they were wrong refused to apologize. They entered a bill against him in Chancery to gain the funds. It dragged out for four years. When the power of Attorney had been given to Trecothick, he claimed that a sum of #1437 15s. 6d. was unaccounted for by Jay, and was supposed to be in Jay's hands. Jay explained the Governors had not reckoned on reimbursement for his time and expenses for two years.

Event Comment: Benefit for Love. Mr Love Hiss'd in the Scotchman. Dumont by Mr Powell (Hopkins). Characters Dress'd in Habits of Times. Mr Love was hissed very much in the Scotchman, and the Farce hissed at the end (Hopkins Diary-MacMillan). No building on stage. On Saturday Othello with a New Burletta call'd Music A-La-Mode, or Bayes in Chromatics For the Benefit of Vernon. [The principal characters were to have been played by King, Vernon, Packer, Fox, Mrs Mrs Dorman, and Miss Young (Public Advertiser, 13 April). But it was deferred at the last minute and seems never to have been performed. Larpent MS 237 lists the parts: Dr Crochet, Player-Packer; Squire, Justice; Damon; Daphne, Chorus of Shepherds and Nymphs. $J. P. Kemble thought it a burlesque at the expense of Dr Arne (professor of nonharmonic music). The Player wants in it to banish all but four plays (Tamerlane, London Cuckolds, George Barnwell, and Twelfth Night) and fill stage performance with music.] Receipts: #208 14s. 6d. (MacMillan); charges: #64 4s. [Profit to Love: #144 10s. 6d.

Event Comment: Benefit for Ackman and Mrs Bradshaw. Tickets deliver'd for George Barnwell will be admitted

Event Comment: Mainpiece: By Particular Desire. Rec'd stopages #4 1s.; Paid salary list #435 5s.; Paid George Garrick for use of the managers #50 (Treasurer's Book). Receipts: #238 18s. 6d. (Treasurer's Book)

Event Comment: Paid George Garrick on account #100; Chorus singers 2 nights, #5 1s. (Treasurer's Book). Receipts: #142 2s. 6d. (Treasurer's Book)

Event Comment: Paid George Nicoll's Bill for lines [ropes] #3 18s. 6d. (Treasurer's Book). Neck or Nothing Published at 1s., Cunning Man published at 1s. Receipts: #100 5s. 6d. (Treasurer's Book)

Event Comment: Benefit for the Middlesex Hospital. House Charges #84. [Profit to Hospital #10 11s. The Treasurer's Book does not break down charges as minutely as does the Covent Garden Account Book. They are lump sum affairs. Nor does Victor include ticket receipt analysis.] Paid George Garrick for use of the managers #169; B. Johnson's Head Bill #1 11s. 9d. Philips for men's cloaths #10 10s.; Costain for old point lace #1 15s. (Treasurer's Book). Receipts: #94 11s. (Treasurer's Book)

Event Comment: Mainpiece: By Particular Desire. Paid George Garrick #50; Paid Mr Guy (plumber) #53 15s.; Mr Debrose, (linen draper) #20 11s. 6d.; Scott (copper lace) bill #158 15s. 6d.; Hewetson (silver lace) bill #42 8s.; Gastrill (mercer) 2 bills, #227 2s. (Treasurer's Book). Receipts: #196 2s. (Treasurer's Book)

Event Comment: [R+Rich's Register lists The English Merchant.] Paid Blandford (tallow chandler) #49 8s. 10d. Paid George Garrick for use of the managers #15 15s.; Paid French on account #20; Advanced to Granier on note #4 2s. 10d.; to Keen on note #4 4s. Rec'd stopages 16s. 6d. (Treasurer's Book). Sylas Neville (Neville MS Diary): With difficulty got into the Pit at Drury Lane, where I stood at the side so jambed up that I could not read the newspaper I carried: But I saw the play very well. It was Rule a Wife and Have a Wife, with the Farce of the Devil to Pay. Duke by Havard, Cacafago by Love, very well. Copper Capt. by Palmer, pretty well. Old woman pretty well by Mrs Baddeley, Astifania by Mrs Pritchard excellently, tho she is too old for the first part of this character. Leon inimitably by Garrick. I think he shows a good deal of Abel drugger, [both published and unpublished portions of the Neville Diary.] Receipts: #261 15s. 6d. (Treasurer's Book)

Event Comment: Benefit for Mrs Arne. Afterpiece: By Desire. House Charges #68 16s. 6d. [Profits to Mrs Arne #150 18s. 6d.] Tickets deliver'd for The Beggar's Opera will be admitted. Dido oblig'd to be defer'd a few days. Paid 1 year's Watch for St Martin's #10 2s.; Reynolds Oil bill #46 4s.; Carpue (silk dyer) #7 9s. 6d.; Jennings (glover) #13 12s.; Vernon on note #21; Chorus 1 night #2 5s. 6d.; Hautboy 5s.; Salary list #294 2s. 8d. [Treasurer's Book). Receipts: #219 14s. (Treasurer's Book). At 4 dined at the Chop House in St Clements. At 5 went to Drury Lane to see the Tempest for the benefit of Mrs Arne the prettiest performer at the house...She has a sweet little voice...A grand Dance of Fantastic Spirits in different shapes. At the end of the play a Double Hornpipe by Mr Walker and Miss Tatley. We had the entertainment of Daphne and Amintor with dancing by Sg and Sga George, Sg Tessoni, Miss King, &c. Having a seat in the third row of the Pit, was much pleased as all the principal characters were well played and the scenery is very fine. Had I been later in going, I should not have got in (Neville MS Diary)

Event Comment: Benefit for Palmer. House charges #66 3s. 6d. [Profit to Palmer #74 18s. 6d.] Afterpiece: Not acted for 14 years. [See 11 Feb. 1748.] Last till after the holidays. Paid George Garrick on account #50 and French on account #20; Salary list #290 12s. 8d. (Treasurer's Book). Receipts: #141 2s. (Treasurer's Book)

Event Comment: Benefit for Miss Pope. The Comedy in 2 acts taken by Miss Pope from Mrs Sheridan's Discovery. House charges #64 17s. [Profit to Miss Pope #115 5s.] Paid B. Johnson's Head bill 18s. 7d.; Manager's subscription for St George's #10 10s.; Soldier's practice for Alexander 8s. 6d. (Treasurer's Book). [Neville attended this night and in his Diary compliments all the performers and dancers. I am afraid Vernon's attempt to imitate old Shuter will prove vain. He added something to the introduction to the Cries tonight."] Receipts: #180 2s. (Treasurer's Book)

Event Comment: Afterpiece: A New Comedy in 2 Acts [by George Colman] never perform'd before. [Reviewed, not too favorably in Monitor No IV, (14 Nov. 1767).] Receipts: #192 7s. Account Book)