SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: 2nd piece [1st time; INT 1, author unknown. Not in Larpent MS; not published]: An Occasional Interlude of Singing and Dancing. With new Dresses and Decorations. [This was written as a compliment to the Duchess of York, daughter of the King of Prussia; on 29 Sept. 1791 she had married the Duke of York (see European Magazine, Dec. 1791, p. 459) "It was a pretty, slight compliment, touched up by Byrne, St.Amand, Incledon and Mrs Mountain, with a couple of airs and the Pas Russe a little lamed. Byrne carried his arm in a scarf [see 29 Oct.], and Incledon and Mountain their parts in their hands" (Oracle, 22 Nov.). 3rd piece in place of Oscar and Malvina, advertised on playbill of 19 Nov.] Receipts: #221 4s. (208.16; 12.8)

Performances

Mainpiece Title: Notoriety

Afterpiece Title: The Prussian Festival

Afterpiece Title: The Farmer

Event Comment: [Afterpiece in place of The Sultan, advertised on playbill of 31 Jan.] A New Edition of Cymon to be had at the Theatre. Receipts: #340 18s. 6d. (292.14.6; 44.18.0; 3.6.0)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Virgin Unmaskd

Event Comment: Mainpiece: Altered from the Tragedy of Huniades. [Afterpiece in place of The Pannel, advertised on playbill of 1 Feb.] Morning Herald, 3 Feb., refers to the "new epilogue [probably written by Miss Brand]: a sort of dialogue between an undertaker and a brave British tar." Receipts: #141 12s. 6d. (105.2.6; 32.12.0; 3.18.0)

Performances

Mainpiece Title: Agmunda Huniades

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourists Author(s): Theophilus Cibber
Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Churton. The Doors to be opened at 5:15. To begin at 6:15. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Mrs Churton, No. 33, New-Bond-street; of Wye, Masquerade Warehouse, Panton-street; and of Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Baker; Duke-Miller; Brabantio-Sinclair; Cassio-Wilson; Roderigo-Mansill; Lodovico-King; Gratiano-Hunter; Montano-Thompson; Officers-Johnson, Collings; Iago-Wilkinson; Emilia-Mrs Murray; Desdemona-Mrs Churton.
Cast
Role: Othello Actor: Baker

Afterpiece Title: Miss in her Teens

Dance: End: Pas Seul-a Performer from the Opera House

Event Comment: Mainpiece: Not acted these 3 years. With new Dresses and Decorations. The Characters dressed in the Habits of the Times. [Palmer Jun. was from the hay.] "It is necessary to remind both Macbeth and his Lady that there is a measured declamation, of which the natural utterance of passion knows nothing, and that words and syllables may be divided and subdivided till the fatigue of the ear overcome every other feeling...Between the first and second acts Ca ira was loudly called for from the pit and gallery. The clamour, after preventing the first part of the second act from being heard, subsided as unaccountably as it rose. The performers, in compliance with an admonition from the pit, began the act again, and proceeded without further interruption" (Morning Chronicle, 20 Feb.). "In Macbeth there was too much that was not Shakespeare, too much bad taste and shabbiness in the costumes of the witches, and all in all too much claptrap. He found it insufferable that Banquo should take the part of his own ghost and felt that the audience should behold the specter only in Macbeth's terror, as was the case with the banquet guests. 'Mr Kemble has desired on several occasions to suppress the ghost,' Meister says, 'but has never had the courage to do so.'" (J. H. Meister quoted in J. A. Kelly, 134). For Kemble's eventual courage in this matter see dl, 21 Apr. 1794.] Receipts: #425 6s. (383.2; 40.4; 2.0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Virgin Unmaskd

Song: In: The original Music by Matthew Locke, with full Chorusses and additional Accompaniments-Bannister, Sedgwick, Dignum, Danby, Maddocks, Caulfield, Cooke, Alfred, Shaw, Lyons, Mrs Bland, Mrs Edwards, Miss Hagley, Miss DeCamp, Mrs Shaw, Mrs Edwin, Mrs Butler, Mrs Bramwell, Mrs Gawdry, Miss Kirton

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. The Public are respectfully informed, that on account of the preparation for the New Theatre [i.e. the alterations in cg, for which see 1792-93], the Great Door in Hart-Street is unavoidably obliged to be shut up for the remainder of the Season. Receipts: #289 17s. 6d. (284.1.0; 5.16.6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel Redemption 0

Cast
Role: Leader of the Band Actor: Shaw.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Tyrants would-Mrs Crouch; Tyrants ye in vain-Chorus (Athalia); How willing-Sedgwick (Samson); What's sweeter-Miss Hagley, Dignum (Joseph); The smiling dawn-Master Welsh (Jephtha); Solo (on the harp)-Meyer; Deeper and deeper still-Kelly; Waft her angels-Chorus (Jephtha); Lord in thee-Incledon, Chorus (Te Deum).

Afterpiece Title: Grand Selection 2

Performance Comment: Concerto bassoon-Parkinson; Ye men of Gaza-Miss Barclay (Samson); And in that air behold! God is my salvation, Therefore with joy-Reinhold; And in that day, Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Ah chi sa-Kelly, Morelli, Mrs Crouch [Il Barbiere di Siviglia, Paisiello]; With ravish'd ear-Miss Hagley (Alexander's Feast); But bright Cecilia, As from the power-Mrs Crouch (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Performance Comment: Cantata-Reinhold (Giordani); But thou didst not leave-Master Welsh (The Messiah); Trio-Kelly, Morelli, Mrs Crouch; Song-Mrs Bland (Attwood); Shake the dome-Chorus (Solomon); Song-Mrs Crouch; accompanied on the harp-Meyer; Little these evils, Why does the God of Israel sleep?-Incledon (Samson); Worthy is the lamb-Chorus (The Messiah).

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel Redemption 0

Cast
Role: Leader of the Band Actor: Shaw.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; O had I Jubal's-Miss Hagley (Joshua); His mighty arm-Kelly (Jephtha); Che vi par-Morelli, Kelly, Mrs Crouch (Sarti); Would you gain-Master Welsh (Acis and Galatea); Wake sons-Sedgwick (R. J. Stevens); Mary's dream-Miss Barclay (Relfe); For unto us a child-Chorus (The Messiah).

Afterpiece Title: Grand Selection 2

Performance Comment: Hautboy concerto (Handel)-; Blooming virgins-Incledon (Athalia); And in that air Behold! God is my salvation-Reinhold; Therefore with joy-Reinhold; And in that Day-Mrs Bland; Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Fair Rosale-Master Welsh (Linley); Let's imitate-Dignum, Miss Hagley (Alexander's Feast); What though I trace-Mrs Crouch (Solomon); Zadock the Priest-Chorus (Coronation Anthems).

Afterpiece Title: Grand Selection 3

Performance Comment: Eternal God-Reinhold (Isaac, Giordani); The Prince unable-Mrs Bland (Alexander's Feast); Non piu andrai-Morelli (Paisiello [recte Le Nozze di Figaro, Mozart]); Softly rise-Dignum, Chorus (Solomon, Boyce); Sweet bird-Mrs Crouch (L'Allegro); Every day will I give thanks-Incledon (Chandos Anthems); I know that my Redeemer liveth-Master Welsh; Hallelujah for the Lord God-Chorus (The Messiah).

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel Redemption 0

Cast
Role: Leader of the Band Actor: Shaw.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Tyrants-Mrs Crouch, Chorus [Athalia]; How willing-Sedgwick (Samson); What's sweeter-Miss Hagley, Dignum (Joseph); Let me wander, Or let the merry bells-Master Welsh; And young and old-Chorus (L'Allegro); The Prince-Mrs Bland (Alexander's Feast); Deeper and-Kelly; Waft her angels-Chorus (Jephtha); Lord in thee-Incledon, Chorus (Te Deum).

Afterpiece Title: Grand Selection 2

Performance Comment: Justly these evils, Why does the God?-Incledon; Ye men of-Miss Barclay (Samson); And in that air Behold! God is my salvation-Reinhold; Therefore with joy-Reinhold; And in that Day-Mrs Bland; Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Dead March (Saul)-; Lord remember David-Kelly [Sosarme]; Ah chi sa-Kelly, Mrs Crouch, Morelli; Consider found shepherd-Master Welsh (Acis and Galatea); But bright Cecilia, As from the pow'r-Mrs Crouch (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Performance Comment: Behold! I tell, The trumpet shall sound-Reinhold (The Messiah); Is not the King?, Nn the charmer fondly gazing-Miss Hagley (Arnold); Non vi par-Morelli, Kelly, Mrs Crouch (Sarti); Fair Rosale-Master Welsh (Linley); Softly rise-Dignum; Ye southern breezes-Chorus (Solomon, Boyce); O magnify the Lord-Mrs Crouch; Every day will I give thanks-Incledon (Coronation Anthems); Worthy is the lamb-Chorus (The Messiah).

Song: End II: Mad Bess-Mrs Crouch (Purcell)

Event Comment: Mainpiece: In II an Ovation, or, Entry of Coriolanus into Rome. In V A Procession of Roman Matrons to the Volscian Camp. A new Edition of Coriolanus to be had at the Theatre. [Afterpiece in place of The Pannel, advertised on playbill of 29 Mar. Diary, 2 Apr. states that this was Kemble's benefit, but it is not referred to as such on the playbill, in the Account-Book or in Kemble Mem.] Receipts: #377 13s. (333.13; 42.13; 1.7)

Performances

Mainpiece Title: Coriolanus Or The Roman Matron

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: A New Comic Opera composed by Paisiello [but not recorded in any list of his operatic works]; under the direction of Mazzinghi. [Originally ententitled Le Vane Gelosie, this was 1st performed at Naples in 1790. Its libretto, by G. B. Lorenzi, was re-set in 1793 by G. Astarita, and performed at Venice as Le Fallaci Apparenze. The characters in all these versions are identical. See E. Faustini-Fasini, Opere Teatrali di Paisiello, 1940, 137-38, and Morning Herald, 2 Apr. 1792.

Performances

Mainpiece Title: La Discordia Conjugale

Dance: As17920310

Event Comment: Benefit for Baddeley. Kemble Mem.: I believe this is a Farce of Mr Baddeley's writing [which it was]. Morning Herald, 21 Mar.: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #356 12s. (113.3.6; 33.5.0; 3.1.0; tickets: 207.2.6) (charge: #153 18s.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Swindlers

Performance Comment: Characters-Palmer, Baddeley, Barrymore, Benson, Burton, Banks, Maddocks, Bannister Jun., Caulfield, Phillimore, Packer, Alfred, Webb, Lyons, Mrs Goodall, Mrs Powell, Mrs Booth. [Larpent MS 374 (for 1st performance, 1774) lists the parts: Bubblewell, Isaac Israel, Harry, Lord Smallwitt, Jacob, Alderman Cornish, Doctor Addlebrain, Staytape, Stretch, Constable, Servants, Clerk, Mrs Bubblewell, Miss Bilkall.]Larpent MS 374 (for 1st performance, 1774) lists the parts: Bubblewell, Isaac Israel, Harry, Lord Smallwitt, Jacob, Alderman Cornish, Doctor Addlebrain, Staytape, Stretch, Constable, Servants, Clerk, Mrs Bubblewell, Miss Bilkall.]

Song: Vocal Parts, as17911214; Masque of Neptune and Amphitrite, as17911109

Event Comment: Benefit for Wilson. Wilson's most violent and sudden Indisposition will prevent his having the honor of appearing before the Public and his Friends this Evening, and sincerely hopes the Pieces he is under the necessity of substituting will meet their approbation. [2nd piece in place of Hail Fellow Well Met; 3rd piece of The Rights of Woman, both advertised on playbill of 7 May. A 4th (and new) play, The Point of Honor, by John Peter Roberdeau, was also advertised on playbill of 7 May. It was never acted. Hail Fellows [sic] Well Met and The Rights of Women [sic] were 1st acted, for Wilson's benefit, at the hay, 9 Aug. 1792.] Morning Herald, 24 Apr.: Tickets to be had of Wilson at his house, Park-lane, Church-lane, Chelsea. Receipts: #285 5s. (93.17; 1.14; tickets: 189.14) (charge: #105)

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: Rosina

Afterpiece Title: Modern Antiques

Event Comment: "Falstaff is rather more satirical than facetious...This idea of the part, King adopted; and he gave the text with such correctness and force, that so far from lessening his reputation by attempting so arduous a character, he has in reality afforded new proof of his critical taste and versatility of genius" (Morning Herald, 7 Aug.)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: King Henry the Fourth Part I

Event Comment: From the Small Portico are Entrances to the Pit and One Shilling Gallery only [and see 19 Sept.]. In the Old Passage from the Piazza are new Entrances to the Boxes, Pit and Two Shilling Gallery. The only Entrance to the Two Shilling Gallery is in the Passage from the Piazza. [Beginning with 5 Oct. the playbills have: Upper Gallery 1s. 2nd Price 6d.] Receipts: #336 4s

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Pope; Roderigo-Blanchard; Cassio-Macready; Brabantio-Hull; Lodovico-Davies; Montano-Marshall; Duke-Cubitt; Gratiano-Powel; Iago-Harley; Emilia-Mrs Fawcett; Desdemona-Mrs Pope.
Cast
Role: Othello Actor: Pope

Afterpiece Title: The Irishman in London

Event Comment: Mainpiece: Written by Colley Cibber; With Alterations. Not Acted these 12 years [acted 10 May 1784]. With new Scenes, Dresses and Decorations. Receipts: #275 19s. 6d. (194.3.6; 78.19.0; 2.17.0)

Performances

Mainpiece Title: At Kings Love Makes A Man Or The Fops Fortune

Afterpiece Title: No Song No Supper

Event Comment: [Mrs Esten's 1st appearance as Juliet was at Edinburgh, 19 Jan. 1790.] In Act I of mainpiece a Masquerade Scene incident to the Play. Afterpiece: The Overture and the rest of the Music composed new by Baumgarten. Receipts: #340 9s. 6d

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Blue Beard or The Flight of Harlequin

Performance Comment: Blue Beard-Darley; Harlequin-Bayzand; Clown-Follett; Brothers to Colombine-Farley, Letteney; Assassins-Rowson, Powers; Haggard-Gray; Waiter-Cross; Little Old Man-Master Webb; Sailor-Rees; Footboy-Simmons; Tippy Bob-Munden; Sister Ann-Miss Leserve; Miss Common-Mrs Rock; Mrs Hoplove-Mrs Cross; Widow Giggle-Mrs Gray; Colombine-Mrs Watts; Daemons of Revenge-Mt Ratchford, Mt Platt, Mt Rayner, Mt Jackson, Mt Wilde; Aerial Spirits-Mrs Arnold, Mrs Masters, Miss Francis, Mrs Ratchford, Miss Rowson, Mrs Bayzand, Miss Broadhurst.
Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Dance: In afterpiece: Dancing-Byrn, Platt, Ratchford

Song: End IV: Juliet's Funeral Procession-; with the Solemn Dirge Vocal Parts-Johnstone, Incledon, Darley, Gray, Rock, Lee, Letteney, Mrs Blanchard, Mrs Harlowe, Miss Stuart, Miss Barnett, Mrs Arnold, Mrs Cross, Miss Leserve, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Francis, Mrs Masters, Miss Broadhurst

Event Comment: Mainpiece: With Additions [by John Philip Kemble] from Dryden. The Music by Purcell and Dr Arne, with the new Airs and Chorusses by the late Mr Linley Jun. Receipts: #120 9s. 6d. (82.18.6; 29.0.0; 8.11.0)

Performances

Mainpiece Title: At Kings The Tempest Or The Enchanted Island

Afterpiece Title: The Prisoner

Cast
Role: Theresa Actor: Miss DeCamp

Song: Vocal Parts-Kelly, Dignum, Danby [Public Advertiser: Caulfield], Cooke, Mrs Bland, Miss DeCamp, Mrs Edwards, Mrs Shaw

Opera: V: Masque of Neptune and Amphitrite. Neptune-Caulfield; Amphitrite-Mrs Edwards

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequins Museum and see17921220

Performance Comment: Pantomimic Characters Harlequin-Boyce; Clodpole-Follett; Squire Foxchase-Farley; Paddy Rooney O'Gaffey-Rock; Sir Gregory Whimsey-Hawtin; Father Paul-Powel; Pudding Boy-Master Hodgins; Cook-Gaurion; Smuggler-King ; Cooper-Blurton; Jew-Wilde; Alderman-Rowson; Captain-Thompson; Starved Friar-Griffiths; Lover's Servant-Simmons; Waterman-Platt; Baker-Thompson [i.e. doubled Captain]; Fishwoman-Mrs Cross; Mother-Mrs Powell; Maid-Miss Leserve; Ladies at the Ship Launch[, Apollo Garden Scenes-Miss Paye, Mrs Masters, Miss Barnett, Mrs Rock; Colombine-Mme Rossi; [Principal Vocal Characters: Lieutenant-Incledon; Old England Forever!-Incledon; Shipwrights-Gray, Street, Linton; +God preserve his Majesty-Gray, Street, Linton; Cobler-Fawcett; Song-Fawcett; Punch-Munden; Punch's Song-Munden (each Song new and in Character); Skaiters-Gray, Linton; This bleak and frosty Morning-Gray, Linton; Mother Shipton (with songs)-Mr Darley.
Cast
Role: Father Paul Actor: Powel
Role: Mother Actor: Mrs Powell
Role: Mother Shipton Actor: Mr Darley.

Dance: In afterpiece: the Burlesque Pas de Russe-Byrn, Miss Smith; Hornpipe-Holland; rest of the Dances-Byrn, Ratchford, Cranfield, Rayner, Platt, Jackson, Wilde, Mrs Watts, Miss Francis, Mrs Ratchford, Mrs Lloyd, Mrs Crowe, Mrs Bayzand, Mme Rossi

Event Comment: The King's Theatre having been rented to the Proprietors of Drury-Lane House, with a reserve of the Nights for the Italian Opera to be carried on there for the Opera Trust, the Drury-Land Patent will in future be moved on Tuesdays and Saturdays to the Theatre Royal, Hay-Market, where all old and new Renters, claiming under the Drury-Lane Patent, will be entitled to Free Admission, and to their Rights for each Night of Performance. Half Price not being taken at this Theatre, the Performances will be reduced to the old established Prices. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes in the Theatre Royal, Hay-Market, to be taken at Fosbrook's Office at the King's Theatre as usual. [Mainpiece in place of Cymon; afterpiece of The Patron, both advertised on playbill of 25 Jan.] Receipts: #140 11s. (139.0; 1.11)

Performances

Mainpiece Title: At Hay Jane Shore

Afterpiece Title: The Cheats of Scapin

Event Comment: Afterpiece [1st time; CO 2, by William Pearce]: With new Music, Scenes and Dresses. The Music composed and selected [From Paisiello and Gretry (BUC, 946)] by Shield. The Scenes designed and executed by Richards. Books of the Songs to be at the Theatre. ["Mr Pearce #100 for Midnight Wanderers" (MS annotation on BM playbill (cg, Vol. VIII), 2 Mar. 1793).] Morning Herald, 21 May 1793: This day is published The Midnight Wanderers (1s.). Receipts: #332 17s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Midnight Wanderers

Performances

Mainpiece Title: Grand Selection 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Ariadne)-; Wake son of Odin-Leete (Stevens); What boots it where thy soldier-Miss Leak; Dear is my little native vale-Master Welsh; When Britain from her sea@girt shore-Dignum, Clark, Letee; Britain's best bulwarks-Chorus; Softly rise-Harrison; accompanied on the bassoon-Holmes (Solomon, by Boyce); Se ti perdo-Miss Poole; Tune your harps-Mrs Harrison (Esther); When all the air shall ring-Miss Poole, Miss Leak (Dr Arne); God save the King-Chorus.

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Hautboy Concerto-; The Maid of the Rock-Master Welsh; Mad Bess-Miss Poole; Italian Air-Morelli; O'er hill and valley-Mrs Harrison (Harrison); Every day will I give thanks-Harrison [Chandos Anthems]; Then undaunted Briton-Dignum.

Afterpiece Title: Grand Selection 3

Performance Comment: Concertante-; Pleasure my former ways resigning-Harrison [Time and Truth]; Come gentle eve-Miss Leak; The smiling dawn-Mrs Harrison [Jephtha]; Sound an alarm-Dignum; We come in bright array-Chorus; From mighty Kings-Miss Poole [Judas Maccabaeus]; Italian Air-Morelli; What's sweeter than the new blown rose?-Mr and Master Welsh [Joseph]; Fallen is the foe-Chorus [Judas Maccabaeus].Judas Maccabaeus].

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt

Afterpiece Title: A Divertisement

Performance Comment: With Dialogue intended only to introduce the following favorite songs, selected, written and composed (with new accompanyments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter-Cubitt; Peggy Perkins, Let bards elate-Blanchard; [Irish Drinking Song, Of the ancients its speaking-Johnstone; The Greenwich Pensioner ["Twas in the goodship Rover], Tom Bowling [Here a sheer hulk]-Darley; [Comic Song, How much I love thee-Powel; Taffy and Griddy, Abergavenny is fine-Mrs Martyr; [Hunting Song, To Batchelor's Hall, Poor Jack, Go patter to Lubbers, The Portrait, Come painter with thy happiest flight-Incledon; [To conclude with a Rural Masquerade-; [Indian Song, Dear Yanco say and true he say-Miss Broadhurst; [Sea Song, A Sailor's Life's a life of woe-Mrs Harlowe; [The Masquerade, Sure an't the world a Masquerade-Johnstone, Chorus.

Music: End I 3rd piece: a sonata from Op. 2, by Clementi, on one of Longman and Broderip's newly invented Grand Piano Forte Harpsichords, by the celebrated-Master Field a Child of Nine Years Old

Performance Comment: 2, by Clementi, on one of Longman and Broderip's newly invented Grand Piano Forte Harpsichords, by the celebrated-Master Field a Child of Nine Years Old.

Entertainment: Monologue. As17930410

Event Comment: Benefit for Dignum and Mrs Powell. [Afterpiece in place of The Devil to Pay, advertised on playbill of 23 May.] Morning Herald, 23 May: Tickets to be had of Dignum, No. 25, New North-street; of Mrs Powell, No. 22, Henrietta-street, Covent-Garden. Receipts: #510 1s. (54.13.6; 26.7.6; 3.17.0; tickets: 425.3.0) (charge: #160 5s. 10d.)

Performances

Mainpiece Title: At Kings Twelfth Night

Performance Comment: Orsino-Barrymore; Sebastian-Bland; Antonio-Benson; Sir Toby Belch-Moody; Sir Andrew Ague@cheek-Dodd; Sea Captain-Caulfield; Fabian-R. Palmer; Malvolio-Bensley; Clown (with the Epilogue Song)-Suett; Olivia-Mrs Powell; Viola-Mrs Jordan; Maria-Mrs Kemble.

Afterpiece Title: The Mariners

Song: End II: The Lucky Escape-Dignum; End IV: Primroses deck the banks (composed by Linley? Sen.)-Master Welsh; End: Fair Rosale-Master Welsh

Event Comment: Benefit for Wild. 2nd piece [1st time; F 1, by Robert Woodbridge]. Morning Herald, 4 June 1793: This day is published The Pad (price not listed). 3rd piece [1st time; BALL. P 2 (?), by James Byrn, altered from his The Provocation!]: The Incidents partly new, and partly selected from the much admired Pantomime called Provocation. In the course of the Pantomime a representation of an Engagement between an English and French Man of War; A Ship-wreck; The original Allegoric Scene from Provocation: A View of an English Camp; A Naval and Military Procession. Morning Herald, 9 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #335 1s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck or French Ingratitude

Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon