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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Frederic Handel Esq"/1) | (@(roleclean,performerclean) "Frederic Handel Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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951 results for: Keyword - Frederic Handel, Esq.
We found 578 matches on Event Comments, 228 matches on Performance Comments, 210 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

426
26 June 1733 @ King's Theatre

Event Comment: TThe King paid #1,000 to the Opera in the Haymarket. See Deutsch, Handel, p. 317

Performances

427
05 July 1733 @ King's Theatre

Event Comment: For a payment of #250 by the Prince of Wales to Opera, see Deutsch, Handel, p. 319

Performances

428
27 October 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Constant Couple

Music: Second Musick: 4th Concerto of 2d Opera of Geminiani. Third Musick: Overture composed by Handel for Tamerlane

Performance Comment: Third Musick: Overture composed by Handel for Tamerlane .

Dance: I: La Bagatelle (new) by Essex and Miss Latour, her first appearance on that stage. III: Mock Minuet by Nivelon, Miss Robinson, F. Tench, Holt, Miss La Tour, Miss Mann. V: Les Amants Constants, as17331025

Song: II: Hush, Ye Little Warbling Choir by Miss Arne. IV: Was Ever Nymph Like Rosamond by Miss Arne

429
19 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Provok'd Husband

Music: Second Musick: 1st Concerto of Corelli. Third Musick: Overture compos'd by Handel for the Opera of Alexander. I: A Concerto call'd The Cuckoo by Vivaldi

Performance Comment: Third Musick: Overture compos'd by Handel for the Opera of Alexander. I: A Concerto call'd The Cuckoo by Vivaldi .

Dance: II: La Basetelle by Essex, and Miss La Tour. In V: Les Amants Constants by Essex, Houghton, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

Song: II: Limpio Rigor del Fato and Was Ever Nymph Like Rosamond by Miss Arne. IV: Per le Porte del Tormento by Miss Arne and Master Arne

430
01 December 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Devil to Pay

Music: Second Musick: 6th Concerto of the 1st Opera of Geminiani. Third Musick: Overture for Admetus by Handel. II: Se met turbo, a Song in Porus, on the Flute Traverse. IV: Concerto for Two Hautboys composed by Dr Pepusch

Performance Comment: Third Musick: Overture for Admetus by Handel. II: Se met turbo, a Song in Porus, on the Flute Traverse. IV: Concerto for Two Hautboys composed by Dr Pepusch .

Dance: I: La Bagatelle by Essex and Miss Latour. III: Les Bergeries by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett. In V: Mock Minuet, as17331027

431
04 December 1733 @ King's Theatre

Event Comment: A New Opera. [Text by Apostolo Zeno. Recitatives by Handel. Prince and three eldest Princesses present.]

Performances

Mainpiece Title: Caius Fabricius

432
26 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Relapse

Music: Second Musick: the 8th Concerto of Corelli, commonly called The Natalia. Third Musick: Overture of Alexander, composed by Handel. III: The Cuckoo, composed by Vivaldi

Performance Comment: Third Musick: Overture of Alexander, composed by Handel. III: The Cuckoo, composed by Vivaldi .

Dance: II: Les Amants Constants, as17340123 In V: Grand Dance in Momus, as17331231

Song: I: Lusingue pui care by Miss Arne. IV: Sentir si Dire by Miss Arne

433
26 January 1734 @ King's Theatre

Event Comment: A New Opera. [Text by F. Colman. Music by Handel.] Colman Opera Register: Ariadne in Crete a new Opera & very good & perform'd very often Sigr Carestino sung surprisingly well: a new Eunuch many times perform'd

Performances

Mainpiece Title: Ariadne [in Creta]

434
12 February 1734 @ King's Theatre

Event Comment: [Their Majesties, Prince of Wales, and three eldest Princesses present. Egmont also present. For a satiric pamphlet on opera, see Harmony in an Uproar, dated 12 Feb.; much of it is reprinted in Deutsch, Handel, pp. 344-57.]

Performances

Mainpiece Title: Ariadne [in Creta]

435
11 March 1734 @ King's Theatre

Event Comment: dvertiser, 11 March: We hear, amongst other publick Diversions that are prepaid for the Solemnity of the approaching Nuptials, there is to be perform'd [at King's, 13 March] a Serenata, call'd Parnasso in Festa: The Fable is Apollo and the Muses celebrating the Marriage of Thetis and Peleus. There is one standing Scene, which is Mount Parnassus, on which sit Apollo and the Muses, assisted with other proper Characters emblematically dress'd, the whole Appearance being extreamly magnificent; nor is the Musick less entertaining, being contriv'd with so great a Variety, that all sorts of Musick are properly introduc'd in single Songs, Duettoes, &c. intermix'd with Chorus's something in the Stile of Oratorios, People have been waiting with Impatience for this Piece, the celebrated Mr Handel having exerted his utmost Skill in it.hathiBenefit Delane. At the Desire of several Persons of Distinction

Performances

Mainpiece Title:

436
13 March 1734 @ King's Theatre

Event Comment: A Serenata. Being an Essay of several different Sorts of Harmony.[Music by Handel. Done into English by George Oldmixon.] Daily Advertiser, 14 March: Last Night Mr Handell's new Serenata, in Honour of the Princess Royal's Nuptials with the Prince of Orange, was perform'd before their Majesties, the Prince of Wales, the Princess Royal, the Prince of Orange, and all the Royal Family, and was received with the greatest Applause; the Piece containing the most exquisite Harmony ever furnish'd from the Stage, and the Disposition of the Performers being contriv'd in a very grand and magnificent Manner. [The marriage of the Prince of Orange and Royal Princess occurred on Thursday, 14 March.]

Performances

Mainpiece Title: Parnasso In Festa; Or, Apollo And The Muses Celebrating The Nuptials Of Thetis And Peleus

437
20 March 1734 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Concertos by Corelli and Geminiani. Favourite Songs of Mr Handel's. Solo upon the German Flute and Violin. A Concerto, the Solo Part upon the Harpsichord

Performance Comment: Favourite Songs of Mr Handel's. Solo upon the German Flute and Violin. A Concerto, the Solo Part upon the Harpsichord .

438
06 April 1734 @ King's Theatre

Event Comment: Composed by Mr Handel

Performances

Mainpiece Title: Deborah

439
09 April 1734 @ King's Theatre

Event Comment: Composed by Mr Handel

Performances

Mainpiece Title: Deborah

440
26 April 1734 @ Handel's Home

Event Comment: Mrs Pendarves, 27 April: Yesterday morning [26] at the rehearsal of a most delightful opera at Mr Handel's called Sosarme. Delany, Autobiography, I, 463

Performances

Mainpiece Title: Sosarme

441
27 April 1734 @ King's Theatre

Performances

Mainpiece Title: Sosarmes

Performance Comment: Cast not listed, but Deutsch, Handel, p. 364, reconstructs the cast: Sosarme-Carestini; Haliate-Signora Durastanti; Erenice-Signora Maria Caterina Negri; Elmira-Signora Strada; Argone-Scalzi; Melo-Signora Rosa Negri; Altomaro-Waltz .

442
30 April 1734 @ King's Theatre

Event Comment: Mrs Pendarves, 30 April: I go to-night... to Sosarmes, an opera of Mr Handel's, a charming one, and yet I dare say it will be almost empty!

Performances

Mainpiece Title: Sosarmes

443
28 June 1734 @ Haymarket Theatre

Event Comment: The Prince of Wales paid #250 to Handel's Opera Company. See BM, Add MSS 24, 403

Performances

Mainpiece Title: The Nonjuror

Dance: II: Two Pierrots by Davenport and Olbeldiston. III: Harlequin by Miss Brett. V: A new Country Dance by Davenport, proper to the Play

Song: I: A Generi Affetti by Miss Jones and Master Arne. IV: Was ever Nymph like Rosamond by Miss Jones

444
04 November 1734 @ Covent Garden

Event Comment: London Daily Post and General Advertiser, 4 Nov.: We are informed, that when Mr Handel waited on their Majesties with his New Opera of Ariodante, his Majesty . . . was graciously pleased to subscribe 1000/. towards carrying on the Opera [at CG. No confirmation of this point is known]

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Necromancer

445
08 November 1734 @ Covent Garden

Event Comment: The Bee, 9 Nov.: Mr Handel opens Tomorrow . . . with the Opera of Pastor Fido . . . and we hear there was a Rehearsal this Day at Twelve o'Clock

Performances

Mainpiece Title: Pastor Fido

Related Works
Related Work: The Faithful Shepherd Author(s): George Frederic Handel

446
09 November 1734 @ Covent Garden

Event Comment: First Piece: A new Dramatick Entertainment in Musick. [Music by Handel.] Second Piece: An Opera. With several Additions, intermix'd with Choruses. Pit and Boxes half a guinea. First Gallery 4s. Upper Gallery 21. 6d. [King and Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Terpsicore

Afterpiece Title: Pastor Fido

Related Works
Related Work: The Faithful Shepherd Author(s): George Frederic Handel

447
27 November 1734 @ Covent Garden

Performances

Mainpiece Title: Ariadne [in Creta]

Performance Comment: Cast not listed, but see conjectures by Deutsch, Handel, p. 375 .

448
13 December 1734 @ Mercer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal by Miss Cecilia Young and Miss Isabella Young. Instrumental from the Opera, with Violin by Festing, Violoncello by Caporali, Hautboy by Kytch. Water Musick by Handel, with Benj. Baker doing a Preamble on the Kettle Drums

Performance Comment: Instrumental from the Opera, with Violin by Festing, Violoncello by Caporali, Hautboy by Kytch. Water Musick by Handel, with Benj. Baker doing a Preamble on the Kettle Drums .

449
18 December 1734 @ Covent Garden

Event Comment: [For a discussion of this revival, see Deutsch, Handel, p. 377. Their Majesties present.]

Performances

Mainpiece Title: Orestes

450
21 February 1735 @ Hickford's Room

Event Comment: Benefit Waltz, Singer in Mr Handel's Operas. 6 P.M. 5s

Performances

Mainpiece Title: Concert

Music: Vocal by Waltz. Instrumental by Opera Masters, especially Flute by Hagan, French Horn by Antony Uhl and Cook