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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "General Monk"/1) | (@(roleclean,performerclean) "General Monk")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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896 results for: Keyword - General Monk
We found 599 matches on Event Comments, 248 matches on Performance Comments, 74 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

851
25 February 1786 @ Covent Garden

Event Comment: Benefit for Mrs Henderson. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. [Prologue by Arthur Murphy {Works, 1786, VII, 369).] Morning Herald, 14 Feb.: Tickets to be had at the house of the late Mr Henderson [see 8 Nov. 1785], Buckingham-street, York Buildings. "The poetical address delivered by Mrs Siddons before the play was written by Murphy, and was so very dull that we will charitably suppose his feelings obstructed the operation of his fancy" (General Advertiser, 27 Feb.). Receipts: #141 9s. 6d. (140/15/0; 0/14/6; tickets: none listed) (charge: free)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Three Weeks after Marriage

852
04 March 1786 @ Covent Garden

Event Comment: "A most ridiculous circumstance happened in the last act [of mainpiece]--nothing less than a total silence on the Stage, where all the Dramatis Personae stood in a rank, waiting for the next speech, which however was not heard, for, after a considerable time, the curtain was let down . . . Lewis came forward and acquainted the House that the part sent to Aickin was incomplete, and that he (who was to finish the Play) had never been furnished with the last speech. As we understood rehearsals were necessary to getting up Plays, we cannot reconcile this blunder to our apprehension" (General Advertiser, 6 Mar.). Receipts: #157 16s. (152/10; 5/6)

Performances

Mainpiece Title: The Lady's Last Stake

Afterpiece Title: Love in a Camp

Dance: End of Act IV of mainpiece a new dance, The Drunken Sailor Reclaim'd, by Byrn, Ratchford, Mrs Goodwin, Miss Besford

853
21 March 1786 @ King's Theatre

Event Comment: A revived Serious Opera, with Grand Chorusses, New Dresses and Decorations; the Music by Sacchini. "In the second act [Mme Mara, who sang Andromeda] was encored in a song of Bravura . .. The amazing extent of her voice never appeared in a more conspicuous light... As to the Chorusses, we understand that they were under the immediate direction of Mme Mara, which accounts for the uncommon precision with which they were executed" (General Advertiser, 22 Mar.)

Performances

Mainpiece Title: Perseo

Dance: End of Act I Divertissement Villageois, as17860218; End of Act II Dance incidental to the Opera by Henry, Duquesney Qun.], the two Mlles Simonet; End of Opera New Divertissement, as17860311athi

854
11 May 1786 @ Covent Garden

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by Shield. MS not in Larpent; not published. Prologue by George Colman, the younger (European Magazine, May 1786, p. 370)]. "An old and established rule among the youth of Westminster [School will] not permit any exhibition on the stage reflecting upon their body ... In the second act Mrs Wells made her appearance in the dress of a Westminster scholar, when a general uproar [instigated by the scholars] took place, and the [rest of the] piece was prevented from being heard" (Town and Country Magazine, May 1786, p. 235). Public Advertiser, 8 May: Tickets to be had of Mrs Wells, No. 188, Oxford-street. Receipts: #282 17s. (166/0/6; 21/19/6; tickets: 94/17/0) (charge: #105)

Performances

Mainpiece Title: The Bird In A Cage

Afterpiece Title: Small Talk; or, The Westminster Boy

Dance: In Act III of mainpiece a Grand Dance, as17860424; End of Act I of afterpiece Leap Year, as17860227

855
20 May 1786 @ King's Theatre

Event Comment: A new Comic Opera [1st time; COM 2], written by Charles Francis Badini, and set to music by Pasquale Anfossi. "The Author has . . . struck out ideas fit to excite the utmost powers of harmony. We do not think that he has been sufficiently seconded by Signor Anfossi. The music evidently labours under a tedious monotony" (General Advertiser, 22 May)

Performances

Mainpiece Title: L'inglese In Italia

Dance: As17860516 throughout

856
10 July 1786 @ Windsor Castle Inn, King Street, Hammersmith

Event Comment: Benefit for Mrs Waldron. Mainpiece: Written by the celebrated General Burgoyne (Tam Marti quam Mercurio), and performed near Forty Nights last season at the Theatre-Royal, Drury-Lane, with unprecedented Applause. 2nd piece: Written by O'Keeffe, set to music by Shield, and performed with unceasing Applause at the Theatre-Royal in the Hay-Market

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Peeping Tom of Coventry

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Song: End of Act I of mainpiece Sweet Poll of Plymouth by Master Muffett of Hammersmith (1st appearance in public); In Act II an incidental song, accompanied by the pedal harp, by Miss Phillips; End of mainpiece Let Fame sound the Trumpet, as sung by Johnstone in Fontainbleau, by a Young Gentleman (1st appearance)

Monologue: 1786 07 10 End of last song Parents and Children, as 28 June

857
14 July 1786 @ Haymarket Theatre

Event Comment: Benefit for Miss Woollery. [As afterpiece the playbill announces A Beggar on Horseback, but "on account of Edwin's being unluckily hurt by a fall from his horse, the farce was changed to A Mogul Tale (General Advertiser, 15 July).] Morning Chronicle, 10 July: Tickets to be had of Miss Woollery, No. 5, Delahay-street, Westminster

Performances

Mainpiece Title: Othello

Afterpiece Title: A Mogul Tale

Dance: As17860706

858
21 July 1786 @ Haymarket Theatre

Event Comment: Benefit for Mrs Webb. Morning Chronicle, 17 July: Tickets to be had of Mrs Webb, No. 22, corner of Broad Court, Bow-street, Covent Garden. "Old Jack, instead of appearing with all that easy, flowing, negligent facetiousness which the poet has so inimitably pourtrayed, assumed the part of moral solemnity, and every joke was delivered with a sort of sententious dignity that destroyed its natural impression" (General Advertiser, 22 July)

Performances

Mainpiece Title: The First Part Of King Henry Iv, With The Humours Of Sir John Falstaff

Afterpiece Title: Gretna Green

859
18 October 1786 @ Covent Garden

Event Comment: "[In mainpiece] Richard , last night, was personated by Davies, and the Governor by Macready" (General Advertiser, 19 Oct.). Receipts: #226 18s. (222.7.6; 4.10.6)

Performances

Mainpiece Title: Richard Coeur De Lion

Afterpiece Title: The Country Wife

860
21 October 1786 @ Covent Garden

Event Comment: Afterpiece: In Three Acts [and see 16 Oct.]. "Richard Coeur de Lion has been compressed into an after-piece by an exclusion of the part of Margery, the 2nd Chorus, and other trifling incidents" (General Advertiser, 23 Oct.). Receipts: #218 10s. (209.7.6; 9.2.6)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Richard Coeur de Lion

Song: In V: a Roman Ovation-; Vocal Parts-Johnstone, Darley, Cubitt, Brown, Mrs Martyr, Miss Stevenson, Miss Stuart, Miss Cranfield, Mrs Kennedy

861
21 November 1786 @ Drury Lane Theatre

Event Comment: [As afterpiece the playbill announces Richard Coeur de Lion, but because of "Mrs Jordan's sudden indisposition [it was changed] to The Humourist" (General Advertiser, 22 Nov.).] Receipts: #177 7s. 6d. (148.10.0; 27.8.0; 1.9.6)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Humourist

862
08 January 1787 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Harwood, late prompter of the Theatre-Royal, Drury-Lane. Harwood's respectful compliments to his Friends in particular, and the publick in general, and assures them every effort in his power shall be exerted to render the Evening's Entertainment agreeable, and humbly hopes for their well-known candour and protection on the above occasion. Tickets and Places to be had of Harwood, next door to Drury-Lane Theatre, Little Russel-street, Covent Garden. [Harwood was prompter at dl from 1780 to 1786. Hooke was from cg.] Afterpiece: Written by the late Samuel Foote, Esq

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil upon Two Sticks

Entertainment: End: a variety of Theatrical and Senatorial Imitations-Kean

863
03 April 1788 @ King's Theatre

Event Comment: Benefit for Mlle Coulon. Tickets to be had of Mlle Coulon, No. 8, Great Suffolk-street, Charing-cross. "The Dance between Gardel and Vestris on Thursday is everywhere talked of, in the highest terms of admiration. Such excellence no audience ever before witnessed" (General Advertiser, 5 Apr.). Receipts not listed

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: a New Ballet serious and demi-charactere (composed by Noverre)-Gardel, Mlle Coulon, Mlle Hilligsberg, Didelot, Chevalier, Henry, the two Miss Simonets, Miss Harvey, Vestris; End Opera: Euthyme et Eucharis-see17880313 conclude with: the celebrated Pas de Quatre of Panurge-Gardel, Mlle Hilligsberg, Mlle Coulon, Vestris

864
11 April 1788 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. [1st piece in place of Look before You Leap, advertised on playbill of 10 Apr. This new farce was withdrawn from cg, and 1st acted at the hay, 22 Aug. 1788.] 2nd piece: In 3 acts. General Advertiser, 5 Apr.: Tickets to be had of Mrs Martyr, No. 28, Great Pultney-street. Receipts: #260 17s. (152.9; 3.17; tickets: 104.11)

Performances

Mainpiece Title: The Poor Soldier

Afterpiece Title: The Winter's Tale

Afterpiece Title: Tom Thumb

Song: End: The new Four@and@Twenty Fidlers-Edwin; In II 2nd piece: Come come my good Shepherds-Mrs Martyr

Entertainment: Monologue. End 2nd piece: A Description of the Curiosities in the Tower-Edwin

865
25 April 1788 @ Covent Garden

Event Comment: Benefit for Mrs Wells. Part of the Pit will be laid into the Boxes. General Advertiser, 16 Apr.: Tickets to be had of Mrs Wells, No. 15, Beaufort-buildings. Receipts: #337 17s. 6d. (178.3.0; 3.17.6; tickets: 155.17.0)

Performances

Mainpiece Title: Rosina

Afterpiece Title: Barnaby Brittle

Afterpiece Title: The Irish Widow

Entertainment: End I, end 1st piece: those Dramatic Imitations-Mrs Wells [of which the Public have deigned to think so flatteringly; In the First Part: Traits of Tragic Comic and Vocal Characters-; The Second will conclude: a Scene from Two great Tragic Actresses of this Country-. [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).

866
27 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Chrononhotonthologos

Performance Comment: Chrononhotonthologos (King of Queerumania)-Edwin; Bombardinian (his General)-Bannister Jun.; Aldiborontiphoscophornio-Moss; Ridgum@Funidos-Wewitzer; Herald-Gardner; Captain of the Guards-Phillimore; Cook-Barrett; Doctor-Ledger; King of the Fiddlers-Johnson; King of the Antipodes-Smith; Fadladinida (Queen of Queerumania)-Mrs Edwin; Tatlanthe (Favourite to the Queen)-Miss Collett; Maids of Honour-Miss Francis, Miss Palmer; Venus-Mr Mathews; Cupid-Mr Painter.

Song: End III: Four@and@twenty Perriwigs all on a Row-Edwin

Entertainment: Monologue. End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

867
30 December 1788 @ Covent Garden

Event Comment: "This degradation of a theatre royal was properly reprobated by the audience in general" (Town and Country Magazine, Jan. 1789, p. 15). Receipts: #264 (252.3; 11.17)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Aladin

Entertainment: Vaudeville In Irish Fair: [scene in afterpiece] [will be introduced (for the 1st time) a Sparring Match-Humphreys, another celebrated Pugilist [Death (London Chronicle 31 Dec.)]

868
31 March 1789 @ Covent Garden

Event Comment: Benefit for Ryder. Public Advertiser, 20 Mar.: Tickets to be had of Ryder at his house, No. 5, Bow-street, Covent-garden. 1st piece: The Overture, Airs, &c. by Dr Arnold. The selected by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, Carolan the Irish Bard. 2nd piece: 1st time Here. Translated from the French of La Bonne Mere, by Horatio Edgar? Robson, and at this Time reading with great success and general applause by LeTexier in Lisle-Street [and 1st acted at the hay, 22 Aug. 1788]. 3rd piece [1st time; F 2, by Thomas Ryder, altered from The Man of Parts, by Isaac Jackman; not published]. Receipts: #271 0s. 6d. (191.15.6; 5.7.0; tickets: 73.18.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Afterpiece Title: Such Things Have Been

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder

869
28 April 1789 @ King's Theatre

Event Comment: The Gentlemen of the Opera Band are particularly requested to attend at twelve o'clock the Rehearsal of the new Ballet, for which they already have had notice, otherwise Mlle Guimard cannot appear this Evening, which nothing could prevent except her not having had a General Rehearsal

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Admete-as17890402; in the course of which the celebrated Minuet of Iphigenia (performed with universal applause in Paris)-Mlle Guimard (1st appearance), Didelot; a new Pas de Deux Anacreontique (composed by Noverre)-Mlle Guimard, Didelot; End Opera: a new Pantomine Ballet, composed by Noverre, the music by Federici, Annette et Lubin-Mlle Guimard, Nivelon, Didelot, Mlle Emilie Colombe, Beaupre, Mlle Saulnier and see17890609

870
01 May 1790 @ Drury Lane Theatre

Event Comment: Benefit for the General Lying-in Hospital, St. George's Row, near Tyburn Turnpike. Receipts: #212 12s. (79.11; 23.2; 3.16; tickets: 106.3) (charge: #116 10s. 1d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Devil to Pay

Dance: As17900210

871
24 May 1790 @ Covent Garden

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performance Comment: Marc Antony (Emperor of Rome)-Holman; Ventidius (the Roman General)-Harley (Their 1st appearance in those characters); Dollabella-Farren; Alexas-Davies; Serapion (Priest of Isis)-Hull; Cleopatra (Queen of Egypt)-Miss Brunton; Octavia (for that night only)-Mrs Pope (Their 1st appearance in those characters).

Afterpiece Title: An Harmonic Festival

Afterpiece Title: Rosina

Song: End II: a Nicketerotion at the Meeting of Antony and Cleopatra-; Vocal Parts-Bannister, Johnstone, Darley, Duffey, Mrs Warrell, Mrs Masters, Mrs Gray, Mrs Mountain

Dance: With Grand Dance-Byrne, the two Miss Simonets

872
16 July 1790 @ Covent Garden

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Impostor

Afterpiece Title: A Merry Sketch of Folly and Fashion

Performance Comment: Lee Lewes. In which will be exhibited Characters and Caricatures, many of them entirely new, and others selcted from Subjects of the most approved Wit and Humour. Two very astonishing figures will be introduced, of the late King of Prussia, and his General Ziethen; also the Propagation of a Lie, in Characters as large as life, with several whimsical Paintings in Transparency. The whole prepared for the East Indies, at a prodigious expense. The above two figures cost at Berlin 275 guineas.

873
02 December 1790 @ Covent Garden

Event Comment: [Munden was from the Chester theatre. "His person is rather under the middle size, his figure good, his features more expressive than anything we have seen for many years, his voice powerful and melodious, and his articulation the clearest and most rapid we ever witnessed" (World, 3 Dec.). "Without the aid of grimace or buffoonery, he gave all the effect to the part that the author intended, and in his general stile of playing he seems to have studied nature more than any living model" (Gazetteer, 3 Dec.).] Receipts: #238 17s. 6d. (228.14.6; 10.3.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Farmer

Dance: End: The Wapping Landlady- [See17901204]

874
22 February 1791 @ Pantheon, Oxford Street

Event Comment: By Command of Their Majesties. "There were not an hundred persons in the Pit when their Majesties entered, and there were not double the number at any part of the evening. The Royal box being in the centre, fronting the stage, their Majesties were invisible to the Gallery; and on their entrance solemn stillness prevailed, until the Orchestra, for the first time in an Opera-house, for the first time by the Professional Band, Struck up God save the King. Never, we will venture to say, in any Theatre during the present reign, was there so thin an audience when their Majesties were present; and we pretend not to divine the cause. Whether it is the failure of the Theatre as a musical room--the general poverty of the performance--the little notice that was given of their Majesties' intention to be present we know not" (Morning Chronicle, 23 Feb.)

Performances

Mainpiece Title: Armida

Ballet: Amphion et Thalie. As17910217

875
11 April 1791 @ King's Theatre

Event Comment: Benefit for Vestris Sen. Tickets to be had of Vestris, No. 2, Hay-market. 2nd ballet: A new Historical Dance [in 3 acts]. The Music entirely new, composed by VanEsch. With new Dresses, Machinery, and Decorations. [Morning Chronicle, 15 Apr., printed a letter from Vestris complaining that the manage had not fulfilled his promises as regards the scenery. Vestris outlines what he had planned, and concludes with a description of the "3rd and last act, the Olympus descending, which shall fill the whole stage with clouds, and a Glory in which one shall see Jupiter with his whole Celestial Court; Hercules shall appear there mounting in the Olympus to receive his Apotheosis; the Ballet shall be concluded by a general acclamation of joy and admiration of all the people assembled in the place."

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Divertisement, as17910326

Ballet: End II: La Mort d' Hercule, and his Apotheosis. Hercule-Vestris Sen. [For other parts see17910412]