SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Frederick Prince of Wales"/1) | (@(roleclean,performerclean) "Frederick Prince of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1255 matches on Performance Comments, 983 matches on Event Comments, 960 matches on Author, 518 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Both pieces by Command of His Royal Highness the Prince of Wales. Mainpiece: A Comedy reviv'd (never acted there) by Beaumont and Fletcher

Performances

Mainpiece Title: The Humorous Lieutenant

Afterpiece Title: A Duke and no Duke

Dance: Granier, Leppie, Lucas, Miss Hilliard

Event Comment: Both pieces by Command of his Royal Highness the Prince of Wales. Mainpiece: Not acted these 10 years [see 8 May 1753]. Written by Beaumont and Fletcher. Afterpiece: Taken from Dryden and Colley Cibber, Poets Laureate. [Lucy was played by Miss Sledge; see 4 Feb. 1757.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Frenchified Lady never in Paris

Dance: Poitier, Granier, Lucas, Mlle Capdeville, Miss Hilliard

Event Comment: Both pieces by Command of his Roayl Highness the Prince of Wales

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Englishman Returned from Paris

Dance: As17570128

Event Comment: By Command of his Royal Highness the Prince of Wales. Ladies are desired to send servants to keep places in the Boxes at Half an Hour after Three o'clock. This play will not (after this night) be perform'd till Saturday the 2nd of April, on account of the Actor's Benefits

Performances

Mainpiece Title: Douglas

Event Comment: By Command of his Royal Highness the Prince of Wales

Performances

Mainpiece Title: Douglas

Event Comment: Both Pieces By Command of his Royal Highness the Prince of Wales. This day is publish'd The Male Coquette, or 1757, a Farce in 2 acts, As it is performing at Drury Lane. Printed for Paul Vaillant, faning Southampton St. in the Strand. Price 1s. (Public Advertiser). Receipts: #200 (Cross)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Male Coquette

Event Comment: For ye Author. Prince of Wales & 5 of ye Fam. Mrs Cibber taken ill in the Play, but made shift to finish-Mrs Yates did ye Part on Monday-(Well). Receipts: #220 (Cross)

Performances

Mainpiece Title: Agis

Event Comment: By Command of the Prince of Wales. Receipts: #200 (Cross)

Performances

Mainpiece Title: Agis

Event Comment: Mainpiece, Dance, and Afterpiece: By Command of the Prince of Wales. [No receipts in Cross.

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Upholsterer

Dance: TThe Market, as17571126

Event Comment: Benefit of the Author. By command of Prince of Wales

Performances

Mainpiece Title: Cleone

Dance: As17581016

Event Comment: By Command of the Prince of Wales

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: Catherine and Petruchio

Dance: FFingalian Dance, as17581111; The Threshers, as17581016

Event Comment: By Command of the Prince of Wales

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Rape of Proserpine

Event Comment: By Command of the Prince of Wales. Last time of performing till after the Easter Holidays

Performances

Mainpiece Title: The Humorous Lieutenant

Afterpiece Title: Florizel and Perdita

Dance: [Unspecified in the bill]

Event Comment: By command of the Prince of Wales

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Rape of Proserpine

Event Comment: By Command of the Prince of Wales. Receipts: #200 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Queen Mab

Event Comment: By Command of the Prince of Wales. Receipts: #200 (Cross)

Performances

Mainpiece Title: King Lear

Event Comment: By Command of the Prince of Wales

Performances

Mainpiece Title: The Desert Island

Afterpiece Title: The Way to Keep Him

Event Comment: By Command of the Prince of Wales

Performances

Mainpiece Title: The Orphan Of China

Event Comment: By Command of the Prince of Wales. The Siege of Aquileia published at 1s. 6d

Performances

Mainpiece Title: The Siege Of Aquileia

Event Comment: By Command of the Prince of Wales

Performances

Mainpiece Title: The Rehearsal

Dance: II: The Cow Keepers, as17600313 End: a new Comic Dance-Sg Giorgi, Sga Giorgi

Event Comment: By Command of the Prince of Wales

Performances

Mainpiece Title: Hamlet

Dance: End: The Millers-Grimaldi, Mrs Vernon

Event Comment: By Command of their Majesties, both pieces. Present their Majesties, the Prince of Wales Duke of Cumberland, Princess of Brunswick, and Lady Louisa. Gave Yeomen of the Guards #2 2s. Paid Miss Valois the balance of her salary last season #27 16s. 8d., and in full for this season to 24 Oct. 1766, #3 16s. 8d. (Account Book). Receipts: #241 3s

Performances

Mainpiece Title: The Jovial Crew; Or, The Merry Beggars

Afterpiece Title: Perseus and Andromeda

Event Comment: The composition of the drama with the characters of the King, Prince of Wales, Hotspur, and Falstaff will be particularly illustrated. [This is Kenrick's School of Shakespeare; repeated 9, 16, 20 (Falstaff's Wedding and Merchant of Venice), 29 (Cozeners and Falstaff's Wedding).

Performances

Mainpiece Title: Lecture On King Henry Iv, Part I

Song: To keep my gentle Jessy-DuBellamy; Where the Bee sucks-Miss Wewitzer

Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Event Comment: The last Night of the Company's performing this Season. Receipts: #180 12s. (after-money not listed). Account-Book, 18 June: Paid Harris for his trouble in superintending the Business of the Theatre #500; Garton in full for salary this season #230; Hull for salary as acting manager #150; Mrs Yates in lieu of cloathes this season #200; Cooper, printer, #347 9s.; Carver, painter, #245 18s.; Hodgins, painter, #141 15s.; Received of Their Majesties this season #100; of the Prince of Wales #65. 27 June: Paid Hull in lieu of a benefit #100, Mrs Lessingham #70, Mrs Morton #21. 17 July: Paid one year's Land Tax #122 10s.; Macklin in full for season #217 10s.; Received Stage Forfeits #35 4s. 6d. 23 July: Paid Hawkes, coal merchant, #173 5s. 28 Aug.: Paid Hawkes, tallow chandler, #331 10s. 4 Sept.: Paid Barrett, wax chandler, #426 9s

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Free-Mason