SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Frederick Handel Esq"/1) | (@(roleclean,performerclean) "George Frederick Handel Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4736 matches on Author, 1398 matches on Performance Comments, 1216 matches on Event Comments, 378 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Paid Dan Malthus, Esq, 1 year's Rent to Xmas last, Land Tax #3 5s. to Mich last deducted #29 15s.; Mr Thomson (Smith &c.) #1 1s. 8d. sewer tax; #36 1s. 6d. (Treasurer's Book). Receipts: #189 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Devil to Pay

Dance: V: The Sailors Revels, as17711008

Event Comment: Paid Mr Chapman for horsekeeping [for Jubilee] #12 6s. (Treasurer's Book). [Published this month A Letter to David Garrick, Esq. on his conduct as Principal Manager and Actor at Drury Lane. Printed for S. Bladon. Accuses Garrick of controlling the press, save for two papers, and thus getting more favourbale treatment than his position and actions deserve. "You are a mere actor. You affect to feel where you do not, and imitate tones, looks and gestures, while your heart is at ease. This should heighten our opinion of you as an artist, whatever we might think of you as a man. I believe you are not generally judged of in this manner. It is not difficult to impose on the world." The author (David Williams?) deprecates Garrick's supposed handling of the actors of his company, and desires to see more Shakespeare. Suggests Garricks' acting perfection lies in the extreme, in exaggerated gesture, and sudden bursts of passion." Suggests he is getting old and should try his hand at Shylock.] Receipts: #271 (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Wit's Last Stake

Event Comment: By Command of their Majesties. Mr Ximenes...is a very spirited and very chaste performer (Theatrical Review, 13 March). This Day Publish'd (in Quarto, price 2s.) Sanitas, Daughter to Aesculapius, to David Garrick, Esq, a Poem

Performances

Mainpiece Title: Judas Maccabaeus

Music: Violin Solo-Ximene (the first time of his performing in public); Concerto on Violincello-Janson

Event Comment: Being desired, for one night only under thr direction of Dr Arne at the Theatre Royal...will be performed the celebrated Catches and Glees, after which by Authority will be performed a new Burletta...alter'd and plann'd for Music from a favourite piece written by Henry Fielding, Esq. Music entirely new composed by Dr Arne, with a new Irish and Scots Medley Overture. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. Books of both performances to be had together at the Theatre at 1s. 6d

Performances

Mainpiece Title: Squire Badger

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Grumbler

Dance: After the Interlude: The Whim, as17730426

Monologue: 1773 5 8 End of Play: Interlude. An Interlude by S. Foote Esq; Lady Pentweazle-Quick; Carmine-Davis

Performance Comment: An Interlude by S. Foote Esq; Lady Pentweazle-Quick; Carmine-Davis.
Event Comment: Mainpiece: By Particular Desire. Payments: Mr D. Garrick's 3 Nights for the Christmas Tale, 30 Dec., 4 & 11 Jan., #84 charges deducted each night--#371 14s. (Treasurer's Book). At Isleworth, James Lacy, Esq.: one of the patentees of Drury Lane Theatre died (Gentleman's Magazine, 44, p. 47). [For full account of Lacy, see Covent Garden Magazine (229-34).] Rec'd of Mr Burges, 1 yrs. rent to Xmas last (#4 4s. King's Tax deducted) #16 16s.; Paid Mr Cropley (linen draper) 2 Bills #66 10s. 6d.; Mr Scott (laceman) #66 1s.; Messrs Lowe & Co. (glaziers) #18 6s.; Mr Burges (bricklayer) #65 8s.; Mr Waller (hosier) #24 5s.; Messrs Barrow & Co., oil, #53 7s. 6d.; Messrs Hopkins & Co. (ironmongers) #30 11s.; Mrs Vaughan (haberdasher) 2 bills, #14 10s. 6d.; Mr Hatsell (mercer) 3 bills, #120 11s.; Mr J. French's draft to Mr Wise #5 10s.; Mr J. Johnston's Music Bill #24 5s. (Treasurer's Book). Receipts: #246 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Cast
Role: Frederick Actor: Packer.

Afterpiece Title: The Lyar

Event Comment: Boxes 5s. Gallery 3s. Pit 2s. Upper Gallery 1s. Doors open at half past five. Play begin at half past six. [Repeated.] Before the Play a new Overture and New Occasional Prelude (Public Advertiser). The House has been quite alter'd since last Season and is now fitted up in the most elegant manner Possible by the Adam's etc. and is the most Compleat of any Theater in Europe. Great applause to the House before the Curtain. The Theatrical Candidates is wrote by D. G. Esq and was received with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. In Judging the popularity of a play in terms of box receipts for this season one must be aware of the fact that the treasurer's account books here differ from those of the five preceding years in not recording the income from the tickets delivered out for benefit nights. Hence on those nights the stated income reflects only the money taken at the door the night of the performance, and does not indicate the larger amounts which the actors received for their tickets. Deficits to various actors listed on the following pages were all paid up, presumably from the ticket receipts. Each actor doubtless at least broke even on his benefit.] Ceiling rais'd 12 feet. Old side Boxes top and bottom remov'd. New passages to Boxes. Entrance Bridges St. Light pillars to support Boxes inlaid with plate glass on green and crimson ground. Old chandeliers remov'd. Gilt branches with two candles each on pillars. Four new chandeliers in front. No slit i Curtain. Adam architects. 4,000 guineas. Persons not employed in the night's amusement ordered not to come behind the scenes--performers by that means go cross stage (Winston MS 11, from Dr Burney's News Cuttings). Paid Renters #8; Supernumeraries and Drum #1 16s.; taylor's Bill #10 11s. 6d. (Treasurer's Book). [For the 188 acting nights of the season and for 11 Oratorio nights the Renters were paid a total of #1,692. The Supernumeraries were paid an average of #5 per night or #940 for the season. No further account of these items will be made. Full account of the new look given to Drury Lane by the Adam's brothers in the Westminster Magazine for Sept. along with an approving review of the Meeting of the Company.] From Lloyd's Evening Post, 25 Sept., "On the New Front of Drury Lane Theatre": @Garrick asham'd to poke his nose@Too sheepishly beneath the Rose:@And fearing, poor man, what were Worse,@His bashfulness might hurt his purse;@Resolves this year to push a front,@And put a better face upon't.@Not surely meaning to give o'er@His Art, and make no faces more.@Yet, fair as tis, I'd have him know@If tis the last he means to show.@This face will never make amends,@For turning tail upon his friends;@Who own, by general consent,@His face the best Stage ornament.@ (In Folger Library, David Garrick Verses, Prologues and Epilogues, MS, p. 86.) Receipts: #208 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: The Treacherous Brothers Author(s): George Powell

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Miller of Mansfield

Event Comment: Garrick put the finish hand to the sale of half the patent &c. to Dr Ford, Linley, Ewart, and Sheridan for #35,000 to be delivered over in June next. Garrick it was said rais'd #12,000 last year by subscription to pay New Ornamentation, which cost #3000, so that the remaining #4500 and #35,000 was no bad interest for the #5,000 he gave in 1747. New property valuation giving him a...(Winston MS 11, from Burney News Cuttings). Paid Mr Palmer, spermacetti candle Bill #186 13s.; Mr Machin, Chorus, 19 times #4 15s. Rec'd Mr Percy's rent 1 year to Mich Last, #10; Stopages #14 5s. Receipts: #167 2s. (Treasurer's Book). From the Morning Chronicle, 19 Jan.: "David Garrick, Esq., has signed and sealed for the sale of his share in the patent and Property of Drury Lane Theatre. The purchasers are Dr Ford, Mr Ewart, Mr Linley, and Mr Richard Sheridan. The purchase money is #35,000. The public may now therefore depend upon it that this will be the last season of Mr Garrick's performing. The new proprietors as an act of their own, have stipulated that Mr Garrick shall continue to keep that box which has of late years been set apart for the accomodation of his family. Mr Garrick intimated last night to the audience his having sold his share in Drury Lane Theatre, by answering in the part of Abel Drugger , on being asked if he had any interest at the theatre, 'I had some, I don't know what I may have.'

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Jubilee

Related Works
Related Work: The Constant Couple; or, A Trip to the Jubilee Author(s): George Farquhar
Related Work: Sir Harry Wildair: Being the Sequel of the Trip to the Jubilee Author(s): George Farquhar
Event Comment: Rec'd stopages #11 18s.; Paid Daniel Maltoss [sic] Esq one year's rent due Xmas #31 10s. 10d. (Treasurer's Book). [Evidently Daniel Malthus. Although Victor was still Treasurer and Evans sub-treasurer this season, some new bookkeepers seem to be recording the financial transactions, for several different hands appear in the manuscript. The spelling by one of these bookkeepers is bad even by eighteenth-century standards. DeLoutherbourg's name is spelled a half-dozen different ways, including Lutenborgh, Lutterbourg, and Latherbourg.] Receipts: #266 2s. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Rival Candidates

Dance: V: The Irish Fair, as17751003

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Related Works
Related Work: The Spleen; or, Islington Spa Author(s): George Colman, the elder
Event Comment: Benefit for Miss Taylor. Mainpiece: Written by Hugh Kelly Esq. Tickets to be had of Miss Taylor at Sergeant's, Paradise-street. Boxes 3s. Pit 2s. Gallery 1s. The Doors to be opened at 5:00. To begin precisely at 6:00

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Midas

Song: End: Moderation and Alteration; or a Touch on the Times-Massey

Entertainment: Monologue. Preceding: the celebrated Satyric Lecture on Hearts and Dissertation on Noses, illustrated by Hearts of different colours and Noses of various sizes,-Comerford; End III: Imitations-Master Russell

Event Comment: [Afterpiece in 3 acts, altered from Garrick's original 5 acts by Richard Brinsley Sheridan.] The Music composed by Dibdin. With New Dresses. The Scenes, Machines, &c. invented by DeLoutherbourg. The Christmas Tale reduced to three Acts (by R. B. Sheridan esq.) was performed for the first time as a Farce--was received with very great Applause--it is too long, and must be shortened (Hopkins Diary). Public Advertiser, 22 Oct. 1776: This Day at Four o'Clock will be published A Christmas Tale (1s.) [For Baker see 28 Sept.] Receipts: #241 14s

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: A ChristmasTale

Event Comment: Mainpiece: Not acted these 16 years [not acted since 27 Oct. 1758]. With Alterations [by Richard Brinsley Sheridan. Prologue by David Garrick]. The Characters new dressed. This Play is revived with Alterations (by R. B. Sheridan Esq) and a new occasional Prologue written by Mr Garrick? and spoken by Dodd, both well received. Miss Essex made her first Appearance upon this stage in Silvia, a small mean Figure and shocking Actress, so bad that she is to do the Part no more. Reddish was very imperfect in Vainlove from the Beginning, but was so very much so in the last Act, that the Audience hissed very much, and cryed out, 'Off, Reddish, Off!" He went forward, and addressed them as follows, 'Ladies and Gentlemen, I have been honoured with your Favour and Protection for these ten years past, and I am very sorry to give any cause for your Displeasure now; but having undertaken the Part at a very short Warning, in order to strengthen the Bill, and having had but two Rehearsals for it, puts it out of my Power to do Justice to the Part, or myself.' The Play then went on. So great a Lye was never delivered to an Audience by any Actor or Actress before. He had the Part at least six weeks in his Possession, and repeated Notice to be ready in it, and six Rehearsals was called for it,--indeed, he attended but three. Vernon undertook to study the Part at eleven o'clock to-night, and to perform it to-morrow (Hopkins Diary). [Miss Essex was from the hay.] Receipts: #209 6s

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: A ChristmasTale

Dance: As17761115

Event Comment: Mainpiece: Not acted these 5 years. Written by Congreve. [For Prologue see 19 Nov.] Love for Love was revived with alterations by R. B. Sheridan Esq. (Note by J. P. Kemble on Hopkins Diary). Receipts: #150 0s. 6d

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Elopement

Cast
Role: George Hargrave Actor: Smith

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-Smith; Cassander-Palmer; Lysimachus-Hurst; Hephestian-Davies; Polyperchon-Chambers; Thessalus-Wright; Perdiccas-Chaplin; Eumenes-Norris; Aristander-Wrighten; Slave-R. Palmer; Clytus-Bensley; Roxana-Miss Younge; Parisatis-Miss Hopkins; Sisigambis-Mrs Johnston; Statira-Mrs Yates; A favorite Epilogue (written by D. Garrick, Esq.) with alterations spoken-Miss Younge.

Afterpiece Title: Second Thought is Best

Event Comment: By Permission of the Lord Chamberlain, Mainpiece: Altered from the Original [Woman is a Riddle, by Christopher Bullock. Not in Larpent MS; not published]. 2nd piece [1st time; M. INT I, author unknown. MS not in Larpent; not published]. 3rd piece: Written by Henry Fielding, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered by Davis, Wright, Mrs Lefevre will be admitted. Constant fires will be kept on the stage, Pit, Boxes and Galleries to air the house

Performances

Mainpiece Title: The Macaroni Adventurer; Or, Woman's A Riddle

Afterpiece Title: Fashionable Love; or, The Happy British Tar

Afterpiece Title: The Covent Garden Tragedy

Dance: Entertainments ofDancing-

Entertainment: Monologue.End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified])

Event Comment: Benefit for Jewell, treasurer. Tickets to be had of Jewell, in Suffolk-street. Mainpiece: Written by the late $S. Foote, Esq.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Flitch of Bacon

Dance: As17790610

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for a Gentlewoman. Mainpiece: Not acted these 7 years. [Author of Prologue unknown.] Afterpiece: Written by Thomas King, Esq. The Doors to be opened at 5:00. To begin at 6:30. The Public may be assured that the principal Performers in the above play and farce are Persons accustomed to the Stage, and that the utmost Attention will be paid to the credit of Performance. Tickets delivered by Mrs Lefevre and Blackburn will be admitted

Performances

Mainpiece Title: The Modish Wife

Afterpiece Title: Wit's Last Stake

Dance: End II: Miller

Entertainment: End: Variety of Rhetorical Imitations-a Gentleman (1st appearance [unidentified])

Performances

Mainpiece Title: Buxom Joan

Afterpiece Title: Much Ado about Nothing

Afterpiece Title: The Flitch of Bacon

Performance Comment: As17800107, but Prologue written by Samuel Foote, Esq.,-Master Edwin (1st appearance on that stage).

Song: End: Moderation and Alteration-Edwin

Performances

Mainpiece Title: Bonduca

Performance Comment: Caratach-Digges; Penius-Aickin; Suetonius-Bensley; Junius-Lamash; Demetrius-R. Palmer; Judas-Edwin; Macer-Massey; Nennius-Usher; Curius-Egan; Decius-Davis; Regulus-Kenny; Hengo-Master Edwin; Petillius-Palmer; Bonduca-Miss Sherry; 2nd Daughter-Mrs Cuyler; Eldest Daughter-Mrs Massey; The original Prologue ,written by the late D. Garrick, Esq.,-Palmer.
Related Works
Related Work: Bonduca; or, The British Worthy Author(s): George Powell
Related Work: Bonduca Author(s): George Colman, the elder

Afterpiece Title: Fire And Water

Cast
Role: Frederick Actor: Du-Bellamy

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: A Fete

Afterpiece Title: The Son-in-Law

Entertainment: Monologue.End 1st piece: a Prologue written by S. Foote, Esq.,-Master Edwin

Performance Comment: End 1st piece: a Prologue written by S. Foote, Esq.,-Master Edwin.
Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Mainpiece [1st time; C 5, based on Le Dissipateur, by Philippe Nericault, dit Destouches. Authors of Prologue and Epilogue, and speaker of Epilogue, unknown]: Written by the late Samuel Foote Esq. [The attribution to Foote is dubious.] Afterpiece [1st time in London; MF-2. See CG, 28 Mar. 1778]: Now acting in Dublin with applause; written by [i.e. altered from, by T. A. Lloyd] the author of Love in a Village, &c. &c

Performances

Mainpiece Title: The Spendthrift; Or, The Female Conspiracy

Afterpiece Title: The Romp

Song: End of Acts II and in of mainpiece two favourite airs by Mrs Cox (1st appearance.)

Monologue: 1781 11 12 End of Act IV of mainpiece Shuter's Post Haste Observations on his Journey to Paris by Dutton

Event Comment: Benefit for Dodd. Mainpiece: Not acted these 11 years. 2nd piece: An Interlude, written by the late D. Garrick, Esq. Receipts: #246 13s. 6d. (110/11/0; 21/16/6; 0/18/0; tickets: 113/8/0) (charge: #105 4s. 11d.)

Performances

Mainpiece Title: The Foundling

Afterpiece Title: Linco's Travels

Afterpiece Title: The Alchymist

Event Comment: By Permission of the Lord Chamberlain. Benefit for Gardner. Afterpiece: From The Devil upon Two Sticks, written by the late Samuel Foote, Esq. [Mrs Mills is identified in Morning Chronicle, 1 Jan. 1783. For remarks on this night's performance, including references to Dunstan by Charles Lamb, see Theatre Notebook, VIII, 5.] Gardner having unavoidably been obliged to postpone his night from the 26th to the 30th, he thinks it his duty to inform his friends that tickets delivered for the 26th will be taken

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Fourth Act of The Merchant of Venice

Afterpiece Title: Dr Lasts's Examination BEFORE THE COLLEGE OF PHYSICIANS

Event Comment: Mainpiece: Not acted these 3 years [acted 19 Feb. 1784]. Afterpiece: Written by the late Henry Fielding, Esq. [The playbill lists Edwin as Coupee, but "Brown, in consequence of the sudden illness of Edwin . . . [undertook] the part of Coupee" (Morning Chronicle, 1 Feb.). He was from the Norwich theatre.] Receipts: #291 10s. (286/14/6; 4/15/6)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Virgin Unmask'd