SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Francis Gentleman"/1) | (@(roleclean,performerclean) "Francis Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1641 matches on Performance Comments, 992 matches on Author, 942 matches on Event Comments, 255 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Speculation

Performance Comment: Tanjore-Lewis; Project-Emery; Jack Arable-Fawcett; Sir Fred. Faintley-Claremont; Promptly-Thompson; Vickery-Klanert; Capt. Arable-Macartney; Meanwell-Atkins; Alderman Arable-A Young Gentleman (1st appearance on any stage [unidentified]); Lady Project-Mrs Davenport; Cecilia-Miss Mills; Emmeline-A Young Lady (1st appearance on any stage [unidentified]).unidentified]).

Afterpiece Title: Marian

Afterpiece Title: The Soldier's Festival

Song: End II 1st piece: a Musical Address Mark when beneath the western main (Dramatic Censor, II, 197), Written expressly for the occasion by T. Dutton, A. M., and composed by Mazzinghi-Miss Waters; End III: O Strike the Harp-Incledon, Linton, Miss Waters; accompanied on the Harp-Weippert; End IV: Happy were the Days-Miss Waters; End 1st piece: Sigh no more Ladies-Incledon, Townsend, Linton, Master Slape, Miss Waters

Performances

Mainpiece Title: Lover's Vows

Performance Comment: As17991026, but Frederick-A Young Gentleman (1st appearance on any stage [unidentified]); Cottager-Abbot; Original Epilogue-Munden.
Cast
Role: Frederick Actor: A Young Gentleman

Afterpiece Title: Oscar and Malvina

Song: End II: The Fox Stag and Hare (written by T. Dibdin, and composed by Davy)-Incledon; End IV: The Anchor Smiths-Townsend; End: The Red Cross Knight-Incledon, Linton; afterpiece: I am a jolly gay Pedlar, as18000308Come every jovial fellow, as18000308O ever in my bosom live-Miss Wheatley, Mrs Atkins

Entertainment: End: a Variety of Imitations-Rees

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Othello: Moor of Venice

Song: End 2nd piece: Crazy Jane-Mrs Bland

Entertainment: Imitations. After Singing: Imitations-Caulfield; Monologue. Previous: An Address-Lacy

Performances

Mainpiece Title: Cambro-britons

Performance Comment: Llewellyn-Barrymore; Shenkin-Emery; Cadwall-Palmer; Gwyn-Suett; O'Turloch-Johnstone; Bard-J. Palmer; King Edward-Caulfield; Prince David-A Gentleman (1st appearance [Forster]); Dynevor-Trueman; Mortimer-Klanert; Herefore-Davenport; Edwin-Abbot; Elinor-Miss DeCamp; Lady Griffith's Shade-Mrs Gibbs; Winifred-Mrs Bland; Chorus of Bards and Peasants-Sawyer, Little, Kenrick, Caulfield Jun., Dibble, Aylmer, Willoughby, Thomas, Ms Hale, Ms Masters, Ms Gaudry, Ms Butler, Ms Leserve, Ms Norton.
Cast
Role: Prince David Actor: A Gentleman

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Captain Macheath-A Gentleman (1st appearance on any stage [unidentified]); Lucy-Mrs Mather (1st appearance on this stage); Polly-Mrs Mountain.
Cast
Role: Captain Macheath Actor: A Gentleman

Afterpiece Title: The Author

Dance: In II: a Hornpipe-

Song: After Imitations: Sweet Echo-Mrs Mountain

Entertainment: Imitations End: Variety of Imitations-T. Trueman

Event Comment: The Diary and Will of Elias Ashmole, ed. Gunter, pp. 70-71: 13 Dec. 1660: The King going to a Play at the new Theatre this afternoon, had his coach (the leathers whereby the coach hung broke and so the coach fell from the wheels) overturned over against the new Exchange, but (blessed be God) had no hurt. Sir Francis Floyd passing by took him in his arms and carried him to his coach. The Earl of Latherdale and my Lord of Ossory being with the King in his coach

Performances

Event Comment: On Sunday Charles, Duke of Cambridge, the son of the Duke of York, died. On 7 May 1661, Francis Newport wrote to Sir Richard Leveson: The Duke of Cambridge dyed on Sunday in the afternoon and was buryed yesternight without any solemnity, noe mourning in the Court for him (HMC, Sutherland MSS, 5th Report, Appendix, 1876, p. 151). If the theatres were closed because of this death, the closure was for not more than ten days

Performances

Event Comment: The Diary of Robert Hooke, 31 Oct. 1674: With Mr Francis Moegan at musick house

Performances

Mainpiece Title: Concert

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Virtuoso. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407. The Diary of Robert Hooke, 25 May 1676: Mr Abraham Hill gave J. Hoskins, Aubery and I an account of Vertuoso play. A song, How retched is the slave to love, the music by Francis Forcer, is in Choice Ayres and Songs, The Second Book, 1679. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the company great Reputation

Performances

Mainpiece Title: The Virtuoso

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 408. It is not known when the premiere occurred, but this is the earliest known performance. The Prologue, missing in the 1677 edition, is in the 1693 edition. A song, Make haste, my shepherd, come away, with music by Francis Forcer, is in Choice Ayres and Songs, Second Book, 1679

Performances

Mainpiece Title: Abdelazer; Or, The Moor's Revenge

Performances

Mainpiece Title: London's Triumphs

Performance Comment: Illustrated with many Magnificent Structures and Pageants. On which are orderly expressed Several Stately Representations of Poetical Deities, sitting and standing in great spdendor on several Scenes in proper Shapes. With Pertinent Speeches, Jocular Songs (sung by the City Musick), and Pastoral Dancing. Performed October 29, 1677, for the Celebration, Solemnity and Inauguration of the Right Honourable Sir Francis Chaplin, Knight, Lord Mayor of the City of London. At the Charge and Expences of the Industrious Designs, being the sole Undertaking of the Ancient and Right Worshipful Society of Clothworkers. Designed and Composed by Tho. Jordan.
Event Comment: The Duke's Company. The date of the first performance is uncertain, but the fact that Luttrell dated his separately printed copies of the Prologue and Epilogue 5 April 1682 (Huntington Library) sets a probability that the play first appeared within a week to ten days preceding that date. The Prologue and Epilogue, separately printed, have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 89-91. A Prologue Intended for Vertue Bertray'd, by Thomas Shadwell, is reprinted in Welbeck Niscellany 3, A Collection of Poems by Several Hands, ed. Francis Needham, 1934. Some details in it suggest the "Dead Time" preceding Easter, when the Court was gone, the Russian ambassador departed, the Moroccan Ambassador shortly to go. The Russian ambassador left on 15 Feb. 1681@2 OS (see Evelyn, Diary), and the Prologue refers to the execution of Colonel Vratz and his accomplices on 10 March 1681@2 (Evelyn, Diary)

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Event Comment: The United Company. An order, 9 Feb. 1683@4, in L. C. 5@145, p. 14 (Nicoll, Restoration Drama, p. 356), and another, L. C. I, specify requirements for a play to be acted at Whitehall on 11 Feb. 1683@4, and name Valentinian as the drama. The first Prologue and the Epilogue Written by a Person of Quality were printed separately; Luttrell's copy (Bindley Collection, William Andrews Clark@Jr@Library) is dated 20 Feb. 1683@4. They are reprinted in Wiley, Rare Prologues and Epilogues, pp. 249-51. It is not certain on what date the first performance occurred, for premieres at court are quite rare in the Restoration period. In Nahum Tate's Poems by Several Hands (1685): Sir Francis Fane: A Masque Made at the Request of the Earl of Rochester, for the Tragedy of Vadentinian. Downes (p. 40): The well performance, and the vast Interest the Author made in Town, Crown'd the Play, with great Gain of Reputation; and Profit to the Actors. For an intended cast of Rochester's alteration of the play by John Fletcher, see the introductory note to the season of 1675-76. In A Pastoral in French by Lewis Grabu (published in 1684; advertised in the London Gazette, No. 1947, 17 July 1684) are two songs for this play for which Grabu apparently composed the music: Injurious charmer of my vanquished heart and Kindness hath resistless charms. In Choice Ayres and Songs, The Fourth Book, 1684, is: A new Song in the late reviv'd Play, call'd Valentinian: Where would coy Aminta run [the composer of the music not being indicated]

Performances

Mainpiece Title: Valentinian

Event Comment: The Prince of Orange's company of foreign comedians was apparently expected in England on this evening (HMC, 5th Report, Part I, 1876, p. 186). They were under the management of Francis Duperier and apparently remained in England for some four months. See Lawrence, Early French Players in England, p. 150. See also an order, L. C. 5@145, p. 90 (Nicoll, Restoration Drama, p. 253n), to prepare the Cockpit for the Prince of Orange's players

Performances

Event Comment: On this date a payment was made to the foreign performers who had come in the spring: To Francis Duperier, for the charge and expences of ye French players attending his Majestie at Windsor and Winchester, and returning to London (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII [1851], 93)

Performances

Event Comment: Betterton's Company. There may have been a revival of Oedipus in the summer of 1696. In Francis Manning's Poems upon Several Occasions and to Several Persons (1701) there is a poem To Mr Betterton, Acting Oedipus King of Thebes. The first stanza describes the splendor of the installation of the Duke of Gloucester as a Knight of the Garter, an event which occurred at Windsor Castle in July 1696; but there is no certainty that Betterton's performance occurred before that date. It should be noted also that the play was reprinted in 1696

Performances

Mainpiece Title: Oedipus, King Of Thebes

Performances

Mainpiece Title: Glory's Resurrection

Performance Comment: Being the Triumphs of London Reviv'd for the Inauguration of the Right Honourable Sir Francis Child, Kt. Lord Mayor of London. Containing the Description (and also the Sculptures) of the Pageants, and the whole Solemnity of the Day: All set forth at the proper cost and charge of the Honourable Company of Goldsmiths. By Elkanah Settle.
Event Comment: For the Benefit of your Humble Servant Francis Leigh. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Walking Statue

Dance: Between the Acts: With 6 several Entertainments of Dancing as are express'd at large in the great Bills-

Event Comment: Benefit Your Humble Servant Francis Leigh. At the Desire of several Ladies of Quality. Receipts: #102

Performances

Mainpiece Title: The Emperor Of The Moon

Song: Leveridge, Pack, Cook, Jones, Little Boy

Dance: duPre, Moreau, Bovil, Miss Russell, Miss Schoolding

Event Comment: Weekly Journal or Saturday's Post, 30 May: On Saturday last died Mr Francis Leigh, one of the Comedians of Drury-Lane Playhouse, and Partner with Mr Bullock in the Entertainments of Southwark Fair, &c. He was Son of the Celebrated Tony Leigh, so fam'd heretofore for his Mastership in Comick Performances

Performances

Performances

Mainpiece Title: Coriolanus

Dance: Dupre, Cook, Newhouse, Duff [Duffield?], Sandham, Mrs Cross, Mrs Bullock, Mrs Hutton, Miss Francis

Performance Comment: =], Sandham, Mrs Cross, Mrs Bullock, Mrs Hutton, Miss Francis.
Event Comment: Mainpiece: [By Francis Hawling. The Preface gives a long account of the unhappy preliminaries to the performance and the extremely poor acting by the company.] Afterpiece. The Words by Mr Motteux, and Set to Musick by Mr Eccles

Performances

Mainpiece Title: The Impertinent Lovers; Or, A Coquet At Her Wits End

Related Works
Related Work: The Impertinent Lovers; or, A Coquet at her Wit's End Author(s): Francis Hawling

Afterpiece Title: Acis and Galatea

Event Comment: Benefit August Freudenfeld and Francis Rosenberg, Clarients

Performances

Mainpiece Title: Concert

Music: The best Hands

Event Comment: Benefit Auguste Freudenfeld and Francis Rosenberg, Clarinets. Tickets 5s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Instrumental Music-

Event Comment: At the Desire of several Persons of Quality. Written by the late Mr Gay. Receipts: #51 6s. [See Daily Advertiser, 26 March, for a letter from Francis Nivelon to the author of The Married Philosopher, to be acted on 27 March for the benefit of Nivelon.

Performances

Mainpiece Title: The Beggar's Opera

Dance: TTambourine-Miss Rogers