Event Comment: [Extra night] Benefit for the Widow and three youngest Children of the late Dr Glover. [Dr William Frederick Glover, a surgeon, had died on 25 Feb. in straitened circumstances. A subscription--in behalf of which this Benefit was organized--had been set on foot for the relief of his family (see Gentleman's Magazine, Mar. 1787, p. 276). In the 1760's he was for some years an actor on the Dublin stage (see Tate Wilkinson, Memoirs, III, 198).] Tickets to be had at the Thatched-House Tavern, St. James's Street; at Free-Mason's Tavern, Great Queen Street; the Antigallican Coffee House, Royal Exchange; the Globe Tavern, Fleet Street; at Messrs Robinsons, booksellers, Paternoster Row; and of the Printer of the Morning Chronicle, Dorset Street, Salisbury Square. Received from Their Majesties for Box [for season] #70; from the Princess Royal for Box #35. Receipts: #127 11s. (125.5; 2.6; tickets: none listed)

Event Comment: Account-Book: Tickets delivered by Follett, Warrell, A Gentleman, Miss Leserve will be admitted. Received of Their Majesties for the Box #80; for the Princess Royal's Box #40; for Her Majesty's Servants #6 6s. Receipts: #226 10s. 6d. (104.5.0; 4.3.6; tickets: 118.2.0)

Event Comment: Last Night of the Subscription. "Last night Cipriani personating a Frenchman, appeared with the national cockade in his hat; the audience expressed their disapprobation by violent hissing, and the actor was obliged to cast down his hat, which a gentleman behind the scenes took up, and tearing out the offensive ensign of sedition, threw it away--the audience warmly applauding" (Morning Herald, 16 May)

Event Comment: 2nd ballet: With entirely new Scenery, Machinery, Dresses and Decorations. The Music entirely new, composed by Millerd, composer for the ballets at the Opera at Paris. In the course of the performance the Grand Procession of Iphiginia into Aulide. The Scenery, Machinery, &c. designed by Marinari, and executed by him and his assistants. The decorations by Johnston, the dresses by Sestini. [Scenario published by J. Hammond [1793].] The Managers beg leave particularly to request that no Gentleman will come behind the Scenes, as the number of people engaged in the ballet, and the variety of scenery and machinery, render such admission highly inconvenient. Morning Herald, 24 Apr,: The story [of the ballet] is perhaps not very intelligibly told; but the shew and the dance are admirable. It begins and concludes with magnificent processions, the last of which brings Iphiginia to the altar, where she is saved just as the holy knife is raised for the sacrifice. At this instant the chariot of the Sun, the brilliancy of which is much beyond any former representation of the sort, passes over the stage, and is, for some time, suspended over the altar, while the whole corps de ballet offer their adorations