SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "General Theophilus Cibber"/1) | (@(roleclean,performerclean) "General Theophilus Cibber")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2731 matches on Author, 2199 matches on Performance Comments, 1019 matches on Event Comments, 62 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Author's 3rd benefit. [No notice in the General Advertiser.] Charges #60. Receipts: #199 1s

Performances

Mainpiece Title: The Suspicious Husband

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Flora

Performance Comment: Hob-L. Hallam; Flora-Miss Moreau (General Advertiser).
Related Works
Related Work: Hob; or, The Country Wake Author(s): Colley Cibber
Event Comment: TThe Suspicious Husband deferr'd by Garrick's Indisposition (General Advertiser). [The House this night carried on its books a profitable balance of #2416 6s. 8d.] Receipts: #100 9s

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Polly Actor: Mrs Cibber.

Dance: As17461231

Event Comment: [No performance listed in Account Books, Egerton 2268. General Advertiser missing, but Occasional Oratorio was scheduled to be given in the advance notice for 12 March.

Performances

Mainpiece Title: The Occasional Oratorio

Event Comment: Benefit Delane. Mainpiece: As written by Shakespear. Tickets deliver'd for Monday the 9th will be taken. Tickets to be had of Delane at his lodgings at the Unicorn in New Exchange Row in the Strand. Places of Hobson at the stage door. There is now in rehearsal at the Theatre Royal [dl] and speedily will be acted, a new Petit Piece in imitation of that species of writing on the French Theatre call'd The Suspicious Husband Criticiz'd; or the Plague of Envy (General Advertiser). [A Folger edition of 1750 entitled Chorus for Shakespear's Tragedy of King John lists songs by Sullivan, Mrs Lampe, Mrs Storer, and Mrs Mozeen; the play had no other performance at a London theatre in the interim between 1747 and 1750.

Performances

Mainpiece Title: King John

Related Works
Related Work: Papal Tyranny in the Reign of King John Author(s): Colley Cibber

Afterpiece Title: The Dragon of Wantley

Dance: As17470314

Event Comment: Benefit Mrs Pritchard. [Receipts: #61 6s., plus #141 8s. from tickets, amounting to a house of #202 14s. without Stage (Account Books, Egerton 2268), i.e., perhaps, without counting income from those invited by Mrs Pritchard to sit on the stage.] Note: The Amphitheatre used on the stage at Benefits will be enclosed and divided into distinct Boxes, with a ceiling and illuminated; in the same manner as those in Front of the House. Ladies are desired to send their servants by Three.--General Advertiser. [House charges were #60.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: As17461231

Event Comment: Benefit Macklin. Mainpiece: By Particular Desire. The Farce never before acted. Tickets to be had of Macklin at his House in Bow St; and of Hobson at the stage door where places may be taken for the Boxes.--General Advertiser. [Afterpiece by Charles Macklin.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Suspicious Husband Criticized; or, The Plague of Envy

Event Comment: [Notice of Ryan's Benefit for Monday, 30 March, with the Fair Penitent, instead of Venice Preserved]: Mr Garrick's Illness having rendered him incapable of taking any Part that requires energy, obliges me to change the Play, but not the farce of Miss in Her Teens in which he may be able to perform.--General Advertiser. Receipts: #70 13s. 6d

Performances

Mainpiece Title: The Suspicious Husband

Event Comment: Adapted for the stage, as alter'd from Milton's Masque at Ludlow Castle (General Advertiser). Benefit for Beard. Ready Money #94 15s., plus #102 9s. from tickets. Charges #60. Paid Mrs Lane for Rent of Cowley in full to Michaelmas last #41. (Account Books, Egerton 2268) [Cowley was Rich's estate at Uxbridge. Notice about Amphitheatre (see 23 March) repeated.] Tickets of Beard at his house in Red Lyon Square

Performances

Mainpiece Title: Comus

Afterpiece Title: The Lying Valet

Event Comment: Benefit Reinhold and Mrs Furnival (General Advertiser). This day agreement was signed between Lacy and Garrick as new partners in the patent for Drury Lane theatre. The total present liabilities of the theatre, including the mortgage to Green and Amber, the mortgage to Hutchinson Meure, with the arrears due to actors and tradesmen, were calculated at about #12,000. It was besides burdened with an annuity to Calthorpe of #300, and another of #500 to Fleetwood. Of this #12,000 Garrick, helped by his friends found eight. Each party was to draw #500 a year as manager, and Garrick was to received besides #500 a year salary for his acting; but was restrained from playing at any other house, except on terms of dividing profits with his fellow manager.--Fitzgerald, Life of Garrick, p. 112

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Dragon of Wantley

Dance: Muilment, the Mechels

Event Comment: Afterpiece: Being the most tragical tragedy that ever was tragedized by a company of tragedians. At the Particular Desire of Several Persons of Quality (General Advertiser). [The following unsigned statement of the financial condition of the theatre on 11 April is in the Harvard Collection of Documents dealing with affairs of Drury Lane, folio MS Thr. 12. This itemizes the outstanding liabilities to the amount of #8,808 14s. including #1,275 of arrears in actors' salaries]: I told Mr- the intended purchaser that the whole would not amount to #12,000. He said if it was more it should rest on me, for that was the utmost shilling he would give. But upon strict enquiry I find it will amount to #12,808 14s. This difference is not altogether owing to an error in calculation, but has been likewise heightened by a falling off of business, nor is it possible to ascertain the debt of a theatre for a day, it is of so fluctuating a nature. Q: whether this loss ought to light upon me, who have endeavored to get a purchaser & increased the value of the Estate to the utmost of my power? Errors excepted. [James Lacy or John Powel are the most likely authors of this statement. Whatever the authority, it is clear that settlement had not yet been made for transfer of ownership. For Powel, see G. W. Stone, Jr., The Authorship of Tit for Tat," Theatre Notebook, X (1955), 22-28.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Chrononhotonthologos

Dance: Salomon, Sga Padouana

Event Comment: Benefit Woodward. [Receipts: #81 3s. 6d., plus #59 9s. from tickets. Charges #63.] Paid Servandoni #10 10s. Paid Price a bill for carpenter's work at Lincoln's Inn Fields Theatre last week #2 19s. 9d. Tickets to be had of Woodward at his lodgings in King St. (near the Churchyard Gate) Covent Garden; at the Bedford Coffee House; at the Salutation Tavern in Nicholas Lane; and of Page at the stage door. Tomorrow The Distress'd Mother and Miss in her Teens, the part of Fribble by Garrick.--General Advertiser. Daily Advertiser: By Particular Desire of several Persons of Quality. [On 13 April Woodward published a letter of thanks to the former schoolfellow who sent him this speech, promised to present it, and assured him that no copy would be made. See Theatrical Clippings, Folger Library.

Performances

Mainpiece Title: Julius Caesar; With The Death Of Brutus And Cassius

Afterpiece Title: Orpheus and Eurydice

Entertainment: Between Play and Afterpiece: An Alarm to Britons-the Spirit of King Henry V (After the manner of Shakespeare's Chorus) usher'd in with Trumpets, Kettle Drums and other Warlike Instruments

Event Comment: At the Desire of Several Ladies of Quality. Boxes 5s. Pit 3s. Gallery 1s. 6d. [Usual concert formula. See letter to today's Daily Advertiser wherein Foote is threatened with being horsewhipped if he puts on his Diversions. This is part of Foote's publicity program.] Several of Miss Cymber's Friends [at the Play Jane Shore] mistaking the House for the Theatre in James St., are desir'd to observe this is facing the Opera House in the Haymarket.--General Advertiser

Performances

Mainpiece Title: The Orphan

Related Works
Related Work: The Rival Fools Author(s): Colley Cibber
Related Work: The Fair Orphan Author(s): Colley Cibber

Afterpiece Title: Miss in Her Teens

Event Comment: FFoote a Fool. Whoever attacks my Reputation or Livelihood, is a mad Bull to me, and ought to be knocked down, prosecuted, etc. I hear I am to be hung up on Wednesday, at the Haymarket, by one Foote, a Fool. [The orator Henley, who usually advertised in the Daily Advertiser, placed this notice in the General Advertiser today.

Performances

Event Comment: Mainpiece by Desire. Benefit Cashell. [Receipts: #34 1s., plus #103 2s. from tickets. Charges #60.] Paid Marshall, Timber Merchant, a Bill for Goods deliver'd for Lincoln's Inn Fields Theatre #23 4s. (Account Books, Egerton 2268). Benefit Lalauze, who is oblig'd to change the play advertised for his Benefit on account of the Indisposition of a principal performer. The Tickets deliver'd out for Don Sebastian will be taken for this play (General Advertiser)

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Indiana Actor: Mrs Cibber.

Afterpiece Title: The Lying Valet

Dance: As17461231

Event Comment: Benefit Jones. Wrote by Lord Landsdown and set to Music by Boyce [actually a part of The Jew of Venice]. (General Advertiser, Daily Advertiser.

Performances

Mainpiece Title: Peleus And Thetis

Song: RReturn O God of Hosts-; Honour and Arms from Samson-

Event Comment: Benefit Mrs Mills. Mainpiece: By Particular Desire. [Letter in the General Advertiser in appreciation of the elegant fireworks displayed at the New Wells, Goodman's Fields, this evening.

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Suspicious Husband Criticised

Song: I: Cantata-Sullivan; IV: Lowe

Dance: II: Comic Dance-Mechel, Mlle Mechel; V: Comic Dance, as17470410

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: As17470425 but Moody-Winstone. (General Advertiser) .

Afterpiece Title: The Double Disappointment

Event Comment: Benefit Marten and White. Receipts: #15 8s., plus #157 16s. from tickets, but the distribution unspecified. Charges #60. James White, however, paid over his half of the deficiency (#22 6s.) immediately (Account Books, Egerton 2268). Tickets sold at the door will not be admitted. (General Advertiser)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Phebe

Dance: PPeasant Dance, as17470504; English Boy, English Girl

Event Comment: At the particular desire of several Ladies of Quality. Being the last time of performing the play this season. (General Advertiser). Paid Quin in Full for his Performances this season #1. Receipts: #103 8s

Performances

Mainpiece Title: The Suspicious Husband

Event Comment: Benefit Curryer, Fryar, Delahyde, and Shawford (General Advertiser)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Flora

Related Works
Related Work: Hob; or, The Country Wake Author(s): Colley Cibber
Event Comment: [Benefit on one-half value of tickets basis to nine ticket holders. The General Advertiser notice lists beneficiaries as Harrington (Prompter); Stede, Carr, Mrs Bland, Mrs Rowley.] Tickets deliver'd by Mrs Daniel, Mrs Dumont, &c will be taken. /For Box Pit Gallery Value Half-Value/Harrington 7 29 22 #8 6s. #4 3s./Stede 7 52 59 #15 9s. #7 14s. 6d./Carr 6 53 46 #14 1s. #7 0s. 6d./Mrs Rowley 27 77 44 #22 14s. #11 7s./Mrs Dumont 36 31 32 #16 17s. #8 8s. 6d./Mrs Bland 9 56 91 #19 15s. #9 17s. 6d./Mrs Dupre 5 33 42 #10 8s. #5 4s./Mrs Daniel .. 45 109 #17 13s. #8 16s. 6d./Mrs Hitchcock 34 58 31 #20 6s. ........./Totals 131 434 476 #145 9s. #62 11s. 6d./ [Mrs Hitchcock seems to have received the full value of her tickets.] This Day is Publish'd A Treatis on the Passions so far as they regard the stage, with a critical inquiry into the Theatrical Merit of Mr G k, Mr Q n, and Mr B y, the first considered in the part of Lear, the last two oppos'd in Othello. By S. Foote, Esq

Performances

Mainpiece Title: The Committee

Afterpiece Title: Phebe

Dance: The English Boy, English Girl

Event Comment: Last time of performing the play this season (General Advertiser). Paid Duke of Bedford half year's Ground Rent in full to Lady? Day? #100. Receipts: #165 14s

Performances

Mainpiece Title: The Fair Penitent

Cast
Role: Fair Penitent Actor: Mrs Cibber
Event Comment: Being the last time of the company's performing this season (General Advertiser). Paid Mr Granier in full for his children's performances #10 10s. Paid Mrs Pritchard in full for her performances this season #21 13s. 4d., and #10 for her being overcharged for her benefit

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17470427(General Advertiser).
Cast
Role: Alicia Actor: Mrs Cibber.

Afterpiece Title: Miss in Her Teens

Event Comment: Written by Shakespear. Play to begin at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage-Door of the Theatre. As the Admittance of Persons behind the Scenes has occasioned a general Complaint on Account of the frequent Interruptions in the Performance, tis hop'd Gentlemen won't be offended, that no Money will be taken there for the future. [This notice appears on succeeding bills for the season and will hence not be repeated. See note on public objection to nonadmittance behind scenes 22 Feb. 1748.] Receipts: #150 (Cross); #I26 12s. (Clay MS). Nichols Literary Anecdotes, II, 319-20: There is one part of theatrical conduct which ought unquestionably to be recorded to Mr Garrick's honour, since the cause of virtue and morality and the formation of public manners are very considerably dependent upon it, and that is the zeal with which he ever aimed to banish from the stage all those plays which carry with them an immoral tendency, and to prune from those which do not absolutely on the whole promote the interests of vice such scenes of licentiousness and libertinism as a redundency of wit and too great liveliness of imagination have induced some of our comic writers to indulge themselves in, and to which the sympathetic disposition of an age of gallantry and intrigue had given a sanction. The purity of the English stage was certainly much more fully establish'd during the administration of this theatrical minister than it had ever been during preceding managements; for, what the publick taste had itself to some measure begun, he, by keeping that taste within its proper channel, and feeding it with a pure and untainted stream, seems to have completed; and to have endeavoured as much as possible to adhere to the promise made in the prologue which was spoken at the first opening of that theatre under his direction, @Bade scenic virtue form the rising age@And truth diffuse her radiance from the stage.

Performances

Mainpiece Title: The Merchant Of Venice