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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "G Woodfall"/1) | (@(roleclean,performerclean) "G Woodfall")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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540 results for: Keyword - G. Woodfall
We found 258 matches on Event Comments, 212 matches on Performance Comments, 56 matches on Author, 37 matches on Performance Title, and 0 matches on Roles/Actors.

501
29 October 1784 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Aerostation; or, The Templar's Stratagem

502
02 December 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Spanish Rivals

503
16 April 1785 @ King's Theatre

Performances

Mainpiece Title: Artaserse

Dance: As17850329hroughout

504
20 December 1785 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Omai; or, A Trip round the World

505
24 April 1786 @ Covent Garden

Performances

Mainpiece Title: The Bird In A Cage; Or, Money Works Wonders

Afterpiece Title: The Drummer; or, The Haunted House

Dance: In Act III of mainpiece a Grand Dana of Ladies [performers not listed]; End of mainpiece The Drunken Sailor Reclaim'd [performers not listed, but see17860304

506
21 April 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Transformation; Or, The Manager An Actor In Spite Of Himself

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Invisible Mistress

Entertainment: Monologue. End 2nd piece: A Touch of the Times; or, A Ramble through London-Bannister Jun

507
07 May 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Tit for Tat

Afterpiece Title: Nature Will Prevail

Afterpiece Title: The Lyar

508
12 May 1788 @ Covent Garden

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: The Nunnery

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End I 1st piece: Oh say Bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr

Entertainment: Monologue. End II 1st piece: A Description of the Curiosities in the Tower-Edwin

509
14 May 1788 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Minor

Dance: As17880328

510
18 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: A Key to the Lock

511
30 April 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Blade-Bone; or, Harlequin's Frolic

Afterpiece Title: The Virgin Unmask'd

Entertainment: Monologue Preceding: British Loyalty[; or, A Squeeze for St. Paul's by George Colman ynger]-Bannister Jun

512
19 February 1790 @ Covent Garden

Performances

Mainpiece Title: The Messiah, Preceded By god Save The King(coronation Anthems)

Music: End II: a concerto on the violin-Mme Gautherot (from Paris)

513
19 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast; Or, The Power Of Music; Messiah

Afterpiece Title: Acis and Galatea; Messiah

Music: End Ode: As17900219

514
16 February 1791 @ Covent Garden

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Two Strings to Your Bow

Afterpiece Title: A Divertisement

Dance: As17901123

515
02 May 1791 @ Covent Garden

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Alexander the Little; or, The Rival Queans

Dance: End: The Jockies-Ratchford, Platt, Jackson, Mrs Goodwin

Song: End II: song-Incledon; Afterpiece: The Tragedy will be interspersed with Airs, Duets, Glees, composed by Arne, Arnold, Fischer, Dibdin, with a Grand Overture(A Finale, composed by Shield), Triumphal Entry of Alexander-

516
10 December 1791 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques

517
09 January 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: Cymon

Afterpiece Title: Cross Purposes

518
23 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: Cross Partners

519
19 September 1792 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's The Haunted Tower

Afterpiece Title: Cross Purposes

520
08 April 1793 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's The Pirates

Afterpiece Title: The Agreeable Surprise

Dance: As17921121, but The Dances-Miss _Prevot

Song: In the course of the Evening The Little Farthing Rushlight-Bannister Jun

521
11 June 1793 @ King's Theatre

Performances

Mainpiece Title: Odenato And Zenobia

Dance: End I: Le Jaloux Puni, as17930601 but Mlle _Gardel, Master Menage; +The Court Minuet-Favre Gardel, Mlle Millerd; a new Pas Seul-Mlle Hilligsberg

Ballet: End Opera: Iphiginia in Aulide. As17930423, but Achilles-Favre Gardel; Egisthus-Aumer? [see17930615 and 17930618

522
02 April 1794 @ Covent Garden

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso

Music: End of Part II 1st concerto, Op. 3, composed by Geminiani, by G. Ashley

523
19 May 1794 @ Covent Garden

Performances

Mainpiece Title: The Death Of Captain Cook

Afterpiece Title: THE SIEGE OF MEAUX

Afterpiece Title: NETLEY ABBEY

524
12 June 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: THOMAS AND SALLY

525
25 June 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: No Song No Supper

Afterpiece Title: HIGH LIFE BELOW STAIRS

Afterpiece Title: LODOISKA

Dance: In 2nd piece A Mock Minuet by Palmer and Miss Pope