Event Comment: Christopher Rich's Company. The date of the resumption of playing is not certain, for Cibber (see below) beclouds the issue by referring to Easter-Monday in April, whereas the first Monday following Easter fell on 25 March 1694@5. Nevertheless, Monday 1 April 1695 seems the likely date of the resumption of playing, with Rich's Company ready to perform before the seceding company under Thomas Betterton was fully organized. A new song for Abdelazar, Lucinda is bewitching fair, the music by Henry Purcell and sung by "the Boy" (Jemmy? Bowen), is in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 195: [The Patentees] were not able to take the Field till the Easter-Monday in April following. Their first Attempt was a reviv'd Play call'd Abdelazar, or the Moor's Revenge, poorly written, by Mrs Behn. The House was very full, but whether it was the Play or the Actors that were not approved, the next Day's Audience sunk to nothing. However, we assured that let the Audiences be never so low, our Masters would make good all Deficiencies, and so indeed they did, till towards the End of the Season, when Dues to Ballance came too think upon 'em. [See I, 195-96, for Cibber's account of his Prologue.] A Comparison Between the Two Stages, 1702, p. 7: But in my Opinion, 'twas strange that the general defection of the old Actors which left Drury-lane, and the fondness which the better sort shew'd for 'em at the opening of their Newhouse, and indeed the Novelty it self, had not quite destroy'd those few young ones that remain'd behind. The disproportion was so great at parting, that 'twas almost impossible, in Drury-lane, to muster up a sufficient number to take in all the Parts of any Play; and of them so few were tolerable, that a Play must of necessity be damn'd that had not extraordinary favour from the Audience: No fewer than Sixteen (most of the old standing) went away; and with them the very beauty and vigour of the Stage; they who were left behind being for the most part Learners, Boys and Girls, a very unequal match for them who revolted. According to a statement made in litigation, the company in Drury Lane acted 84 times between 25 March 1694@5 and 7 July 1695; and the Young Actors played 68 times from 6 July 1695 to 10 Oct. 1695 to 10 Oct. 1695. See Hotson, Commonwealth and Restoration Stage, p. 308

Event Comment: RRylands MS: Old Cibber play'd Brute. [The preceding day's notice started this performance was By Command of his Royal Highness, The Prince of Wales, although no such notice appears in the day's Bill. But the following note is included on the day's bill in the London Daily Post and General Advertiser.] By His Majesty's Command, no persons to be admitted behind the scenes, nor any money to be return'd after the curtain is drawn up. [Fleetwood made an earnest attempt this year to clear the stage for action. All notices up to this day contain the prohibition of members of the audience behind scenes as stated on the bill of 15 Oct. Hereafter the prohibition is enforced by His Majesty's Command.] Receipts: #182

Event Comment: Benefit for Cibber. Mainpiece. Reviv'd, not acted these 4 years [see 1 March 1746]. Afterpiece: Taken from the French of Dancourt, a Ballad Opera, performed by particular desire. Tomorrow, The Jubilee, for Benefit of Mrs Horton. [Baker, Biographia Dramatica, lists the afterpiece as written by James Wilder, taken from Dancourt. Cibber had announced (General Advertiser, 27 Feb.) for his benefit The Man of Mode, with Pasquin, with Alterations. In which would be performed The Rehearsal of a Comedy call'd The Election; or, Bribes on Both Sides, by the Author of Tom Jones.

Event Comment: Benefit the Author. At the particular Desire of several Ladies of Quailty. Mainpiece: Written by the Author of the Man of Taste. Founded on Shakespear's Much Ado About Nothing. Afterpiece: Written by the Author of the Toy Shop. Daily Advertiser, 14 March: We hear that there was not the least Disturbance from the Footmen at the Playhouse all last Week; and there is such a sufficient Guard order'd, as well as a Civil Power appointed, that there's no Apprehension of any in the future: Besides, we are glad to hear that the Quality and Gentry are resolv'd in general to discard any Servants that should be known to attempt it, and to give them up to the Rigour of the Law. [For Occasional Prompter XXV (on the lethargy of managers), see Daily Journal, 14 March.

Event Comment: Benefit Cibber. At the particular Desire of several Persons of Quality. Mainpiece: Written by George Duke of Buckingham. Afterpiece: With Additions, the Words and Musick by Mr Carey. 6:30 p.m. London Daily Post and General Advertiser, 6 June: Yesterday Morning died Mrs Hallam

Event Comment: Benefit Arne. The demand for Places being more than Double what the Boxes will contain, Mrs Arne is oblig'd to lay the Pit and Boxes together, at 5s., where servants will be allow'd to keep places, as likewise on the stage, which will be form'd into front and side boxes. Ladies send servants by 3 o'clock. Tickets to be had, and places for the boxes to be taken of Arne next door to the Crown and Cushion in Great Queen St., by Lincoln's Inn Fields; and of Hobson at the stage door.--General Advertiser. Tom Arne sends his service; He is forced to put his Pit and Boxes together, which I reckon will be no advantage to him, ladies hoops taking up more room than the difference of price.--Mrs Cibber to Garrick, 8 April (Boaden, Private Correspondence of Garrick, I, 40)

Event Comment: MMrs Cibber Play'd (Cross). The Letter sign'd E. L. written in the Name of several Persons of Distinction, is receiv'd; and the Play of King Lear will be acted there, as soon as Mr Garrick is able to perform so long a Character (note "From the Theatre Royal Drury Lane" inserted in the General Advertiser). Receipts: #160 (Cross); #156 17s. 6d. (Powel)

Event Comment: Wrote by one Mr Crisp. A Gentlewoman, who never appear'd upon ye Stage before did Marcia (Mrs Graham) & had deservidly great applause, the whole play went off, with General Approbation. Mr Carey had his fiddle broke by an apple playing the first Music--the Prologue & Epilogue much lik'd--both wrote by Garrick (Cross). Gentlewoman-Mrs Graham, afterwards Mrs Yates (Winston MS 8). Tuner Letter the 2nd pub. at 6d.--29 pages

Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Event Comment: At the particular Desire of several Persons of Quality. [The Epilogue is printed in Daily Post, 12 Aug., which added: There was a very handsome Audience, and the young Actors were dismiss'd with general Applause.

Event Comment: Benefit Carey. Mainpiece: Written by the late Mr Congreve. Daily Advertiser, 12 Jan.: Mr Carey depends entirely on the Favour of his Friends, hoping they will accept of this General Invitation, and honour him with their Presence as much as if he had attended them with Tickets

Event Comment: Benefit Swiny. For the better Accommodation of the Ladies, Part of the Stage will be formed into Boxes; the Pit and Front Boxes to be put together (at the Desire of several Ladies of Quality). [For further discussion of the case of Poitier, see London Daily Post and General Advertiser, 26 Feb.]

Event Comment: Benefit Denoyer. By Command of His Royal Highness. Mainpiece: Taken from Moliere. London Daily Post and General Advertiser, 17 March: The celebrated Monsieur Denoyer and Mademoiselle Salle, by Permission of the Masters of the two Theatres Royal, have agreed to dance together at each other's Benefit

Event Comment: At the Desire of several Eminent Citizens. Mainpiece: Written by Mr Lillo. Afterpiece: Taken from the French of Moliere, by H. Fielding, Esq. At Common Prices. 6:30 P.M. [Tickets for Grey, Peploe, Mrs Moor taken. The Doorkeepers are ordered not to take tickets sold by Orange Women.] London Daily Post and General Advertiser, 3 July: The Play of George Barnwell, and the Farce of the Mock Doctor . . . was perform'd to a Crowded Audience, with Great Applause . . . The Revival of the above-mentioned Play seems welltim'd, when so many fine Ladies of Pleasure make their Appearance, with unusual Equipages, and their Gallants run the most extraordinary Lengths, to their own Ruin, and Grief of their Friends

Event Comment: See Daily Advertiser, 4 Feb., for a letter from Colley Cibber to the Gentlemen of the Inns of Court. Daily Advertiser, 4 Feb.: Whereas it is agreed on between several Gentlemen, to erect a New Theatre for the exhibiting of Plays, Farces, Pantomime, &c. all such Persons as are willing to undertake the said Building, are desir'd to bring their Plans for the same by the 2d of May next ensuing, in order to be laid before the said Gentlemen, the Time and Place of which Meeting will be advertis'd in this Paper on the last of April. Proportions of the Ground: The North Side 120 Feet; the West, square with the North, 130 Feet; the South 110 Feet; and the East on a Bevil, joining the Parallel. Note, There must be a Passage left to go round the Building, and the Stages to be 30 Feet wide at the First Scene; the Distance between Wall and Wall 80 Feet; and the Scene-Rooms, Green and Dressing Rooms, to be on the outside of the last mention'd Measure. The Stage to be either North or South

Event Comment: By particular Desire. Benefit Ryan. Receipts: money #59 0s. 6d.; seals #100 6s. (Account Book); #150 (Rylands MS.) [Ryan received a Free Benefit. See also an Exchange of letters in the London Daily Post and General Advertiser, 9 and 10 March, concerning the alleged indecency of Blunt's undressing before the audience.

Event Comment: LLondon Daily Post and General Advertiser announces The Intriguing Chambermaid. Receipts: #83

Event Comment: Mainpiece Written by the late Mr Congreve. Benefit Mrs Mills. Tickets to be had of Mills at his house in Nassau St., Soho. To the Author of the General Advertiser: It is with great Pleasure I find by the Publick Papers that a tragedy founded on Voltaire's Mahomet is now in rehearsal at Drury Lane Theatre. The Original was by Authority forbid to be played in France on account of the free and noble sentiments with regard to Bigotry and Enthusiasm, which shine through it; and which that Nation found as applicable to itself, as to the bloody propagators of Mahomet's Religion. Indeed the Fable on which it is built demanded such sentiments; the design of it being to shew the dreadful effects of Bigotry and Enthusiasm, even upon minds naturally well inclined when work'd up to such a pitch, as a beautiful concurrence of amazing, yet probable Circumstances hath there carried them to: So that it was equally impossible for the poet, by cutting and mangling his play, to lop it to their standard of Orthodox poetry, as it were for their Inquisitors, by torturing and burning a poor Protestant, to convince him of their Christian love and charity....They foresaw that the most obvious Reflection, that every sensible Spectator could not but make, would be, that he every day saw the same effects produced from two the most different causes, Mahometanism and Christianity; and the consequence must be, either that they were both alike Imposters, or that a crafty, mercenary, and cruel Clergy had dared to add a spirit to Christianity, which Christianity never knew. It is not doubted but these every Sentiments, which in France, prevented the Representation of this piece, will, in England speak loudly in its favor (providdd our English poet is not unequal to his subject) especially since so audacious an attempt has been lately made by the Common Enemy of Europe to establish at once a Civil and Spiritual Tyranny over those injur'd Nations, by the old Mohametan and Roman Arguments of Fire and Sword. I am, &c

Event Comment: Benefit Mrs Cross, Mrs Bridges, Miss Young. The General Advertiser included the following Puff: Sir, As I am continually searching for latent Curiosities, out of a sincere regard for the Public Satisfaction, I think it my Duty (lest among the Multitude of Diversions now flourishing, some other might engross the attention of the Curious) to inform the world, that the Farce which will be perform'd this Evening at Drury Lane theatre, call'd May Day, or the Merry Milkmaids of Islington, was written by the particular desire of King Charles II who had it first performed at Newmarket; how agreeably that jovial Monarch was entertained, every person, who thinks it worth his while to see it, according to his abilities, will be a competent judge, Yours, &c A. Virtuoso. [Part of the Multitude of Diversions referred to included announcement in the same paper for a Rehearsal of the whole Band of Music at Ruckholt House, the following Monday; a paragraph Puff on the diversions at Sadler's Wells in consequence of the late happy Victory of the Duke of Cumberland over the Rebels, with special notice of a New Interlude of Music call'd Strephon's Return, or the British Hero, perform'd this night with many advantages of Dress and Decoration, and a new Ballet by Matthews; and further notice of the Representation of the Battle near Culloden House which had met with universal applause, and which would continue to be repeated at the New Wells in Goodman's Fields. The Farce at Drury Lane this evening was advertised as not having been played for 20 years. It was taken from Thomas Nabbes' Totenham Court Road, by the Compiler of the Muse of Newmarket, 1680. The MS Occasional Prologue praising Cumberland is in the Larpent Collection.

Event Comment: By Command. Ladies desired to send servants to keep places by three o'clock (General Advertiser). Present the Prince and Princess of Wales (Account Books, Egerton 2268). Receipts: #192 4s

Event Comment: On Monday will be publish'd The Suspicious Husband, a Comedy as it is acted at Covent Garden. Written by Dr Hoadly. Published for J. and R. Tonson, and S. Draper in the Strand.--General Advertiser. Receipts: #114 12s. 6d

Event Comment: By Command of Prince and Princess of Wales. A Free Benefit for Quin. Receipts: #88 13s., plus #136 15s. from tickets. [Garrick had written Quin he was too ill to play in the mainpiece but would act in his farce. Notice of 23 March about Amphitheatre repeated.] Tickets deliver'd out for 9 March will be taken. To prevent mistakes none will be admitted into the Boxes but by tickets deliver'd by Quin, and at the Office in the Box Lobby.--General Advertiser. If any Gentlemen or Ladies shall be displeased with the alteration in the Performance of the Play [i.e., Garrick's absence] the money shall be return'd.--Theatrical Clippings, Folger Library

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin exactly at six o'clock. No persons to be admitted behind the scenes, nor any money to be return'd after the curtain is drawn up. Places for the boxes to be taken of Mr Page at the Stage door (General Advertiser). [This notice appears on subsequent bills this season but will not be repeated further here.

Event Comment: Play Never acted there. Characters New Dress'd. toller: [tolerable -?-] (Cross). We hear a new Tragedy called Mahomet and Irene will be acted at the Theatre Royal in Drury Lane after Christmas (General Advertiser). Receipts: #160 (Cross); #155 6d. (Powel)

Event Comment: The Dirge (from the General Advertiser).@ Ah, hapless Maid doom'd to the gaping Jaws@Of a Cold and Comfortless and Dreary Tomb.@Thy Marriage song is chang'd to mournful Dirge@Thy bridal bed to a black Fun'ral Hearse.@Hark, how with awful Pause the solemn Bell@In Death-like Sounds tolls her untimely Knell.@She was her Parents' sole delight@They had but one and only child.@Since Death has torn her from their Arms@With Grief and Sorrow they are wild.@Their Grief and Sorrow ev'ry Bosom shares@Witness our sighs and Groans and falling Tears.