SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4212 matches on Author, 1897 matches on Event Comments, 1418 matches on Performance Comments, 284 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: This day is publish'd a Guide to the Stage; or Select Instructions and Precedents from the best Authorities towards forming a polite Audience; with some account of the Players, &c. Printed and sold by D. Job, at the Spread Eagle in King St. [An ironical post-Addisonian quip at theatrical behavior]: I boldly enter the lists as the first champion for theatric decorum. The next thing to be consider'd is disapprobation, which I think may be sufficiently shewn, by an attention to something else, by loud discourse, profuse laughter, and the like. I cannot help thinking it a little out of character, for a polite audience to distort their features by a hiss: however for the sake of some ambitious youths, who thus love to signalize themselves, I shall leave a new play to their mercy. They then are at liberty to exercise their several talents whether they hiss or groan most successfully, or have a greater genius for the cat-call. If you desire to know when you are to shew your dislike, my answer is, when anything displeases you, or in fine when you will provided you have a strong party to second you; for the best hiss or groan in the universe may be drown'd in a general applause. [Never laugh at what passes on stage save it be an error, blunder, or accident. In tragic scenes avoid being visibly moved by humming a tune, regarding the audience, engaging in conservation, or turning your back to the stage. When a female social rival calls attention to herself and away from the stage, let fall your handkerchief into the pit, or call out to an acquaintance in the opposite box, or burst into loud and unexpected laughter. You'll know when to applaud, for the actors will tell you.] On these occasions Cato looks more than unusually big, Hamlet stares with great emphasis, Othello has a most languishing aspect, Monimia is all sighs and softness, Beatrice will bridle, and pretty Peggy Wildair leers you into a clap. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Anatomist

Event Comment: [MS note in hand of Colley Cibber (in R. J. Smith, History of the Stage, Vol. IV. BM 11826r)]: December 25, 1750 Sr. Tho' Death has been cooling his his [sic] heels at my door these three weeks, I have not had time to see him. The Dayly conversation of my friends have kept me so agreeably alive, that I have not passed my time better a great while. If you have a mind to make [?] us, I will order Death to come another day--to be serious I long to see you, and hope you will take the first opportunity. And so wish as merry a Christmas, as many New Years as your heart can hope for, I am Your real friend and Serv't C. Cibber Xmas Day

Performances

Mainpiece Title: None

Event Comment: [Cast taken from 1st edn. The bill merely lists actors and notes "With proper Music, Scenes, and Decorations. Never acted before." It mentions no Prologue or Epilogue.] This Masque was wrote about eleven years ago, by Mr Malet & Mr Thomson, & play'd in the Garden at Clifden before the P. of Wales &c.--Mr Malet has now alter'd it, & it was play'd with great Applause, only some of the Dances, being too long were dislik'd, & some of the Songs had ye same reception (Cross). Receipts: #180 (Cross)

Performances

Mainpiece Title: Alfred, A Masque

Performance Comment: Alfred-Garrick; Earl of Devon-Lee; Hermit-Berry; Edwin-Burton; Corin-Blakes; Danish King-Sowdon; First Dane-Palmer; Eltruda-Miss Bellamy; Emma-Mrs Bennet; Vocal Parts-Mrs Clive, Miss Norris, Beard, Reinhold, Wilder, Master Vernon; Second Dane-Mozeen; Shepherdess-Miss Minors; Dances-Devisse, Mad Auretti, Mathews, Madam Camargo; Prologue-Garrick; Epilogue-Mrs Clive.
Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber
Event Comment: Benefit for ye Author, tho' not put so in the Bills (Cross). To the Publick: As Mr Arne originally composed the Music in the Masque of Alfred, and the town may probably on that account imagine the Music, as now perform'd, to he all his production, he is advised by his friends to inform the publick that but two of his songs are in that performance, viz.: the first song beginning O Peace thou fairest child of Heaven; and the Ode in Honour of Great Britain, beginning, When Britain first at Heaven's Command, with the chorus, Rule Britannia, Rule the Waves, &c. which songs he submitted to be mix'd with the productions of others, to oblige the author of the poem. Tho. Aug. Arne (General Advertiser)

Performances

Mainpiece Title: Alfred

Event Comment: Benefit for Havard. Mainpiece: By particular desire. No building on the stage on account of the machinery for the Masque. Tho' Mr Havard's long and severe indisposition has prevented his personal solicitation, yet he hopes it will not deprive him of the preference of those Persons of Quality, &c. who used to favour his Benefits. N.B. Those ladies and gentlemen who applied for places and were disappointed the last time the Masque was performed, may have them for this night, by sending to Mr Hobson at the stage door, by whom tickets will be deliver'd; As also at the Bedford Coffee House, and at Mr Havard's in Broad Court, the upper end of Bow St., Covent Garden. Tickets hitherto deliver'd will be taken. Receipts: #200 (Cross)

Performances

Mainpiece Title: Alfred

Event Comment: Benefit for Mrs Hallam. At the New Wells, Lemon St., Goodman's Fields. For one Night only. A Concert &c. By Desire of Several Persons of Distinction. Boxes 3s. Pit or Gallery 2s. (London Daily Advertiser)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Goodfellow; Desdemona-Mrs Hallam; Roderigo-L. Hallam.
Cast
Role: Othello Actor: Goodfellow

Afterpiece Title: The Anatomist

Event Comment: A Quarrel in ye Green room between old Cibber & Mrs Clive occasioned by his saying, the stage wanted a handsome Woman, &c. (Cross). Receipts: #70 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: A Duke and no Duke

Song: II: Mattocks

Event Comment: Afterpiece: By Desire. Mr Ross Castalio --well. Barry & Mrs Cibber, play'd Romeo & Juliet this Night a C. Garden (Cross). [Inspector No 187 appeared with comments on Ross and further ones on Mossop as actors (Daily Advertiser and Literary Gazette).] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Ross (for the first time); Chamont-Garrick; Polydore-Havard; Acasto-Berry; Monimia-Miss Bellamy; Serina-Miss Minors; Ernesto-Simson; Page-Miss Yates; Florella-Mrs Bennet; Chaplain-Blakes.

Afterpiece Title: Lethe

Event Comment: Afterpiece: A new Entertainment in Italian Grotesque Characters. A blunder in the scenes of ye Entertainment & great noise as No more, Off, Off &c. (Cross). [Inspector No 195 appeared giving another favorable accolade to Mossop (Daily Advertiser and Literary Gazette).] Receipts: #120 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Queen Mab

Performance Comment: Harlequin-Woodward; others-Leviez, Blakes, Costollo, Shuter, The Little Swiss, Mrs Toogood, Mas. Vernon, Mad Mariet.

Song: Mattocks

Event Comment: Some Hissing, tho' play'd Well-Garrick Kiteley &c. (Cross). Mainpiece: Written by Ben Johnson, never acted there. Characters Dress'd in the Old English@Manner. Receipts: #200 (Cross). We hear that His Majesty intended to go to the theatre Royal in Drury Lane this evening, to see the Comedy of Every Man in his Humour, wrote by Ben Johnson in 1598, acted the same year by the Lord Chamberlain's Servants, and dedicated to the great Mr Camden; and was reviv'd since the Revolution with Great Applause, having a new Epilogue spoken by Ben Johnson's Ghost , written by the late Earl of Dorset (Daily Advertiser)

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: Kitely-Garrick; Bobadill-Woodward; Brainworm-Yates; Master Stephen-Shuter; Justice Clement-Taswell; Old Knowell-Berry; Young Knowell-Ross; Wellbred-Palmer; Cob-Mozeen; Master Matthew-Vaughan; Downright-Winstone; Cash-Blakes; Formal-Costollo; Dame Kiteley-Mrs Ward; Bridget-Miss Minors; Tib-Mrs Cross; with a new Occasional Prologue-Garrick.
Cast
Role: Master Matthew Actor: Vaughan

Dance: LL'Entree de Flore, as17511015; Peasant Dance, as17511015

Event Comment: Benefit for ye widow of Capt. James Spencer, an Officer &c., and her small Children (Cross). An Old Officer who had been in His Majesty's Service 46 years, but dying when upon half-pay has left the Widow without pension and with several small children in greatest distress. N.B. Part of the Pit will be rail'd into the boxes and servants will be allowed to keep places on the Stage. Tickets to be had of Mrs Spencer, the uppermost house in Prince's Court, by Storey's Gate; the Bedford Coffee House, Covent Garden; the Tiltyard Coffee House; St James Coffee House; Sweet's Coffee House, Bukingham Court; Bridge Street Coffee House; The Rainbow Coffee House, Ludgate Hill; the Temple Exchange, Fleet St.; the Rainbow, Cornhill; and at the Stage Door of the theatre where places may be taken. Mr Norton Amber, humbly hopes this general acknowledgment of the favour which his friends were pleas'd to confer on him by their generous appearance last Night at Drury Lane, will be accepted, instead of a more particular application, which his constant employment prevents; and begs leave to assure them, that he shall ever retain a most grateful sense of their indulgent assistance. Receipts: #252 (Cross)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Anatomist

Event Comment: By desire. Benefit for a Citizen under misfortunes. A Concert, &c. Tickets may be had of Mr Meredith, housekeeper at the Theatre. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: With an Occasional Prologue-; Horatio-the person for whom it is a benefit; Lothario-Gentleman first time on any stage.

Song: Powell

Related Works
Related Work: The Treacherous Brothers Author(s): George Powell
Related Work: Alphonso King of Naples Author(s): George Powell
Related Work: A Very Good Wife Author(s): George Powell
Related Work: Bonduca; or, The British Worthy Author(s): George Powell
Related Work: The Cornish Comedy Author(s): George Powell
Related Work: Brutus of Alba; or, Augusta's Triumph Author(s): George Powell
Related Work: Imposture Defeated; or, A Trick to Cheat the Devil Author(s): George Powell
Event Comment: At the New Wells, Clerkenwell For One Night Only. A Concert, &c. A ball and Country Dancing afterwards. Boxes 3s. Pit 2s. 6d. Gallery 1s. 6d. Upper Gallery 1s

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: The Stratagem Author(s): George Farquhar

Afterpiece Title: The Lying Valet

Event Comment: A Concert, &c. To be concluded by Mrs Mary Midnight and her Family. The Concert to begin at Twelve. Boxes 5s. Pit 3s. Gallery 2s. [Repeated in subsequent bills.] Second time of performing

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: Prologue-Mrs Midnight; Act I. I. A grand Piece with Kettle@Drums and Trumpets-; 2. The Inauguration Speech-Mrs Midnight; 3. Overture by Handel-; 4. Declamatory Piece on Jew's Harp-a Casuist; Act II. I. The Speech of Mrs Midnight in Defence of her Existence-; 2. Overture to Ariadne-; 3. Solo on the Viol d'Amor-; 4. Oration on the salt@Box-a Rationalist; 5. March in Judas Macchabeus-; , with the Side Drum-; Act III. I. The Speech of Old Time to the Good People of Britain-. 2.; Solo on the Violoncello-Cupid; 3. Song-Mrs Midnight; 4. Solo-Master Hallett; Overture to Alexander-; Epilogue-Master Hallett.
Event Comment: The Third Day. A Concert, &c. The House will be lighted by Wax Lights. [The performance was given, according to the Daily Advertiser of the following day.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17511227, but I, 2, a Concerto for Clarinette-; III, 5, Handel's Water Musick-; The Inauguration Speech-_.
Event Comment: A little hissing at ye farce (Cross). Mainpiece: Acted but once this season. Publish'd, Miscellaneous Observations on Hamlet, &c. 1s. [Contains a thoroughly Neo-Classical Preface and twenty-seven notes on passages in the play. Concerning the Gravedigger's Scene: This incoherent absurdity will forever remain an indelible blot in the character of our poet; and warn us no more to expect perfection in the work of a mortal, than sincerity in the breast of a female.] Receipts: #110 (Cross)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Taste

Dance: Madam Auretti

Event Comment: A little hissing during the farce, & at the End ye Audience call'd, no more &c.--& insisted upon another farce being given out wch Mr Blakes did--farewell Taste (Cross). The Book of the Entertainment will be sold in the theatre, and at R. Francklin's in Russel Street, Covent Garden (playbill). [The publication of Taste was dedicated to Francis Delaval, and includes in prefatory remarks Foote's distinction between Comedy and Farce: As the follies and absurdities of men are the sole objects of Comedy, so the powers of Imagination (Plot and Incident expected) are in this kind of writing greatly restrainded. No unnatural assemblages, no creatures of the fancy can procure the protection of the Comic Muse; men and things must appear as they are. To Farce greater liberties are permitted. I look upon Farce to hold the same rank in drama that Burlesque does in other poetry. It is employed either in debasing lofty subjects, or in raising humble ones.'] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Taste

Song: III: Haughty Strephon by Dr Arne-Master Vernon

Event Comment: Publish'd, A Treatise of the Passions so far as they regard the stage &c., by Mr Foote. 1s. [First pub. 1747, it contains an interesting comment on Garrick's Lear.] Romeo and Juliet which was bespoke, and was to have been acted last Monday at Drury Lane, will be acted there next Monday, Miss Bellamy being recovered from her late indisposition. Receipts: #190 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Cast
Role: Master Matthew Actor: Vaughan

Afterpiece Title: The Shepherd's Lottery

Performances

Mainpiece Title: The Gentle Shepherd

Event Comment: This Tragedy is taken from ye French by ye Revd Mr Francis. A great Noise before ye play began, occasion'd by ye Music not playing what they lik'd, they being Palted wou'd not come into the Orchestra-a Branch knock'd down, Candles thrown &c.-Mr Garrick went on, order'd ye Music in, & all was quiet-went off with great Applause (Cross). Never acted before. Characters New Dress'd Mr Garrick is intitled to my sincerest Gratitude for his Performance as an Actor, and for his Punctuality as a Manager...his strong good Sence, with that Spirit of Theatrical Criticism, which is his peculiar natural Genius (Prefatory matter by Francis first in ed.). Receipts: 180 (Cross)

Performances

Mainpiece Title: Eugenia

Performances

Mainpiece Title: Eugenia

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Lethe

Performance Comment: Mercury-the above Italian Gentleman; Lady-Gentlewoman from the Theatre-Royal in Dublin; To conclude with the Grand March from Judas Maccabeus-.

Song: Vocals-an Italian Gentleman

Event Comment: This day is publish'd Judas Macchabaeus: a Sacred Drama as it is performed at Covent Garden. Set by Mr Handel. Printed for J. Watts. This day Publish'd The Oracle, a Comedy of one act as it is perform'd at Covent Garden, at 1s. By Mrs Cibber printed for R. Dosdley in Pall Mall, &c

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon, Brother to Judas-; Messenger-; Eupolemus, Jewish Ambassador to Rome- (Larpent MS).
Cast
Role: Brother to Judas Actor:

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Queen Mab

Cast
Role: others Actor: Master Reinhold, Mas. _Vernon, Sg +Piettro, _Matthews.