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13200 results for: Keyword - George C. D. Odell</i>, <i>Annals of the New <span class=
We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.

11151
01 November 1682 @ Inner Temple

Event Comment: The Duke's Company. The players received the customary #20. See A Calendar of the Inner Temple Records, III, 183. Loyal Protestant and True Domestick Union. 4 Nov. 1682: London November 2. Yesterday began the Revels at the Temple; where all the Judges belonging thereunto were nobly entertained by a Splendid Banquet, and afterwards by an excellent new Comedy, acted by His Royal Highness's Servants in the Inner-Temple-Hall, called, Rule a Wife and have a Wife, to the great satisfaction of all the Spectators

Performances

Mainpiece Title: Rule A Wife And Have A Wife

11152
28 November 1682 @ Drury Lane Theatre

Event Comment: The United Company. Newdigate newsletters, 28 Nov. 1682: This day was Acted a new play called the Duke of Guise by Mr Dryden it was formerly forbidd as reflecting upon the D of Monmouth but by ye supplication of ye Author its now allowed to be acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition (Huntington Library) as 4 Dec. 1682, but above this date Luttrell has written: "30 Nov." The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 149-52. Dedication, Edition of 1683: In the Representation itself, it was persecuted with so notorious Malice by one side, that it secur'd us the Partiality of the other. In a report from the Abbe Rouchi, in London, 14 Dec. 1682, it is stated that the Duke of Guise was acted three times (Campana de Cavelli, Les Derniers Stuarts [Paris and London, 1871], I, 398). One song, Tell me Thyrsis all your anguish, with music by Captain Pack, is in the edition of 1683 and also in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Duke Of Guise

Performance Comment: Edition of 1683: Prologue by Mr Dryden-Mr Smith; King-Kynaston; Guise-Betterton; Mayenne-Jevon; Crillon-Smith; Cardinal-Wiltshire; Archbishop-Perrin; Corso-Montfort; Polin-Bowman; Aumale-Carlile; Bussy-Saunders; Curate-Underhill; Malicorne-Percival; Melanax-Gillo; Sheriffs-Bright, Samford; Queen Mother-Lady Slingsby; Marmoutier-Mrs Barry; Epilogue by Mr Dryden-Mrs Cook; Another Epilogue Intended to have been Spoken to the Play before it was forbidden last Summer-.
Cast
Role: Queen Mother Actor: Lady Slingsby
Role: Another Epilogue Intended to have been Spoken to t Actor: .

11153
31 May 1683 @ Dorset Garden Theatre

Event Comment: The United Company. Newdigate newsletters, 2 June 1683: The same day [31 May] their Royall highnesses... in ye afternoone Countenanced a new play with their presences (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). Wilson proposes that this play is Dame Dobson, as the separately Printed Prologue bears Luttrell's acquisition date of 1 June 1683 (Bindley Collection, William Andrews Clark@Jr@Library). The separately printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 176-78

Performances

Mainpiece Title: Dame Dobson Or The Cunning Woman

11154
08 October 1683 @ Drury Lane Theatre

Event Comment: Langhans, New Restoration Theatre Accounts, pp. 124-25, believes that acting resumed on 8 Oct. 1683 and continued to 14 June 1684, with, probably, 47 performances in the summer of 1684

Performances

11155
12 November 1683 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not known, but Luttrell's copy of the separately printed Prologue and Epilogue bears the date 12 Nov. 1683 (item 87, Sotheby's sale, 12 June 1939), and the premiere probably occurred shortly before that date. A revised version of the Epilogue, correcting errors, appeared almost immediately after the one first published; it bears Luttrell's date of 14 Nov. 1683. The Epilogue, in the revised version, bears the note: Written by Mr Dryden. The Prologue and both versions of the Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 183-87. In addition, a song, Awake O Constantine awake, with music by Thomas Farmer, is in The Theater of Music, 1865; it also appeared in A Collection of the Newest and Choicest Songs, 1864 (which bears Luttrell's date, 10 March 1683@4, Bindley Collection, William Andrews Clark@Jr@Library)

Performances

Mainpiece Title: Constantine The Great

11156
December 1683 @ Drury Lane Theatre

Event Comment: The United Company. The date of this revival is not known, but the fact that this edition was entered in the Term Catalogues, February 1683@4, makes it likely that the revival occurred not later than December 1683. A new song, There was a jolly beggar, in Act IV, Scene ii, was probably written for this revival. It was printed in Choice Ayres and Songs, the Fifth Book, 1684

Performances

Mainpiece Title: A Jovial Crew Or The Merry Beggars

11157
March 1684 @ Drury Lane Theatre

Event Comment: The United Company. The date of this revival is not precisely known but that it occurred in mid-March is indicated by Luttrell's date of 21 March 1683@4 on his copy of the separately-printed Prologue and Epilogue (Bindley Collection, William Andrews Clark@Jr@Library). It should be noted, however, that Friday 21 March is a Friday in Lent, a day on which the companies sometimes did not act. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 202-6. When this play was advertised to be acted on 8 Nov. 1704, the bill bore the heading: "Not Acted these 20 Years." Langbaine (English Dramatic Poets, p. 37): This Play was reviv'd by the Players, since the Union of the Two Houses, and reprinted in quarto Lond. 1684 with a new Prologue and Epilogue, the former written by Jo. Haynes the Comedian

Performances

Mainpiece Title: The Northern Lass

Performance Comment: Edition of 1684: Sir Phillip Luckless-Kynaston; Tridewell-Wilshire; Sir Paul Squelch-Lee; Bullfinch-Haines; Widgine-Gevon; Anvile-Griffen; Nonsense-Monfort; Pate-Lisle [Carlisle]; Beavis-Saunders; Howdee-Bright; Clark-Lowe; Mrs Fitchow-Mrs Barrey; Constance-Mrs Butler; Mrs Trainwell-Mrs Cory; Constance Holdup-Mrs Percivall; Prologue to the Northern Lass [by J. H. (Joseph Haines)]-; Epilogue-Mrs Butler.

11158
April 1684 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not known, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 5 April 1684 (J. W. Dodds, Thomas Southerne, p. 48). Very probably the play first appeared during the week of 31 March-5 April, immediately following Easter. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 191-94. This may have been the last new role William Smith undertook for some years; see Cibber, Apology, ed. Lowe, 1, 78-79, for the incident which prompted Smith's leaving the stage for awhile. One song, I never saw a face till now, with music by Captain Pack, is in The Theater of Music, the First Book, 1685; and another, O why did e'er my thoughts aspire, the music by R. King, is in the same collection. A third song, See how fair Corinna lies, the music by Captain Pack, is in A Collection of Twenty-Four Songs, 1685

Performances

Mainpiece Title: The Disappointment Or The Mother In Fashion

Performance Comment: Edition of 1684: Alphonso-Betterton; Lorenzo-Smith; Alberto-Wilshire; Lesbino-Carlisle; Rogero-Leigh; Erminia-Mrs Cook; Juliana-Mrs Percival; Angelline-Mrs Knight; Her Supposed Mother-Mrs Corey; Clara-Mrs Leigh; The Prologue by Mr John Dryden-Mr Betterton; The Epilogue by the Honourable John Stafford, Esq-.
Cast
Role: Her Supposed Mother Actor: Mrs Corey
Related Works
Related Work: The Disappointment; or, The Mother in Fashion Author(s): Thomas Southerne

11159
29 September 1684 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: Langhans, New Restoration Theatre Accounts, pp. 125-26, suggests that acting resumed on 29 Sept. and continued to 6 Feb. 1684@5, when Charles II died, although the theatre may not have acted from 2 through 5 Feb. Resuming at the end of April, the company Played regularly to the end of May, then on 43 days between 1 June and 31 Oct. 1685

Performances

11160
December 1684 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. This play may have been revived during this month or earlier. A song, Come Jug my honey let's to bed, the music by Thomas Farmer, sung by Reading and Mrs Norris, was printed in Choice New Songs never before Printed [by Thomas D'Urfey, 1684]. Luttrell purchased a copy of this collection on 8 Jan. 1684@5 (Bindley Collection, William Andrews Clark@Jr@Library)

Performances

Mainpiece Title: The Cheats Of Scapin

11161
13 June 1685 @ Dorset Garden Theatre

Event Comment: The United Company. The sixth performance presumably occurred on this day, as it was on 13 June 1685 that the news of Monmouth's landing reached London

Performances

Mainpiece Title: Albion And Albanius

11162
October 1685 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The documents analyzed by Langhans, New Restoration Theatre Accounts, pp. 120, 126-27, leave uncertain the date of resuming daily performances in the autumn of 1685. The Company acted regularly to 5 June 1686 and then acted 23 times between 7 June and 27 Sept. 1686

Performances

11163
04 March 1686 @ Dorset Garden Theatre

Event Comment: The United Company. Newdigate newsletters, 4 March 1685@6: This day a new play called The Devil of a Wife was Acted with great Applause at that formerly called the Ds Playhouse (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82). See also 6 March 1685@6

Performances

Mainpiece Title: The Devil Of A Wife Or A Comical Transformation

Performance Comment: Edition of 1686: Sir Richard Lovemore-Gryffin; Rowland-Bowman; Longmore-Peryn; Butler-Saunders; Cook-Percyval; Footman-Low; The Ladies Father-Norris; Noddy-Powel; Jobson-Jevon; Doctor-Freeman; Lady Lovemore-Mrs Cook; Jane-Mrs Price; Lettice-Mrs Twyford; Nell-Mrs Percyval; Prologue-Mr Jevon; Epilogue-Mr Jevon, Mrs Percyval.
Cast
Role: The Ladies Father Actor: Norris

11164
06 March 1686 @ Dorset Garden Theatre

Event Comment: The United Company. Peregrine Bertie to the Countess of Rutland, 6 March 1685@6: To day is acted Jevarns' new farse; Thursday was the first day. I must confess it is the strangest thinge I ever saw; 'twas mighty full the last time, and to day there is noe getting in (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 106). [Since Friday 5 March was a Friday in Lent, it is possible that the farce was not given on that day.

Performances

Mainpiece Title: The Devil Of A Wife

11165
05 January 1687 @ Whitehall or St. James's

Event Comment: Evelyn, Diary: I was to heare the Musique of the Italians in the new chapel, now first of all opened at White-hall publiquely for the Popish Service

Performances

Mainpiece Title: Concert

11166
30 January 1687 @ Whitehall or St. James's

Event Comment: Evelyn, Diary: I heard the famous Cifeccio (Eunuch) [Giovanni Francesco Grossi, called Siface] sing, in the new popish chapell this afternoone, which was indeede very rare, & with greate skill: he came over from Rome, esteemed one of the best Voices in Italy, much crowding, little devotion

Performances

Mainpiece Title: Concert

11167
24 July 1687 @ no theater listed

Event Comment: On this day the news of the death of the Duchess of Modena was brought to Windsor, and newsletters stated that the Court was to go into mourning the following Sunday. Acting at the theatres may have been curtailed during the late summer

Performances

11168
24 October 1687 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The data in Langhans, New Restoration Theatre Accounts, pp. 128-29, suggest that acting may have resumed by this day and continued to 9 June 1688. Because of the 1688 revolution, the circumstances of summer acting in 1688 are not clear

Performances

11169
April 1688 @ Dorset Garden Theatre

Event Comment: The United Company. The date of the premiere is not known, but as the play was licensed to be published, 21 May 1688, it was probably first acted early in April 1688, perhaps in late March. In 1688, also was separately printed New Songs Sung in The Fool's Preferment: In I, I sigh'd and pin'd and There's nothing so fatal as Woman, the music composed by Henry Purcell. In III, Fled is my love, the music composed by Henry Purcell, and sung by Mountfort. 'Tis death alone and I'le mount to yon blue coelum, the music composed by Henry Purcell. In IV, I'le sail upon the Dog-star, and A Dialogue by Jockey and Jenny, Jenny, gin you can love, the composer not stated. In V, If thou wilt give me back my love, composed by Henry Purcell and sung by Mountfort. See also Purcell's Works, The Purcell Society, XX (1916), iv-vi. When this play was revived at Drury Lane on 16 July 1703, the bill was headed: Not Acted these Fifteen Years

Performances

Mainpiece Title: A Fools Preferment Or The Three Dukes Of Dunstable

11170
12 May 1688 @ Drury Lane Theatre

Event Comment: The United Company--Peregrine Bertie to the Countess of Rutland, 12 May 1688: We have had since my last another new play, a comedy writ by Shadwell, called the Esquire of Alsatia. It has been acted nine days successively, and on the third day the poet got 16l. more than any other poet ever did. When all this is granted, there is nothing in it extraordinary--except it is a Latin song--but the thing reason why it takes soe well is, because it brings severall of the cant words upon the stage which some in town have invented, and turns them into ridicule (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 119)

Performances

Mainpiece Title: The Squire Of Alsatia

11171
September 1688 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The data in Langhans, New Restoration Theatre Accounts, pp. 129-30, indicate uncertain conditions at the theatre in the autumn and winter of 1688, with only 86 acting days from 11 June 1688 through 12 Jan. 1688@9. The regular season may have continued to 11 May 1689, with 91 acting days from 13 May to 7 Dec. 1689

Performances

11172
26 August 1689 @ Bartholomew Fair

Event Comment: Journal of van Constantijn Huygens, 26 Aug. 1689 (translation): I was, in the afternoon, with my wife and Tien, at Bartholomew Fair, which was held in Smithfield, There were many people, most of them to laugh at the Pope, and all the actors and actresses were seated at the galleries built for them and dressed in extraordinary clothes of high value. There were also some big wheels, twenty foot or more in diameter, where little ships had been hung on, which turned around with the wheel, always hanging, where many people, children and others were seated. There was a great pressure of people, and everywhere sucking pigs were for sale (Journal van Constantijn Hygens, Publications of the Dutch Historical Society, New Series, XXIII [Utrecht, 1876], 172-73)

Performances

Mainpiece Title: Entertainments

11173
28 November 1689 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. A somewhat puzzling entry in the Reverend Robert Kirk's description of London in 1689 implies a performance of The Committee undertaken but not completed: At a play in Whitehall King Charles, his trage-comedy, when the actors were come to that part of seducing King Charles II, some Williamites in the pit below hissed at it (as if the play had meant the like of King James in Ireland). At this there sprang such huzzas and holloes above applauding that part of the play, that it was in a confusion, and they durst pursue it no further, lest the two parties made violence one upon another. Two or three noblemen were remarked to be forward in the acclamations of joy, and therefore are looked on as Jacobites. The Play's name is The Committee, November 28, 1689 (Transactions of the London and Middlesex Archeological Society, New Series, VI, 655)

Performances

Mainpiece Title: The Committee

11174
01 January 1690 @ Whitehall or St. James's

Event Comment: Luttrell (A Brief Relation, II, I): The same day [1 Jan.] the king and queen came to Whitehall, where many of the nobility and gentry came to wish them a happy new year; and there was a great consort of musick, vocal and instrumental, and a song composed by the poet laureat

Performances

Mainpiece Title: Concert

11175
September 1690 @ no theater listed

Event Comment: According to Langhans, New Restoration Theatre Accounts, pp. 131-32, the company probably acted 26 days from 5 July through 25 Oct., then regularly through 6 June 1961, then 41 days from 8 June through 16 Oct. 1691

Performances