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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Frederic Handel Esq"/1) | (@(roleclean,performerclean) "Frederic Handel Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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951 results for: Keyword - Frederic Handel, Esq.
We found 578 matches on Event Comments, 228 matches on Performance Comments, 210 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

476
07 February 1737 @ Covent Garden

Event Comment: In the morning Handel's new opera, Justin, was rehearsed. [See Egmont, Diary, II, 342.

Performances

Mainpiece Title: King Lear

Afterpiece Title: Apollo and Daphne

477
09 March 1737 @ Covent Garden

Performances

Mainpiece Title: Parnasso In Festa

Performance Comment: Deutsch, Handel, p. 428, believes that Clio-sung bySignora Strada; Cloride-sung bySignora Maria Caterina Negri.

478
13 April 1737 @ Covent Garden

Event Comment: A New Opera. [Text by Giovanni Alberto Ristori. Music arranged by Handel. Apparently not published.

Performances

Mainpiece Title: Dido

479
05 July 1737 @ Covent Garden

Event Comment: Each theatre received #250 from the Prince of Wales as a subsidy. See Deutsch, Handel, p. 439

Performances

480
18 January 1738 @ Covent Garden

Event Comment: LLord Wentworth to the Earl of Strafford, 19 Jan.: We was at Covent Garden Play House last night, my mother was so good as to treat us with it, and the Dragon of Wantcliff was the farce. I like it vastly and the musick is excessive pretty, and tho it is a burlesque on the operas yet Mr Handel owns he thinks the tunes very well composed....and it has been acted 36 times already and they are always pretty full. The poor operas I doubt go on but badly, for tho every body praises both Cafferielli and the opera yet it has never been full, and if it is not now at first it will be very empty towards the latter end of the winter.--Wentworth Papers, p. 539

Performances

Mainpiece Title: The Northern Lass

Afterpiece Title: The Dragon of Wantley

481
21 March 1738 @ Drury Lane Theatre

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Afterpiece Title: The Mock Doctor

Dance: I: A new Punch Dance-Master Ferg; III: French Peasants-Master Ferg, Miss Wright; IV: Grand Ballet-Muilment, Mrs Walter

Song: (BBy Desire) Ballad of Mary Scot-Mrs Clive

Music: Instead of an Overture to the Farce, will be performed a Grand Piece of Musick with Trumpets (being the Chorus...by Mr Handel)-; with a Preamble on the Kettle Drums-Master Ferg

Performance Comment: ..by Mr Handel)-; with a Preamble on the Kettle Drums-Master Ferg.

482
29 December 1738 @ King's Theatre

Event Comment: DDaily Advertiser, 29 Dec.: Mr Handel has hir'd the Opera-House in the Hay-Market for the Season, and intends to entertain the Town twice every Week with Oratorios

Performances

483
13 April 1739 @ King's Theatre

Event Comment: LLondon Daily Post and General Advertiser, 13 April. Letter: Upon my Arrival in Town three Days ago, I was not a little surpriz'd, to find that Mr Handel's last Oratorio, (Israel in Egypt) which had been performed but once, was advertis'd to be for the last time on Wednesday....I was indeed concern'd, that so excellent a Work of so great a Genius was neglected, for tho' it was a Polite and attentive Audience, it was not large enough I doubt to encourage him in any future Attempt

Performances

484
22 November 1739 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: An Ode of Mr Dryden's [For St

Performance Comment: Cecilia's Day]. Deutsch, Handel, p. 490, lists Signora Francesino, Beard; [With two new Concertos for several Instruments-.

485
26 March 1740 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Esther

Performance Comment: Dean, Handel's Dramatic Oratorios, p. 212, lists: Esther-Signora Francesina; Ahasuerus-Beard; Haman-Reinhold; Israelite Woman-Mrs Arne; Mordecai-Immyns; Harbonah, Israelite-Corfe; Israelite-Williams.

Music: Witha Concerto on the Organ-; And a new Concerto for several Instruments, never performed but once-

486
02 April 1740 @ Hickford's Room

Performances

Mainpiece Title: Two Anthems

Performance Comment: O Sing unto the Lord, My Song shall be Alway-(by Mr Handel).

Afterpiece Title: David's Lamentation over Saul and Jonathan

487
10 January 1741 @ Lincoln's Inn Fields

Event Comment: A New Opera, [Text by Rolli. Music by Handel.] Boxes a half guinea. Pit 5s. First Gallery 3s. Second Gallery 2s. 6:30 P.M

Performances

Mainpiece Title: Deidamia

488
31 January 1741 @ Lincoln's Inn Fields

Performances

Mainpiece Title: L'allegro, Il Penseroso, Ed Il Moderato

Performance Comment: See conjectures in Deutsch, Handel, p. 510. With several New Additions and Concertos on the Organ-; several Instruments-.

489
28 February 1741 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: for a conjectural cast, see Dean, Handel's Dramatic Oratorios, p. 178. With Concertos on the Organ-; and other Instruments-; And a Concerto-Signior Veracini.

490
14 March 1741 @ King's Theatre

Performances

Mainpiece Title: Parnasso In Festa

Performance Comment: By Mr Handel for her Royal Highness the Princess of Orange's Wedding. In which will be introduced A Concerto on the Hautboy-Signior St.Martini; A Concerto on the German Flute-Mr Weideman; a Solo on the Violin-Mr Clegg; a Solo on the Violoncello-Signior Caporale; And a Concerto on the Bassoon-Mr Miller.

491
21 November 1741 @ King's Theatre

Event Comment: MMr Handel is set out for Ireland, in order to have Oratorios, etc., at Dublin, this Winter.-Daily Advertiser, 21 Nov

Performances

Mainpiece Title: Alexander In Persia

492
01 December 1741 @ King's Theatre

Event Comment: HHeidegger gets a new leave and license to perform operas at Haymarket Theatre from 8 Dec. 41 to 30 Oct. 45.-Deutsch, Handel, p. 526, from public Record Office L. C. 5@161, p. 97

Performances

Mainpiece Title: Alexander In Persia

493
19 December 1741 @ King's Theatre

Performances

Mainpiece Title: Penelope

Performance Comment: Monticelli; Amorevoli; Visconti; Muscovita. [Robert Price to Thomas, Earl of Haddington, 19 Dec.--Deutsch, Handel, p. 528.]

494
12 March 1742 @ Drury Lane Theatre

Event Comment: N.B. That the Ladies and Gentlemen may not be detained at the Theatre while Tickets are given them, they are desir'd to send for them to Mr Arne's House in Craven Buildings near Drury Lane, Number 17, or to Mr Bradshaw, Box-Keeper, at the Kings Arms in Great Russel St., where tickets may be had, and places taken. Boxes 6s. Pit 4s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. Ladies are desir'd to send their servants to keep places by Four o'clock. NB: Mr Arne humbly hopes the Town will not be offended at this small advance of Prices, being at an extraordinary expence for copying all the Music, building the stage, additional instrumental performers, chorus singers, and erecting an Organ. [The attendance apparently was heavy. See note to repeated performance on 19 March.] Mainpiece: Written by Dryden and set to Music by Handel

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Judgment of Paris

495
29 April 1742 @ Goodman's Fields

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Lying Valet

Song: II: Can Love be controul'd by Advice-Miss Medina

Dance: I: Two Millers and Courtezan, as17420315 III: Welsh Buffoon, as17420406 IV: Drunken Peasant-David apShenkin

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; Handel's celebrated Water Musick-; To conclude with: the Coronation anthem-

Performance Comment: Woodbridge; Handel's celebrated Water Musick-; To conclude with: the Coronation anthem-.

496
23 February 1743 @ Covent Garden

Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson

497
31 March 1743 @ Covent Garden

Event Comment: The Last Oratorio Night this season. [Quatrain from Daily Advertiser printed in this bill defending oratorios against attacks in Universal Spectator; see Deutsch, Handel, p. 565.

Performances

Mainpiece Title: Samson

Music: Concerto on Organ-; Violin Solo-DuBourg

498
16 April 1743 @ King's Theatre

Event Comment: The Universal Spectator today carried an even harsher attack on the theatres as a place to represent oratorios; see Deutsch, Handel, pp. 567-68

Performances

Mainpiece Title: Sirbace

499
07 May 1743 @ King's Theatre

Event Comment: JJohn Branson, Steward, to John, Duke of Bedford: The Opera is a bankrupt. The Directors have run out #1600 and called this General Meeting to get the consent of the subscribers to take this debt upon themselves. This I opposed.--Deutsch, Handel, pp. 569-70

Performances

Mainpiece Title: Sirbace

500
19 November 1743 @ King's Theatre

Event Comment: [The statement, Musick compos'd by Mr. Handel is regularly repeated in the bills for this opera.

Performances

Mainpiece Title: Roxana