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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Frances Street"/1) | (@(roleclean,performerclean) "Frances Street")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1434 matches on Event Comments, 288 matches on Author, 203 matches on Performance Comments, 88 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Miss DeCamp. 3rd piece: With a Sea Fight. True Briton, 15 May: Tickets to be had of Miss DeCamp, No. 32, Bow-street, Covent-Garden. Receipts: #376 6s. 6d. (121.8.6; 79.13.6; 2.14.0; tickets: 172.10.6) (charge: #221 1s. 1d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Critic

Entertainment: Monologue.End 2nd piece: as17970529

Event Comment: Benefit for Sedgwick. 2nd piece: Never performed here. True Briton, 2 June: Tickets to be had of Sedgwick, No. 22, corner of George-street, Adelphi. Receipts: #409 1s. (91.8.6; 67.5.6; 2.10.6; tickets: 247.16.6) (charge: #211 19s. 5d.)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Robin Hood

Afterpiece Title: The Devil to Pay

Song: In the course of the evening: The Storm-Incledon

Event Comment: Benefit for Wathen. 3rd piece: By permission of the Proprietor of the Theatre Royal, Covent Garden. True Briton, 2 June: Tickets to be had of Wathen, No. 2, Frith-street. Receipts: #358 1s. (54.12.0; 61.13.6; 3.14.0; tickets: 238.1.6) (charge: #212 5s. 6d.)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Poor Soldier

Song: End: The Waggoner (composed by Dibdin)-Wathen

Event Comment: Benefit for Dignum. [3rd piece in place of Lodoiska, advertised on playbill of 7 June.] Morning Herald, 22 May: Tickets to be had of Dignum, No. 23, New North-Street, Red-Lion-Square. Receipts: #578 7s. (60.5; 46.19; 6.6; tickets: 464.17) (charge: #223 11s. 9d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Purse

Afterpiece Title: The Wandering Jew

Song: End II: Sweet Lillies of the Valley-Dignum (composed by Hook); End III: The Sailor's Journal-Dignum (composed by Dibdin); End IV: The Town and Country-Dignum (written by Morris); End I 3rd piece: Sally in our Alley-Dignum

Event Comment: Benefit for Viganoni. [Opera produced in 1794 as I Contadini Bizzarri.] Song: The Music by Cimadoro [taken from his Pimmaglione, Venice, 1790]. Tickets to be had of Viganoni, No. 8, Panton-street, Haymarket

Performances

Mainpiece Title: Le Gelosie Villane

Dance: As17970513

Song: End Opera: Pygmalion-Viganoni

Ballet: Sapho et Phaon. As17970513

Event Comment: Benefit for Phillimore, Denman, Cooke, Stokes, Miss Tidswell, Miss Heard, Mrs Benson. Morning Herald, 9 June: Tickets to be had of Miss Heard at Mrs Fletcher's, No. 239, Piccadilly; True Briton, 5 June: of Mrs Benson, No. 31, Hart-street, Bloomsbury [no others listed]. Receipts: #78 10s. (35.0.6; 41.2.6; 2.7.0; tickets: none listed) (charge: #224 15s. 3d.)

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Spoil'd Child

Song: End I: When on board our trim Vessel-Cooke (composed by Carter); End IV: Chelsea Quarters (composed by Schroeder)-Cooke

Entertainment: Imitations. End: a Variety of Imitations-Caulfield

Ballet: Following Imitations: The Scotch Ghost. As17961221

Event Comment: Benefit for Bannister. True Briton, 1 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-Cross

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Honest Thieves

Dance: End: Hornpipe-Sga Bossi DelCaro

Music: After Dancing: a favourite concerto by Dussek upon the Grand Piano Forte-Miss Gaudry (1st appearance in public)

Song: End I afterpiece: a favourite song by Webbe-Master Sincock

Entertainment: In the course of the Evening: a Variety of Imitations-Caulfield

Event Comment: Benefit for Suett. True Briton, 8 Aug.: Tickets to be had of Suett at his chambers, No. 10, Hart-street, Covent-Garden

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Follies of a Day

Song: Between: Little Taffline-Mrs Bland; The Town Crier (composed by Dibdin)-Suett; End: An Old Woman of Eighty-Munden

Event Comment: Benefit for Elliston [whose 1st appearance as Othello was at Bath, 8 July 1797]. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. True Briton, 30 Aug.: Tickets to be had of Elliston, No. 3, Frith-street, Soho

Performances

Mainpiece Title: Othello

Afterpiece Title: No Song No Supper

Song: End: Sweet Echo, the song-Mrs Bland, the echoMrs Atkins

Event Comment: Benefit for Jewell, treasurer. True Briton, 2 Sept.: Tickets to be had of Jewell, No. 26, Suffolk-street, Charing-Cross

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Village Lawyer

Event Comment: [Extra night] By Permission of the Lord Chamberlain. Benefit the Widow of a Baronet [Sir Richard Perrott] and a large Infant Family. [Address by John Taylor (True Briton, 21 Sept.).] Tickets to be had of the Widow, No. 28, Spring-street, Portman-square [and see 28 Jan. 1799]

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Miss in her Teens

Entertainment: Monologue. End: Occasional Address-the Widow (see below); After which: Collins's Ode on the Passions-Mrs G. Aickin

Event Comment: Under the Patronage of H. R. H. the Prince of Wales, H. R. H. the Duke of York, and H. R. H. the Duke of Clarence. Benefit for a Fund for the Relief of the Wounded Seamen, and also for the Widows and Orphans of the Brave Men who fell in the late Glorious Action, under Admiral Lord Viscount Duncan [see 16 Oct.]. The Tickets for the Boxes are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangement of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Guildford, The Earl of Thanet, The Right Honorable the Lord Mayor [Brook Watson], Mr Alderman Combe, M. P., Mr Alderman Skinner, John Julius Angerstein, Esq. Tickets and Places for the Boxes not disposed of by the Committee to be had of Fosbrook at the Box Office, Little Russell-Street, and at the Bar of Lloyds Coffee House. Ladies and Gentlemen having Privilege of the Theatre are requested by the Stewards to waive the use of it for this Evening. [Address by Richard Cumberland (European Magazine, Nov. 1797, p. 339). True Briton. 23 Nov. 1797, prints a letter from the Chairman of Committee of Subscribers to the performers of the theatre, thanking them for not "accepting the usual emolument on the night of performance."] Receipts: #631 8s. (357.17.6; 57.4.6; 1.11.0; money extra left at the doors: 2.14.6; tickets: 212.0.6) (charge: #161 0s. 6d.)

Performances

Mainpiece Title: The Will

Afterpiece Title: The Prize

Entertainment: Monologue.As17971016; An Occasional Address-Wroughton

Event Comment: Composed by G. F. Handel. Among the Instrumental Performers: C. Ashley, Sarjant, Wm. Parke, Boyce, R. Ashley, Bridgtower, Pinto, Parkinson, Lavenu. the Flacks, Taylor, Mackintosh, Wm. Ware, Dresler, Francis, Gwilliam, Nicks, the Munros, Archer, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Betts, Cobham, Jackson, Wood, Coyle, Cornish, Jones, Purney, Leffler, Woodham, Piele, the Cantelos, Skillern, &c. Organ-J. Ashley. Double Drums (used at Westminster-Abbey)-Jenkinson. The Chorusses will be numerous and complete; the whole under the direction of Ashley. The Doors to be opened at 6:00. To begin at 7:00 precisely [same throughout oratorio season]. Books of the Performance (with the Imprimatur of E. Macleish) to be had at the Theatre, price 6d. Places for the Boxes to be had of Brandon, at the Stage-Door in Hart-street. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: The Messiah

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

Event Comment: By Permission of the Most Noble the Marquis of Salisbury [the Lord Chamberlain]. Benefit for Wilkinson. 1st piece: Compress'd into 4 acts. The Doors to be opened at 5:30. To begin at 6:30 precisely. Tickets to be had of Wilkinson, No. 16, Lisle Street, Leicester Square

Performances

Mainpiece Title: The Jew

Afterpiece Title: A Naval Interlude

Afterpiece Title: The Mayor of Garratt

Afterpiece Title: The Ghost

Song: 2nd piece: With Songs-

Event Comment: Benefit for Quick. [MS of Exordium: Larpent MS 1204.] Times, 6 Apr.: Tickets to be had of Quick, Little Queen-street, Lincoln's Inn Fields. Receipts: #297 5s. (120.5.0; 8.11.6; tickets: 168.8.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Entertainment: Monologue. End: An Exordium-Quick[, descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.

Event Comment: Benefit for Mrs Siddons. [Epilogue by Richard Brinsley Sheridan.] Times, 9 Apr.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. Receipts: #508 8s. 6d. (296.10.0; 58.2.0; 3.12.0; tickets: 150.4.6) (charge: #212 3s. 6d.)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Devil to Pay

Entertainment: Monologue. End: the original Epilogue written for Semiramis-Mrs Siddons

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Widow of a Baronet [Sir Richard Perrott], and a large Infant Family. Tickets to be had of Lady Perrott, No. 28, Spring-street, Portman-square

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Irishman in London; or, The Happy African

Entertainment: Monologue An Occasional Address-a Young Lady (1st appearance on any stage [unidentifield])

Event Comment: Benefit for Fawcett. 3rd piece [1st time; F 1, by George Colman, ynger, based on L'Anglais; ou, Le Fou Raisonnable, by Joseph Patrat]. Times, 6 Apr.: Tickets to be had of Fawcett, No. 41, Frith-street, Soho, and at Brook-Green, Hammersmith. Receipts: #501 18s. (226.13.0; 3.0.6; tickets: 272.4.6)

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Sailor's Prize

Afterpiece Title: Blue Devils

Song: In 2nd piece: New Sea Ballad-Incledon; Master Teddy Shemus O'Shaughnessey O'Finnigen Delany's History of Himself-Johnstone; Fat Dolly the Cook-Munden; Soldier's Song-Townsend; New Ballad-Mrs Martyr; To conclude with: Hearts of Oak, Rule Britannia-

Entertainment: Monologue and SingingEnd 1st piece: (for that night only) [an aquatic, historic, romantic, eccentric, sadly comic story, in character, Travels of Trudge, [including Trudge's Exordium on the Quay, [a new song, Under@Ground Lodging, [Trudge's Escape and Voyage; Wowski's Prattle on Shipboard; Mishaps at Barbadoes; a new song, The Marvellous [to Jemmy Linkum Feedle-Fawcett. [This was chiefly based on episodes from Inkle and Yarico.

Event Comment: Benefit for Palmer. Times, 23 Apr.: Tickets to be had of Palmer, No. 39, Great Pulteney-street, Golden-square. Receipts: #274 5s. 6d. (86.1.6; 64.18.6; 0.18.0; tickets: 122.7.6) (charge: #245 3s.)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Blue-Beard

Event Comment: Benefit for Johnston. [He had 1st acted Hamlet at Edinburgh, 9 July 1794: Egerton's 1st appearance at cg was on 5 June 1797.] 2nd piece [1st time at this theatre; M. PAST 1, author unknown. Larpent MS 1207; not published. 1st acted at Sadler's Wells, 28 May 1787, when the playbill gives the 2nd title as "The Highland Laddie", and adds "The Words of the Airs selected from Allan Ramsay"]. Times, 13 Apr.: Tickets to be had of Johnston, No. 31, King-street, Covent-garden. Receipts: #230 19s. 6d. (110.2.6; 1.14.0; tickets: 119.3.0)

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): Francesco Gasparini

Afterpiece Title: Hooly and Fairly; or, The Highland Lad and Lowland Lass

Afterpiece Title: A Divertisement

Dance: 2nd piece to conclude with: Highland Reel-; In 3rd piece: Ballet, as17971013

Song: In V 1st piece: a Dirge, as17970925; In 2nd piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie- [recte Oggy]; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; The Little Farthing Rushlight-Graham

Event Comment: Benefit for Mrs Jordan. Times, 25 Apr.: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #296 14s. 6d. (234.7.6; 59.6.6; 3.0.6; tickets: none listed) (charge: #20)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Wedding Day

Event Comment: Benefit for Mrs Mattocks. 1st piece [1st time; INT 1, by John Cartwright Cross. Larpent MS 1213; not published]. Genest, VII 365, states that the Epilogue Address "was in all probability the Epilogue to Alonzo [by David Garrick]." 3rd piece: conclude with a Rural Procession: Four Lads bearing Streamers-Plough decorated with Flowers-Four Countrymen bearing a May-day Garland-Four Lasses Bearing Implements of Husbandry-Country Girls leading a Lamb, decorated with Flowers-Four Lasses bearing a Garland-a Chorus and Finale. Tickets delivered for Every One has His Fault will be admitted. Times, 17 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-garden. Receipts: #259 16s. 6d. (124.7.0; 2.13.0; tickets: 132.16.6)

Performances

Mainpiece Title: They've Bit The Old One; Or, The Scheming Butler

Afterpiece Title: The Jealous Wife

Afterpiece Title: May-Day; or, The Little Gipsey

Entertainment: Monologue. End 2nd piece: an Epilogue Address portraying the Characteristic Jealousies of the Spaniard, the Italian, the Dutchman, the Frenchman, & the Englishman,-Mrs Mattocks

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MF 2. Larpent MS 1210; not published]: Written by Charles? Dibdin, Founded on his Popular Novel under that Title, and enriched with a Selection of his most recent and favourite Songs. Do conclude with a new Finale by Dibdin. The Overture by Dibdin. "[It is a] wretched inanity; without interest, without humour, without character, original only in its dullness and unmatchable absurdity" (Monthly Mirror, May 1798, p. 306). 2nd piece: Compressed into Three Acts. 3rd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. Morning Herald, 18 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #511 13s. 6d. (251.7.6; 68.7.0; 1.13.0; tickets: 190.6.0) (charge: #212 19s.)

Performances

Mainpiece Title: Hannah Hewit; Or, The Female Crusoe

Afterpiece Title: The Inconstant

Afterpiece Title: The Son-in-Law

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

Event Comment: Benefit for Kelly. Ballet: By permission of the Proprietor of the Opera House. Composed by Gallet. With appropriate Dresses, Scenery, and Decorations. Times, 30 Apr.: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-fields. Receipts: #681 4s. (370.8.0; 45.1.6; 3.12.0; tickets: 262.2.6) (charge: #237 3s. 2d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue-Beard

Ballet: End II: the Grand Anacreontic Ballet, Bacchus et Ariadne. Bacchus-Laborie; Ariadne-Mme Lombard Laborie; Theseus-St. Pierre; Phedra-Miss D'Egville; Silenus-Blake; Cupid-Master Menage; Hymen-Miss Denys; Chief Persons of the Train of Bacchus representing Divinities of Olympus-Didelot, Mme Hilligsberg, Miss J. Hilligsberg; Deities of the Olympus, with a Grand Procession of Bacchanals, Bacchants, Nymphs, Satyrs, Fauns-The whole Corps de Ballet from the Opera House; the celebrated Pas de Quatre from Panurge-Didelot, Laborie, Mme Laborie, Mme Hilligsberg

Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 43, Gerrard-street, Soho. 2nd ballet: Music by J. Mazzinghi

Performances

Mainpiece Title: Elfrida

Dance: End I: Le Triomphe de Themis, as17971226; Pas Russe-Laborie, Mme Hilligsberg; End Opera: a new Pastoral Ballet in 4 acts, composed by S. Gallet, Elisa; ou, Le Triomphe de la Nature-Laborie, Mme Hilligsberg, Didelot, Mme Rose, Miss Hilligsberg, Mme Laborie, Gourlier, Master Laborie