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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Frederick Handel Esq"/1) | (@(roleclean,performerclean) "George Frederick Handel Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7103 results for: Keyword - George Frederick Handel, Esq
We found 4736 matches on Author, 1398 matches on Performance Comments, 1216 matches on Event Comments, 378 matches on Performance Title, and 0 matches on Roles/Actors.

5351
April 1684 @ Drury Lane Theatre

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

Performance Comment: Edition of 1684: Alphonso-Betterton; Lorenzo-Smith; Alberto-Wilshire; Lesbino-Carlisle; Rogero-Leigh; Erminia-Mrs Cook; Juliana-Mrs Percival; Angelline-Mrs Knight; Her Supposed Mother-Mrs Corey; Clara-Mrs Leigh; The Prologue by Mr John Dryden-Mr Betterton; The Epilogue by the Honourable John Stafford, Esq-.
Cast
Role: Esq Actor: .

5352
December 1699 @ Drury Lane Theatre

Performances

Mainpiece Title: Achilles; Or, Iphigenia In Aulis

Performance Comment: Edition of 1700: Prologue by Tho. Cheek Esq-Mr Powell; Epilogue by Mr Motteux-Mr Norris; Eriphile-Mrs Wilkins.
Cast
Role: Cheek Esq Actor: Mr Powell
Related Works
Related Work: Achilles in Petticoats Author(s): George Colman, the elder

5353
24 March 1733 @ Drury Lane Theatre

Event Comment: FFog's, 24 March: Colley Cibber, Esq; one of the Patentees of [dl], being now possessed of a more commodious Post, has sold his entire Share of the Cloaths, Scenes, and Patent, to John Highmore, Esq; and at the End of this Season he is, we hear, to quit the Stage

Performances

5354
17 January 1734 @ Haymarket Theatre

Event Comment: At the Desire of several Ladies of Quality. Mainpiece: Written by the late N. Rowe, Esq. Afterpiece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Dido and Aneas

Afterpiece Title: The Burgomaster Trick'd

Dance: As17340112

5355
09 February 1736 @ Goodman's Fields

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Hamlet-Giffard; King-W. Giffard; Polonius-Lyon; Laertes-Richardson; Ostrick-Woodward; Horatio-Havard; Guildenstern-Hamilton; Bernardo-Dove; Queen-Mrs Haughton; Ophelia-Mrs Hamilton; Ghost-Rosco; Gravediggers-Penkethman, Ray. After which will be introduced, The Ceremony of Hamlet's Lying in State, after the Manner of his Grace, the late Duke of Buckingham. With new Musick proper to the Occasion, set by Mr Carey. The Words by Henry Saville, Esq. [but see17351205] .but see17351205] .
Cast
Role: Gravediggers Actor: Penkethman, Ray. After which will be introduced, The Ceremony of Hamlet's Lying in State, after the Manner of his Grace, the late Duke of Buckingham. With new Musick proper to the Occasion, set by Mr Carey. The Words by Henry Saville, Esq.

5356
19 May 1738 @ Drury Lane Theatre

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay

Performance Comment: As17380421 With a Prologue to the Farce, written by Aaron Hill, Esq-Miss Wright; in Boy's Cloaths. and an Epilogue to the Farce-Miss Wright, as Captain of the Lilliputians, at the Head of her Company.
Cast
Role: Esq Actor: Miss Wright

Dance: I: Saraband-Miss Wright, Miss Morrison; II: French Peasant-Master Ferg, Miss Wright, Scholars to Leviez; AII: La Pieraite-Leviez, Mrs Thompson; IV: Grand Ballet in Comic Characters-the Lilliputians; V: Minuet-Leviez, Mrs Walter

Song: II: Beard

5357
26 November 1761 @ Covent Garden

Event Comment: JJohn Rich Esq, Master and Patentee of the TRCG, died Thursday 26 Nov. 1761, about six o'clock in the evening, at his house adjoining to the Theatre Royal in Covent Garden, in the seventieth year of his age. Mrs Priscilla Rich sole executrix of the Will of John Rich Esq, deceas'd. Mr John Rich was buried in Hillingdon Churchyard. (See his Epitaph, Lysons's Middlesex Parishes, p. 162) Dec. 4, 1761. ibid p. 173 (Hopkins MS Notes). Income from Boxes #85 5s. Rec'd of John Condill on acct of Fruit #20. Expenses #46 3s. 8d. [The balance brought forward to this date for this season was #2007 9s. 1d. From this was subtracted the #1291 19s. 4d. necessary for starting the season (see 9 Sept.), which left Beard a favorable balance of #715 9s. 9d. with which to carry on. The Winston Theatrical Record ceases on this date.

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Coronation

5358
19 January 1771 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Performance Comment: Parts-King, Aickin, Packer, Parsons, J. Aickin, Wheeler, Moody, Cautherly, Baddeley, Wright, Watkins, Mrs Baddeley, Mrs Hopkins, Mrs Egerton, Mrs Love, Mrs Bradshaw, Mrs Abington. Prologue-Reddish; Epilogue-Mrs Abington; Stockwell-Aickin; Belcour-King; Capt. Dudley-Packer; Charles Dudley-Cautherly; Major O'Flaherty-Moody; Stukeley-J. Aickin; Palmer-Baddeley; Varland-Parsons; Servant-Wheeler; Lady Rusport-Mrs Hopkins; Charlotte-Mrs Abington; Louisa-Mrs Baddeley; Mrs Fulmer-Mrs Egerton; Lucy-Mrs Love; Housekeeper-Mrs Bradshaw. Epilogue written by David Garrick Esq (Edition of 1771).
Cast
Role: Housekeeper Actor: Mrs Bradshaw. Epilogue written by David Garrick Esq

Afterpiece Title: Daphne and Amintor

5359
22 March 1774 @ Drury Lane Theatre

Event Comment: Benefit for Dodd. Afterpiece: Not acted these 9 years. [See 26 March 1763.] Married at Marylebone Church-W. Lacy, Esq one of managers of Drury Lane to Miss Orpen, daughter of an eminent hatter (Winston MS 10). Married: Willoughby Lacy, Esq to Miss Orpen of St Mary-le-bon (Gentleman's Magazine, 1744, p. 141). Receipts: #166 16s. Charges: #64 12s. Profits to Dodd: #102 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: The Treacherous Brothers Author(s): George Powell

Afterpiece Title: The School Boy

Entertainment: Bucks Have at ye All-Dodd

5360
19 December 1777 @ Covent Garden

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-Lewis; Stockwell-Booth; Capt. Dudley-Hull; Charles-Wroughton; Major O'Flaherty-Aickin; Fulmer-Dunstall; Varland-Quick; Lady Rusport-Mrs Green; Louisa-Mrs Bulkley; Mrs Fulmer (1st time)-Mrs Pitt; Charlotte Rusport-Mrs Mattocks; Epilogue for that Charity by Richard? Cumberland, Esq-Hull, Mrs Mattocks.
Cast
Role: Esq Actor: Hull, Mrs Mattocks.

Afterpiece Title: The Upholsterer

Dance: As17771104

Song: End II: song-Mrs Farrell

5361
26 November 1792 @ Haymarket Theatre

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Dance: After 2nd song: A Pas Seul-Mons Symone

Song: End IV: Tippy Bob-C. Stanley; End: Poor Jack in character-Mrs Kennedy

Entertainment: Monologue After Dancing: The Monody on the Death of the late D. Garrick Esq. (Written by R. B. Sheridan, Esq.)-the Lady who performs Zara

Performance Comment: Garrick Esq. (Written by R. B. Sheridan, Esq.)-the Lady who performs Zara.

5362
09 May 1794 @ Covent Garden

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR; or, Britannia in Full Glory at Spithead

Performance Comment: William-Incledon; Dick-Blanchard; Grapple-Townsend; Lieutenant Capstem-Johnstone//Mary-Mrs Martyr. [European Magazine, May 1794, p. 388, adds: Farmer Ploughfield-Thompson; Clodpole-Rees; Hobnail-Abbot.] In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead . In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead .

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): George Ruggle
Related Work: Ignoramus. Comoedia coram Regia Maiestate Iacobi Regis Anglić, &c Author(s): George Ruggle

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

5363
03 January 1754 @ Covent Garden

Event Comment: By Command of the Princess of Wales, for the first time since the Prince's Death (Cross). [This is the mother of George III, now Prince of Wales. His father Frederick, Prince of Wales, had died 19 March 1751.

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Harlequin Sorcerer

5364
26 December 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Amorous Prince

Performance Comment: The Principal Characters are Frederick, the Amorous Prince, Son to the Duke; Curtius, his Friend; Salvator, Father to Aura; Lorenzo, a rich, extravagant Lord, favourite of Frederick; Antonio, a Nobleman of Florence, Alberto, his Friend, a Nobleman also; Piertro, Man to Curtius; A Valet to Antonio; A Page to Ismenia; Galliard, Servant to the Prince; Guilliam, Man to Cloris, a Country Fellow; Clarina, Wife to Antonio; Ismenia, Sister to Antonio, in love with Alberto; Laura, Sister to Lorenzo, in love with Curtius; Isabella, Woman to Clarina; Cloris, Sister to Curtius, disguised like a Country Maid, in love with Frederick. The Principal Parts by independent Ladies and Gentlemen. With a Prologue and Epilogue .

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

5365
06 December 1710 @ Queen's Theatre

Event Comment: Receipts: #128 18s. 6d. [According to Deutsch, p. 30, Francesca Vanini-Boschi introduced a Handel aria into this opera on this day.

Performances

Mainpiece Title: Pyrrhus And Demetrius

5366
24 February 1711 @ Queen's Theatre

Event Comment: [Text by Giacomo Rossi. Music by G. F. Handel.] By Subscription

Performances

Mainpiece Title: Rinaldo

5367
10 January 1713 @ Queen's Theatre

Event Comment: [Text by N. F. Haym. Music by G. F. Handel.] Colman's Opera Register: Mr O. Swiny ye Manager of ye Theatre was now setting out a New Opera, Heroick. all ye Habits new & richer than ye former with 4 New Scenes, & other Decorations & Machines. Ye Tragick Opera was called Theseus. Ye Musick composed by Mr Handel....ye Opera being thus prepared Mr Swiny would have got a Subscription for Six times, but could not.--he then did give out Tickets at half a Guinea each, for two Nights ye Boxes lay'd open to ye Pit, ye House was very full these two Nights

Performances

Mainpiece Title: Theseus

5368
25 May 1715 @ King's Theatre

Event Comment: [Music by Handel. Text probably by J. J. Heidegger.] By Subscription, with the Pit and Boxes by ticket only (not to exceed 400). Stage Boxes 15s. Gallery 5s. At 6 p.m. And Whereas there is a great many Scenes and Machines to be mov'd in this Opera, which cannot be done if Persons should stand upon the Stage (where they could not be without Danger) it is therefore hop'd no Body, even the Subscribers, will take it Ill that they must be deny'd Entrance on the Stage

Performances

Mainpiece Title: Amadis

Dance:

5369
02 December 1719 @ King's Theatre

Event Comment: For further deliberations of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, Handel, p. 97

Performances

Mainpiece Title: None

5370
09 December 1721 @ King's Theatre

Event Comment: [Text by P. A. Rolli. Music by G. F. Handel.] A new Opera. Pit and Boxes at a half guinea. And in Regard to the Increase of the Number of Subscribers, no more than Three Hundred and Fifty Tickets will be delivered out. No Tickets will be disposed of at the Theatre, nor any Money taken there but for the Gallery. Gallery 5s

Performances

Mainpiece Title: Floridante

5371
12 January 1723 @ King's Theatre

Event Comment: [Text by Haym. Music by Handel.] Admission as 7 Nov. Daily Journal, 14 Jan.: On Saturday Night, his Majesty was at the Opera...and Signiora Catzoni, newly arrived from Italy, perform'd for the first Time, to the Surprize and admiration of the Audience, which was very numerous. [See also London Journal and British Journal, 12 and 19 Jan.

Performances

Mainpiece Title: Otho

5372
15 January 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. M De Fabrice to Count Flemming, 15 Jan. (in Deutsch, Handel, p. 147): Today is the second performance and there is such a run on it that tickets are already being sold at 2 and 3 guineas which are ordinarily half a guinea. London Journal, 19 Jan.: Last Tuesday being the second Time of Madam Cotzoni's Performance, we hear that Opera Tickets sold that Day and the preceding, at 4 Guineas each

Performances

Mainpiece Title: Otho

5373
12 March 1723 @ King's Theatre

Event Comment: Benefit Signiora Margherita Durastanti. And particular Care will be taken to place Benches on the Stage for the Accommodation of the Company. N.B. Whereas the Benefit for Signiora Durastanti is Part of her Contract, the Directors of the Royal Academy of Musick resolve not to make use of the Liberty of the House for that Night. [This benefit brought her nearly a thousand pounds.-Deutsch, Handel, p. 160.

Performances

Mainpiece Title: Coriolanus

5374
17 March 1724 @ King's Theatre

Event Comment: Benefit Signora Margherita Durastanti. Particular Care will be taken to Place Benches on the Stage for the Accommodation of the Company. [According to Deutsch, Handel, p. 160, her benefit brought her #1,000, in addition to a salary of 1,200 guineas yearly. The Cantata is printed in the Daily Journal, 18 March.

Performances

Mainpiece Title: Coriolanus

5375
31 October 1724 @ King's Theatre

Event Comment: [Text by A. Piovene, adapted by N. F. Haym. Music by Handel.] Tickets half a guinea each. And in Regard to the Number of Subscribers, no more than Three Hundred and Forty Tickets will be deliver'd out. N.B. No Tickets will be given out at the Door, nor any Persons whatever admitted for Money. Gallery 5s. At 6 p.m

Performances

Mainpiece Title: Tamerlane