SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4212 matches on Author, 1897 matches on Event Comments, 1418 matches on Performance Comments, 284 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Henry Iv, Part Ii

Performance Comment: As17360311 but Westmoreland-Winstone; Doll Tearsheet-Miss Dancey. A Prologue by Mr Betterton, representing the Ghost of Falstaff, Forty Years ago at the Revival of this Play, will be (by particular Desire) spoke by Mr Quin .

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Two Pierrots by Villeneuve and Delamayne. III: Minuet by Villeneuve and Mrs Anderson. IV: Rover by Essex, Mrs Walter, Mrs Pelling, Miss Mann, &c. V: Minuet by Master Weeks and Miss Cole. End Afterpiece: Rigadoon by Master Weeks and Miss Cole

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Contrivances

Dance: I: Damon and Phillida, as17360430 II: By Denoyer's Prentice. III: English Maggot by Villeneuve and Mrs Walter. IV: Amorous Clowns, as17360514. V: Grand Ballet by Essex, Mrs Walter, &c

Performances

Mainpiece Title: The Man Of Taste

Cast
Role: Dorothea Actor: Mrs Pritchard

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Dutchman and his Frow by Phillips and Miss Brett. IV: English Maggot by Villeneuve and Miss Brett

Entertainment: A new Entertainment after the manner of Spring-Garden, Vauxhall: With a New Scene, representing the Place, with a Grand Overture, and select Pieces of Musick, compos'd by Mr Handell, intermix'd with Dances, particularly The Russian Sailor by Denoyer's Apprentice. A Concerto on the French Horn by Mr Winch. The Revellers by Essex, Mrs Walter, &c. Concluding with Mr Handel's Water Musick

Performance Comment: A Concerto on the French Horn by Mr Winch. The Revellers by Essex, Mrs Walter, &c. Concluding with Mr Handel's Water Musick .

Performances

Mainpiece Title: The Mother-1n-law

Afterpiece Title: The Virgin Unmask'd

Dance: I: English Maggot by Villeneuve and Mrs Walter. III: Drunken Peasant by Phillips. V: Grand Ballet by Essex, Mrs Walter, &c

Event Comment: Benefit the Prompter. Mainpiece: Written by Sir J. Vanbrugh. Receipts: money #10 9s. 6d.; tickets #62 2s. Rich's Register: Benefit Steed, Bencraft, Dupre

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Flora

Music: End Afterpiece: Handel's Water Musick, with Preamble on Kettle Drum by Benj. Baker

Dance: II: Peasant Dance by Tench and Miss Rogers. IV: Harlequin, Punch, and Colombine by Nivelon, Lalauze, and Mlle De L'Isle. End Afterpiece: Glover's Sailors Dance

Song: I: Mock Italian Song by Roberts. III: Dialogue by Leveridge and Mrs Wright. V: Praise of old English Beer by Leveridge, &c

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales [who were present]. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. 6:30 P.M

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Lottery

Dance: III: By Denoyer's Apprentice. IV: By Mlle Anne Roland. V: Revellers by Essex, Mrs Walter, &c

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Afterpiece Title: The Harlot's Progress

Cast
Role: Mother Midnight Actor: Turbutt
Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber

Dance: I: Tambourine-Mlle Roland; III: Les Bergeries-Essex, Mrs Walter; IV: Double Jealousy, as17360907

Event Comment: LLondon Evening Post, 1 Jan. 1737: Last Night the Beggar's Opera (about the Playing of which, as much Noise has been made, as about several of our Modern Treaties) was perform'd...to a crowded Audience; the House being full by Four. There was a prodigious uproar, with Clappin, Hissing, Catcalls, &c. Mrs Clive, who play'd the Part of Polly, when she came forward, address'd herself to the House, saying, Gentlemen, I am very sorry it should be thought I have in any Manner been the Occasion of the least Disturbance; and then cry'd in so moving a Manner, that even Butchers wept. The she told them, She was almost ready with the Part of Lucy, and at all Times shou'd be willing to play such Parts as the Town should direct, and desir's to know if they were willing she should go on with the Part of Polly; she behaving in so humble a Manner, the House approv'd of her Behavious by a general Clap. [For Occasional Prompter XI, see Daily Journal, 31 Dec.

Performances

Mainpiece Title: The Beggar's Opera

Dance: With proper Dances-

Event Comment: See Daily Advertiser, 4 Feb., for a letter from Colley Cibber to the Gentlemen of the Inns of Court. Daily Advertiser, 4 Feb.: Whereas it is agreed on between several Gentlemen, to erect a New Theatre for the exhibiting of Plays, Farces, Pantomime, &c. all such Persons as are willing to undertake the said Building, are desir'd to bring their Plans for the same by the 2d of May next ensuing, in order to be laid before the said Gentlemen, the Time and Place of which Meeting will be advertis'd in this Paper on the last of April. Proportions of the Ground: The North Side 120 Feet; the West, square with the North, 130 Feet; the South 110 Feet; and the East on a Bevil, joining the Parallel. Note, There must be a Passage left to go round the Building, and the Stages to be 30 Feet wide at the First Scene; the Distance between Wall and Wall 80 Feet; and the Scene-Rooms, Green and Dressing Rooms, to be on the outside of the last mention'd Measure. The Stage to be either North or South

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: Benefit Mrs Talbot. Mainpiece: Written by C. Cibber, Esq; Poet Laureat. [Tickets to be had at Talbot's Coffee House in the Old Playhouse Passage, Drury Lane.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: DDaily Advertiser, 8 March: We hear that the Great Mogul has acceeded to the Treaty of the Hay-Market, which causes various Speculations. Our best Advices assure us, that the Town will be entertain'd there Tomorrow, by a Gentleman who never wrote for the Stage, with a new Performance call'd a Rehearsal of Kings: which will be immediately succeeded by a Dramatick Piece call'd The Historical Register, for the Year 1736, written by the Author of Pasquin. We hear this has given great Alarm to all the Pantomimical Houses in London, Southwark, Rag Fair, &c

Performances

Event Comment: Never Acted before. [Author not known. Apparently not published.] By a Company of Comedians dropt from the Clouds, late Servants to their thrice-renown'd Majesties, Kouly Kan and Theodore. With new Scenes, Habits, and proper Decorations. Boxes 5s. Pit 3s. Gallery 2s. 1st N.B. To prevent the Imposition of Box-Keepers, Gentlemen and Ladies are humbly desir'd to take Tickets at the Office, or to send for them at the Theatre, where Attendance will be given every Day, and Places may be taken. 2d N.B. The Company will endeavour to entertain the Town the remaining part of the Season. [In advance bill in Daily Advertiser, 23 Feb.: 2d N.B. Considering the extraordinary Expence that must necessarily attend equipping so many Monarchs of different Nations, the Proprietor hopes the Town will not take Umbrage at the Prices being rais'd. 3rd. N.B. The Proprietor begs leave to enter his Caveat against all (what Names soever distinguish'd) who may hire, or be hir'd, to do the Drudgery of Hissing, Catcalling, &c. and entreats the Town would discourage, as much as in them lies, a Practice at once so scandalous and prejudicial to Author, Player, and every Fair Theatre Adventure.

Performances

Mainpiece Title: A Rehearsal Of Kings; Or, The Projecting Gingerbread Baker; With The Unheard Of Catastrophe Of Macplunderkan, King Of Roguomania And The Ignoble Fall Of Baron Tromperland, King Of Clouts

Performance Comment: First Queen Incog-Mrs Eliza Haywood; Don Resinano-Mrs Charke; King of Clouts-Roberts; Mynheer Maggot-Jones; Mynheer Wiserman-Lacy; Crimcrowky-Davies; other characters are King Roguomania-; King Bombardino-; King Pamper Gusto-; King Taxyburndus-; King Lexoneris-; Sardonides-; Bandiquamonti-; Campanardicoff-; Ghost of a Dutch Statesman-.
Event Comment: For discussion of the Licensing Act, see Craftsman, 4 June, and Common Sense, 4 June. London Evening Post, 4 June: We hear that by the Bill now in the House of Peers against Players of Interludes, &c. all Copies of Plays, Farces, or any Thing wrote in the Dramatick Way, are to lie fourteen Days before his Grace the Lord Chamberlain of his Majesty's Household for the Time being, for his Grace's Perusal and Approbation, before they shall be exhibited on the Stage

Performances

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Afterpiece Title: The Devil to Pay

Cast
Role: with The Early Horn Actor:
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Harlot's Progress

Cast
Role: Mother Midnight Actor: Harper
Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Damon and Phillida

Dance: I: Flanderkins-Master Ferg, Miss Wright; III: Drunken Peasant-Phillips; V: Scot's Dance, as17371110

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Burgomaster Trick'd

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald

Dance: Glover, Mlle Roland

Event Comment: By Desire. Mainpiece: Written by the late J. Hughes, Esq. London Evening Post, 28 Jan.: It's remarkable that the new Comedy call'd The Nest of Plays...and the new Farce call'd The Coffee House...and which are the two first that have been perform'd since the Act of Parliament took Place, obliging all Plays, Farces, &c. to be licens'd before play'd, were both damn'd by the Town

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Harlequin Grand Volgi

Music: Select Pieces-

Dance: I: Flanderkins, as17380120 II: Drunken Peasant-Philips; III: Grand Polish Dance-Haughton, Mrs Walter, Liviez, Pelling, Vallois, Rector, Mrs Thompson, Mrs Pelling, Mrs Woodward, Miss Brett

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Mock Lawyer

Dance: SSerious Dance-Villeneuve, Miss Oates; A new Pantomime Dance-Nivelon, Mrs LeBrun; Comic Dance-Richardson, Miss Cantrel

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Drunken Peasant-Philips; IV: Flanderkins-Master Ferg, Miss Wright

Song: I: Sweet Echoby Arne in Comus-Mrs Arne; III: Dove Spiega (an Italian Song by Arne)-Mrs Arne

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Lovers Opera

Dance: I: Punch-Master Ferg; III: Minuet, The Bretagne-Miss Wright, Miss Morrison; V: La Pierraite-Leviez, Mrs Thompson

Event Comment: Never Acted before. Benefit the Author. By C. Marsh. [Tickets of the Author at Cicero's Head, Round Court, in the Strand.

Performances

Mainpiece Title: Amasis, King Of Egypt

Afterpiece Title: The Honest Yorkshireman

Performances

Mainpiece Title: Amasis, King Of Egypth

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: Benefit Carey. N.B. And whereas building Benches, &c. on the Stage obstructs the Performance, and gives great Cause of Complaint, Mr Carey chuses rather to relinquish that Part of his Profit than incommode his Friends, and hopes no Person will take it ill, that they cannot be admitted behind the Scenes

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Margery

Cast
Role: Margery Mauxalinda Actor: Miss Esther? Young

Dance: As17381213

Event Comment: As 27 Nov. 1738. Mainpiece: Alter'd from Shakespear. Victor, History of the Theatres, II, 48: In the Year 1738, having, as he [Colley Cibber] said, Health and Strength enough to be as useful as ever, he came to Terms with Mr Fleetwood for his performing Richard, Fondlewife, Sir John Brute, &c. All his Comedy Parts he was right in, but in Richard he found his Mistake; his usual Strength and Spirit failed him most unhappily. I went behind the Scenes in the third Act, and asking him how he fared? He whispered me in the Ear, "That he wou'd give fifty Guineas to be then sitting in his easy Chair by his own Fireside.

Performances

Mainpiece Title: King Richard The Third

Performance Comment: See17380930, but King Richard-Cibber Sr, the first time of his appearing in that character these seven years; King Henry-Milward; Buckingham-Mills; Richmond-Cibber Jr; Queen Elizabeth-Mrs Roberts; Dutchess of York-Mrs Pritchard; Lady Anne-Mrs Mills.

Afterpiece Title: The Mock Doctor

Dance: Muilment