SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "G W Williams"/1) | (@(roleclean,performerclean) "G W Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10846 matches on Author, 2916 matches on Performance Comments, 874 matches on Event Comments, 120 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Quaker

Dance: I: Dance of Spirits, as17791103; III: a Dance of Fantastic Spirits, as17791103; IV: Grand New Dance, as17800228, but Sga _Crespi

Event Comment: By particular desire of their Excellencies the Persian Ambassadors. Benefit for Griffiths, Norris, Spencer & Williams. [Afterpiece in place of The Flitch of Bacon, announced on playbill of 21 May.] Receipts: #251 0s. 6d. (35.14.0; 14.17.6; 4.8.0; tickets: 196.1.0) (charge: none listed)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Quaker

Performance Comment: As17801012, but Lubin (1st time)-Williams.
Cast
Role: Lubin Actor: Williams.

Dance: End: The Devonshire Minuet, as17810517

Performances

Mainpiece Title: Duplicity

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Adventures of a Night

Performances

Mainpiece Title: The Green Room

Performance Comment: Characters by Wilson, Wewitzer, Egan, Blissett, Stevens, Williamson; Miss Morris. [Larpent MS lists certain performers as appearing in this piece in their own persons, but their names do not correspond with the names printed on the playbill.] hathi.

Afterpiece Title: The English Merchant

Afterpiece Title: The Sheep Shearing

Song: End of Act I of mainpiece a favourite song by Miss George; End of Act IV Admiral Benbow by Bannister

Monologue: 1783 08 27 As 13 Aug. IMITATIONS. As 20 Aug

Performances

Mainpiece Title: The Metamorphosis

Afterpiece Title: The Apprentice

Dance: End of Act II of mainpiece, as17831018; End of mainpiece, as17831204

Event Comment: By Permission of the Lord Chamberlain. Benefit for Harricks and Williams. Mainpiece: The Characters to be dressed in the Habits of the Times. [Author and speaker of Address not known.] Tickets delivered for The Wonder will be taken. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had and Places taken of Rice, at the Theatre

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Irish Widow

Monologue: 1783 12 15 End of Act I of afterpiece The Farmer's Blunder by Kenrick

Performances

Mainpiece Title: Robin Hood; Or, Sherwood Forest

Afterpiece Title: Harlequin Rambler

Dance: End of mainpiece a New Dance by Le Bccuf and Mlle Constance (from the King's Theatre in Paris; 1st appearance)

Performances

Mainpiece Title: Lord Russel

Performance Comment: Russel-Palmer; Cavendish-Bannister Jun.; Charles the Second-Aickin; Duke of York-Williamson; Spencer-Davies; Lieutenant-Usher; Bedford-Bensley; Lady Margaret Russel-Miss Kemble; Lady Russel-Miss Woollery. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Duke of York Actor: Williamson

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: The Two Connoisseurs

Performance Comment: Beril-Palmer; Careless-Bannister Jun.; Bijou-Wilson; Cycle-Williamson; Lord Seewell-Aickin; Harry-Riley; Vernish-Parsons; Mrs Bijou-Mrs Webb; Lady Frances-Miss Kemble; Joan-Mrs Love; Lady Harriet-Miss Farren. New Prologue [spoken by Wilson, in the character of Bayes] and Epilogue [spoken by Miss Farren]. [These were spoken, as here assigned, at all subsequent performances.] hathi.spoken by Wilson, in the character of Bayes] and Epilogue [spoken by Miss Farren]. [These were spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Cycle Actor: Williamson

Afterpiece Title: Foote, Weston, and Shuter in the Shades

Afterpiece Title: The Genius of Nonsense

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Nunnery

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Omai; or, A Trip round the World

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Afterpiece Title: Love a-la-Mode

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: Omai; or, A Trip round the World

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Divorce

Performances

Mainpiece Title: Marcella

Afterpiece Title: The Follies of a Day

Performances

Mainpiece Title: Marcella

Afterpiece Title: Rosina

Afterpiece Title: The Death of Captain Cook

Event Comment: Benefit for Quick. "Quick, in July 1777, played Richard III at Bristol" (Anthony Pasquin [pseud. for John Williams], Poems [1789], II, 244). "Most people expected from Quick a comic representation of Richard the Third--but strange to tell he was earnest in the attempt, and succeeded tolerably. The audience, however, were not disposed to be very serious, and named him 'Little Dicky'" (Public Advertiser, 8 Apr.). [Address by Robert Merry (European Magazine, Apr. 1790, p. 307.] Gazetteer, 1 Apr.: Tickets to be had of Quick, Broad-court, Bow-street. Receipts: #430 17s. 6d. (265.5.6; 4.15.0; tickets: 160.17.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Catherine and Petruchio

Dance: After Singing: As17891021

Song: End: A Laugh and a Cry (composed by Blewitt)-Darley, Blanchard

Entertainment: Monologue. Preceding: an Introductory Address-Ryder

Event Comment: Benefit for Mrs Wilson and Williames [who is named in the Account-Book, but not on the playbill]. [The monologue refers to a criminal, Rynwick Williams, popularly known as "The Monster," who with a knife had recently attacked many women on the streets of London (see An Authentic Account of the Barbarities..(S. Bladon, 1790); World, 5 May, et seq.).] Gazetteer, 1 and 6 May : Tickets to be had of Williames and Mrs Wilson, No. 19, Great Piazza, Covent-garden. Receipts: #225 5s. (40.13; 21.14; 2.16; tickets: 160.2) (charge: #108 2s. 3d.)

Performances

Mainpiece Title: True Blue; Or, A Bang At The Dons

Afterpiece Title: King Henry the Fifth

Afterpiece Title: The Follies of a Day

Entertainment: Monologue. End 2nd piece: (for this night only) The Monster Discovered-

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Zelma; or, The Will o' th' Wisp

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Irishman in London; or, The Happy African

Dance: I: a Fair Scene-; Statute Dance-; End: As17920410

Song: In afterpiece: a Planxty, descriptive of Ireland If you travel the wide world all over (Morning Herald, 23 Apr.)-Johnstone in Character

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Bon Ton

Dance: End: a new Dance, Provision for the Convent; or, The Fryars' Frolick-G. D'Egville, Hamoir, Miss Fanny D'Egville, Sophia D'Egville, Miss DeCamp

Song: As17911003

Ballet: End I: a new Dance, The Martial Nymph; or, The Conquered Scythian. The Scythian-George D'Egville; Nymphs-Miss DeCamp, Miss Fanny D'Egville; The Victorious Nymph-Miss Sophia D'Egville

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Midnight Wanderers

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: The Poor Soldier

Dance: End: The Bouquet, as17930415

Performances

Mainpiece Title: The Quaker

Afterpiece Title: HEIGHO FOR A HUSBAND

Afterpiece Title: THE PURSE; or, Benevolent Tar