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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Granville Lord Lansdowne"/1) | (@(roleclean,performerclean) "George Granville Lord Lansdowne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7027 results for: Keyword - George Granville, Lord Lansdowne
We found 4195 matches on Author, 2253 matches on Performance Comments, 1131 matches on Event Comments, 283 matches on Performance Title, and 0 matches on Roles/Actors.

6651
30 April 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Delpini. The Band from the Opera-house. Play: In 3 acts [i.e. reduced from the original 5]. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])

6652
03 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: A Pasticcio

Performance Comment: Scene I. A favourite Catch and Glee by Suett, Williames, Barrymore. Scene II. A favourite song by Miss George. Scene III. As Scene III, 26 Apr. Scene IV. Gramachree Molly by Miss Phillips. To conclude with The Sportsmen's Return, as17840311athi .
Cast
Role: Lord Hartwell Actor: Barrymore

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin (an Usurper transformed by Magic to the Duke of Florence)-Palmer; Brunetto (Prince of Savoy)-R. Palmer; Barbarino and Alberto (Lords and Counsellors to the Duke)-Wilson and Phillimore; Officer-Spencer; Captain of the Guards-Alfred; Count Gulcardi (under the Character of Magosa Magician)-Wrighten; Puritan-Suett; Mason-Fawcett; Whip (the Coachman)-Chaplin; Jailer-Kenny; Supernatural Agents, Attendants upon Trappolin: Eo-Master Whitty; Meo-Master Purser; and Little Fred-Master J. Whitty; Lavinio (the Grand Duke of Tuscany)-Staunton; Officer's Widow-Mrs Love; Old Woman-Mrs Booth; Flametta (Mistress to Trappolin)-Miss Barnes; Prudentia (sister to the Duke)-Miss Tidswell; Isabella (Duchess of Tuscany)-Mrs Hedges .

6653
16 November 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece and afterpiece: Never performed here. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for the 9th will be admitted. The excellency of the Play and Farce are so universally acknowledged that any comment would be impertinent; but the director of the evening's entertainment entreats [sic] the publick to be assured that it shall be conducted with every possible degree of propriety and decorum; that the performers are respectable, and their abilities such as he trusts will merit their approbation

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Romance of an Hour

Dance: End of mainpiece a new Comic Dance, The Affrighted Dwarf, with a whimsical Transformation into Mad Moll (performers not listed)

Monologue: 1784 11 16 End of Act IV of mainpiece Bucks have at ye all by Cross

6654
13 December 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Dighton. The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Irish Widow

Dance: In Act III of mainpiece Hornpipe by Fairbrother. vaudeville. End of mainpiece a Scene in a Sporting Club, in which a Variety of Imitations, Vocal and Rhetorical [performers not listed]

6655
24 January 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Raeburn, Stewart and Rae. Mainpiece: In its original state. Afterpiece: Written by the Author of the Prologue. The Doors to be opened at 5:00. To begin at 6:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Rice at the Theatre; and tickets to be had at Rae's, No. 4, Wardour-street, Soho

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

6656
31 January 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [Author and speaker of Prologue unknown.] The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: King Charles I

Afterpiece Title: The Beggar's Opera (Last Act only)

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

6657
07 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini. Subscription tickets [for 5 nights] to be had of Weltje, confectioner, St. James's-street, and of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

6658
12 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [In 1st piece the cast is not listed; for Decastro's performance in it see his Memoirs, 1824, p. 38.] 3rd piece [1st time; INT 1, author unknown. MS: Larpent 690; not published]: A Commutation Act

Performances

Mainpiece Title: A Trip To Elysium; Or, Foote, Weston, And Shuter In The Shades (as Performed For Wilson's Benefit Last Season, At The Above Theatre [on 10 Aug

Afterpiece Title: The Miser

Afterpiece Title: Twistings and Twinings; or, Tea's the Twaddle

Afterpiece Title: The Quaker

Song: 3rd piece to conclude with Tippee against Twaddle by Wilson

Monologue: 1785 02 12 Following the Singing Joe Haynes's Epilogue, riding on an ass, by Wilson. imitations. End of Act I of 4th piece Imitations, Vocal and Rhetorical, by way of Dialogue. A Gentleman (1st appearance [unidentified]) will take off the Speakers, and Decastro will take off the Singers, with a Dying Scene. After which, Plank, the carpenter, will take them both off

6659
21 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: 1st ballet with a Dance by Duquesney and the two Miss Simonets; to conclude with a Comic Allemande by Baptist, Mme Dagville, Delpini. vaudeville. End of 1st ballet Imitations as17850207, with several Deceptions, with Cards, by Baptist, Interpreter to Pinetti

6660
23 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: Judas Maccabaeus

Music: Between the Acts an organ concerto (composed by Dr Arne) by [Michael] Arne

6661
24 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Miss Woollery. [Author and speaker of Prologue unknown.] The characters to be new dressed, in the habits of the times. Tickets to be had of Miss Woollery, No. 5, Delahay-street, Westminster. The Doors be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Apprentice

6662
28 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: With Dance and Allemande, as17850221 imitations. After the Dancing, as17850207, with a concert on the flute by Monzani

6663
07 March 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: As17850221 imitations. As17850228

6664
14 March 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: As17850221 imitations. As17850228

6665
15 March 1785 @ Haymarket Theatre

Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Benefit for Mrs Pinto, formerly Miss Brett [recte Brent]. Afterpiece: With an additional scene, written by the author of the farce [Isaac Jackman], never performed in London. The Doors to be opened at 5:00. To begin precisely at 6:30. Tickets to be had of Mrs Pinto at Mrs Golden's, milliner, Blackmoor-street, Clare-market

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Dance: In Act III of mainpiece Hornpipe by Miss Besford (of CG)

Monologue: 1785 03 15 End of mainpiece Shuter's Post-haste Observations in a journey to Paris by Dutton

6666
08 April 1785 @ Haymarket Theatre

Event Comment: [By Permission of the Lord Chamberlain (but this notice does not appear on the playbill)]. Benefit for Miss Llewellin. The Doors to be opened at 6:00. To begin at 7:00. Tickets delivered for Monday the 24th, and Thursday the 7th of April will be admitted. Miss Llewellin is the daughter of a late eminent and respectable Merchant in one of our neighbouring islands, whose family have been great sufferers by the late war, and is left with two sisters, orphans. She solicits the patronage of a generous publick for that night only. Tickets to be had of Miss Llewellin, No. 204, Piccadilly

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Apprentice

6667
11 April 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: As17850221 imitations. As17850214

6668
15 April 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini. 1st piece: With a Kitchen Scene. [The new pantomime is identified in Public Advertiser, 16 Apr. The same newspaper on 2 Apr. states that it was the same as that produced at DL for Delpini's benefit in 1782 [10 May].]

Performances

Mainpiece Title: A New Pantomime [don Juan]

Afterpiece Title: The Deserter

6669
18 April 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini

Performances

Mainpiece Title: A New Pantomime

Afterpiece Title: The Deserter

6670
26 April 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville. Tickets and places to be had of Mrs Greville, No. 1, Queen's-court, King-street, Covent-garden. [This was Mrs Pinto's last appearance on the stage (but see 12 May 1786).]

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

6671
29 April 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini

Performances

Mainpiece Title: A New Pantomime

Afterpiece Title: The Deserter

Dance: End of pantomime The Devonshire Minuet by the two Miss Simonets. Imitations. After the Dancing, as17850207

6672
01 June 1785 @ Haymarket Theatre

Event Comment: By Command of Their Majesties. [1st and 2nd pieces in place of Lord Russel, the Manager in Distress and The Son-in-Law, all three announced on playbill of 31 May.]

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: The Agreeable Surprise

Dance: End of 1st piece Divertissement by Byrne, Master Giorgi, Miss Byrne, the two Miss Simonets

6673
16 September 1785 @ Haymarket Theatre

Event Comment: [Extra night] By Permission of the Lord Chamberlain

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Sons of Anacreon

Cast
Role: Landlord Actor: Usher

Afterpiece Title: Here and There and Every Where

Related Works
Related Work: The Dupes of Fancy; or, Every Man his Hobby Author(s): George Saville Carey

6674
13 February 1786 @ Covent Garden

Event Comment: By Command of Their Majesties. Paid Licenses [from the Lord Chamberlain] for Omai and The Fool #4 4s. Receipts: #274 5s. (273/3; 1/2)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Miss in her Teens

Dance: End of Act II of mainpiece The Piping Pedlar, as17851112

6675
06 March 1786 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Griffiths, formerly of Drury-Lane Theatre. The Doors to be opened at 5:00. To begin at 6:00. Tickets delivered by Griffiths for the 27th of February will be taken. Tickets and Places to be had of Griffiths, at the Theatre, every Morning from 10 till 12. Fires are kept to keep the Theatre warm

Performances

Mainpiece Title: Tamerlane The Great

Afterpiece Title: The Mayor of Garratt

Dance: After the Imitations, The Dwarf Dance by Powel

Song: Between the acts of mainpiece several Catches and Glees by some of the principal performers in London. imitations. End of mainpiece Imitations, Vocal and Rhetorical, by Decastro