SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: A New Musical Entertainment, by the Author of Midas and The Golden Pippin [Kane O'Hara]. With New Dresses and Scenery. Books of the Entertainment to be had at the Theatre

Performances

Mainpiece Title: King Henry Ii

Cast
Role: Ethelinda Actor: Miss Pearce

Afterpiece Title: The Two Misers

Performances

Mainpiece Title: As You Like It

Performance Comment: As17741220, but In Act V a New Dance of Forresters-Daguville, Helme.

Afterpiece Title: The Two Misers

Dance: I: The Reel, as17741028

Event Comment: Benefit for Brereton. Music of the Afterpiece (entirely new) composed by Dibdin. Mr Brereton-Jaffier, Much Applause. The Quaker is Mr Dibdins Production he has sold it to Mr Brereton. The Music is pretty & Novel it was very badly perform'd--when it is properly Cast & got up with care it will do very well (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] [The Reviewer for the Westminster Magazine for May gave a paragraph to Dibdin's afterpiece: "The words will not add to Mr Dibdin's reputation as a writer, nor Will the music increase his fame as a composer, the latter, however, possessed more merit than the former. The Finale was in new stile and pleased. Upon the whole this piece, like the rest of Mr Dibdin's performances, proves that this would-be author, is resolv'd in spite. Of Nature and the Stars, to write."] Receipts: #105 19s. 6d. Charges: #69 18s. Profits to Brereton: #36 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Weston (first time that part); Sir George Airy-Whitefield; Charles-Lane; Sir Jealous Traffic-Lewes; Whisper-Everard; Butler-Lloyd; Sir Francis's Servant-Thompson; Sir Jealous's Servant-Jackson; Patch-Mrs Gardner; Isabinda-Mrs Whitefield; Scentwell-Mrs Weston; Miranda-Mrs Williams.
Cast
Role: Sir George Airy Actor: Whitefield

Afterpiece Title: The Tobacconist

Entertainment: End I of Farce: Imitations Vocal and Rhetorical-Bannister

Monologue: End: A Scene from The Register Office. Gulwell-Lloyd; Little Girl-Miss Frances; new character-Mrs Gardner

Performance Comment: Gulwell-Lloyd; Little Girl-Miss Frances; new character-Mrs Gardner.
Cast
Role: new character Actor: Mrs Gardner.

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-DuBellamy; Peachum-Follet; Lockit-Lewis; Mat-Chaplin; Filch-Jacobs; Lucy-Young Gentlewoman, first time on any stage; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Johnston; Polly-Mrs Weller; in Act III a Hornpipe-Everard; the Freemason's Prologue-brother L'Estrange.

Afterpiece Title: The Tobacconist

Performance Comment: Abel Drugger-Weston; Subtle-Griffith; Face-L'Estrange; Mammon-Lloyd; Headlong-Jacobs; Knowlife-Chaplin; Mrs Rantipole-Mrs Whitefield; Doll-Mrs Gardner; Between the Acts of the Farce a Mason's Song-. By Permission. By particular desire of the Antient and Hon. Society of Free and Accepted Masons.

Monologue: Interlude: Scene from The Register Office. Gulwell-Lloyd; Little Girl-Miss Frances; New Character-Mrs Gardner

Performance Comment: Gulwell-Lloyd; Little Girl-Miss Frances; New Character-Mrs Gardner.
Cast
Role: New Character Actor: Mrs Gardner.

Entertainment: Imitations Vocal and Rhetorical-Bannister

Event Comment: Mrs Jewel from the Haymarket Theatre made her first appearance upon this stage in Lucinda and was receiv'd with great applause (Hopkins Diary). Paid 3 days salary list #134 15s. 6d.; Lampmen #2 12s.; Bill stickets #3 12s.; Handbills 8s.; Candlemen Bill #2 15s. 6d.; Taylor's Bill #13 16s. 3d.; Mantua Maker's Bill #8 12s.; Mr French #12 12s.; Painter's Bill #3 6s.; Heath andWife #2; Roye #4 1Os. (Treasurer's Book). [The following items among those listed in the Treasurer's Book were constant weekly expenditures. Their averages and totals appear in the following table and will not again be mentioned]: @Week's Average Total expense for season@Lampmen #4 5s. #171@Billstickers #2 14s. #92 12s.@Handbills 12s. #22 16s.@Tailors #8 10s. #323@Mant. Makers #2 5s. #85 2s.@Candlemen #12 #456@Mr French #10 10s. #388@Painters #7 #266@Mr Heath and Wife #2 #76 [A spectator writes to the Public Advertiser (to inform the country readers) about the changes in the interior of Drury Lane Theatre resulting from the remodeling by the Adams@brothers. They had managed to give the impression of greater magnitude to the house. They removed the old heavy square pillars at the side of the stage, raised the sounding board on the side next to the stage, greatly improving the sound of the music and the actors' voices. Much new decoration went into the boxes making them more light and gay. Much panel glass, ornamentation, and ceiling decoration, giving it the effect of a dome. The author believes the crimson drapery over the stage is too dark for the objects around it, and the gold fringe lacks the brilliant effect. The lobby behind the front boxes was remodeled and kept clear of servants, by means of an adjoining room prepared for the servants. New arches lead into the entrance from Brydges St. toward the boxes.] Receipts: #235 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorne-Vernon; Justice Woodcock-Parsons; Sir William-Aickin; Eustace-Davies; Young Meadows-Dodd; Hodge-King; Margery-Mrs Wrighten, frist time; Lucinda-Mrs Jewell, first appearance on this stage; Rosetta-Mrs Smith; Deborah-Mrs Love; in I, a Country Dance incident to the piece-.

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Parsons; Jemmy Twinkle-Whitfield; Sotherton-Lamash; Cupid (with song)-Mas. Blanchard; Landlady-Mrs Love; Miss Griskin-Miss Jarratt; Chamberlain-Burton; Filagree-Mrs Bradshaw; Miss Flack-Mrs Davies; Chambermaid-Miss Platt; With a Postillion Dance incidental to the piece,-Giorgi, Lauchery, Mrs Sutton; To conclude with a Country Dance-.
Event Comment: Afterpiece: A New Musical Entertainment in 2 Acts [by Theodosius Forrest] never pebformed. With a New Overture by Dr Arnold. The Airs chiefly selected from the most eminent masters. [Larpent MS 392 confirms the character names and adds a Country Lad and a Country Lass. The Westminster Magazine for Oct. condemned the Weathercock: "To speak of this piece as a literary compostiion, it was throughout a dull, uninteresting narrative, told in duller numbers. Considered in a dramatic light, it was still less defensible....The overture by Dr Arnold was trite, except the last movement, which had great merit, and was universally admired....We expected in spite of the numerous Orders sent in by the Author and Managers, that it would have met with its deserved fate on the first representation, it was, however, somehow carried through that and a second night's hearing-on the third evening, however, it received a formal damnation."

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: The Weathercock

Performance Comment: The Characters- Mattocks, Reinhold, Mahon,Young, Quick, Miss Brown, Mrs Masters Mrs Mattocks; The Dances-Harris, Miss Ross; Amyand-Mattocks; Ready-Quick; Selvyn-Mahon; Sir Rowland-Reinhold; Delia-Miss Brown; Harriet-Mrs Mattocks (Genest, V, 512).
Related Works
Related Work: The Weathercock Author(s): Theodosius Forrest
Event Comment: Tomorrow, A New Comic Opera, never perform'd, call'd The Duenna, or The Double Elopement, with New Dances, Dresses, and Scenery

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Midas

Event Comment: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sultan or A Peep into the Seraglio

Event Comment: Benefit of the Middlesex Hospital. Paid salary list at #105 3d. per diem, #630 1s. 6d.; Mr Westly #3. Receipts: #96 10s. 6d. Charges: #84. Profit to Hospital: #12 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As17751120, but New Occasional Prologue-Reddish.

Afterpiece Title: Miss in Her Teens

Event Comment: Afterpiece: A New Pantomime Entertainment, never performed. With New Music, Scenes, Dresses, and Machinery. The Overture composed by Fisher. The scenes painted by Messrs Dahl and Richards. Nothing under FULL PRICE will be taken. The Words of the songs to be given at the Doors. [This information included in all subsequent bills for the pantomime this season, until 25 March when the half-price practice is announced. Full account of the content of the afterpiece is given in The Westminster Magazine for Dec. The reviewer was delighted with the adherence to the classical myth in the first and last scenes, and with the variety of action and excellence of the machinery and painting in the interventing comic portion.

Performances

Mainpiece Title: King Henry Ii

Cast
Role: Ethelinda Actor: Mrs Poussin

Afterpiece Title: Prometheus

Performance Comment: The Principal Characters-Lee Lewes, Mahon, Baker, Jones, Thompson, Wewitzer, Stephens, Dagueville, Miss Valois, Sga Vidini; The Vocal Parts-Reinhold, DuBellamy, Mrs Willems, Mrs Masters; The Dances-Zuchelli, Sga Vidini.
Event Comment: A New comic opera; Music entirely new by Vento. [The Libretto by Bodini (Public Advertiser, 10 Jan.).

Performances

Mainpiece Title: Il Bacio

Dance: I: Serious Ballet-Fierville, Mlle Bacelli; II: Les Evenemens Imprevues-M N. N., Helm, Mlle Tinti, Mlle Sophie; End Opera: La Generosite de Scipion-N. N., Fierville, Mlle Baccelli

Event Comment: A new serious Opera; Music entirely New by Vento

Performances

Mainpiece Title: La Vestale

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral, as17760120; End of Opera: A Divertissement-Mlle Baccelli, Mlle Sophie

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17751215, but the Vocal Parts-Mrs Smith, Mrs _Scott, Mrs _Jewell; +The Last New Epilogue-Mrs Abington (playbill). [The Public Advertiser retains Mrs Scott and Mrs Jewell and makes no mention of Mrs Smith.]The Public Advertiser retains Mrs Scott and Mrs Jewell and makes no mention of Mrs Smith.]

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Related Work: The Constant Couple; or, A Trip to the Jubilee Author(s): George Farquhar
Related Work: Sir Harry Wildair: Being the Sequel of the Trip to the Jubilee Author(s): George Farquhar
Event Comment: Afterpiece: A New Masque [by Capt. Edward Thompson] never perform'd. With New Music, Dresses, Scenery, and Decorations. The Music composed by Fisher. The Scenes painted by Dall and Carver. Books of the songs to be had at the Theatre. [The Westminster Magazine for March also lists Boreas -Reinhold; Carlos -DuBellamy; Traverse -Mahon; Druid -L'Estrange, and tells the story of the play. The reviewer did not approve of the piece, since for him it lacked unbounded fire of fancy, originality of idea, language, and character. He approved of Fisher's music.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Syrens

Performance Comment: The principal characters by: Mattocks, DuBellamy, Reinhold, Lee Lewes, Wilson, Mas. Harrison, Mahon, Wewitzer, L'Estrange, Baker, Quick, Mrs Pitt, Miss Barsanti, Miss Dayes, and Mrs Mattocks. Capt. Grenade-Mattocks; Lieutenant Pendant-Lee Lewes; Gale-Quick; Forecastle-Wilson; Parthenope-Mrs Mattocks; Doris-Miss Barsanti; Margery-Mrs Pitt (Genest, V, 518); Larpent MS 404 confirms these names and adds the following parts: Carlos-; Tom Traverse-; Sam Snivel-; Zephyr-; Libs-; Boreas-(Winds); Flos-(a Fairy); Tadpole-(a Witch); Spirit of a Druid-; Cornelia-.
Cast
Role: Parthenope Actor: Mrs Mattocks
Event Comment: Benefit for Rauzzini. A New Opera, written by Badini; Music entirely New by Rauzzini

Performances

Mainpiece Title: Le Ali Damore

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral, as17760120; End Opera: Pigmalion Amoureuse de La Statue, as17751031

Event Comment: Benefit for Reddish. Mainpiece: Not acted in 4 years. [See 22 Dec. 1772.] Monimia by Mrs Canning very So, so. The Farce much hiss'd it was badly performed (Hopkins Diary). Rec'd Mrs Groath's one years rent to Xmas last #3. Paid Salary list #416 4s. 4d.; Johnston's Music Bills #24 2s. (Treasurer's Book). [The Westminster Magazine concluded with respect to the afterpiece: "This little drama met with rather an unfavourable reception. It would be breaking a butterfly on the wheel, were we to enter into strict examination of it; and as it was a mere benefit-night performance, it would be going out of our way to dwell much on its defects; suffice it therefore that although we so far join with the audience in condemnation of it, that we allow it wanted terseness of dialogue, brilliancy of wit, and strength of fable, yet we protest we have seen worse singing pieces received with applause. Jerry Jingle had same humor, and the music had great prettiness about it."] Receipts: #140. Charges: #67 14s. Profits to Reddish: #72 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Performance Comment: Castalio-Reddish; Chamont-Smith; Polydore-Brereton; Chaplain-Usher; Page-Mas. Pulley; Servt-Everard; Acasto-Packer; Monimia-A Lady [Mrs Canning] first appearance this season; Ernesto-Wrighten; Serina-Miss Platt; Florella-Mrs Johnston; before the play A New Occasional Address to the Public-Reddish.

Afterpiece Title: Valentines Day

Dance: II: The Grand Garland Dance, as17760311

Event Comment: Benefit for Lee Lewes. Doors open half past 5. To begin at half past 6 o'clock. Afterpiece: Never performed there

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Irish Widow

Performance Comment: Thomas(to be imitated after the manner of Weston)-A Young Gentleman, first appearance on any stage; Whittle-Wilson; Kecksey-Lee Lewes; Sir Patrick-Mahon; Bates-Fearon; Nephew-Young; Widow Brady (with an Epilogue Song)-Mrs Lessingham.

Monologue: Interlude. Taken from The Register Office. End of Play, By Particular Desire and for that night only. The New Character-Mrs Gardener , her first appearance here these 2 years; Melpomene-Miss Francis

Performance Comment: Taken from The Register Office. End of Play, By Particular Desire and for that night only. The New Character-Mrs Gardener , her first appearance here these 2 years; Melpomene-Miss Francis.

Entertainment: After Interlude: Epilogue-Lee Lewes in the character of Harlequin (Written by late Dr Goldsmith) which will conclude with an escape thro' the Tub, as in the Pantomime of Mother Shipton

Dance: End Epilogue: The Merry Sailors, as17760314

Performances

Mainpiece Title: He Bankrupt

Performance Comment: As17760520, but new listing of Actors-Foote, Whitefield, Fearon, Aickin, R. Palmer, Griffith, Palmer, L'Estrange, Lloyd, Bannister, Stephens, Walters, Baddeley, Miss Sherry, Miss Ambrose, Miss Platt, Mrs Jewell.

Afterpiece Title: The Lyar

Dance: The Haymakers-

Event Comment: A new Comic Opera; the Music by Paisiello; under the Direction of Giardini

Performances

Mainpiece Title: La Fraschetana

Performance Comment: Principal Characters by Trebbi, Fochetti, Savoi, Micheli, Sga Prudom, Sga Luiggia? Farnese, Sga Sestini. [Cast from libretto (T. Cadell, 1776): Nardone-Trebbi; Don Fabrizio-Fochetti; Il Cavaliere Giocondo-Savoi; Pagnotta-Micheli; Donna Stella-Sga Maria Prudom [Inglesina]; Lisetta-Sga Luiggia Farnese; Violante-Sga Sestini. [The libretto does not assign Violante, but see Larpent MS 417.The libretto does not assign Violante, but see Larpent MS 417.

Performances

Mainpiece Title: Astarto

Performance Comment: As17761102, but new Airs-Sga Pozzi.
Cast
Role: new Airs Actor: Sga Pozzi.
Event Comment: Mainpiece: Not acted these 5 years. Written by Congreve. [For Prologue see 19 Nov.] Love for Love was revived with alterations by R. B. Sheridan Esq. (Note by J. P. Kemble on Hopkins Diary). Receipts: #150 0s. 6d

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Reddish; Sir Sampson Legend-Moody; Scandal-Bensley; Foresight-Parsons; Ben-Yates; Jeremy-Baddeley; Trapland-Waldron; Buckram-Wrighten; Officer-Griffiths; Tattle-King; Angelica-Miss Younge; Mrs Frail-Miss Pope; Mrs Foresight-Miss Sherry; Nurse-Mrs Bradshaw; Miss Prue-Mrs Abington; The new occasional Prologue-Dodd. [This was spoken, as here assigned, at the first 2 performances only (see17761205).]This was spoken, as here assigned, at the first 2 performances only (see17761205).]

Afterpiece Title: The Elopement

Cast
Role: George Hargrave Actor: Smith
Event Comment: The new Serious Opera of Germondo [announced in Public Advertiser, 2 Jan.] is obliged to be deferred 'till This Day Se'nnight, on account of the Illness of a principal Performer

Performances

Mainpiece Title: La Fraschetana

Dance: End I: La Force de l'Amour, as17761214; End II: Grand Serious Ballet, as17761130; End Opera: Les Amans Heureux, as17761217, but Sga Zuchelli

Performances

Mainpiece Title: Artaxerxes

Performance Comment: As17770125, but new air-_.
Cast
Role: with a new air Actor: Mrs Farrell

Afterpiece Title: The Old Maid

Dance: As17761123

Event Comment: [This was Mrs Barry's 1st appearance since the death of her husband on 10 Jan. See also 28 Nov. 1776. Address by David Garrick (Poetical Works, II, 333).] Receipts: #270 17s. 6d. (267.16.6; 3.1.0)

Performances

Mainpiece Title: Douglas

Performance Comment: As17761031, but Officers-_Davis; Before the Play a New Occasional Address-Mrs Barry.

Afterpiece Title: The Jovial Crew

Dance: As17770218