SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Colman elder"/1) | (@(roleclean,performerclean) "George Colman elder")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4195 matches on Author, 892 matches on Performance Comments, 690 matches on Event Comments, 204 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: By Command. Admission as 26 Oct. 1714. Colman's Opera Register: Ye House extraordinary full

Performances

Mainpiece Title: Hydaspes

Event Comment: By Subscription, as 25 May. According to Colman's Opera Register, 28 May, Mrs Robinson was ill and did not perform again during this season

Performances

Mainpiece Title: Amadis

Performances

Mainpiece Title: Amadis

Performance Comment: Advertised, but Colman's Opera Register states that intense heat between 15 and 25 June postponed the operas.
Event Comment: Listed only in Colman's Opera Register: No Opera performed since ye 23 July, ye Rebellion of ye Tories and Papists being ye cause--ye King and Court not liking to go into such Crowds these troublesome times

Performances

Mainpiece Title: Hydaspes

Event Comment: [Music by Handel. Translation by Samuel Humphreys.] Wherein the Cloaths and Scenes are all entirely New. Colman's Opera Register: But did not draw much Company

Performances

Mainpiece Title: Aetius

Event Comment: A New Opera. [Text by Zeno. Music probably by Caldara, with recitatives by Handel.] Colman's Opera Register: a New Opera Handell it did not take

Performances

Mainpiece Title: Lucius Papirius, The Dictator

Event Comment: [T$Their Majesties, Prince, and three eldest Princesses present.] Colman Opera Register: a full House

Performances

Mainpiece Title: Alexander

Event Comment: [The Royal Family present.] Colman Opera Register: A thin House

Performances

Mainpiece Title: Alexander

Event Comment: Taken from a Midsummer Night's Dream written by Shakespear. The Songs from Shakespear, Milton, Waller, Dryden, Lansdown, Hammond. Music-Smith. [First edition Text by John Christopher Smith; see Garrick to James Murphey French, Dec. 1756; H. Walpole to R. Bentley 23 Feb. 1755.] Besides our own Singers, we had Sg Guadagni, Sga Passerini, Miss Potier [i.e., Mrs Vernon], and Savage's Boys. Very great Applause; Sabatini danced after it and fell down, not hurt (Cross). [See A Midsummer Night's Dream in the Hands of Garrick and Colman, G. W. Stone Jr, PMLA (June 1939).] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fairies

Related Works
Related Work: The Fairy Tale Author(s): George Colman, the elder
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder

Dance: CComic Dance-Sabatini, Sga Sabatini, Sabatini jun, his first time

Performances

Mainpiece Title: [no Performance

Performance Comment: ChristmasEve (Cross Diary). This day was dedicated for rehearsing the New Pantomime called the Rites of Hecate. In our practices we found such a total want of Business and Incidents to carry on the story from one scene to another were obliged to call the good natured Mr Colman to our aid, as we could get no assistance from the Author, Mr Love, who seems not to have the least genius in contriving any thing of that Kind.-The whole day spent till eleven o'clock that night in [a word illegible] and everbody threw in their mite, and made it as well as the short time would allow (Hopkins Diary-MacMillan) .
Event Comment: [R$Ross this month wrote to Colman (Harvard Theatre Collection A.L.S.) inquiring about an intended new theatre at Bath, and opened his heart as follows: "My present situation is most irksome to me and must be to any gentleman or man of merit in his profession to have such an ignorant and now ill-bred fellow as Beard? presume to conduct the business of a theatre Royal, of which he is totally ignorant, and oblig'd to apply to the great Gibson, who naturally wishes to lower every man to his own standard, while the other despises every degree of merit that is not compris'd in Sol fa and wishes the theatre only to substitute as an Opera house." Ross wanted to be nominated for the manager's postition in the new theatre at Bath. N.B. He had already acted 23 times this season in his best parts.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: The Royal Chace

Event Comment: Published at 1s. 6d. by Garrick and Colman

Performances

Mainpiece Title: The Clandestine Marriage

Event Comment: Comedy (by Colman) never before acted. [Prologue is Larpent MS 265, super patriotism.] Rec'd stopages #3 13s. 6d.; Paid salary list #441 4s. (Treasurer's Book). Receipts: #235 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Dance: After Epilogue: The Vintage, as17661011

Event Comment: Author's Night. House Charges #64 4s. [Profit to Colman #97 5s. 6d.] (Treasurer's Book). Receipts: #161 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Music: After Interlude-Epilogue: The New Concerto on Harpsichord, as17670212

Dance: TThe Vintage, as17661011

Event Comment: Author's Night. House Charges #64 4s. [Profit to Colman #92 18s. 6d.] Paid supernumeraries 2 nights in Lilliputian Camp #9 1s. (Treasurer's Book). [Reckoning pay per night for supernumeraries at somewhat over 2s., this bill indicates the presence of about 40 such in this interlude.] Paid Cole (turner) #10 12s. 6d. (Treasurer's Book). Receipts: #157 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Dance: III: New Pantomime Dance, as17670225; After Interlude: A New Pantomime Dance call'd The Lilliputian Camp-

Music: NNew Concerto on Harpsichord, as17670212

Event Comment: Author's Night. House charges #64 4s.[Profits to Colman #151 14s.] Paid B. Johnson's Head bill #3 9s. 6d. (Treasurer's Book). Receipts: #215 18s. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: High Life below Stairs

Dance: III: New Comic Dance-Duquesney, Mrs King; End: The Lilliputian Camp, as17670227

Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire. Afterpiece: By Particular Desire of several persons of Distinction, to be added for that night only. Neville MS Diary: Covent Garden Theatre after being shut up for the season was open'd tonight as a high favour to Shuter...Before [the farce] the Gods having call'd for the Music to play Roast Beef, would not suffer the play to begin till their request was complied with. They pelted Davies and Hull, who appeared first, with orange skins, crying Off, Off'...Glad Shuter had a good house. He is an excellent comedian and is said to have a good heart. [The income for this night not listed in the Account Books. On 10 June however, the treasurer received from Shuter #10 'for the renters for the night of his benefit," and #1 13s. 9d. for oyl that night. On 20 July the treasurer received from Shuter #43 15s. for tickets for his first benefit, and #1 4s. 1 1!2d. in money, along with #20 for his second benefit." On July 22, the treasurer paid "to sundry Creditors of Mr Shuter as per Receipt Books #245 4s. 1 1!2d., and to Mr Wilford by order of Shuter #60, and to Beard #26 16s." N.B. On Wednesday 1 July The sum of #60,000 was this day paid down for the purchase of the Theatre Royal in Covent Garden, pursuant to agreement. The patentees are Messieurs Colman, Harris, Rutherford and Powell"--Gentleman's Magazine, p. 379.

Performances

Mainpiece Title: The Busy Body

Cast
Role: Sir George Actor: Davis.

Afterpiece Title: Love a-la-Mode

Event Comment: Paid from treasurer's funds #16 12s. for a Lottery Tickett No. 5,603. Paid for playing the Organ 9 nights in the Oxonian in Town #2 5s. (Account Book). [Colman seems to have been dissatisfied with Mrs Lessingham's performance, for the Harvard Extra Illustrated Vol. of Genest (opposite p. 185) contains a MS note dated Tuesday Morning: "Mrs Bulkley's compliments to Mr Hull, as she is ready in the part of Mrs Sullen he need not call any rehearsal on her account." Presumably this note was written to the prompter the following Tuesday (24 Nov.). The next performance this season of the Stratagem did not occur, however, until 22 April 1768, at which time Mrs Bulkley played Mrs Sullen, for the 1st time.] Receipts: #155 15s. 6d. (Account Book)

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: The Stratagem Author(s): George Farquhar

Afterpiece Title: The Oxonian in Town

Dance: IV: A New Comic Dance, as17671021

Event Comment: Paid Colman the clear receipt of last Monday Night for the Oxonian, and the Alterations of The Rehearsal and King Lear, #230 6s. 6d. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Oxonian in Town

Dance: II: New Comic Dance-Arnauld, Miss Valois

Event Comment: Third Day. For the Author. House charges and Candles #64 5s. Balance to Bickerstaffe #155 11s. 6d. (Account Book). This month were published Harris and Rutherford's Narrative of the Rise and Progress of the Disputes subsisting between the Patentees of Covent Garden Theatre, and Colman's True State of The Differences subsisting....Both were reviewed in the Gentleman's Magazine. Receipts: #219 16s. 6d. (Account Book)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Upholsterer

Dance: End of Opera: A New Comic Dance, call'd the Provenzales-Mas. Blurton, Miss Besford, Miss Ford 1st time

Event Comment: By Command of their Majesties. Published Animadversions on Mr Colman's True State etc., with some remarks on his little serious piece, The Oxonian in Town (20 pp.). [Criticizes the play as having a bad influence on the young, with its characters of whores, bawds and pickpockets. Did our author flatter himself that he could wipe out these rooted impressions with a cold moral sentence uttered by the mouth of a woman of pleasure, and perhaps never reaching the ears of one half of the audience from the variety of noises which accompany the finishing speech of every play?" Concludes: "The reputation of our Universities is a national concern of the highest and most sacred importance....I blush when I see academical characters brought upon the stage, but I burn when I see them lampooned."] House Charges: #35 (Account Book)

Performances

Mainpiece Title: Samson

Music: As17680219

Event Comment: Mainpiece: By Particular Desire. [Theatrical Monitor No 7, printed a list of 84 actors, actresses, and dancers belonging to the company, who signed a Petition to the Town in favor of Colman. See Harvard Library ed. of Memoirs of Macklin, II, part 2, p. 14.] Receipts: #115 15s. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Midas

Event Comment: Mainpiece: A New Comedy [by Charlotte Lennox]. Never Performed. Prologue by Colman. Epilogue by Goldsmith. Treated so badly by the audience this first night that Mrs Lennox withdrew it. Burgoyne's The Heiress [dl, 14 Jan. 1784] draws upon it (Genest, V, 242). Receipts: #234 5s. (Account Book)

Performances

Mainpiece Title: The Sister

Afterpiece Title: Damon and Phillida

Dance: I: The Reel, as17681212

Event Comment: Paid Mr Colman the balance of his night the 10th Inst. #104 17s. 6d.; and for the 13th Inst. #65 2s. (Account Book). Receipts: #123 8s. 6d

Performances

Mainpiece Title: Man And Wife

Afterpiece Title: The Contrivances

Entertainment: As17691010

Event Comment: Prologue by Garrick; Epilogue by Cumberland, spoken by Foote and Mrs Jewell. A Comedy Never performed [by Foote]. [Audience included Dr Johnson, Mr Colman, Mr Garrick, Dr Goldsmith, Mr Macpherson, Mr Stevens, Sir Joshua Reynolds, Lord Littleton....So much applause that the audience stopped the play and required one speech repeated (Theatrical Intelligencer).

Performances

Mainpiece Title: The Maid Of Bath

Afterpiece Title: Miss in Her Teens

Dance: II: Double Hornpipe-Master West, Miss West