SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19

Performances

Mainpiece Title: The Guardian

Performance Comment: [The Cutter of Coleman Street] .
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, pp. 12, 19

Performances

Mainpiece Title: Wit A La Mode

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2 (see also Nicoll, Restoration Drama, p. 347); but see the discussion under 9 March 1671@2 for the dating

Performances

Mainpiece Title: The Romantic Lady

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2 (see also Nicoll, Restoration Drama, p. 347); for the dating of this performance, see the discussion under 9 March 1671@2

Performances

Mainpiece Title: Pompey

Event Comment: The King's Company. The date of the premiere is most uncertain. The play was apparently finished in July 1671-see C. E. Ward, The Life of John Dryden (Chapel Hill, North Carolina, 1961), p. 83-and the play may have been acted before April 1672. For the possibilities see Macdonald, Bibliography of Dryden, p. 110, and Nicoll, Restoration Drama, pp. 404-5. The Prologue and Epilogue are in Covent Garden Drollery, 1672. The song, Whilst Alexas lay prest, the music by Nicholas Staggins, was printed in Westminster Drollery (entered in the Stationers' Register, 3 June 1672) and in Choice Songs and Ayres, The First Book, 1673. Another song, Why should a foolish Marriage Vow, set by Robert Smith, is also in Choice Songs and Ayres, 1673

Performances

Mainpiece Title: Marriage A La Mode

Performance Comment: Edition of 1673: Prologue-Hart; Polydamas-Wintershall; Leonidas-Kynaston; Argaleon-Lydall; Hermogenes-Cartwright; Eubulus-Watson; Rhodophil-Mohun; Palamede-Hart; Palmyra-Mrs Coxe; Amalthea-Mrs James; Doralice-Mrs Marshall; Melantha-Mrs Bowtell; Philotis-Mrs Reeve; Belisa-Mrs Slade; Artemis-Mrs Uphill; Epilogue-Mohun.
Cast
Role: Amalthea Actor: Mrs James
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Adventures Of Five Hours

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The History Of Charles The Eighth Of France

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. Very probably this play was also acted on Friday 5 and Saturday 6 July 1672, but the company may not have acted daily in the summer

Performances

Mainpiece Title: The Citizen Turned Gentleman

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Citizen Turned Gentleman

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Citizen Turned Gentleman

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Witts

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Citizen Turned Gentleman

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2: Sir Martin Marall. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2: King Hen. 8. See also Nicoll, Restoration Drama, p. 347. In The Rehearsal (II, V): Mr Bayes informs his actors that "you Dance worse than the Angels in Harry the Eight." The Epilogue to The Ordinary (in A Collection of Poems Written upon several Occasions by several Persons, 1673) may refer to the same spectacle: @Now empty shows must want of sense supply,@Angels shall dance, and Macbeths Witches fly.

Performances

Mainpiece Title: Henry Viii

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2: Charles 8. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The History Of Charles The Eighth Of France

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Citizen Turned Gentleman

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2, for 17 Nov. 1672, a Sunday. Possibly it was given on Saturday 16 or Monday 18. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Guardian

Event Comment: A playbill [PRO, State Papers 29, Vol. 317, No. 187): At the Booth at Charing-Cross, every day in the Week will be presented variety of Farces Drolls, and Comical Entertainments by Mr Anthony Devo, His Majesties Servant. And this present Monday being the Eleventh of November, will be presented the Dutch cruelties at Amboyna, with the humours of the Valiant Welch-Man. Acted by Men and Women. Beginning exactly at Two of the Clock in the Afternoon, and at Four. Vivat Rex. [This playbill is reproduced in Theatre Notebook, VI (1952), opposite page 36.] L. C. 5@140, p. 129 (Nicoll, Restoration Drama, p. 250): That Antonio diVoto Doe sett forth Exercise & Play all Drolls and Interludes, He not receiuing into his Company any person belonging to his Mates or Royal Highnesse Theatres Nor Act any Play usually acted at any of ye said Theatres Nor takes peeces or Sceenes out of ye Playes Acted at ye said Theatres

Performances

Mainpiece Title: The Dutch Cruelties At Amboyna With The Humours Of The Valiant Welch man

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Epsom Wells

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. The Bulstrode Papers, (I, 254), 27 Dec. 1672: This evening their Matyes and the whole Court are to be diverted with a comedy in the Theater in Whitehall by his Royal Highness's servants called Epsome Wells, at which will be present all the principal persons of quality

Performances

Mainpiece Title: Epsom Wells

Performance Comment: See16721202, but Edition of 1673: Prologue to the King and Queen, spoken at Whitehall-.
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Amorous Widow

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this performance is the premiere, but it may well be. Two songs, Ah false Amyntas, and Amyntas led me to a grove, both set by Robert Smith, are in Choice Songs and Ayres, 1673. Preface to the edition of 1673: Good, Sweet, Honey, Sugar-candied Reader, ...Indeed that day 'twas Acted first, there comes into the Pit a long, lither, plegmatick, white, ill-favour'd, wretched Fop, an Officer in Masquerade newly transported with a Scarfe & Feather out of France, a sorry Animal that has nought else to shield it from the uttermost contempt of all mankind, but that respect which we afford to Rats and Toads, which though we do not well allow to live, yet when considered as a part of God's Creation, we make honourable mention of them. A thing, Reader--but no more of such a Smelt: This thing, I tell ye, opening that which serves it for a mouth, out issued such a noise as this to those that state about it, that they were to expect a woful Play, God damn him, for it was a womans.... Reader, I have a complaint or two to make to you, and I have done; Know then that this Play was hugely injur'd in the Acting, for 'twas done so imperfectly as never any was before, which did more harm to this than it could have done to any of another sort; the Plot being busie (though I think not intricate) and so requiring a continual attention, which being interrupted by the intolerable negligence of some that acted in it, must needs much spoil the beauty on't. My Dutch Lover spoke but little of what I intended for him, but supplied it with a great deal of idle stuff, which I was wholly unacquainted with until I heard it first from him. According to the Preface, the Prologue was lost

Performances

Mainpiece Title: The Dutch Lover

Performance Comment: Edition of 1673: Epilogue-; The Preface implies: Haunce-Angel?.
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. This performance may well be the premiere. In the Preface the author states that the play was asked for on Shrove Tuesday and he wrote it within a week; a premiere, then, before this date would allow very little time for rehearsal. This play is certainly a "Lenten" performance, for it was acted on a Wednesday in Lent and was referred to in the Prologue as a "Lenten Play." See the discussion under The Spanish Rogue (March 1673) and Gray, pp. 785-86. See also J. G. McManaway, The Copy for The Careless Lovers," MLN, XLVI (1931), 406-9. Preface to the edition of 1673: [This play] was written at the Desire of the Young Men of the Stage, and given them for a Lenten-Play, they ask't it not above a Week before Shrove-Tuesday

Performances

Mainpiece Title: The Careless Lovers

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Amorous Widow

Event Comment: The Diary of Robert Hooke, 1672-1678: at Scaramuches at york house. present: the King, Duke of York, Lord Ormond &c. (ed. H. W. Robinson and Walter Adams [London, 1935], p. 42). See slso Boswell, Restoration Court Stage, pp. 118-19, and John Harold Wilson, A Theatre in York House, Theatre Notebook, XVI (1962), 75-78

Performances