SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Frederick Handel Esq"/1) | (@(roleclean,performerclean) "George Frederick Handel Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4736 matches on Author, 1398 matches on Performance Comments, 1216 matches on Event Comments, 378 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: By George Saville Carey at the Great Room, Panton St., Haymarket. To begin at 8:00 p.m. Price 2s. 6d. [Second night. This was repeated numerous times during the summer season, 28, 30 July, 2, 4 Aug., &c.

Performances

Mainpiece Title: Lecture On Mimicry

Event Comment: Mrs Yates would not play for Mr Slingsby altho' her name has been advertis'd from the beginning--Mrs Hartly of Covent Garden was ask'd to do the part, She refus'd it as it was to be done there for a Benefit the week after at Last Mr Reddish said Mrs Canning Should do it, & Such a performance I think was never Seen in Drury Lane Theatre very bad indeed many hisses (Hopkins Diary). Benefit for Slingsby. [MacMillan's note from Kemble differs slightly in wording.] Paid 1 yrs. Subscription to St George's Hospital to Lady Day 1776, #10 10s. Receipts: #270 10s. Charges: #68 8s. Profits to Slingsby: #202 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: A Peep behind the Curtain

Dance: II: The Favourite Tambourine Dance=, for that night only-Slingsby; End: Grand Provencalle Dance-

Event Comment: Paid salary list #630 1s. 6d. (Treasurer's Book). Tuesday Next, not acted these 2 years. George Barnwell, to which will be added, first time these 6 years, The Jubilee, in honor of Shakespeare. Receipts: #247 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: The Stratagem Author(s): George Farquhar
Related Work: Aerostation; or, The Templar's Stratagem Author(s): Frederick Pilon

Afterpiece Title: The Padlock

Dance: IV: The Irish Fair, as17751003

Event Comment: [Afterpiece: Prologue by George Colman elder.] The Doors to be opened at 5:15. To begin at 6:15 [see 30 Apr. 1777]. Receipts: #194 18s

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Bon Ton

Cast
Role: Duke Frederick Actor: Bransby

Dance: As17761107

Event Comment: Mainpiece [1st time; T 5, by George Edward Ayscough, based on Semiramis, by Voltaire. Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text)]: With New Scenes and Dresses. This Tragedy is a translation from Voltaire by Captain Ayscough. Mrs Yates played finely, and met with the Applause she deserved. Mrs Reddish, alias Mrs Canning, who played the part of Azema, was hissed all through, and must never perform again. Indeed she was very bad. The Play was greatly applauded (Hopkins Diary). Public Advertiser, 24 Dec. 1776: This Day is published Semiramis (1s. 6d.). Receipts: #226 3s. 6d. (224.16.6; 0.0.0; 1.7.0)

Performances

Mainpiece Title: Semiramis

Related Works
Related Work: Semiramis Author(s): George Edward Ayscough

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17761031

Event Comment: Mainpiece [1st time; C 5, by Richard Brinsley Sheridan. Prologue by David Garrick. Epilogue by George Colman elder (London Chronicle, 9 May). Text 1st published (unauthorized), Dublin, 1780]: With New Scenes and Dresses. "No modern theatrical piece ever met with a fuller success, nor deserved it more... The performers deserve every sort of commendation for their spirited exertion in supporting the respective characters, especially Smith, King and the incomparable Mrs Abington" (Gazetteer, 9 May). "To my great astonishment there were more parts performed admirably in The School for Scandal than I almost ever saw in any play. Mrs Abington was equal to the first of her profession, Yates (the husband), Parsons, Miss Pope, and Palmer, all shone. It seemed a marvellous resurrection of the stage. Indeed, the play had as much merit as the actors. I have seen no comedy that comes near it since The Provoked Husband" (Walpole [13 July 1777], X, 82). Receipts: #224 10s. (215.12.0; 8.14.6; 0.3.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Mayor of Garratt

Event Comment: Mainpiece: Never acted here. [Mrs Armstead is identified in Morning Chronicle, 16 May. Prologue by George Colman elder (Collection...of English Prologues and Epilogues, II, 207).] Afterpiece: Not acted these 20 years. With a new Overture, the Original Prologue [by David Garrick], and a New Scene, in which will be introduced an air. With a Grand Jubilee-Pageant, in Honour of Gulliver. The Music, Dresses, Scenes, Trophies and Decorations entirely new. The Music composed by Dr Arnold. ["Lilliput was altered by Garrick (its author), and a procession of cards introduced in it, Gulliver walking as the Knave of Clubs" (Gilliland, I, 121-22). London Chronicle, 16 May, gives a synopsis of this pageant.] The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken at the Theatre. After this Evening the Entertainments of this Theatre will be discontinued till further Notice, on account of the Performers employed at Drury Lane Theatre [see 28 May]

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Lilliput

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time in London; C 5, by Robert Hitchcock, 1st acted at Hull, 14 Nov. 1775]. Afterpiece: Written by George Alexander Stevens. [This was not Charles Macklin's play, The True-Born Irishman, 1st published in Jones' British Theatre, 1795, but Stevens's The French Flogged; or, The British Sailors in America.] Tickets delivered for the 23rd of September and for the Evening will be admitted

Performances

Mainpiece Title: The Coquette; Or The Mistakes Of The Heart

Afterpiece Title: The True-Born Irishman; or, The English Sailors and Soldiers in America

Dance: End IV: a Hornpipe-Miller

Entertainment: ImitationsEnd: Imitations, Vocal and Rhetorical,-Decastro ; several new ones, and those which Foote introduced him in before their Majesties

Event Comment: [Afterpiece: Prologue by George Colman elder.] Paid DeLoutherbourg #41 13s. 4d. [this paid monthly throughout season]. Receipts: #104 3s. 6d. (75.9.0; 27.16.0; 0.18.6)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Bon Ton; or, High Life above Stairs

Dance: II: Masquerade Scene with Dancing-Burton, Henry, Mrs Marklew; End III: Rural Grace, as17771002

Song: II: Masquerade Scene song-Miss Abrams

Event Comment: Afterpiece [1st time in London; F 2, by John O'Keeffe, 1st acted at the Smock Alley Theatre, Dublin, 13 Apr. 1774. Prologue by George Colman elder (Prose on Several Occasions, III, 222)]. Public Advertiser, 16 Aug. 1780: This Day is published Tony Lumpkin in Town (1s.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Tony Lumpkin in Town; or, The Dilettante

Dance: As17780623

Event Comment: [Afterpiece: Prologue by George Colman elder.] Receipts: #139 15s. 6d. (108.13.0; 30.15.6; 0.7.0)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Bon Ton; or, High Life above Stairs

Event Comment: Public Advertiser, 22 Mar.: At the particular Desire of the Nobility and Gentry, the Subscribers to this Theatre, on account of the young Prince's Christening there will be no Opera to-morrow. This delay will prove very convenient for compleating the great Preparations which in every respect are necessary to present [the new] Opera [see 25 Mar.] in all the Magnificence it requires. [Prince Octavius, 8th son of George III, was christened on 23 Mar.

Performances

Mainpiece Title: None

Event Comment: Benefit for Daly. Public Advertiser, 14 Apr.: Tickets to be had of Daly, No. 8, George-street, York Buildings

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Event Comment: Mainpiece: Written by Beaumont and Fletcher [and altered by George Colman elder]. The Music by Purcell. New Scenes, Dresses and Decorations. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep places are to be at the Door in Suffolk-street by Five o'Clock

Performances

Mainpiece Title: Bonduca

Related Works
Related Work: Bonduca; or, The British Worthy Author(s): George Powell
Related Work: Bonduca Author(s): George Colman, the elder

Afterpiece Title: Nature Will Prevail

Dance: End: The Provencale-Master and Miss Byrn

Event Comment: [Mainpiece: Prologue by George Colman elder.

Performances

Mainpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: Midas

Dance: As17790610

Event Comment: Afterpiece: Not acted these 2 years. [Prologue by George Colman, the elder.

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: Bon Ton

Event Comment: [Mainpiece: Prologue by Richard Cumberland. Afterpiece: Prologue by George Colman, the elder.] To begin at 6:00. Pit 2s. Gallery 1s

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Bon Ton; or, High Life above Stairs

Entertainment: Monologue.End: A Sea Fight.Frenchman-Jerrold

Event Comment: Benefit for Mrs Sharp and Mrs Brereton. [Afterpiece: Prologue by George Colman elder.] Receipts: #175 18s. (64.12; 34.2; 0.17; tickets:76.7) (charge: #65 0s. 6d.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Bon Ton; or, High Life above Stairs

Dance: End: New Dance-the Miss Stageldoirs

Event Comment: Benefit for Quick. Morning Chronicle, 22 Mar.: Tickets to be had of Quick, No. 151, Drury-lane. 1st piece [1st time; M. PREL I, by George Downing]: The Music by Hook. 3rd piece: Not acted these 18 years. With a grand burlesque Procession and triumphal Entry of Alexander into London. The Nobles, Guards, Officers and Attendants will be all dressed in the Habits of the Times. Receipts: #274 14s. (173.9; tickets: 101.5) (charge: #70 7s. 6d.)

Performances

Mainpiece Title: The Volunteers; Or Taylors To Arms

Related Works
Related Work: The Volunteers; or, Taylors to Arms! Author(s): George Downing

Afterpiece Title: The Double Gallant

Afterpiece Title: The Rival Queans; or, The Life and Death of Alexander the Little

Dance: End IV: As17791013

Event Comment: Mainpiece [1st time; C 5, by Sophia Lee, based partly on Le Pere De Famille, by Denis Diderot. Prologue by George Colman elder (see text)]. Public Advertiser, 14 Sept. 1780: This Day is published The Chapter of Accidents (1s. 6d.)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Miss in her Teens

Event Comment: [Afterpiece: Prologue by George Colman elder.] Receipts: #90 12s. (64.16; 25.16; 0.0)

Performances

Mainpiece Title: As You Like It

Cast
Role: Duke Frederick Actor: Chaplin

Afterpiece Title: Bon Ton; or, High Life above Stairs

Dance: End I: Dance, as17801019; End: The Force of Love, as17801018

Song: As17801005

Event Comment: By Permission of the Lord Chamberlain. [1st time; M.ENT 3, by George Alexander Stevens. Larpent MS 533; not published. Songs published by R. Snagg, 1780.] The Overture, most of the Airs [see 6 Nov.], and Decorations entirely new. Ne Quid Nimis; or, Too much of one Thing is good for Nothing. Boxes 5s. Pit 3s. Gallery 2s. The Public are respectfully informed that the Upper Gallery will not be opened. The Doors to be opened at 6:00. To begin at 7:00. The Songs, written by G. A. Stevens, are to be had at the Theatre

Performances

Mainpiece Title: The Cabinet Of Fancy; Or, Evening Exhibition

Performances

Mainpiece Title: The Cabinet Of Fancy

Performance Comment: As17801101, but added: Written by George Alexander Stevens, with considerable Alterations and Additions; the Overture, Recitatives, most of the Airs and Chorus entirely new, composed by Claggett.
Event Comment: Benefit for Quick. 1st piece: Never acted here; with Alterations. 3rd piece [1st time; F 2, author unknown, based on George Dandin, by Moliere, and on The Amorous Widow, by Thomas Betterton, and on the anonymous No Wit Like a Woman's. Text 1st published by S. Bladon, 1788.]. Receipts: #283 8s. 6d. (186.11.6; tickets: 96.17.0) (charge: #105)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: A Fete

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Performances

Mainpiece Title: Seventeen Hundred And Eighty One; Or, The Cartel At Philadelphia

Afterpiece Title: Sir Courtly Nice; or, It Cannot Be

Afterpiece Title: Who'd have Thought It

Performance Comment: Characters-Wilson, Whitfield, Wewitzer, Cubitt, Thompson, Booth, Lee Lewes, Mrs Wilson, Mrs Lewis, Mrs Webb; [Partial cast adjusted from hay playbill of 7 July 1781: Strap-Wilson; Ishmael-Wewitzer; Broadhem-Mrs Wilson; Caroline-Mrs Lewis; Mrs Strap-Mrs Webb; Larpent MS lists the other parts: Hawser, Spangle, Lord George Willmore, Clinker, Clod, Box, Frank, Pillage.] Prologue-Lee Lewes.