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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "G W Stone Jr"/1) | (@(roleclean,performerclean) "G W Stone Jr")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3346 results for: Keyword - G. W. Stone, Jr.
We found 2283 matches on Performance Comments, 629 matches on Performance Title, 582 matches on Event Comments, 63 matches on Author, and 0 matches on Roles/Actors.

3301
12 March 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Harrison, Meredith (from Liverpool; 1st appearance in London), Master Welsh, Dignum, Miller, Kelly//Sga Storace, Miss Leak, Mrs Crouch. Leader of the Band-Shaw. PART I. Zadock the Priest (CORONATION ANTHEMS). He layeth the beams. Fall'n is the Foe (JUDAS MACCABAEUS). Let the bright Seraphim (SAMSON). For unto us (THE MESSIAH). O magnify the Lord. Deeper and deeper; Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) . Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) .

3302
10 April 1794 @ Covent Garden

Performances

Mainpiece Title: Fontainville Forest

Afterpiece Title: NETLEY ABBEY

Performance Comment: Principal Characters by Incledon, Munden, Blanchard, Fawcett, Cubitt, Powel, Claremont, Johnstone//Mrs Mountain, Miss Hopkins, Mrs Martyr. [Cast from Songs (J. S. Barr, 1794): Capt. Oakland-Inclcdon; Oakland-Munden; Jeffery-Blanchard; Gunnel-Fawcett; Rapine-Cubitt; Mr Sterling-Powel; Charles-Claremont; McScrape-Johnstone//Ellen Woodbine-Mrs Mountain; Lucy Oakland-Miss Hopkins; Catherine-Mrs Martyr.] hathi. hathi.
Cast
Role: JohnstoneEllen Woodbine Actor: Mrs Mountain

3303
22 May 1794 @ Covent Garden

Performances

Mainpiece Title: Netley Abbey

Afterpiece Title: THE SIEGE OF MEAUX

Cast
Role: JohnstoneEllen Woodbine Actor: Mrs Mountain

Afterpiece Title: THE SPEECHLESS WIFE

3304
31 May 1794 @ Covent Garden

Event Comment: [Afterpiece in place of PATRICK IN PRUSSIA, advertised on playbill of 30 May.] On account of Johnstone's Indisposition THE WORLD IN A VILLAGE [also advertised as above] is obliged to be deferred. Tickets delivered for that Comedy [Account-Book: by Claremont, W. Wilde, Jackson, Little, Hawtin, Roberts, Pollock, Curteen, Pilfold] will be admitted. Receipts: #399 13s. 6d. (55/4/6; 4/11/6; tickets: 339/17/6)

Performances

Mainpiece Title: The Beggar's

Dance: In Act III of mainpiece Hornpipe in character by Jackson; End of mainpiece Dermot and Kathlane, as17931022

Opera: As17931211, but omitted: Mat o' the Mint. Also THE MIDNIGHT HOUR. As17931211, but omitted: Matthias, Ambrose

3305
02 July 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

3306
09 July 1794 @ Haymarket Theatre

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: THE SUIC IDE

Afterpiece Title: A L L THE WORLD'S A STAGE

3307
20 August 1794 @ Haymarket Theatre

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: THE GAMESTER

Afterpiece Title: BRITAIN'S GLORY; or, A Trip to Portsmouth

3308
17 September 1794 @ Covent Garden

Performances

Mainpiece Title: Othello

Afterpiece Title: Netley Abbey

Performance Comment: Captain Oakland-Incledon; Oakland-Munden; Gunnel-Fawcett; Jeffery-Townsend; Sterling-Powel; Rapine-Rees; M'Scrape-Johnstone; Ellen Woodbine-Mrs Mountain; Lucy Oakland-Miss Hopkins; Catherine-Mrs Martyr.

3309
04 March 1795 @ Haymarket Theatre

Performances

Mainpiece Title: The Thespian Panorama; Or, Three Hours Heart's Ease

Performance Comment: [Composed of a variety of Matter, Musical, Rhetorical and Imitative; the greatest part of which has never yet been offered to the Public. The new Music by Shield, Carter and Reeve; The Selection from Martini i.e. Martin y Soler], Giordani, Storace, Jackson, Stevens, Pleyel. The Recitals will principally be new, and mostly spoken by Palmer; The Interlocutory Parts that connect the whole will likewise be delivered by him, and the other Parts of the Entertainment will be given by Johnstone, Wathen, Williames, Caulfield, Bannister, Mrs Mountain. Part 1. Exordium [written by Arthur Murphy, spoken by-Palmer; Overture [composed by Stamitz-; [New Glee The shipwreck'd Sailors (see dl, 19 May) [composed by an amateur-; Thespian Advice [spoken by-Palmer; Gipsey Jenny-; The Sailor's Joke [sung by-Wathen; A Milesian Pasticcio [spoken by-Johnstone; An attempt to cleanse the Augean Stable-; Love of our Country-; [Glee, Britain's best Bulwarks are her Wooden Walls-; [Part II. An Overture [by Clementi-; Neptune's Exhortation-; [the Death of Faulknor-; [The Country Clergyman [spoken by-Wathen; Anna's Lullaby [sung by-Johnstone; The Cambrian Quack [or Killing no Murder, spoken by-Williames; A further Attempt at the Stable-; Exhortation to Unanimity-; The Royal Nuptials-; Happiness and the House of Brunswick-; [Part III. The Overture [by Haydn-; The Comforts of Dust [or the Citizen's Cake-House-; Nothing but a Place [sung by-Wathen; Noli me tangere [or No jesting with Edged Tools-; Fancy's Festival [sung by-Johnstone; The Profit of Prosody-; [Irish Explanation, Tho' born in a Stable a Man's not a Horse [sung by-Mrs Mountain; Finale of Gratitude-; other Parts-Caulfield, Bannister.

3310
30 April 1795 @ King's Theatre

Performances

Mainpiece Title: Alceste; Or, Il Tronfo Dell' Amor Conjugale

Dance: End Opera: Paul et Virginie, as17950411o other ballet listed]

3311
12 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: The Tythe Pig

3312
30 May 1795 @ Covent Garden

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: The Farmer

Dance: End: The Irish Lilt-

3313
04 June 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: My Grandmother

3314
09 June 1795 @ Haymarket Theatre

Performances

Mainpiece Title: The Mayor Of Garratt

Afterpiece Title: New Hay at the Old Market

Afterpiece Title: The Battle of Hexham; or, Days of Old

3315
16 July 1795 @ Haymarket Theatre

Performances

Mainpiece Title: The Dead Alive

Afterpiece Title: Tit for Tat

Performance Comment: Villamour-Barrymore; Old Meanwell-Usher; Young Meanwell-Palmer Jun.; Servant-Abbot; Skipwell-Johnstone; Letty-Mrs Gibbs; Florinda-Miss DeCamp (1st appearance in that character).

Afterpiece Title: Who Pays the Reckoning

3316
27 November 1795 @ Covent Garden

Performances

Mainpiece Title: Life's Vagaries

Performance Comment: Lord Arthur D'Aimurle-Lewis; Dickins-Quick; Timolin-Johnstone; Sir Hans Burgess-Munden; George Burgess-Fawcett; Lord Torrendel-Powel; Robin-Townsend; Leillet-Farley; Coachman-Thompson; Thomas-Rees; Waiter-Holland; Tradesmen-Davenport, Follett, Cross, Williamson; Augusta-Miss Wallis; Fanny Dickins-Miss Mansel; Miss Clare-Miss Logan; Martha-Mrs Platt; Landlady-Miss Leserve; Fruit Woman-Mrs Watts; Lady Torrendel-Mrs Pope.

Afterpiece Title: Comus

3317
09 December 1795 @ Covent Garden

Performances

Mainpiece Title: King Henry The Fourth, First Part

Afterpiece Title: The Flitch of Bacon

3318
12 December 1795 @ King's Theatre

Performances

Mainpiece Title: La Bella Arsene

Dance: WithDances by Onorati-

3319
19 January 1796 @ King's Theatre

Performances

Mainpiece Title: Alceste

Dance: End Opera: Paul et Virginie, as17960116

3320
01 February 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fugitive

Afterpiece Title: Harlequin Captive

3321
02 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Days Of Yore

Afterpiece Title: Lock and Key

Afterpiece Title: The Shipwreck

Dance: As17951031

3322
15 February 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Mary Queen Of Scots

Afterpiece Title: Harlequin Captive

3323
16 February 1796 @ King's Theatre

Performances

Mainpiece Title: I Traci Amanti

Dance: End I: A New Divertissement, as17960209, but Mlle Barre (1st appearance); End Opera: +Paul et Virginie, as17960116

3324
16 April 1796 @ King's Theatre

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: As17960412

3325
21 May 1796 @ Covent Garden

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Hartford Bridge

Dance: As17951008