SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: [As afterpiece Kemble Mem. lists The Island of St. Marguerite, but the playbill for 8 Jan. has "15th Night," for 13 Jan. "16th Night," for 15 Jan. "17th Night," &c. The enumeration for Harlequin's Frolicks is likewise consistent.] Receipts: #242 (222.12; 18.11; 0.17)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Harlequins Frolicks

Dance: As17891204

Event Comment: Benefit for Mrs Wells. Mainpiece [1st time; C 4, author unknown, not in Larpent MS; not published. Epilogue by Robert Merry (World, 30 Apr.). On 11 May acted as The Female Pursuit]: Taken from Moor's Gil Blas. Public Advertiser, 27 Apr.: Mrs Wells trusts the Public will have the Candour to excuse her not appearing in the Play, as the principal Woman's Character has many changes in it, and the Fatigue of going through various and numerous Imitations would render her incapable of undertaking it. Gazetteer, 9 Apr.: Tickets to be had of Mrs Wells, No. 12, Weymouth-street, Portland-place. Receipts: #301 14s. (166.2; 10.1; tickets: 125.11)

Performances

Mainpiece Title: The Female Adventure Or Stop Her Who Can

Afterpiece Title: Cymon

Dance: Following Imitations at end: As17891021; In afterpiece: Dances, as17900409

Entertainment: End II: Tragic Imitations [of Mrs Siddons in Belvidera's 1st scene in Venice Preserved, I.i., and of Mrs Crawford in Lady Randolph's 1st speech in Douglas]-Mrs Wells; End III: Comic and Vocal Imitations [of Mrs Abington as Widow Belmour in The Way to Keep Him, and of Mrs Martyr, Mrs Jordan, Sga Storace, Sga Sestini]-Mrs Wells; End: A Scene from Isabella [The "ring speech" in II.ii] (Above identified in World, 29 Apr.)-Mrs Wells

Performance Comment: i., and of Mrs Crawford in Lady Randolph's 1st speech in Douglas]-Mrs Wells; End III: Comic and Vocal Imitations [of Mrs Abington as Widow Belmour in The Way to Keep Him, and of Mrs Martyr, Mrs Jordan, Sga Storace, Sga Sestini]-Mrs Wells; End: A Scene from Isabella [The "ring speech" in II.ii] (Above identified in World, 29 Apr.)-Mrs Wells.
Event Comment: Benefit for Spencer and Nix. 1st piece: Some of the Music compiled from the best Masters. The rest of the Music, the Overture, Accompaniments, &c. by Linley? Sen.. Receipts: #252 4s. 6d. (44.17.0; 27.0.0; 3.11.6; tickets: 176.16.0) (charge: #110 11s. 10d.)

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: Piety in Pattens

Afterpiece Title: The Adventurers

Song: In course Evening: Rosy Bowers (composed by Purcell)-Mrs Crouch

Event Comment: 2nd piece: Never [previously] acted in this Kingdom [by Robert Jephson, altered by the author from his The Hotel; or, The Servant with Two Masters, which was based on Il Servitore di due Padroni, by Carlo Goldoni, and on Arlequin Valet de deux Maitres, by Jean Pierre de Ours de Mandajors, and 1st acted at Smock Alley Theatre, Dublin, 8 May 1783]. Oracle, 18 Mar. 1791: This Day is published Two Strings to Your Bow (1s). Receipts: #210 3s. 6d. (205.17.0; 4.6.6)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Two Strings to Your Bow

Dance: As17901123

Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four. Mainpiece [1st time; C 5, by Richard (later) Sir Richard? Ford. Kemble Mem.: Altered by R. Ford from the Humourous Lieutenant. Epilogue by Henry William? Bunbury. Larpent MS 894; not published]: Altered from Beaumont and Fletcher (recte Fletcher alone). Oracle, 25 Feb.: Tickets to be had of Mrs Jordan at her house, No. 14, Somerset-street, Portman-square. Receipts: #346 8s. 6d. (102.18.0; 13.5.0; 3.6.6; tickets: 226.19.0) (charge: free)

Performances

Mainpiece Title: The Greek Slave Or The School For Cowards

Performance Comment: Characters-Williames, Palmer, Aickin, Bannister Jun., Suett, Burton, Bland, R. Palmer, Haymes, Phillimore, Fawcett, Webb, Mrs Jordan, Mrs Booth, Miss Palmer, Mrs Gawdry; Partial cast suggested by Genest, VII, 18: Antigonus-Williames; Demetrius-Palmer; Leontius-Aickin; Humourous Lieutenant[in Larpent MS: Vertigo]-Bannister Jun.; Celia-Mrs Jordan; Leucippe-Mrs Booth;[. Larpent MS lists the other parts: Charinthus, Timon, Ambassador, Varus, Clodius, Physician., but no other female parts; Epilogue-Mrs Jordan.

Afterpiece Title: The Pannel

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: High Life below Stairs

Dance: As17901204

Event Comment: Afterpiece: To conclude with a Superb Prospect of the Infernal Regions. [This was included in all subsequent performances.] Receipts: #237 17s. (170.15; 65.17; 1.5)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: Don Juan or The Libertine Destroyed

Performance Comment: Don Antonio-Bland; Don Ferdinand-Dignum; Don Juan-Palmer; Don Guzman-Benson; Carlos-Caulfield; Perez-Cooke; Pedrillo-Banks; Lopez-Lyons; Gomez-Alfred; Vasquez-Fawcett; Waiter-Phillimore; Masaniello-Whitmill; Scaramouch-Fairbrother; Alguaziles-Burton, Jones, Webb; Boatswain (with a song)-Sedgwick; Sailors-Danby, Maddocks, Fawcett; Donna Anna-Miss Collins; Isabella-Miss Heard; Inis-Miss Palmer; Katharina-Mrs Edwards; Viletta-Mrs Bland; Edition of 1791 (C. Lowndes) is as above, but 3rd Sailor-$Reynoldson, and adds: Host-Fawcett [i.e. doubled Vasquez]; Vocal Parts-Dignum, Sedgwick, Mrs Bland, Mrs Edwards, Miss Hagley; Dances-Hamoir, Bourk, Fairbrother, Keys, Whitmill, Bidotti, Giani, Walker, Nicolini, Mrs Davis, Mrs Brooker, Mrs Haskey, Mrs Brigg, Mrs Barrett, Mrs Harris, Miss Jacobs, Miss Bourk, Miss DeCamp.

Song: II: a song-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

Event Comment: By Permission of the Lord Chamberlain. Under the Patronage of several Persons of Distinction. Beneath the immediate Direction of a Venerable Veteran of the Stage. Afterpiece [1st time; C 2, author unknown. Not in Larpent MS; not published]: Reduced into Two Acts, from The Provok'd Wife

Performances

Mainpiece Title: King Henry Ii Or The Death Of Fair Rosamond

Performance Comment: King Henry-A Gentleman [unidentified]; The Abbot-Wilkinson; Prince Henry-Rundell; Leicester-Frodsham; Salisbury-Fielding; Verulam-Savigny; Clifford-Baker; Rosamond-Miss Dalton; Ethelinda-Mrs Taylor; Queen Eleanor-Mrs Jackson (from the Theatre Royal, York).
Cast
Role: The Abbot Actor: Wilkinson
Role: Ethelinda Actor: Mrs Taylor

Afterpiece Title: The Humours of Sir John Brute

Entertainment: Monologue End: The Monody on the Death of Mr Henderson (3rd time at this theatre)-Baker

Event Comment: Receipts: #439 11s. 6d. (391.15.6; 45.7.0; 2.9.0). A tally sheet in BM (Burney 937. c. 10) for this night itemizes the number of spectators and the receipts as follows: 1st Account Boxes 660, #198.0.0 Pit 745, #130.7.6 Gallery 634, #63.8.0 Total 2,039, #391.15.6 Half Price Boxes 215, #32.5.0 Pit 27, #2.14.0 Gallery 208, #10.8.0 Total 450, #45.7.0 Boxes 875, #230.5.0 Pit 772, #133.1.6 Gallery 842, #73.16.0 Total 2,489, #437.2.6 The total receipts here set forth do not include the After Money of 2.9.0

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Miller of Mansfield

Event Comment: Among the instrumental performers are Shaw, W. Parke, Mason, Parkinson, Hyde, A. Shaw, Archer, Corfe, C. Parkinson, Dressler, Flack Sen., Flack Jun., Zwingman. Under the direction of Linley. At Play-house Prices. No Money to be returned. Boxes 6s. Pit 3s. 6d. Gallery 2s. Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Redemption 0 Selected From The Works Of handel By dr Arnold

Performance Comment: Principal Vocal Parts-Kelly, Reinhold, Incledon, Master Welsh (from Bath), Dignum, Sedgwick, Morelli, Miss Barclay (pupil of Linley; 1st appearance in public), Mrs Bland, Miss Hagley, Mrs Crouch; Leader of the Band-Shaw.
Cast
Role: Leader of the Band Actor: Shaw.

Afterpiece Title: Redemption 1

Performance Comment: Overture-(Occasional Oratorio); O! First created beam-Chorus (Samson); He layeth the beams-Reinhold (Ezio); When his loud voice-Chorus (Jephtha); Lord what is man-Mrs Crouch (Semele); How excellent thy name-Chorus (Saul); Speak ye who best can tell-Kelly (Ptolomy); Abraham enough-Mrs Bland (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the man-Chorus (Joseph); Pious orgies-Miss Barclay (Judas Maccabaeus); He gave them hail@stones-Chorus; The Lord is a man of war-Reinhold, Dignum; Moses and the Children of Israel-Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Performance Comment: Ye sons of Israel-Chorus; Oh! had I Jubal's lyre-Miss Barclay (Joshua); Jehovah crown'd-Reinhold, Chorus (Esther); Angels ever bright and fair-Master Welsh (Theodora); Welcome mighty king-Chorus (Saul); March-(Judas Maccabaeus); In sweetest harmony-Mrs Crouch, Mrs Bland, Chorus (Saul); Their bodies are buried in peace-Chorus (Funeral Anthem); Dead March-(Saul); Lord remember David-Kelly (Sosarmes); The sword that's drawn-Reinhold (Occasional Oratorio); God save the King-(Coronation Anthem).

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Master Welsh (Alcina); There beneath a lowly shade-Mrs Bland (Alexander Balus); He was eyes unto the blind-Incledon (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He Sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: End I: concerto on the bassoon-Parkinson; End II: concerto on the violin-Master Bridgetower

Event Comment: Oratorio: Written by Milton. Set to Music by Handel. Among the instrumental performers are Messrs Ashley andSons, Patria, Sarjant, Billington, Mahon, Boyce, Mountain, Howard, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Lyon, &c. Double Drums by J. Ashley. The whole under the direction of Harrison and Ashley. At Play-house Prices. No money to be returned. Places for the Boxes to be had of Brandon at the Theatre. The Doors to be opened at 5:30. To begin precisely at 6:30 [same throughout oratorio season]. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Books of the Performance, with the names of the performers to their respective songs, price 6d., may be had at the Theatre, and to prevent imposition in the streets, the Manager's books are printed with the following words at the bottom of each title-page, "Printed by H. Macleish, Duke's court, Drury-Lane.

Performances

Mainpiece Title: Lallegro Ed Il Pensieroso 0

Performance Comment: Principal Vocal Parts-Harrison, Bartleman, Page, Champness, Mrs Second, Mrs Addison, Mrs Billington; Leader of the Band-G. Ashley; Organ-Knyvett.
Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: LAlegro ed il Pensieroso 1

Performance Comment: First Grand Concerto-; Hence! loathed melancholy-Harrison; Hence! vain deluding joys-Mrs Billington; Come thou Goddess fair and free-Harrison; Come rather Goddess sage and holy-Mrs Billington; Haste thee nymph-Page, Chorus; Come and trip it as you go-Mrs Addison, Chorus; Come pensive nun, Come but keep thy wonted state-Mrs Billington; Join with thee calm peace-Chorus; Mirth admit me of thy crew-Mrs Second; Sweet bird-Mrs Billington; accompanied on the violin-G. Ashley; Mirth admit me of thy crew [repeated]-Bartleman; Oft on a plat of rising ground-Harrison; Let me wander not unseen-Mrs Billington; And young and old-Chorus.

Afterpiece Title: LAllegro ed il Pensieroso

Performance Comment: Hence vain deluding joys, But O! sad virgin-Mrs Billington; Populous cities please me then-Bartleman, Chorus; There let Hymen oft appear-Mrs Second; Me when the sun, Hide me from day's garish eye-Mrs Billington; I'll to the well@trod stage anon-Page; And ever against eating cares-Mrs Second; As steals the morn upon the night-Mrs Billington, Harrison; These delights if thou canst give-Page, Chorus.

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Wise men flattering-Mrs Addison (Judas Maccabaeus); Rendi il sereno-Harrison (Sosarmes); Nightingale Chorus-(Solomon); Praise the Lord-Mrs Second; accompanied on the organ-Knyvett (Esther); When storms the proud-Bartleman; O Judah! boast his matchless law-Chorus (Athalia); Let the bright seraphim-Mrs Billington; accompanied on the trumpet-Sarjant; Let their celestial concerts all unite-Chorus (Samson).

Performances

Mainpiece Title: A Grand Selection 0 Composed By g

Cast
Role: Leader of the Band Actor: Shaw.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture-(Samson); Total eclipse-Kelly; O! first created beam-Chorus (Samson); Ah chi sa-Kelly, Mrs Crouch, Morelli (Mozart [recte Paisiello, Il Barbiere di Siviglia]); Concerto oboe-W. Parke; O come let us worship-Incledon (Coronation Anthems); O magnify the Lord-Mrs Crouch [Chandos Anthems]; For unto us a child is born-Chorus (The Messiah).

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; The soldier tir'd-Miss Barclay (Arne); Shake the dome-Chorus (Solomon); Let me wander not unseen, Or let the merry bells-Master Welsh; And young and old-Chorus (L'Allegro); Serbo in petto-Mrs Bland (Attwood); I come not, Honour and arms, Canst thou for this, Go baffled coward-Incledon, Reinhold (Samson); Softly sweet-Mrs Crouch (Alexander's Feast); Hallelujah for the Lord God omnipotent reigneth-Chorus (The Messiah).

Afterpiece Title: Grand Selection 3

Performance Comment: Concerto bassoon-Parkinson; Is not the King most Mighty?, On the charmer fondly gazing-Miss Hagley [Arnold]; Fair Rosale-Master Welsh (Linley); I'll proclaim the wondrous story-Miss Hagley, Dignum (Esther); Sweet bird-Mrs Crouch (L'Allegro); Awake! the trumpet's lofty sound-Chorus (Samson); Con un moro orrendore strano-Morelli (Marcello); Worthy is the lamb-Chorus (The Messiah).
Event Comment: Tickets delviered for The Merry Wives of Windsor will be admitted. Account-Book: Tickets delivered by Rowson, Blurton, Evatt, Jackson, Ratchford, Cross, Letteney, C. Powell, Little, Hall [box-keeper], Mrs Masters, Egan, Mrs Rock, Mrs Harris, Mrs Lefevre will be admitted. Receipts: #397 7s. (55.4.6; 4.7.6; tickets: 337.15)

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Tom Thumb

Dance: End: The Jockey Dance-Ratchford, Blurton, Jackson, Mrs Watts, Mrs Ratchford; finish: a Reel-

Performances

Mainpiece Title: The Battle Of Hexham

Cast
Role: Man in the Pit Actor:
Related Works
Related Work: The Battle of Hexham; or, Days of Old Author(s): George Colman, the younger

Afterpiece Title: The Two Socias

Performances

Mainpiece Title: Just In Time

Afterpiece Title: The Prisoner at Large

Cast
Role: Father Frank Actor: Rees
Event Comment: [The BM Burney Collection (937. c. 10) contains a receipted bill from T. Lowndes for printing throughout this week: playbills nightly #1 12s. 6d.; 100 half price cards 2s.; 200 half-sheet office accts. 8s., totalling #10 5d.] Receipts: #272 4s. (226.8; 44.12; 1.4)

Performances

Mainpiece Title: At Kings The Pirates

Afterpiece Title: The Mayor of Garratt

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Inchbald. Prologue by the Rev. Robert Nares. Epilogue by Miles Peter Andrews (see text)]. Public Advertiser, 16 Feb. 1793: This Day is published Every One has His Fault (1s. 6d.). Receipts: #306 19s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Performance Comment: Principal Characters by Lewis, Quick, Pope, Farren, Munden, Miss Grist, Gawcett, Powel Thompson, Evatt, Farley, Mrs Esten, Mrs Mattocks, Mrs Webb, Mrs Pope. Cast from text (G. G. J. and J. Robinson, 1793): Sir Robert Ramble-Lewis; Mr Solus-Quick; Mr Irwin-Pope; Lord Norland-Farren; Mr Harmony-Munden; Edward-Miss Grist; Mr Placid-Fawcett; Hammond-Powel; Porter-Thompson; Miss Wooburn-Mrs Esten; Mrs Placid-Mrs Mattocks; Miss Spinster-Mrs Webb; Lady Eleanor Irwin-Mrs Pope; unassigned-Evatt, Farley; Prologue-Farren; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the 1st 29 performances (see17930416), except on 7, 8 Feb. and on 11 Mar.]These were spoken, as here assigned, at the 1st 29 performances (see17930416), except on 7, 8 Feb. and on 11 Mar.]

Afterpiece Title: The Farmer

Event Comment: Afterpiece [1st time; MD 2, by James Boaden. Larpent MS 970; not published]: The Music principally composed by Attwood, with Airs selected from the works of Giornovichi and the late Mozart. Account-Book, 28 June: Paid Boaden for Ozmyn and Daraxa #100. Receipts: #270 1s. 6d. (196.6.6; 67.19.0; 5.16.0)

Performances

Mainpiece Title: At kings She Woud And She Woud Not

Afterpiece Title: Ozmyn and Daraxa

Dance: In afterpiece: Miss Menage, the Miss D'Egvilles

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account Book, but not on the playbill.] Paid King's Taxes for the theatre, &c., 1/2 year, #187 12s. 9d. Receipts: #328 0s. 6d. (324/9/6; 3/11/0; tickets and charge: neither listed)

Performances

Mainpiece Title: The Travellers In Switzerland

Afterpiece Title: CATHERINE AND PETRUCHIO

Performance Comment: Petruchio-Lewis; Baptista-Thompson; Hortensio-Evatt; Biondello-Rock; Taylor-Bernard; Music-Master-Rees; Grumio-Quick//Bianca-Miss Leserve; Curtis-Mrs Platt; Catherine-Mrs Mattocks .
Cast
Role: Catherine Actor: Mrs Mattocks

Dance: As17940225

Event Comment: 2nd piece: A Comic Opera; the music by Guglielmi. First time at this Theatre [1st performed at Naples, 1789, and in London at the Pantheon, 1 Mar. 1791]; reduced to I act

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: LA BELLA PESCATRICE

Dance: As17940311hroughout

Event Comment: Account-Book, 29 Mar.: Received from Ashley Oratorio Rent #52 10s. [this amount paid for each of the 11 nights of the oratorio season, being a total of #577 10s.)

Performances

Mainpiece Title: A Grand Selection Of Sacred

Music: Principal Vocal Performers, Leader, Organ as17940307ART I. As17940326but added: He was eyes unto the blind; also O worse than death; Angels ever bright (THEODORA); omitted: Grateful hearts; For joys so vast; Happy they. PART II. As17940326but 6th violin concerto (composed by Giardini) by G. Ashley in place of Fourth Organ Concerto; added: Sweet Bird, accompanied on the violin by G. Ashley (L'ALLEGRO); also He rebuked the Red Sea (ISRAEL IN EGYPT); also In sweetest harmony; O fatal day (SAUL); omitted: He was eyes; He led them thro'; Ye sons of Israel; Weep, Israel, weep. PART III. As17940326but added to O liberty: accompanied on the violoncello by C. Ashley; to Let the bright: accompanied on the trumpet by Sarjant; also Sin not O King (SAUL); also So when the last (DRYDEN'S ODE); omitted: O beauteous Queen; The dead shall live

Performance Comment: As17940326but added: He was eyes unto the blind; also O worse than death; Angels ever bright (THEODORA); omitted: Grateful hearts; For joys so vast; Happy they. PART II. As17940326but 6th violin concerto (composed by Giardini) by G. Ashley in place of Fourth Organ Concerto; added: Sweet Bird, accompanied on the violin by G. Ashley (L'ALLEGRO); also He rebuked the Red Sea (ISRAEL IN EGYPT); also In sweetest harmony; O fatal day (SAUL); omitted: He was eyes; He led them thro'; Ye sons of Israel; Weep, Israel, weep. PART III. As17940326but added to O liberty: accompanied on the violoncello by C. Ashley; to Let the bright: accompanied on the trumpet by Sarjant; also Sin not O King (SAUL); also So when the last (DRYDEN'S ODE); omitted: O beauteous Queen; The dead shall live .
Event Comment: Benefit for Sga Banti. 2nd piece: A Comic After-piece; the music by Paisiello. Tickets to be had of Sga Banti, No. 3, Hay-market. "The Banti's Benefit produced (presents included) #1, 353" (World, 3 June)

Performances

Mainpiece Title: Semiramide

Afterpiece Title: LA SERVA PADRONA

Dance: End of Act I of afterpiece us Ruus dt I' A11WMr (performers not listed, but see17940401 No other ballet performed this evening.]

Event Comment: Benefit for Hull and Miss Hopkins. 2nd piece: Written by [John] Hoole, the elegant Translator of Tasso, Ariosto, &c. Receipts: #208 0s. 6d. (55/2/0; 7/10/0; tickets: 145/8/6)

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship

Afterpiece Title: CYRUS

Performance Comment: Cyrus-Holman; Astyages-Richardson; Mithranes-Hull; Harpagus-Harley; Cambyses-Farren//Aspasia-Miss Hopkins; Mandanc-Mrs Yates (Who performed the Grecian Daughter, at Mr Colman's Theatre [31 Mar.], with distinguished Applause; 2nd appearance on any stage) .31 Mar.], with distinguished Applause; 2nd appearance on any stage) .

Afterpiece Title: THE SPRIGS OF LAUREL

Cast
Role: George Streamer Actor: Mrs Martyr
Event Comment: By Permission of the Lord Chamberlain. Benefit for the Gentleman who performs the Part of Zanga [in THE REVENGE], and Mr and Mrs Simpson. Mainpiece: Written by the celebrated Dr Young, Author of the Night Thoughts, &c. Afterpiece: As an After-piece [i.e. reduced from 5 to 3 (?) acts]. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of Longman and Broderip, Cheapside and Haymarket; Pass, No. 53, High Holborn; Bland's Music Warehouse, No. 45, High Holborn; Strutt, Bookseller, No. 20, Little Queen-street, Lincoln's Inn Fields; Ellwick, Musical Instrument Maker, No. 55, Long Acre, comer of Phoenix O>urt; Padbury, Coal Merchant, No. 24, Henrietta-street, Covent Garden; Evan, Bookseller, No. 351, near the Pantheon, Oxford Road; and of Simpson, at No. 33, St. Martin's-street, Leicester-square

Performances

Mainpiece Title: The Revenge

Performance Comment: The Characters by Gentlemen and Ladies of acknowledged Dramatic talents and known respectability .
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Afterpiece Title: THE CHAPTER OF ACCIDENTS

Performance Comment: Gray and Harcourt- Two of the Gentlemen who perform in the Tragedy; Woodville-Taylor (from the Theatre-Royal, Edinburgh); Governor Harcourt-Baker (from the Theatre-Royal, Dublin); Lord Glenmore-Villars (from the Theatre-Royal, Norwich); Vane-Wilkinson; Jacob Gawkey-Simpson//Bridget-Mrs Simpson; Miss Mortimer-Miss Achmet; Mrs Warner-Mrs Heaphy; Cecilia-A Lady (1st appearance [unidentified]). Fpilogue spoken by Simpson .unidentified]). Fpilogue spoken by Simpson .

Music: In the Course of the Evening several Pieces on the Union Pipes and Pedal Harp by Courtney and Weippert

Monologue: 1794 06 02 After the Epilogue Jacob Gawkey's Rambles tbrougb Bath by Simpson

Event Comment: Benefit for Follet, Sloper & Farley. By Particular Desire of His Excellency the Turkish Ambassador [see 7 May). 2nd piece: To conclude with a Representation of the Engagement and Defeat of the French Navy, by the British Fleet under the Command of Lord Howe, on the Glorious First of June (1794); with the bringing in La Juste, Sans Pareille, L'America, L'Achille, Northumberland, et L'Eupeteux; and the Sinking of Le Vengeur; with Rule Britannia. Receipts: #357 10s. (66/2/6; 3/16/6; tickets: 287/11/0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: A LOYAL EFFUSION

Afterpiece Title: HARLEQUIN AND FAUSTUS

Performance Comment: As17940213, but added: In the course of the Pantomime (for that night only) Harlequin will leap through a Blazing Star of Fireworks, and a Hogshead of Real Water; The Peacock-Sloper; omitted from I: all characters; from III: Harlequin, Miller, Bridemen, Miller's Wife, Bridemaids; from V: Playhouse Glee; VII entire; IX entire . omitted from I: all characters; from III: Harlequin, Miller, Bridemen, Miller's Wife, Bridemaids; from V: Playhouse Glee; VII entire; IX entire .