SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Genest"/1) | (@(roleclean,performerclean) "Genest")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 186 matches on Performance Comments, 118 matches on Event Comments, 4 matches on Roles/Actors, 0 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Principal Characters by Edwin, Quick, Booth, Davies, Darley, Thompson, Gardner, Farren, Miss Tweedale, Mrs Morton, Mrs Forster (of dl), Mrs Martyr. Cast suggested by Genest, VI, 493: Trudge-Edwin; Sir Christopher Curry-Quick; Medium-Booth; Campley-Davies; Inkle-Farren; Yarico-Miss Tweedale; Narcissa-Mrs Morton; Patty-Mrs Forster; Wosski-Mrs Martyr; Genest does not assign Darley, Thompson, Gardner. Genest does not assign Darley, Thompson, Gardner.

Afterpiece Title: The Apprentice

Song: II: a new comic song (1st time), Four@and@twenty Periwigs all on a Row-Edwin

Entertainment: Monologue. End: The Kensington Stage; or, The Fatigues of a Long Journey (a Comical, Poetical Description)-Edwin

Performances

Mainpiece Title: The Rover; Or, The Banished Cavaliers

Performance Comment: Rover-Wilks; Helena-Mrs Verbruggen? [Mrs Oldfield in Genest II, 269].Mrs Oldfield in Genest II, 269].

Dance: The Famous Monsieur DuRuel, Madamoiselle StLeger , who perform'd together at the Opera at Paris

Performances

Mainpiece Title: Tunbridge Walks; Or, The Yeoman Of Kent

Performance Comment: Maiden-a Gentleman who never appear'd upon the Stage before [Carnaby, according to Genest, II, 335].Carnaby, according to Genest, II, 335].

Song: As17050922; Particularly a two/Part Song compos'd by the late Mr Henry Purcell-

Dance: Cherrier

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17441117, but Bevil Jun.-Delane; Tom-Macklin; Myrtle-Mills [playbill reproduced in Genest IV, 142-43].playbill reproduced in Genest IV, 142-43].

Afterpiece Title: Harlequin Shipwrecked

Dance: IV: Grand Dance, as17441217

Performances

Mainpiece Title: Ulysses

Afterpiece Title: The Frenchified Lady Never in Paris

Performance Comment: Lady-Mrs Woffington; Palamede-Dyer; Rhodophil-Gibson; Doralice-Mrs Barrington; Miss Mullart. [the middle three (Genest, IV, 471).] Miss Mullart. [the middle three (Genest, IV, 471).]

Dance: FFingalian Dance, as17551126

Music: EEllen a Roon on the German Flute-a young Gentlewoman (from Ireland)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Thomasand Sally; or, The Sailor's Return

Performance Comment: Actors only:-Beard, Mattocks, Miss Brent, Mrs Vernon; Dancing-Maranesi, Poitier Jr, Mrs Vernon; Thomas-Beard; Squire-Mattocks; Sally-Miss Brent; Dorcas-Mrs Vernon (Genest, IV, 622). [But see17610423 and 1761 Edn., apparently the parts of Beard and Mattocks were reversed for those indicated by Genest.]But see17610423 and 1761 Edn., apparently the parts of Beard and Mattocks were reversed for those indicated by Genest.]

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Jubilee

Performance Comment: Parts-King, Moody, Parsons, Ackman, Hurst, Waldron, Castle, Wheeler, W. Palmer, Wright, Keen, Hartry, Mesink, Clough, Booth, J. Burton, Mas. Cape, Mrs Bradshaw, Mrs Lowe. The Vocal Parts-Vernon, Dibdin, Bannister, Champnes, Fawcett, Kear, Miss Radley, Mrs Baddeley; The Dances-Dagueville, Mrs King, Sga Vidini, Miss Rogers; In which will be introduced The Pageant as it was intended for Stratford-Upon-Avon; Ralph-King; Irishman-Moody; Ballad Singer-Vernon; Ostler-Parsons; Country Girls-Mrs Baddeley, Miss Radley; Margery Jervis-Mrs Love; Female Ballad Singer-Dibdin; Prologue-King; Characters in the pageant: Benedict-Garrick; Beatrice-Miss Pope; Touchstone-King; Richard III-Holland; Romeo-Brereton; Hamlet-Cautherly; Falstaff-Love; Lear-Reddish; Antony-Aikin; Portia-Mrs W. Barry; Apollo-Vernon; Tragic Muse-Mrs Barry; Comic Muse-Mrs Abington; Also: Hurst, Wheeler, Castle, Waldron, Wright, Keen, Clough, Hartry, Messink, Booth, J. Burton, Master Cape, Mrs Bradshaw, Mrs Love; Dancing-; Singing- New Dresses, Scenes; Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926). Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926).

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Man of Quality

Performance Comment: Parts by Dodd, Palmer, Weston, Hurst, W. Palmer, Burton, Waldron, Wright, Mrs Bradshaw, Mrs Abington. Lord Foppington-Dodd; Young Fashion-Palmer; Lory-Weston; Sir Tunbelly-Hurst; Miss Hoyden-Mrs Abington; Nurse-Mrs Bradshaw; Burton, W. Palmer, Waldron, Wright (Genest, V, 904). Burton, W. Palmer, Waldron, Wright (Genest, V, 904).

Dance: V: The Mountaineers, as17730930

Event Comment: Benefit for Mrs Mattocks. [As afterpiece Genest, VI, 25, lists The Romp, "1st time," with partial cast. In an advance notice of Mrs Mattocks' benefit in Public Advertiser, 20 Mar., the farce advertised for 28 Mar. is The Romp, "1st time," with full cast; this appears to have been Genest's source. But in the same newspaper for 25, 26, 27 Mar. the farce advertised is Three Weeks after Marriage. The Romp was 1st acted at the Capel Street Theatre, Dublin, 23 Jan. 1771, and in London at the hay, 12 Nov. 1781. See also dl, 21 Nov. 1785.] Public Advertiser, 17 Mar.: Tickets to be had of Mrs Mattocks at her house in Covent Garden. Receipts: #160 9s. (101.19; tickets: 58.10) (charge: #64 10s.)

Performances

Mainpiece Title: Percy

Afterpiece Title: Three Weeks after Marriage

Dance: After Epilogue: All in the Downs; or, Farewell to Deal, as17780309but _Besford, Mrs White

Performances

Mainpiece Title: The Arab

Performance Comment: Principal Characters by Henderson, Wroughton, Hull, Fearon, Thompson, Cubitt, Lewis; Mrs Bates, Miss Younge. [Partial cast suggested by Genest, VI, 360: Alcanor-Henderson; Barzilla-Wroughton; Halak-Hull; Sameas-Fearon [which Genest misprints "Farren"]; Herodian-Lewis; Augusta-Mrs Bates [so also Morning Post, 10 Mar.]; Glaphyra-Miss Younge. Text adds: Serapion, Affghar; Mariamne.] Prologue by the Author spoken by Henderson. [In his Memoirs, II, 208, Cumberland prints an Epilogue, written by himself, which he "presumes" was spoken, and states the speaker to have been Miss Younge.] hathi. Mariamne.] Prologue by the Author spoken by Henderson. [In his Memoirs, II, 208, Cumberland prints an Epilogue, written by himself, which he "presumes" was spoken, and states the speaker to have been Miss Younge.] hathi.

Afterpiece Title: Rosina

Dance: As17841116

Performances

Mainpiece Title: None

Performance Comment: [Friendship Improved is listed by Genest, II, 263; but the only notice in the newspapers is an announcement of the publication of the play.]
Event Comment: [By Thomas Baker. Date of premiere uncertain, but this day has generally been accepted by Nicoll, Genest, Winston, and Latreille. Published 29 Jan.

Performances

Mainpiece Title: Tunbridge Walks; Or, The Yeoman Of Kent

Event Comment: Benefit Mrs Elford. [Genest, II, 293, lists this for 2 June.

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Music: The best Masters

Dance: As17030601

Event Comment: Benefit Mrs Prince. By reason of the Entertainment, the Play will be shortened. Boxes 6s., pit 4s., gallery 2s. 6d. [Genest, II, 293, lists this for 7 June.

Performances

Mainpiece Title: The Fair Penitent

Song: Four new songs, the Nightingale Song-Francisca Margarita del'Epine, with music composed by Jacomo Greber

Dance: As17030601 Also Mezzetin a Clown and two Chair/men-; Blouzabella-Prince, Mrs Elford

Event Comment: [By William Walker. Not advertised in Daily Courant, but this date accepted as premiere by Nicoll, p. 363 and Genest, II, 303.] Preface: It was so hem'd in between the Benefits that it seem'd meerly Confin'd to the Limits of a Single Night before hand

Performances

Mainpiece Title: Marry; Or, Do Worse

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary, Queen Of Scotland

Performance Comment: but Genest (II, 299) gives a possible cast: Norfolk-Wilks; Cecil-Powell, Keene; Morton-Mills; Davison-Booth; Gifford-Bickerstaff; Queen Mary-Mrs Oldfield; Queen Elizabeth-Mrs Knight; Douglass-Mrs Porter.
Event Comment: Benefit Betterton. [Genest, II, 309, lists this for 16 May.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Music: Vocal and Instrumental Music , to be expressed in the large Bills-

Event Comment: Benefit Mills. Not Acted these Six Years. This being the first Performance of an Opera this Year. All the Scenes and Flyings as they were formerly presented. [Genest II, 300, lists this performance for 10 June.

Performances

Mainpiece Title: Psyche; Or, Love's Mistress

Music: All the Vocal and Instrumental Music compos'd by the Famous Mr Matthew Lock-

Dance: New dances- proper to the occasion; particularly Arbour Dance in Imitation of the Original-duRuel, Cherrier, Laforest

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Performance Comment: Henry VIII-Estcourt; Princess Elizabeth-the Child [identified by Genest, II, 340, as Miss Younger]; a new Epilogue-the Child.

Song: Leveridge, Ramondon, Mrs Lindsey, the Boy

Dance: As17051227

Event Comment: Mainpiece: Written by Sir William Davenant; but Originally by the famous French Dramatick Poet Monsieur Moliere. [Genest, II, 352, surmises that the company probably acted Acts I, II, and V of The Playhouse to be Let.] Afterpiece: A Burlesque Farce

Performances

Mainpiece Title: The Playhouse To Be Let; With Sganarella, The Blacksmith Of Paris

Afterpiece Title: Mock Pompey

Song:

Dance:

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Performance Comment: Lear-Betterton; Genest (II, 357) adds from a prompt book: Edgar-Verbruggen; Edmund-Mills; Gloucester-Freeman; Kent-Minns; Gentleman Usher-Bowen; 1st Ruffian-Kent; 2d Ruffian-Peer; Cordelia-Mrs Bracegirdle.
Event Comment: Benefit Mrs Cross. At the Desire of several Ladies of Quality. [See also Tatler, 30 April. Genest, II, 418, lists this as a benefit for Cross.

Performances

Mainpiece Title: The Old Batchelor

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17090506, but Appletree-_; Pearmain-_. [Genest, II, 420, lists Pearmain-$Penkethman.]
Event Comment: For the Entertainment of the Four Indian Kings lately arriv'd in this Kingdom. Benefit Bowen. [For the Prologue see Bond, pp. 4, 99. See also Genest, II, 451.

Performances

Mainpiece Title: Mackbeth