SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Garrick"/1) | (@(roleclean,performerclean) "George Garrick")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 6822 matches on Author, 1365 matches on Performance Comments, 1169 matches on Event Comments, 187 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Pritchard (Treasurer). Tickets delivered for the London Merchant will be taken. On April 12 that play was advertised for this evening--the part of George Barnwell to be performed (by particular desire) by Mrs Pritchard, Millwood by Mrs Furnival, and Lucy by Mrs Clive. Tickets to be had of Pritchard at his House in Duke's late Earl's Court, Bow St., Covent Garden; and of Hobson at the stage door. Tomorrow Lover's Melancholy, and a New Farce call'd The Club of Fortune Hunters for the Benefit of Mrs Macklin. Receipts: #180 (Cross); house charges, #63 (Powel); cash #85 6s. 6d.; tickets, #81 9s. (Clay MS)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Miss in Her Teens

Cast
Role: Fribble Actor: Garrick
Related Works
Related Work: Miss in her Teens Author(s): David Garrick

Dance: V: Savoyards, as17471215

Event Comment: By command of their Majesties. Did not go to see Garrick play Archer that I might avoid the abhorred sight of George and his family (Neville MS Diary)

Performances

Mainpiece Title: The Stratagem

Cast
Role: Archer Actor: Garrick
Related Works
Related Work: The Stratagem Author(s): George Farquhar

Afterpiece Title: A Peep behind the Curtain

Related Works
Related Work: A Peep Behind the Curtain; or, The New Rehearsal Author(s): David Garrick

Dance: IV: The Lilliputian Camp, as17671202

Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Twelfth Night

Afterpiece Title: Miss in her Teens

Related Works
Related Work: Miss in her Teens Author(s): David Garrick
Event Comment: Benefit for Miss Brunton. Afterpiece: Written by Garrick; Not acted these 12 years [acted 2 Mar. 1776]. Public Advertiser, 26 Mar.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #197 17s. 6d. (123.18.6; 5.16.0; tickets: 68.3.0)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Guardian

Related Works
Related Work: The Guardian Author(s): David Garrick

Dance: II: a Masquerade Dance-incident to the Play; End: The Indian's Ransom, as17870217

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Related Works
Related Work: Cymon Author(s): David Garrick

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Altamont-Gentleman who never appeared on any stage; Calisto-Mrs George.
Cast
Role: Calisto Actor: Mrs George.

Afterpiece Title: The Lying Valet

Performance Comment: Melissa-Mrs George.
Cast
Role: Melissa Actor: Mrs George.
Related Works
Related Work: The Lying Valet Author(s): David Garrick

Performances

Mainpiece Title: Cymon

Performance Comment: Cymon-The Gentleman who performed the character of Young Meadows [on 14 Oct.: Dignum]; Dorus-Parsons; Merlin-Bannister; Dorilas-Chaplin; Damon-Fawcett; Linco-Dodd; Urganda-Miss George (1st appearance in that character); Fatima-Mrs Wrighten; Cupid-Miss J. Stageldoir; Shepherdesses-Miss Barnes, Miss Burnett; Dorcas-Mrs Love; Sylvia-Miss Phillips (1st appearance in that character) .
Cast
Role: Urganda Actor: Miss George
Related Works
Related Work: Cymon Author(s): David Garrick

Afterpiece Title: Bon Ton

Related Works
Related Work: Bon Ton; or, High Life Above Stairs Author(s): David Garrick

Dance: In Act I of mainpiece a Dance of Cupids [performers not listed]; In Act IV a Dance of Daemons by Hamoir, &c. [These were danced, as here assigned, in all subsequent performances.]

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): George Ruggle
Related Work: Ignoramus. Comoedia coram Regia Maiestate Iacobi Regis Anglić, &c Author(s): George Ruggle

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Arthur and Emmeline

Performance Comment: As17851026, but in Vocal Parts-Dignum in place of Williames; added: Miss George . added: Miss George .
Related Works
Related Work: Arthur and Emmeline Author(s): David Garrick

Dance: End of Act II of mainpiece a new Scotch Dance, The Lucky Return, by Williamson, Mrs Sutton, Miss J. Stageldoir, and others

Performances

Mainpiece Title: Cymon

Performance Comment: Cymon-Dignum; Dorus-Waldron; Merlin-Bannister; Daemon of Revenge-Danby; Dorilas-Chaplin; Damon-Fawcett; Linco-Dodd; Urganda-Miss George; Fatima-Mrs Wrighten; Dorcas-Mrs Love; Cupid-Miss J. Stageldoir; Shepherdesses-Miss Barnes, Miss Burnett; Sylvia-Mrs Crouch .
Cast
Role: Urganda Actor: Miss George
Related Works
Related Work: Cymon Author(s): David Garrick

Afterpiece Title: The Romp

Dance: In Act I of mainpiece a Dance of Cupids [performers not listed]; In Act IV a Dance of Daemons by Hamoir, &c

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): George Ruggle
Related Work: Ignoramus. Comoedia coram Regia Maiestate Iacobi Regis Anglić, &c Author(s): George Ruggle
Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Related Works
Related Work: The Country Girl Author(s): David Garrick

Afterpiece Title: No Song No Supper

Event Comment: Benefit for a Widow & Children (Cross), who are fallen into great distress (Winston MS 8). Tickets to be had at Mr Gladman's, a Trunk-maker, Charing Cross; at the Amsterdam Coffee House, behind the Exchange; at the Rainbow and Janeways in Cornhill; at Anderton's and the Temple-Exchange, in Fleet St.; at George's, Temple Bar; Somerset Coffee House, Strand and at Stage Door of the Theatre. Receipts: #97 (Cross)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Lethe

Related Works
Related Work: Lethe; or, Esop in the Shades Author(s): David Garrick

Dance: Devisse, Mad Auguste

Event Comment: Boxes #18 10s. Bought of Mr Ledley 10 doz. candles at 31s. per-#15 10s. Paid 12 months subscription to St George's Hospital #5 5s. (Account Book). Receipts: #123 14s. (Account Book)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Catherine and Petruchio

Related Works
Related Work: Catherine and Petruchio Author(s): David Garrick

Dance: As17601014

Event Comment: Benefit for Mrs Arne. Afterpiece: By Desire. House Charges #68 16s. 6d. [Profits to Mrs Arne #150 18s. 6d.] Tickets deliver'd for The Beggar's Opera will be admitted. Dido oblig'd to be defer'd a few days. Paid 1 year's Watch for St Martin's #10 2s.; Reynolds Oil bill #46 4s.; Carpue (silk dyer) #7 9s. 6d.; Jennings (glover) #13 12s.; Vernon on note #21; Chorus 1 night #2 5s. 6d.; Hautboy 5s.; Salary list #294 2s. 8d. [Treasurer's Book). Receipts: #219 14s. (Treasurer's Book). At 4 dined at the Chop House in St Clements. At 5 went to Drury Lane to see the Tempest for the benefit of Mrs Arne the prettiest performer at the house...She has a sweet little voice...A grand Dance of Fantastic Spirits in different shapes. At the end of the play a Double Hornpipe by Mr Walker and Miss Tatley. We had the entertainment of Daphne and Amintor with dancing by Sg and Sga George, Sg Tessoni, Miss King, &c. Having a seat in the third row of the Pit, was much pleased as all the principal characters were well played and the scenery is very fine. Had I been later in going, I should not have got in (Neville MS Diary)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): David Garrick

Afterpiece Title: Daphne and Amintor

Dance: End: A Double Hornpipe-Walker, Miss Tetley

Event Comment: Benefit for Moody. Paid one year's subscription to St George's Hospital #10 10s. (Treasurer's Book). Receipts: #200 4s. Charges: #64 12s. Profits to Moody: #135 12s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Miss in Her Teens

Related Works
Related Work: Miss in her Teens Author(s): David Garrick

Entertainment: II: by Desire, will introduce the Song in Love-a-la-Mode-Moody

Dance: End: Comic Dance, as17730325

Event Comment: Mrs Yates would not play for Mr Slingsby altho' her name has been advertis'd from the beginning--Mrs Hartly of Covent Garden was ask'd to do the part, She refus'd it as it was to be done there for a Benefit the week after at Last Mr Reddish said Mrs Canning Should do it, & Such a performance I think was never Seen in Drury Lane Theatre very bad indeed many hisses (Hopkins Diary). Benefit for Slingsby. [MacMillan's note from Kemble differs slightly in wording.] Paid 1 yrs. Subscription to St George's Hospital to Lady Day 1776, #10 10s. Receipts: #270 10s. Charges: #68 8s. Profits to Slingsby: #202 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: A Peep behind the Curtain

Related Works
Related Work: A Peep Behind the Curtain; or, The New Rehearsal Author(s): David Garrick

Dance: II: The Favourite Tambourine Dance=, for that night only-Slingsby; End: Grand Provencalle Dance-

Event Comment: Mainpiece [1st time; T 5, by George Edward Ayscough, based on Semiramis, by Voltaire. Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text)]: With New Scenes and Dresses. This Tragedy is a translation from Voltaire by Captain Ayscough. Mrs Yates played finely, and met with the Applause she deserved. Mrs Reddish, alias Mrs Canning, who played the part of Azema, was hissed all through, and must never perform again. Indeed she was very bad. The Play was greatly applauded (Hopkins Diary). Public Advertiser, 24 Dec. 1776: This Day is published Semiramis (1s. 6d.). Receipts: #226 3s. 6d. (224.16.6; 0.0.0; 1.7.0)

Performances

Mainpiece Title: Semiramis

Related Works
Related Work: Semiramis Author(s): George Edward Ayscough

Afterpiece Title: The Irish Widow

Related Works
Related Work: The Irish Widow Author(s): David Garrick

Dance: End I afterpiece: The Irish Fair, as17761031

Event Comment: [Afterpiece: Prologue by George Colman elder.] Paid DeLoutherbourg #41 13s. 4d. [this paid monthly throughout season]. Receipts: #104 3s. 6d. (75.9.0; 27.16.0; 0.18.6)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Bon Ton; or, High Life above Stairs

Related Works
Related Work: Bon Ton; or, High Life Above Stairs Author(s): David Garrick

Dance: II: Masquerade Scene with Dancing-Burton, Henry, Mrs Marklew; End III: Rural Grace, as17771002

Song: II: Masquerade Scene song-Miss Abrams

Event Comment: [Afterpiece: Prologue by George Colman elder.] Receipts: #139 15s. 6d. (108.13.0; 30.15.6; 0.7.0)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Bon Ton; or, High Life above Stairs

Related Works
Related Work: Bon Ton; or, High Life Above Stairs Author(s): David Garrick
Event Comment: [Mainpiece: Prologue by Richard Cumberland. Afterpiece: Prologue by George Colman, the elder.] To begin at 6:00. Pit 2s. Gallery 1s

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Bon Ton; or, High Life above Stairs

Related Works
Related Work: Bon Ton; or, High Life Above Stairs Author(s): David Garrick

Entertainment: Monologue.End: A Sea Fight.Frenchman-Jerrold

Event Comment: Benefit for Mrs Sharp and Mrs Brereton. [Afterpiece: Prologue by George Colman elder.] Receipts: #175 18s. (64.12; 34.2; 0.17; tickets:76.7) (charge: #65 0s. 6d.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Bon Ton; or, High Life above Stairs

Related Works
Related Work: Bon Ton; or, High Life Above Stairs Author(s): David Garrick

Dance: End: New Dance-the Miss Stageldoirs

Event Comment: Mainpiece [1st time; C 5, by Sophia Lee, based partly on Le Pere De Famille, by Denis Diderot. Prologue by George Colman elder (see text)]. Public Advertiser, 14 Sept. 1780: This Day is published The Chapter of Accidents (1s. 6d.)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Miss in her Teens

Related Works
Related Work: Miss in her Teens Author(s): David Garrick
Event Comment: [Afterpiece: Prologue by George Colman elder.] Receipts: #90 12s. (64.16; 25.16; 0.0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Bon Ton; or, High Life above Stairs

Related Works
Related Work: Bon Ton; or, High Life Above Stairs Author(s): David Garrick

Dance: End I: Dance, as17801019; End: The Force of Love, as17801018

Song: As17801005

Event Comment: [Afterpiece: Prologue by George Colman, the elder.] Receipts: #197 9s. 6d. (141/14/0; 55/1/0; 0/14/6)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: Bon Ton; or, High Life above Stairs

Related Works
Related Work: Bon Ton; or, High Life Above Stairs Author(s): David Garrick

Dance: End of mainpiece, as17811004

Event Comment: "When Brabantio speaks to Iago and Roderigo from the Window, Aickin should not show to the audience that he stands upon a Ladder, which he manifestly does, by getting down first, and pulling the Window down after him ... Mrs Ward and Mrs Hopkins seemed to have forgot their Engagement on the Stage, and dressed themselves for a Card Party ... frizzed, hooped and fly-capp'd" (Public Advertiser, 4 Oct.). [Afterpiece: Prologue by George Colman, the elder.] Receipts: #152 0s. 6d. (107/7/0; 44/11/0; 0/2/6)

Performances

Mainpiece Title: Othello

Afterpiece Title: Bon Ton; or, High Life above Stairs

Related Works
Related Work: Bon Ton; or, High Life Above Stairs Author(s): David Garrick
Event Comment: Mainpiece: In Act I a Statute Scene. [This was included in all subsequent performances. Miss George had previously sung in the professional concerts held at Oxford. This was her 1st appearance as an actress.]

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Bannister; Justice Woodcock-Edwin; Sir William Meadows-Thompson; Hodge-Massey; Carter-Wewitzer; Cook-Painter; Eustace-Wood; Young Meadows-Brett; Lucinda-Miss Morris; Madge-Mrs Wells; Housemaid-Mrs Poussin; Deborah Woodcock-Mrs Love; Rosetta-Miss George (1st appearance on any stage). Prologue as17830531 .
Cast
Role: Rosetta Actor: Miss George

Afterpiece Title: The Irish Widow

Related Works
Related Work: The Irish Widow Author(s): David Garrick

Dance: End of Act II of mainpiece Dance, as17830531; End of Act I of afterpiece [annother] Dance by Mr and Miss Byrn