SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Fraternity of the Antient and Honourable Society of Free and Accepted Masons"/1) | (@(roleclean,performerclean) "Fraternity of the Antient and Honourable Society of Free and Accepted Masons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 385 matches on Event Comments, 152 matches on Performance Title, 99 matches on Performance Comments, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The True News; or, Mercurius Anglicus, 4-7 Feb. 1679@80: On Munday night last happened a great dispute in the Duke's Play-house, some Gentlemen in their Cupps entring into the Pitt, flinging Links at the Actors, and using several reproachfull speeches against the Dutchess of P. and other persons of Honour, which has occasioned a Prohibition from farther Acting, till his Majesties farther pleasyre. A letter written by the Dowager Countess of Sunderland to Henry Sidney, dated 6 Jan. 1679@80 [possibly misdated] refers to disorders which are similar to those recorded in The True News: You must needs hear of the abominable disorders amongst us, calling all the women whores and the men rogues in the playhouses--throwing candles and links--calling my Lord Sunderland traitor, but in good company; the Duke of York?, rascal; and all ended in "God bless his Highness, the Duke of Monmouth. We will be for him against the world." I am told they may be fined a great deal if they are prosecuted. Two of these are knights of shires, Sir Scroope How, and my Lord Wharton's@eldest son; the only sufferer yet is Porter. They are ashamed, I hear, and afraid (R. W. Blencowe, Diary of the Times of Charles the Second by the Honourable Henry Sidney [London, 1843], I, 237)

Performances

Event Comment: For reports on the Lord Mayor's Day, see Luttrell, A Brief Relation, I, 139-40, and The Impartial Protestant Mercury, No 55, 28 Oct.-1 Nov. 1681

Performances

Mainpiece Title: London's Joy; Or, The Lord Mayor's Show

Performance Comment: Triumphantly Exhibited in Various Representations, Scenes, and splendid Ornaments, with divers pertinent Figures and Movements: Performed on Saturday, October XXIX. 1681. At the Inauguration of the Right Honourable Sir John Moore, Knight, Lord Mayor of the City of London. With the Several Speeches, and Songs, which were spoken on the Pageant in Cheapside, and Sung in Guild-Hall during Dinner. All the Charges and Expences of the Industrious Designs being the sole Undertaking of the Worshipful Company of Grocers. Devised and Composed by Tho. Jordan, Gent.
Event Comment: The Lord Mayor's Show. By Thomas Jordan. Luttrell (A Brief Relation, I, 285-86): The 29th, sir Henry Tulse...was sworn before the barons of the exchequer at Westminster, whither he went by water, accompanied by the late lord mayor, the new recorder, aldermen, and sheriffs, and attended by diverse of the companies in their barges; their majesties and the duke of York being upon the leads at Whitehall when they passed by: being come back, they passed from the place where they landed, with the usual solemnity, to Grocers Hall, where the lords of the councill, severall of the nobility, judges, and other persons of quality dined

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Monday, October XXIX 1683. For the Entertainment of the Right Honourable, and truly Noble Pattern of Prudence and Loyalty, Sir Henry Tulse, Knight, Lord Mayor of the City of London. Containing A Description of the whole Solemnity. With Two new Songs set to Musick.
Event Comment: The United Company. The date of the first performance is not known, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 5 April 1684 (J. W. Dodds, Thomas Southerne, p. 48). Very probably the play first appeared during the week of 31 March-5 April, immediately following Easter. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 191-94. This may have been the last new role William Smith undertook for some years; see Cibber, Apology, ed. Lowe, 1, 78-79, for the incident which prompted Smith's leaving the stage for awhile. One song, I never saw a face till now, with music by Captain Pack, is in The Theater of Music, the First Book, 1685; and another, O why did e'er my thoughts aspire, the music by R. King, is in the same collection. A third song, See how fair Corinna lies, the music by Captain Pack, is in A Collection of Twenty-Four Songs, 1685

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

Performance Comment: Edition of 1684: Alphonso-Betterton; Lorenzo-Smith; Alberto-Wilshire; Lesbino-Carlisle; Rogero-Leigh; Erminia-Mrs Cook; Juliana-Mrs Percival; Angelline-Mrs Knight; Her Supposed Mother-Mrs Corey; Clara-Mrs Leigh; The Prologue by Mr John Dryden-Mr Betterton; The Epilogue by the Honourable John Stafford, Esq-.
Cast
Role: Alphonso Actor: Betterton
Role: Lorenzo Actor: Smith
Role: Alberto Actor: Wilshire
Role: Lesbino Actor: Carlisle
Role: Rogero Actor: Leigh
Role: Erminia Actor: Mrs Cook
Role: Juliana Actor: Mrs Percival
Role: Angelline Actor: Mrs Knight
Role: Her Supposed Mother Actor: Mrs Corey
Role: Clara Actor: Mrs Leigh
Role: Mr John Dryden Actor: Mr Betterton
Role: Esq Actor: .
Related Works
Related Work: The Disappointment; or, The Mother in Fashion Author(s): Thomas Southerne
Event Comment: Evelyn, Diary: I carried my Lord Clarendon through the Citty amidst all the Squibbs & barbarous bacchanalia of the Lord-Majors shew

Performances

Mainpiece Title: London's Royal Triumph For The City's Loyal Magistrate In An Exact Description Of Several Scenes And Pageants, Adorned With Many Magnificent Representations

Performance Comment: Performed on Wednesday, October XXIX. 1684. At the instalment and Inauguration of the Right Honourable Sir James Smith, Knight, Lord Mayor of the City of London. Illustrated with divers Delightful Objects of Gallantry and Jollity, Speeches and Songs, Single and in Parts. Set forth at the Proper Costs and Charges of the Worshipful Company of Drapers. Devised and Composed by Tho. Jordan, Gent.
Event Comment: See also Luttrell, A Brief Relation, I, 362. The cost of the Pageants was #175; the total cost of the Lord Mayor's Show came to #473 4d. See Robert Withington, English Pageantry (Cambridge, Mass., 1920), II, 62

Performances

Mainpiece Title: London's Annual Triumph Performed On Thursday, Octob

Performance Comment: 29. 1685. For the Entertainment of the Right Honourable Sir Robert Jeffreys, Kt Lord Mayor of the City of London. With a Description of the several Pageants, Speeches, and Songs made proper for the Occasion. All set forth at the proper Costs and Charges of the Worshipful Company of Iron@Mongers. Composed by Matt. Taubman.
Event Comment: Evelyn, Diary: was a Triumphant shew of the Lord Major, both by land & water with much solemnity, when yet his power was so deminish'd, by the losse of their former charter

Performances

Mainpiece Title: London's Yearly Jubilee : Performed On Friday October Xxix

Performance Comment: 1686. For the Entertainment of the Right Honourable Sir John Peale, Knight, Lord Mayor of the City of London. With a Description of the several Pageants, Speeches and Songs, made proper for the Occasion. All set forth at the proper Costs and Charges of the Right Worshipful the Company of Mercers. Composed by M. Taubman.
Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.

Performances

Mainpiece Title: London's Great Jubilee

Performance Comment: Restor'd and Perform'd On Tuesday, October the 29th 1689. For the Entertainment of the Right Honourable Sir ThomasPilkington Kt. Lord Mayor of the City of London. Containing a Description of the several Pageants and Speeches together with a Song for the Entertainment of Their Majesties, who with their Royal Highnesses the Prince and Princess of Denmark, the whole Court, and both Houses of Parliament, Honour His Lordship this Year with their Presence. All set forth at the Proper Cost and Charges of the Right Worshipful Company of Skinners. [By Matthew Taubman.]
Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman

Performances

Mainpiece Title: The Triumphs Of London Performed On Thursday, Oct

Performance Comment: 29. 1691, for the Entertainment of the Right Honourable Sir ThomasStamp, Kt; Lord Mayor of the City of London. Containing a true Description of the several Pageants, with the Speeches spoken on each Pageant. All set forth at the proper Costs and Charges of the Worshipful Company of Drapers. [By Elkanah Settle.]
Event Comment: By Elkanah Settle. Luttrell, A Brief Relation, 29 Oct. 1692: This day the usuall show of lord mayors, where the king and queen dined, most of the nobility, &c., but the prince and princesse were not invited: the feast was at charge of lord mayor and court of alderman: the lord mayor subscribed 300#, each she rife, 150#, and the aldermen 50# apeice: the kings regiment of foot guards was all in new cloths, and the horse guards too: the militia of Middlesex were as a guard in the Strand, and the artillery, with silver and steell headpeices, lined tne streets where the mayor came

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Saturday, Octob. 29th 1692. For the Entertainment of the Right Honourable Sir John Fleet, Kt. Lord Mayor of the City of London. Containing A True Description of the several Pageants w ith the Speeches spoken on each Pageant. All set forth at the proper Costs and Charges of the Worshipful Company of Grocers. Together with An Exact Relation of the most Splendid Entertainments, prepared for the Reception of Their Sacred Majesties.
Event Comment: The Lord Mayor's Shoew. By Elkanah Settle. The cost of the pageants: Masters' Accounts, #479 14s. 2d.; Wardens' Accounts, #43 1s. 2d. See R. T. D. Sayle, Lord Mayors' Pageants (London, 1931), p. 145

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Monday October 30, 1693. For the Entertainment of the Right Honourable Sir William Ashurst, Knight, Lord Mayor of the City of London. Containing A True Description of the several Pageants; with the Speeches Spoken on each Pageant. All set forth at the proper Cost and Charges of the Worshipful Company of Merchant Taylors. Together with The Festival Songs for His Lordship and the Companies Diversion.
Event Comment: Post Boy, 2-4 Feb. 1696@7: On Monday the King visited the Princess of Denmark and invited her to Whitehall on Saturday next, it being her Royal Highnesses Birth Day, and his Majesty has been pleased to give the Right Honourable the Lord Chamberlaine Orders to have the Play called Love for Love, written by Mr Congreve, Acted there the better to Celebrate the Day. Post Boy, 6-9 Feb. 1696@7: Last Saturday being the Anniversary of her Royal Highness the Princess Ann of Denmark's birth...at night the King was pleased to Entertain her with a fine Comedy, call'd Love for Love, Written by Mr Congreve, Acted by his Majesty's servants at Whitehall, where the Court appeared very gay and splendid, suitable to the occasion. [Somewhat similar references appear also in Luttrell, A Brief Relation, IV, 180, and The Flying Post, 6-9 Feb. 1696@7.

Performances

Mainpiece Title: Love For Love

Event Comment: Betterton's Company. This performance is recorded in A Calendar of the Inner Temple Records, ed. Inderwick, III, 227. Post Boy, 30 Oct.-2 Nov. 1697: There was Yesterday a very great Feast in the Temple, there being present the High Honourable the Lord Chancellor, with Divers of the Judges; after Dinner there was a Play Acted. John Oldmixon, Reflections on the Stage (London, 1699), p. 69: The Bar-Gown has often been play'd with, and shewn in a more despicable Figure, yet the Lawyers don't think it worth their while to cry out against Comedy, as aiming at the ruin of the Courts in Westminster-hall, and the Judges themselves have desir'd Love for Love, with all the faults Mr Collier has laid to its charge, to be presented 'em, and were extreamly well pleas'd with their entertainment, tho' the Lawyer there makes a trivial appearance

Performances

Mainpiece Title: Love For Love

Event Comment: An order of the Court of Common Council for London forbids any performances of plays or interludes at Bartholomew Fair. See a broadside in the British Museum [1851 b. 25 (25)], reported by Alfred Jackson, Review of English Studies, XIV (1938), 55. Flying Post, 22-25 June 1700: The Right Honourable the Lord Mayor and Court of Alderman have ordered that no Play-house Bills be affix'd on any Post, &c. in this City; and the like Orders are resolved on in Westminster

Performances

Event Comment: For the Entertainment of the Lords Spiritual & Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Music: The First Anthem, Compos'd by Dr William Turner-; The Second Anthem Compos'd by Dr John Blow-; The Third Anthem, Compos'd by Dr William Turner-

Entertainment: The Introductory Poem Upon Musick, Written by Mr Tate, Poet-Laureat to her Majesty-; The Oration-; The Second Poem, Written by Mr Tate-

Event Comment: For the Entertainment of the Lords Spiritual and Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Entertainment: The Oration-; The Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem Upon God's Omnipresence- , By Dr Braddy; Domine Probasti-; Psal. CXXXIX-; Psalm CVI-; Jubilitat Deo-

Cast
Role: XXXIX Actor:
Role: Psalm CVI Actor:
Role: Jubilitat Deo Actor: .
Event Comment: Benefit Stoppelaer. For the Entertainment of the Grand, the Vice-Grand, and the rest of the Ancient and Honourable Order of Gregoreans. Two Rows of the Pit will be railed in for Gregoreans only

Performances

Mainpiece Title: Macbeth

Cast
Role: Murderers Actor: Turbutt, Woodburn
Role: Witches Actor: Macklin, Shepard, Ray
Role: Lady Macduff Actor: Mrs Mills
Role: withVocals Actor: Stoppelaer, Rheinhold, Ray, Mrs Clive, Miss Jones.
Role: Vocals Actor: Rheinhold, Ray, Mrs Clive, Miss Jones.
Role: Macbeth Actor: Quin
Role: Lady Macbeth Actor: Mrs Butler
Role: Macduff Actor: Milward
Role: Banquo Actor: Mills
Role: Lenox Actor: Wright
Role: Duncan Actor: Winstone
Role: Malcolm Actor: Havard
Role: Seyward Actor: Ridout
Role: Seyton Actor: Berry
Role: Hecate Actor: Johnson

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Actor: Stoppelaer
Role: Nell Actor: Mrs Clive.
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: I: Muilment; II: Punch-Master Ferg; V: Le Tambourine-Mlle Chateauneuf

Song: IV: A Dialogue between a Town Rxke and Country Lass-; End Afterpiece: A Trumpet Gregorian Song-; accompanied-a Chorus

Event Comment: For the Entertainment of the Grand, the Vice-Grand, and the Brethren of the Ancient and Honourable Order of Gregorians. Benefit James. Receipts: #150 (Rylands MS.)

Performances

Mainpiece Title: The Gamester

Cast
Role: Lovewell Actor: Gibson
Role: Marquis Actor: Neale
Role: Cogdie Actor: Bencraft
Role: Galloon Actor: Clarke
Role: Angelica Actor: Mrs Vincent
Role: Favourite Actor: Mrs Hale
Role: Mrs Security Actor: Mrs Martin
Role: Mrs Topknot Actor: Mrs Cross
Role: Betty Actor: Miss Dodson.
Role: Young Valere Actor: Hale
Role: Sir Thomas Actor: Rosco
Role: Dorante Actor: Hippisley
Role: Hector Actor: James
Role: Lady Wealthy Actor: Mrs Horton.

Afterpiece Title: The King and the Miller of Mansfield

Song: I: Blow Blow-Roberts; IV: Britons Strike Home (by Desire of the Brethren)-Leveridge, Salway; V: The Gregorian Song-

Dance: III: Comic Dance-Richardson, Mlle Ozanne

Event Comment: The Farce dislik'd (Cross). Receipts: #160 (Cross); #169 18s. 6d. (Winston MS 8). [See review of the reception and circumstances of publication in Gentleman's Magazine (p. 37), which presents Hill in no good light. See also review of A Letter to the Honourable Author of the Rout (idem.) with its charges against Garrick.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Cast
Role: Cacafogo Actor: Philips.
Role: Leon Actor: Garrick
Role: Copper Captain Actor: Palmer
Role: Duke Actor: Havard
Role: Juan Actor: Blakes
Role: Sancho Actor: Packer
Role: Alonzo Actor: Austin
Role: Margaritta Actor: Mrs Davies
Role: Old Woman Actor: Yates
Role: Altea Actor: Mrs Bennet
Role: Estifania Actor: Mrs Pritchard.

Afterpiece Title: The Rout

Cast
Role: Feeble Actor: Yates
Role: Felix Actor: Obrien
Role: Sir William Wheedle Actor: Palmer
Role: Mrs Furbelow Actor: Mrs Bennet
Role: Rhodamintha Actor: Miss Barton
Role: Lady Never Settle Actor: Miss Pritchard
Role: Blunderbuss Actor: Bransby
Role: Balloon Actor: Blakes
Role: Friendly Actor: Packer
Event Comment: Benefit for Hurst, Tassoni and Mrs Dorman. By Desire of the Honourable Lodge of the Order of Select Albions

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17671223, but Mr Strictland-Hurst, 1st time; Ranger-King.
Cast
Role: Mr Strictland Actor: Hurst, 1st time
Role: Ranger Actor: King.
Role: Frankly Actor: Aickin.
Role: Strictland Actor: Love
Role: Bellamy Actor: Packer
Role: Jack Meggot Actor: Dodd
Role: Tester Actor: Weston
Role: Mrs Strictland Actor: Mrs Palmer
Role: Lucetta Actor: Mrs Love
Role: Jacintha Actor: Mrs Jeffries, 1st time
Role: Clarinda Actor: Miss Pope
Role: Concluding with a new Country Dance Actor: .

Afterpiece Title: The Deuce Is in Him

Cast
Role: Tamper Actor: J. Palmer.
Role: Tampler Actor: J. Palmer, 1st time
Role: Mlle Florival Actor: Mrs Jeffries
Role: Bell Actor: Mrs Reddish
Role: Prattle Actor: King
Role: Belford Actor: Packer
Role: Emily Actor: Miss Pope.
Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder

Song: I: A Trio-Vernon, Miss Young, Mrs Dorman; End: The Albion Song-Vernon

Dance: II: A Minuet-Tassoni, Miss Granier , his Apprentice; IV: The Medley-Tassoni, Mrs King

Event Comment: Benefit for Jefferson. Royal Slave Posted...Mr Barry Ill (Cross Diary). [Playbill advertises The Royal Slave. See 11 March, but Song in Act II was to have been by Mrs Scott. It was further advertised as "By Desire of the most noble Grand, Vice Grands, Council and Brethren of the ancient and honourable Order of Bucks belonging to the Euphrates Lodge."

Performances

Mainpiece Title: The Maid Of The Mill

Cast
Role: Ralph Actor: King for this night only.
Role: Sir Harry Sycamore Actor: Baddeley
Role: Theodosia Actor: Miss Valois
Role: Lord Aimworth Actor: Reddish
Role: Giles Actor: Bannister
Role: Fairfield Actor: Jefferson
Role: Mervin Actor: Fawcett
Role: Patty Actor: Mrs Baddeley
Role: Fanny Actor: Miss Pope
Role: Lady Sycamore Actor: Mrs Bradshaw

Afterpiece Title: High Life below Stairs

Cast
Role: Philip Actor: Baddeley.
Role: Phillip Actor: Moody
Role: Kitty Actor: Mrs Clive.
Role: Young Lovel Actor: Cautherly
Role: Freeman Actor: Packer
Role: Duke's Servant Actor: Palmer
Role: Sir Harry's Servant Actor: Dodd
Role: Philhip Actor: Baddeley

Dance: II: New Comic Dance, as17681210

Entertainment: End: Bucks Have at ye All-King (that night only)

Event Comment: By Permission of the Right Honourable the Lord Chamberlain. Benefit for Mrs Lefevre. Mainpiece: Acted but once these 60 years [on 15 Mar. 1779]. Tickets to be had of Mrs Lefevre, No. 25, Frith-street. tickets delivered by Mrs Robinson will be taken

Performances

Mainpiece Title: The Humours Of Oxford

Performance Comment: Gainlove-Powell; Col. Trumore-Williams; Haughty-Massey; Conundrum-Barret; Young Apeall-Hayes; Old Apeall-Newton; Timothy-Booth; Dash-Gibson; Lord Shamwell-Forde (from the Theatre-Royal, Dublin); Clarinda-Mrs Robinson; Victoria-Miss Dudley; Kitty-Miss Brangin; Wife-Mrs Barnet; Lady Science-Mrs Lefevre.
Cast
Role: Gainlove Actor: Powell
Role: Trumore Actor: Williams
Role: Haughty Actor: Massey
Role: Conundrum Actor: Barret
Role: Young Apeall Actor: Hayes
Role: Old Apeall Actor: Newton
Role: Timothy Actor: Booth
Role: Dash Actor: Gibson
Role: Lord Shamwell Actor: Forde
Role: Theatre Actor:
Role: Clarinda Actor: Mrs Robinson
Role: Victoria Actor: Miss Dudley
Role: Kitty Actor: Miss Brangin
Role: Wife Actor: Mrs Barnet
Role: Lady Science Actor: Mrs Lefevre.

Afterpiece Title: The Orators; or, The School of Eloquence Dissected

Performance Comment: The principal characters to deliver their orations in masks.

Afterpiece Title: High Life below Stairs

Cast
Role: Lovell Actor: Smith
Role: Lord Duke Actor: Hayes
Role: Sir Harry Actor: Long
Role: Lady Bab Actor: Miss Dudley
Role: Lady Charlotte Actor: Mrs Robinson
Role: Kitty Actor: Mrs Lefevre.

Song: Between Acts: an Italian song-a Young Lady [unidentified]

Entertainment: End III: Imitations-Young Gentleman [unidentified]

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Literary Fund. [In this performance the male parts were acted chiefly by amateurs; the female parts were acted by professionals. Prologue and Epilogue by Thomas Morris (Morning Herald, 17 Apr.).] The Committee for the Management of the Literary Fund respectfully inform the Public that affecting instabces of Merit in distress exceed their power of relief by the ordinary Subscription; and that they wish to have recourse to every honourable expedient to increase that power. The Admission will be by Tickets, at the Opera Prices. Boxes and Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No more Company will be admitted than the House will hold with perfect convenience; and when the proper number of Tickets is issued, no means of admission can be obtained. The Doors to be opened at 6:00. To begin at 7:00 precisely. Registers: Thomas Dale, M. D.; Mr Deputy Nichols. Treasurers: Thomas Morris, Esq.; Mr E. Brooke. "In the course of the play we observed several restorations of Shakespeare's text, with some interpolations. The boldest of the latter was the introduction of Richard's son to him in the tent, the night befiredthedbefore the Battle of Bosworth field. This scene was borrowed, as we believe, from Thomas? Hull's Legendary Tale of Richard Plantagenet. It was well written, and produced a considerable degree of effect. The Ghosts were banished, and the start and stagger of Richard, heretofore the theatrical trick of the scene, necessarily omitted" (Diary, 17 Apr.)

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-T. Morris; Lieutenant of the Tower-A. Morris; King Henry-Horwell; Tressel-Birch; Richmond-Crewe; Catesby-Uncle; Buckingham-Meredith; Stanley-Webber; Prince Edward-Miss S. Francis; Queen-Mrs Hunter; Lady Anne-Mrs Pollard; Duchess of York-Mrs McGeorge; Prologue-T. Morris; Epilogue-Mrs Pollard.
Cast
Role: Richard Actor: T. Morris
Role: Lieutenant of the Tower Actor: A. Morris
Role: King Henry Actor: Horwell
Role: Tressel Actor: Birch
Role: Richmond Actor: Crewe
Role: Catesby Actor: Uncle
Role: Buckingham Actor: Meredith
Role: Stanley Actor: Webber
Role: Prince Edward Actor: Miss S. Francis
Role: Queen Actor: Mrs Hunter
Role: Lady Anne Actor: Mrs Pollard
Role: Duchess of York Actor: Mrs McGeorge
Role: Prologue Actor: T. Morris
Role: Epilogue Actor: Mrs Pollard.

Afterpiece Title: The Citizen

Cast
Role: Old Philpot Actor: Hurlstone
Role: Young Philpot Actor: Hewardine
Role: Old Wilding Actor: Hurlstone Jun.
Role: Young Wilding Actor: Crewe
Role: Quildrive Actor: Ridgway
Role: Dapper Actor: Lane
Role: Maria Actor: Mrs Pollard
Role: Corinna Actor: Miss S. Francis.
Event Comment: Benefit Lady Flame. With an Additional Scene of the Ceremony of Lady Flame's being made a Free Masonv, wherein the Grand Mystery is discover'd

Performances

Mainpiece Title: The Blazing Comet

Song: Song on the Privilege and Happiness of Free@Masonry A very humorous Song on the Charitable Corporation, sent by George Robinson, Esq. late Treasurer, from Italy to his Friends in London-