SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "G G and J Robinson"/1) | (@(roleclean,performerclean) "G G and J Robinson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1255 matches on Performance Comments, 752 matches on Event Comments, 585 matches on Performance Title, 73 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Characters will be dressed in the Habits of the Times. The Musick of Macbeth had a proper Attention paid to it in the getting up by Mr Linley (who composed the Additional Accompaniments) and went off with great Applause. Mrs Melmoth, who came out at Covent Garden [on 26 Feb. 1774], made her first Appearance upon this Stage in Lady Macbeth, was very wild in the Part, met with some Applause. The Play was dressed in the Habits of the Times. [Note added by J. P. Kemble: I have seen some of these Habits, and very paltry and very improper they were] (Hopkins Diary). [Mrs Melmoth was from the Edinburgh theatre.] Receipts: #191 1s. 6d

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Hotel

Related Works
Related Work: The German Hotel Author(s): Johann Christian Brandes

Dance: IV: a Dance of Furies-. [This was included in all subsequent performances.

Song: original Music by Mattew Locke , with full Chorusses and Additional Accompaniments by ThomasLinley Sen.-Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd

Event Comment: 2nd piece [1st time; D 3, by Henry Neuman, based on Der Opfertod, by August Friedrich Ferdinand von Kotzebue. Text (R. Phillips, 1799) assigns no parts]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice, at the Theatre. The Theatre, since the last Season, has been newly Decorated. [Beginning with 19 June the playbill: Printed by T. Woodfall, Drury Lane; on 4 Sept.: No. 104, Drury Lane.] Morning Chronicle, 27 June 1799: This Day is published Family Distress (2s.). Gentleman's Magazine, May 1800, pp. 406-8, prints a letter from "J. B." in which strong exception is taken to Kotzebue in general, and this play in particular. "Theatrical entertainments have an extensive influence upon the manners of Society. When well regulated, and the pieces for representation well selected both as to matter and manner, they may be esteemed friendly to morality, and improvers of public taste. But what shall we say when both these ends are disregarded; when moral virtue is banished from the scene, and purity of taste is destroyed by affected language and pantomimical decorations? Improvements in almost every art and science have been within a few years, rapid and important. But that is not the case with the stage; nor can it be, while Kotzebue and his friends usurp the venerable boards of Shakespeare." The writer then, in sarcastic terms, outlines the plot of Family Distress. [Pope and Miss Chapman were both from cg.

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: Family Distress

Performance Comment: Characters by Pope (1st appearance on this stage), Swendall (from the Theatre Royal, Edinburgh; 1st appearance on this stage), Palmer, Master Tokely, Davies, Davenport, J. Palmer, Waldron, Abbot, Lyons, H. Johnston, Mrs Davenport, Miss Leserve, Miss Chapman (1st appearance on this stage). Cast from European Magazine, June 1799, p. 404: Robert Maxwell-Pope; Harrington-Swendall; Landlord-Palmer; Harry-Master Tokely; Flood-Davies; John Hartopp-Davenport; Dempster-J. Palmer; Jew-Waldron; Dumfries-Abbot; Servant-Lyons; Walwyn-H. Johnston; Old Blind Lady-Mrs Davenport; Jane-Miss Leserve; Arabella-Miss Chapman.
Cast
Role: Landlord Actor: Palmer

Afterpiece Title: The Village Lawyer

Event Comment: Peregrine Bertie to the Countess of Rutland, 11 Feb. 1685@6: To-day was the French opera. The King and Queen were there, the musicke was indeed very fine, but all the dresses the most wretched I ever saw; 'twas acted by none but French. A Saturday the Court goes to another play, to take their leaves of those vanitys till after Lent (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 104). [This performance is on the L. C. list 5@147, p. 125: The King & Queene & a Box for ye Maydes of honor at ye French Opera [the charge for the royal box was increased from #20 to #25 on this occasion]. W. J. Lawrence conjectured that this French opera was Cadmus et Hermione and that Jacques Rousseau, a scene painter of Paris, provided the decor. See W. J. Lawrence, The French opera in London; A Riddle of 1686, TLS, 28 March 1936, p. 268

Performances

Mainpiece Title: Cadmus Et Hermione

Performance Comment: By J. B.? Quinault and John Baptist Lully. By French performers.

Performances

Mainpiece Title: The Indian Emperor; Or, The Conquest Of Mexico By The Spaniards

Performance Comment: As17170108, but Guyomar-J. Leigh; Orbellan-_; Vasquez-_; Pizarro-_; Odmar-_; Cydaria-Miss Rogers; And a new Epilogue in praise of the Hoop'd Petticoat-Bullock.

Afterpiece Title: The Butcher Turned Gentleman

Dance: Moreau, Mrs Bullock, Mrs Schoolding, Salle, Mlle Salle; with Irish Jigg-Mrs Schoolding

Event Comment: Benefit for Havard. Fairy Tale deferr'd, Miss Wright ill. This morning Mr Obrien was married to Lady Susan Strangeways. Mr Powell made an Apology & Mr King play'd his part in the Farce. N.B. This Night Mrs Yates sent me word She could play no more this Season (Hopkins). Mr Obrien married, cou'd not come. Mr King play'd his Part Mr I. Palmer King's (Cross Diary). Mr O'Brien being married this morning to Lady Susan Strangeways [sic] after the Play Mr Powell made apology that Mr O'Brien had sent word he was not able to do his part [Lovel], and that Mr King had undertaken it at every short warning, and hoped for their indulgence.-Mr J. Palmer did Mr King's part [Sir Harry's Servant]. This Night Mrs Yates gave notice she could play no more this season (Hopkins Diary-MacMillan). Receipts: #214 2s. (MacMillan); charges: #64 4s. [Profit to Havard: #149 18s.

Performances

Mainpiece Title: The Orphan

Cast
Role: Chamont Actor: Holland

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Lilt, as17630922

Event Comment: Benefit for Love. Mr Love Hiss'd in the Scotchman. Dumont by Mr Powell (Hopkins). Characters Dress'd in Habits of Times. Mr Love was hissed very much in the Scotchman, and the Farce hissed at the end (Hopkins Diary-MacMillan). No building on stage. On Saturday Othello with a New Burletta call'd Music A-La-Mode, or Bayes in Chromatics For the Benefit of Vernon. [The principal characters were to have been played by King, Vernon, Packer, Fox, Mrs Mrs Dorman, and Miss Young (Public Advertiser, 13 April). But it was deferred at the last minute and seems never to have been performed. Larpent MS 237 lists the parts: Dr Crochet, Player-and Nymphs. $J. P. Kemble">Packer; Squire, Justice; Damon; Daphne, Chorus of Shepherds and Nymphs. $J. P. Kemble thought it a burlesque at the expense of Dr Arne (professor of nonharmonic music). The Player wants in it to banish all but four plays (Tamerlane, London Cuckolds, George Barnwell, and Twelfth Night) and fill stage performance with music.] Receipts: #208 14s. 6d. (MacMillan); charges: #64 4s. [Profit to Love: #144 10s. 6d.

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Holland, first time; Shore-Powell, first time; Gloster-Love; Alicia-Mrs Palmer, first time; Jane Shore-Mrs Davies; Catesby-Mozeen; Bellmour-Packer; Derby-Fox; Ratcliff-Ackman.
Cast
Role: Hastings Actor: Holland, first time

Afterpiece Title: The Register Office

Dance: End: The Irish Lilt, as17630922; End I Farce: Hornpipe-Miss Baker

Event Comment: Benefit for King. House charges #76 10s. [Profit to King #55 14s.] Paid Master Burney 15 nights #3 2s. 6d. Printer's bill #9 6s. (Treasurer's Book). Receipts: #132 4s. (Treasurer's Book). At 5 went to the Pit at Drury Lane to see the Clandestine Marriage...I could see this play, as it is now performed, every night, but J. Palmer was not so good in Brush as the other Mr Palmer whose character it is. Plym did not please tonight. The scene between the lawyers was omitted. We had the Irish Lilt by Mrs King, Giorgi, &c., and a comic scene by her and M Dugermay, with Linco's Travels...Mrs King is certainly a very fine dancer and has the best legs I ever saw. Past eleven ere we got out. A little girl of 7 or 8 years old danced very prettily (Neville MS Diary)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Dance: I: The Irish Lilt-Giorgi, Mrs King; End: A Comic Dance-Duquesney, Mrs King

Entertainment: LLinco's Travels-King

Event Comment: By His Majesty's Company. At the Theatre Royal in the Haymarket [repeated in all bills] will be performed, by particular Desire, a Comedy...Places to be taken of Mr Jewel, at the Theatre. 7 p.m. [Repeated in the bills.] The house has been altered, as there was formerly but one gallery. [Miss Ogilvie was the young gentlewoman.] Went at 5:30 (before ye doors were open) to Foote's new Theatre in ye Haymarket which was open for ye first time tonight, and is very neatly fitted up. Got a good place in ye Pit...a very humorous Prologue in Prose by J. Palmer as Snarl a writer of Political Letters for the newspapers. Weston as Laconic a newspaper poet--Foote as Manager and Scaffold ye Builder (ye real one of ye house as some said)...in Smirk (Foote) took off Langford to a hair, not forgetting his son's affair with Dr Chauncey. Shift and ye Epilogue as Dr Squintum by Bannister, who took off Holland, Dodd, Moody, and Champneys surprisingly well...The house pretty full. York there awhile (Neville MS Diary)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for J. Aickin and Mrs Jeffries. Tickets deliver'd by Miss Tetley will be taken

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Sir John Melvil Actor: Holland

Afterpiece Title: The Absent Man

Cast
Role: Landlady Actor: Mrs Bradshaw

Dance: End: The Medley, as17680416

Event Comment: Mainpiece: Not acted these 9 years. [See 7 Feb. 1757.] Mr J. Aickin hissed.--Mr Holland and Mrs Baddeley played well (Hopkins Diary). Mr Garrick had the honour of being with the King of Denmark Tuesday morning last, and conversed with him for near half an hour on the state of the stage in England and France. The King gave him an elegant gold snuff-box studded with diamonds as a small mark of the great regard he had for his extraordinary talents (London Evening Post, 14 Oct.)

Performances

Mainpiece Title: The Revenge

Performance Comment: Zanga-Holland, 1st time; Alonzo-Reddish, 1st time; Carlos-J. Aickin; Don Manuel-Hurst; Alvarez-Burton; Lenora-Mrs Baddeley, 1st time; Isabella-Mrs Reddish.
Cast
Role: Zanga Actor: Holland, 1st time

Afterpiece Title: The Padlock

Cast
Role: Leander Actor: Vernon

Performances

Mainpiece Title: The Way To Keep Him

Cast
Role: Lovemore Actor: Holland

Afterpiece Title: Catharine and Petruchio

Dance: End: New Comic Dance, as17681210

Event Comment: Reddish spoiled last scene by being imperfect (Potter, Theatrical Review). Paid three days salary at #81 8s. 11d. per diem--#244 6s.; Paid Mrs W. Barry's half salary 17s. 6d.; Paid Messrs. Reddish, J. Palmer, and Waldron short paid last week #1 (Treasurer's Book). Receipts: #229 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverley-Reddish; Stukely-Palmer; Jarvis-Aickin; Lewson-Cautherly; Bates-Packer; Dawson-J. Aickin; Waiter-Wheeler; Charlotte-Mrs Morland; Lucy-Miss Platt; Mrs Beverley-Mrs Barry.
Cast
Role: Charlotte Actor: Mrs Morland

Afterpiece Title: Harlequin's Invasion

Event Comment: Paid five days salary at #82 5d. per diem--#411 12s. 1d.; Paid Mr French on Acct #30; Miss Ambrose salary short paid 15s.; Mr J. Richard's for Trumpeter's coats and banners #100 16s.; Miss Hayward 15 nights not on [salary] list #7 10s. (Treasurer's Book). Receipts: #109 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: Peep Behind the Curtain

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: Harlequin's Invasion

Dance: II: The Sailors Revels, as17711008

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: The Humours of the Turf

Cast
Role: Clara Actor: Mrs Morland

Dance: II: The Sailors Revels, as17711008

Entertainment: V: The entertainment A Picture of the Playhouse or Bucks Have at ye All-Palmer

Event Comment: Two Young Lady's made their first Appearance in the Characters of Polly & Lucy Pupils of Dr Arne--Miss Wellers figure is very well for Polly but she wants Spirit & is apt to Sing out of Tune. Mrs Bradley is Tall & a good figure for Lucy and acquitted herself very well in that character they both met with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly: Two young Gentlewomen appeared in the characters of Polly and Lucy,--brought out by Dr Arne,--Miss Weller and Mrs Bradley.--Miss Weller's figure was very well for Polly; but she is a piece of still life, sings out of tune and will never make an actress.--Mrs Bradley,--very tall, and appears to have blackguard requisites enough for Lucy, but will not do for anything else--Hopkins Diary No 7. Mrs Bradley is since married to Mr Prior the Builder.--J. P. Kemble."] Paid Renters #8 [this payment occurs each playing night of the season, 188 times in all, and will not be further noted]; Mr Carver, six days, #6 [a weekly payment outside the pay list throughout the season. Presumably to scene painter. No further noted]; Mr S. French, 6 days, #1 10s. Renters total for season #1592. Carver total for season #088 (Treasurer's Book). [see account of Miss Weller and Miss Bradley in Town and Country Magazine (Theatre XXXVIII): The first performed the part of Polly, and the latter that of Lucy. Their figures are both genteel, and their countenances expressive. Miss weller was much confused upon her first entrance; but from the melody of her voice, tho she did not raise it sufficiently in many parts, there is reason to believe, when she was got the better of her terrors of facing an audience, that she will be an acquisition to the stage, at least as a vocal performer. Miss Bradley's performance of Lucy with great spirit, vivacity and Propriety' and her singing being so well suited to the character, she so much eclipsed Polly, that the audience formed a more indifferent opinion of her abilities than she deserved."] Receipts: #220 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss in Her Teens

Dance: II: A Comic Dance-Daigville, Sga Vidini

Event Comment: Paid Tallow Chandler's 4th Bill #41 6s. 5d.; Spermacetti Candles, #132 18s. Mr Tomlinson for Men's cloaths #11 11s.; Mr J. French on acct #20; Miss Hopkins, 15 nights (19th Dec. incl.) #3 15s. (Treasurer's Book). [The sixth edition of Wm. Law's Absolute Unlawfulness of Stage Representations was published this year (1st. edn. 1726) This day was published the Preliminary Number of the Westminster Magazine, which, monthly, included a section called The English Theatre, which observed generally on the state of the Stage, and commented specifically on new plays. Its view of the stage in general was not as sanguine as had been that of the writer for the Town and Country Magazine (1 April 1772). "We are of opinion, that the English Theatre is now in its decline. Whether it is that the stores of Dramatic Subjects or of Dramatic Genius are exhausted, is not immediately obvious; but there is a fault somewhere....We have seen the Morning star of Wit--the Noon too is past; we have now arriv'd at its evening...There is in Arts, as in Empires, a progress which leads to Refinement; and this refinement leads to Ruin." According to the writer the meridian glory of the English stage was during the reign of Queen Anne. Reviewer damns the Irish Widow, refuses to discuss the Gamesters (revived), damns the Rose and praises the Garrick alteration of Hamlet. This year also appeard Granny's Prediction, a 53-page pamphlet attack on Mrs Barry, condemning her on moral grounds (polygamy) and on aesthetic grounds, commenting on each of her characters. By a spiteful female relative Elizabeth Franchetti.] Receipts: #142 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Pigmy Revels

Event Comment: Paid 3 days Salary List at #86 15s. 6d. per diem #260 6s. 6d.; Mr Bransby on note #20; Sg Como, Sga Crespi, and Sg Demaria 3 days each not on list, #4 3s. 3d.; Mr J. French on Act #20; 2 pair dancer's shoes 14s. 6d. (Treasurer's Book). Receipts: #267 18s. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Polly Honeycomb

Dance: End: The Mountaineers, as17730930 Como, Sga Crespi (2nd appearance)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Genii

Performance Comment: With Alterations and Additions. Pantaloon-Grimaldi; Clown-Ackman; Fop-Messink; Colombine-Mrs Sutton; Harlequin-Rooker; Chief Genii (with Song)-Mas. Blanchard; Other characters-Wright, Jones, Courtney, Wrighten, Burton, Jacobs, Watkins, Fawcett, Kear, Norris, Mrs Wrighten, Mrs Scott, Mrs Hunt; To Conclude with a Bacchanalian Jubilee-Como, Atkins, Giorgi, Sga Crespi.

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Author

Performance Comment: Cadwallader (and, By Desire, the Original Prologue)-King; Vamp-Moody; Governor-Bransby; Young Cape-J. Aickin; Sprightly-Packer; Poet-Waldron; Robert-Keen; Printer's Devil-Burton; Arabella-Mrs Jefferson; Mrs Cadwallader-Miss Pope, first time.
Event Comment: Benefit for Miss Younge. Last time of performing till Easter. Mainpiece: Not acted these 5 years. [See 9 Nov. 1768.] Afterpiece: Never acted here (playbill). Part of pit laid into boxes. Ladies and Gentlemen requested to come early. Rec'd stopages #2 12s. 6d.; short charge for new farce on 8 March #10 10s.; Paid 4 days salary list #348 14s. 8d.; Mr King's extra salary #2; Mr S. Barry on note #100; Mr Cook's 4 boys 4 nights (the 7th incl.) #6 Mr J. French on acct #10 10s. (Treasurer's Book). Receipts: #282 19s. 6d. Charges #64 17s. Profit to Miss Younge: #218 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Pantheonites

Dance: V: The Sailors Revels, as17730928

Performances

Mainpiece Title: Othello

Afterpiece Title: Florizel and Perdita

Entertainment: End: Bucks have at ye all-Palmer

Performances

Mainpiece Title: Amphitryon

Performance Comment: Mercury-Brereton, first time; Phoebus-Wrighten; Jupiter-Reddish; Amphitryon-J. Aickin; Gripus-Parsons; Polydas-Wright; Tranio-Fawcett; Sosia-King; Phaedra-Miss Pope; Bromia-Mrs Bradshaw; Night-Miss Platt; Alcmena-Miss Younge; In which will be introduced an Interlude of singing and Dancing-; Plutus-Bannister; Wit-Mrs Scott; The Dance-Como, Giorgi.

Afterpiece Title: The Irish Widow

Dance: I: The Sailors Revels, as17730928

Event Comment: Mr Lacy a Proprietor of this Theatre made his first appearance upon the Stage in the part of Alexander. He is very Tall, & Thin, a good Voice but His Fright took away from it's power--he was rec'ed with Applause. Mr Garrick wrote a New Occasional Prologue to introduce him, which was Spoken by Mr King & rec'ed with great Applause (Hopkins Diary). Paid 4 days list at #91 8s. 10d. per diem #365 15s. 4d.; Mr J. French on Acct #10 10s. (Treasurer's Book). [The Westminster Magazine commented on Willoughby Lacy's performance (Oct. 1774): "His performance was far from answering the expectations we had been taught to form from a friend and pupil of our English Roscius. Indeed Mr Lacy is a very young man: therefore we ought not to draw the line of our expectation. His figure is at present lank, awkward, and unengaging; his voice distinctly powerful, but inharmonious; his action outre, vulgar and forced: his attitudes unnatural, affected and disgustful; and his delivery a continued rant, without proper change, a pleasing variety, or a just discrimination of the necessary difference of tone demanded by the different passions. These...capital defects...are not unsurmountable...The play was prefaced by a new Prologue, evidently the production of Mr Garrick. It had some humor and was well received. The purport of it was to beg favor for the hero of the evening, whom it compared to a young swimmer, who had tried to float in two shallow streams, and was now about to venture himself in the great deep. This image is certainly an apt one, though, it is no great compliment to the audiences of Norwich and Birmingham."] Receipts: #248 19s. (Treasurer's Book)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-a Young Gentleman, first appearance on this stage; Clytus-Jefferson; Lysimachus-Brereton; Cassander-Palmer; Hephestion-Davies; Thessalus-Wright; Perdiccas-Wheeler; Parisatis-Miss Hopkins; Polyperchon-Bransby; Eumenes-Keen; Sysigambis-Mrs Johnston; Statira-Mrs Baddeley, first time; Roxana-Miss Young; With the Triumphal Entry-; and an Occasional Prologue-King.

Afterpiece Title: The Miller of Mansfield

Event Comment: Benefit for Bannister. Mainpiece: By Desire. Rec'd stopages #12 7s. Paid salary list #566 6s.; J. French on acct #5 5s. (Treasurer's Book). Mrs Smith's Benefit for 2 May advertised as Cymbeline and a new Comic Opera (in 2 Acts) call'd the Wish. The Music entirely new, the principal characters by Vernon, Bannister, Davies, Mrs Wrighten and Mrs Smith. With a New Occasional Prologue spoken by King. [But this was changed on 27 April.] Receipts: #212 1s. Charges: #66 3s. Profits to Bannister #145 18s. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mayor of Garratt

Dance: II: A New Dance, call'd The Pirates-Como, Sga Crespi. [See17730422.

Entertainment: End Opera: (By particular Desire) Imitations Vocal and Rhetorical-Bannister