SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Frederick Prince of Wales"/1) | (@(roleclean,performerclean) "Frederick Prince of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1255 matches on Performance Comments, 983 matches on Event Comments, 960 matches on Author, 518 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: By Command of his Royal Highnesses the Prince of Wales

Performances

Mainpiece Title: The Old Batchelor

Dance: DDutch Skipper, as17421025; Characters of Dancing, as17421025; Musette-Picq, Sga Domitilla; Grand Ballet, as17421108

Event Comment: We hear his Royal Highness the Prince of Wales has fitted up a Theatre near Cliefden, for a Company of French Comedians, who play there three times a week (Daily Advertiser)

Performances

Event Comment: Benefit Mrs Arne. An Historical Musical Drama. The Musick composed by Command of his Royal Highness the Prince of Wales, and never perform'd in England, but at his Royal Highnesses Palace at Cliefdon. The Poem was written by Mr Thompson and Mr. Mallet. The Musick by Mr Arne. To conclude with a Celebrated Ode in Honour of Great Britain in imitation of those formerly sung at Banquets of Kings and Heroes. Boxes 6s. Pit 4s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. The above Day is fix'd on to avoid interfering with Mr Handel. Mrs Arne hopes humbly the Town will not be offened at this small advance of the Price, this performance being exhibited at an extraordinary expence, with regard to the number of Hands, Chorus singers, building the stage, and erecting an organ; besides all other incidentals as usual. Ladies desired to send servants by 4 o'clock. Tickets of Mrs Arne, next door to the Crown in Great Queen St, by Lincoln's Inn Fields, and places taken of Hobson at the stage Door, with whom Tickets are left

Performances

Mainpiece Title: Alfred The Great, King Of England

Event Comment: [P$Potter reprinted his letter of 18 Jan., and added the footnote: "The person who took the House was a man of genteel appearance, said his name was William Nicholls, and directed letters to be left for him at the Bedford Coffee House, Covent Garden."] [The Prologue and Epilogue spoken by the children of the Prince of Wales on their performing Cato at Leicester House, printed in the General Advertiser.] [This day published] A Letter to Mr G-k, relative to his treble Capacity of Manager, Actor, and Author; with some remarks upon Lethe. All Three! All three! Gay. Sold by W. Reeve in Fleet St.; and A. Dodd, at the Peacock opposite St. Clements Church in the Strand (General Advertiser). [This day published] Lethe, A Dramatick Satire, by David Garrick as it is perform'd at Drury Lane. Printed for P. Vaillant, facing Southampton Street in the Strand. Receipts: #140 (Cross); #144 17s. 6d. (Powel)

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Virgin Unmask'd

Music: I: By Desire, a piece of Music-the Child

Dance: II: Savoyards, as17480920; V: New Scotch Dance, as17490118

Event Comment: By Command of His Majesty. We hear that His Majesty will be this night at Covent Garden, as also His Royal Highness the Prince of Wales

Performances

Mainpiece Title: The Refusal

Afterpiece Title: The Necromancer

Event Comment: Play By Particular Desire. On Saturday night his Royal Highness the Prince of Wales was at Covent Garden, where his presence gave such Pleasure, that a general Joy diffused itself in the breasts of the Audience, as might be easily discerned in all their countenances (General Advertiser)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: Mainpiece: By Command of his Royal Highness the Prince of Wales. [The second meeting at the Temple of Taste advertised for the following Wednesday in the General Advertiser.

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Harlequin Sorcerer

Event Comment: Both pieces by Command of The Prince of Wales. A new Scene was introduc'd of Beasts in Mr Rich's Entertainment as an Ostrich a Lyon, Dog, Monkey, 2 small Ostrichs & A Figure like Maddox upon ye Wire & writ up ye new Company of Comedians Hiss'd a good Deal (Cross). [See cg 2 Nov.] Receipts: #190 (Cross)

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: Aerostation; or, The Templar's Stratagem Author(s): Frederick Pilon

Afterpiece Title: The Harlequin Ranger

Dance: II: Le Matelot Basque, as17521005; IV: L'Entree de Flore-Mad Auretti

Event Comment: Mainpiece: By Particular Desire. My oath & Mrs Simson's appear'd in ye G: Advertiser, & Mr Fitzpatrick now swore (in ye Inspector) to what before he had given his Honour to--when Woodward appear'd in ye Pant: great Noise, he said gentlemen, if you think the two affidavids to-day not sufficient I will corroberate 'em on Monday with six or Seven more. quiet on Sunday Mr Fitz: waited on Lord Chamberlain, to complain of Woodward's Insolence, my Lord sent for Garrick who told ye whole Story; & upon Mr Fitz owing he threw an apple at him, my Lord said, that act put upon a Footing with ye lowest, & judg'd him the Agressor,--upon wch Fitz; desir'd all affidavids &c shoul'd cease & he wou'd drop his resentment. which was done (Cross). Receipts: #100 (Cross). [In the General Advertiser appeared (1) Letter to the Public from Woodward disclaiming any note of insolence, and accusing Fitzpatrick of having a bad memory; (2) an Affidavit from Cross that he was present and heard Woodward say distincly "Sir I thank you," without any air of menace. He heard this from his prompter's seat "next adjoining the Stage box call'd the Prince of Wale's box"; (3) an Affidavit from Mrs Elizabeth Simson, who was standing in the "First entrance next the stage door, on the Prompter's side," that she heard what Cross Heard and no more, and understood no air of Menace to be present. In the General Advertiser also appeared a letter from one T. C. explaining the approach of Birnam Wood to Dunsinane in Macbeth on the basis of a story told him by a Scots Laird of a nearby castle, to the effect that the Clans used to distinguish themselves in battle by sprays from different trees attached to their bonnets. From this T. C. developed a theory that Macbeth's experience was one of historical face rather tahn a figment of Shakespeare's imagination.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Queen Mab

Event Comment: By Command of the Prince of Wales. In the afterpiece Being the Last time of Mr Maddox's performing

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Fair

Related Works
Related Work: The Fair American Author(s): Frederick Pilon

Dance: Maranesi, Sga Bugiani

Event Comment: [Both pieces by command of the] Prince of Wales, &c. (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Genii

Event Comment: By Command of Prince of Wales

Performances

Mainpiece Title: Theodosius

Afterpiece Title: Harlequin Sorcerer

Event Comment: By Command of the Prince of Wales

Performances

Mainpiece Title: Samson

Event Comment: For Prince of Wales. This was to be Palmer's Benefit but bought by ye Masters for #90. Mr Wright (an old Serv[an]t) Dy'd (Cross). Receipts: #220 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Mock Doctor

Dance: III: A Comic Dance, as17530402 V: A Hornpipe-Mathews, a Child of five years old his scholar

Event Comment: Both pieces by Command of the Prince of Wales. Afterpiece: With the Scene of the drawing at the Guildhallv

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Lottery

Dance: MMinuet-Cooke, Miss Hilliard, Grandchamps, Mlle Camargo

Event Comment: By Command of Prince of Wales (Cross)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Harlequin Skeleton

Dance: LLes Savoyards, as17531210; Les Taileurs, as17531210

Event Comment: Both pieces by command of his Royal Highness the Prince of Wales

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Double Disappointment

Event Comment: Both pieces By Command of his Royal Highness the Prince of Wales

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The What D'ye Call It

Dance: Guerin, Granier, Mlle Capdeville

Event Comment: Both pieces By Command of his Royal Highness the Prince of Wales

Performances

Mainpiece Title: All For Love

Afterpiece Title: Orpheus and Eurydice

Dance: As17551114

Event Comment: By Command of his Royal Highness the Prince of Wales. Books of the Opera sold at theatre at 1s. Receipts: #100 (Cross)

Performances

Mainpiece Title: The Tempest Opera

Dance: As17560213

Event Comment: Play By Command of his Royal Highness the Prince of Wales. On Thursday, by Desire, Othello

Performances

Mainpiece Title: The Rival Queens

Dance: TheVillagers, as17560315 Les Statues Animees, as17560302

Event Comment: Both pieces By Command of his Royal Highness the Prince of Wales

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Frenchified Lady

Dance: FFingalian Dance, as17551126; The Villagers, as17560315

Event Comment: By Command of Prince of Wales. Tickets deliver'd out by Wood, which were to have been admitted this night, will be taken Saturday next, to the play of the Rehearsal. Receipts; #180 (Cross)

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: Lethe

Dance: DDance of the Millers-

Event Comment: Both pieces by Command of his Royal Highness the Prince of Wales

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: Harlequin Skeleton

Dance: As17561023

Event Comment: By Command. Afterpiece: Written by Mr Garrick. Acted by children. Prince of Wales & 4 more went off very well (Cross). New Scenes, Habits and Decorations. Full prices. Prologue-writ by Garrick, spoken by Woodward; Epilogue-Lady Flimnap. [The run of seventeen performances of the afterpieces seems to contradict the judgement of the author of the Theatrical Examiner (1757, p. 89): Lilliput is, I think, the most petit, trifling, indecent, immoral, stupid parcel of rubbish, I ever met with; and I can't help judging it a scandal to the public, to suffer such a thing to pass a second night, which at best was alone calculated to please boys and girls, and fools of fashion; it may gratify them; the manager to debauch the minds of infants, by putting sentiments and glances in their breasts and eyes, that should never be taught at any years, which are sufficiently bad when naturally imbibed. The question of Gulliver, in answer to the infant lady's gross adresses, is horrid, if we allow an audience a common share of delicacy, what should we do with her? and what the devil does it mean. Finally where is the instruction, or even tolerable language, to gild the dirt over. O tempora! O mores!"] Receipts: #210 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: a new farce call'dLa new farce call'dLilliput