SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Frances Maria Knight"/1) | (@(roleclean,performerclean) "Frances Maria Knight")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1047 matches on Performance Comments, 343 matches on Author, 161 matches on Performance Title, 135 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: The Music by Michael Arne. With a Grand Procession of the different Orders of the Knights of Chivalryv. [This was included in both subsequent performances.] Receipts: #161 18s. 6d. (121.12.0; 39.17.6; 0.9.0)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Mayor of Garratt

Dance: I: Dance of Cupids-; IV: a Dance of Daemons-. [These were danced in both subsequent performances.

Event Comment: Benefit for Baddeley. Public Advertiser, 13 Apr.: Tickets to be had of Baddeley, No. 2, Little Russel-street, Covent Garden. Mainpiece: The Music composed by Michael Arne. With a Grand Procession of the different Orders of the Knights of Chivalry. Receipts: #217 5s. (113/9; 35/8; 0/1; tickets: 68/7) (charge: #115 9s. 4d.)

Performances

Mainpiece Title: Cymon

Afterpiece Title: Jewish Education

Afterpiece Title: The Maid of the Oaks

Cast
Role: Maria Actor: Mrs Brereton

Dance: In Act IV of mainpiece a Dance of Daemons (performers not listed); End of Act I of afterpiece New Dance, as17820121

Event Comment: [Afterpiece in place of The Rival Knights and The Country Mad-Cap, both announced on playbill of 10 Nov.] Receipts: #178 13s. 6d. (175/3/0; 3/10/6)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Lord Mayor's Day

Event Comment: Benefit for Miss George. Gazetteer, 10 Apr.: Tickets to be had of Miss George, No. 23, King-street, St. Ann's. Mainpiece: With a Grand Procession of the different Orders of the Knights of Chivalry. Receipts: #141 19s. 6d. (60/8/0; 22/4/6; 0/15/0; tickets: 58/12/0) (charge: #117/19/0)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Englishman in Paris

Dance: As17831004

Song: End of Act II of mainpiece fifteen Mary's Lamentations; End of mainpiece The Soldier tir'd of War's Alarms, both by Miss George

Event Comment: Mainpiece: With a Grand Procession of the different Orders of the Knights of Chivalry. [This was included in all subsequent performances.] Receipts: #125 2s. 6d. (90/6/0; 34/11/0; 0/5/6)

Performances

Mainpiece Title: Cymon

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Cupids [performers not listed]; In Act IV a Dance of Daemons by Hamoir, &c. [These were danced, as here assigned, in all subsequent performances.]

Event Comment: Mainpiece: With a Grand Procession of the different Orders of Knights of Chivalry. Receipts: #121 5s. 6d. (82/5/0; 36/4/6; 1/18/6; tickets not come in: 0/17/6)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Romp

Dance: In Act I of mainpiece a Dance of Cupids [performers not listed]; In Act IV a Dance of Daemons by Hamoir, &c

Event Comment: Benefit for Miss Wilkinson. Mainpiece: Not acted these 4 years [acted 21 Apr. 1784]. With a Grand Procession of the Knights of Chivalryv. Public Advertiser, 7 May: Tickets to be had of Miss Wilkinson, No. 15, Martlet-court, Bow-street, Covent Garden. Receipts: #126 18s. (121.14; 5.4; tickets: none listed)

Performances

Mainpiece Title: Cymon

Afterpiece Title: Love and War

Cast
Role: Maria Actor: Miss Wilkinson

Dance: As17870425

Song: In afterpiece: Still the Lark finds Repose-Miss Wilkinson; End I: Tally@ho-Miss Wilkinson

Event Comment: Mainpiece: With a Grand Procession of the Knights of Chivalryv. Receipts: #133 3s. (125.18.6; 7.4.6)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Devil upon Two Sticks

Event Comment: Benefit for Wild. 1st piece: Written originally by Shakspeare [see E. K. Chambers,@William@Shakespeare, 1930, I, 539-42], and revised by Theobald. Not acted these 26 years [acted 6 May 1767. Hoy is identified in Not. Dram.]. 2nd piece [1st time; P 1, by Mark Lonsdale; music by William Reeve. Not in Larpent MS; not published]: Being partly new, and partly selected from the much admired Pantomimes of the Rival Knights, Provocation, &c. &c. Oracle, 26 May: Tickets to be had of Wild, No. 31, Long-Acre. Receipts: #188 15s. (47.5; 7.16; tickets: 133.14)

Performances

Mainpiece Title: Double Falsehood; Or, The Distrest Lovers

Afterpiece Title: Tippoo Saib; or, British Valour in India

Afterpiece Title: Barnaby Brittle

Dance: In 2nd piece: Battle Dance-, and a Representation of English and British Grand Martial Procession

Song: I: Hark the Lark at Heaven's Gate sings (set by Dr Cooke)-Bannister, Johnstone, Incledon, Mrs Mountain; End II: Black Eyed Susan-Incledon; IV: Fond Echo Forbear thy fond sigh (written by Shakspeare [recte Lewis Theobald], and composed new for the Evening's Performance by Shield)-Mrs Mountain; In Pantomime: Poor Orra tink on Yanco dear (the music by Dibdin)-Mrs Mountain; The Gallant Soldier born to Arms (composed by Hook)-Incledon; Indian War Song-Bannister; The Tobacco Box: Tho' the Fate of Battle on Tomorrow wait-Johnstone, Mrs Warrell

Event Comment: Mainpiece: [With alterations by John Philip Kemble] Not acted these 4 years. [In his prompt copy (1808) now in Harvard Theatre Collection Kemble's annotation lists the following as needed in the opening scene: 10 principals, Captain of the Guard, 3 Knights, 2 Pages, 2 Gentlemen with Crown, 2 Gentlemen with Map, Physician, Herald, 2 Ladies with Goneril, 2 Ladies with Regan, 2 Standard Bearers, 12 Guards. Nearly every scene opens or closes with drums and trumpets. In the storm scene, "Thunder and lightning; lamps down," i.e. the footlights lowered out of sight into a shallow trough. It is not unlikely that these arrangements were adhered to in this present revival.] "Kemble said that, however singular it might be, in Lear an audience quite unsettled him; the noise of the box-doors caught his ear, and routed all his meditated effects; and he found it absolutely impossible to do that at night which he had thrown out during the rehearsal in the morning" (Boaden, Siddons, II, 376). Receipts: #350 9s. 6d. (310.9.6; 38.12.0; 1.8.0)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Deserter

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Wicklow Mountains

Performance Comment: Characters by Incledon, Johnstone, Fawcett, Bowden, Townsend, Haymes, Thompson, Mrs Clendining, Mrs Mountain. [Cast from O'Keeffe's Dramatic Works, Vol. II (T. Woodfall, 1798): Felix-Incledon; Sullivan-Johnstone; Billy O'Rourke-Fawcett; Redmond O'Hanlon-Bowden; Franklin-Townsend; Donnybrook-Haymes [in text: Richardson]; Dross-Thompson [in text: Knight]; Helen-Mrs Clendining; Rosa-Mrs Mountain; Irish Peasantry Defenders and White Boys-Linton, Street, Follett, Simmons, Spofforth, Blurton, Abbot, Wilde, Curties, Mrs Castelle, Mrs Watts, Miss Walcup, Mrs Follett, Miss E. Walcup, Mrs Masters, Mrs Norton, Mrs Lloyd, Mrs Blurton, Miss Owen, Miss Logan, Miss Leserve, Mrs Henley.

Performances

Mainpiece Title: Richard Coeur De Lion

Performance Comment: As17961103, but Chorus of Knights-_; Chorus of Soldiers-_; Chorus of Peasants-_.
Cast
Role: Maria Actor: Miss Miller.

Afterpiece Title: The Child of Nature

Afterpiece Title: The Apprentice

Dance: III 1st piece: Dance, as17961019

Ballet: End 2nd piece: The Scotch Ghost. As17961112

Performances

Mainpiece Title: Lover's Vows

Performance Comment: As17981101, but Count Cassel-Mansel (1st time) in place of Knight.

Afterpiece Title: The Magic Oak

Music: As17990205

Event Comment: An accurate Edition of the [mainpiece] to be had in the Theatre. "The Prince, we observed, wore the regimentals of an English officer, and the star of a knight of the Bath or Garter. We know not well how this can be thought the costume of either Messina or Arragon" (Monthly Mirror, Oct. 1799, p. 237). Receipts: #252 16s. (151.11; 100.11; 0.14)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: No Song No Supper

Song: In II: Masquerade-;, and Stevens' Glee, Sigh no more Ladies-Dignum, Danby, Evans, Danby Jun., Miss Wentworth, Miss Menage

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: The Social Songsters

Performance Comment: As18000426, but added: The Tight Little Island-Townsend; When Arthur first at Court began-Incledon, Linton, Denman; Old Towler-Incledon; Naval History-_; My Dolly was the fairest Thing-_; The Red Cross Knight-_; This Life is like a Country Dance-_.

Afterpiece Title: Netley Abbey

Dance: End II 1st piece: the Duchess of York's New Minuet and Waltz= (The Music composed by Alde [recte Alday], Dance by D'Egville)-Master and Miss D'Egville; In 2nd piece: Dance-Master D'Egville, Miss Packwood, Miss D'Egville

Entertainment: Monologue. End I 1st piece: Appropriate Address written on the Occasion-Mrs Mattocks

Performances

Mainpiece Title: The Heir At Law

Cast
Role: Dick Dowlas Actor: Knight

Afterpiece Title: The Reviv'd Anacreontics [i

Performance Comment: e. The Sons of Anacreon]. President (with the Anacreontic Song)-Incledon; The Tight Little Island-Townsend; From Night till Morn I take my Glass-Johnstone, Incledon; A Favorite Comic Song-Fawcett; The Red Cross Knight-Incledon, Linton, Denman; The Awkward Recruit (never performed)-Munden; Beviamo-Incledon, Johnstone, Townsend, Linton.

Afterpiece Title: The Castle of Sorrento

Song: End II 1st piece: The Witches, as18000415, but added: Denman, +Street

Performances

Mainpiece Title: Lover's Vows

Cast
Role: Count Cassel Actor: Knight

Afterpiece Title: Oscar and Malvina

Song: End II: The Fox Stag and Hare (written by T. Dibdin, and composed by Davy)-Incledon; End IV: The Anchor Smiths-Townsend; End: The Red Cross Knight-Incledon, Linton; afterpiece: I am a jolly gay Pedlar, as18000308Come every jovial fellow, as18000308O ever in my bosom live-Miss Wheatley, Mrs Atkins

Performance Comment: Dibdin=, and composed by Davy)-Incledon; End IV: The Anchor Smiths-Townsend; End: The Red Cross Knight-Incledon, Linton; afterpiece: I am a jolly gay Pedlar, as18000308Come every jovial fellow, as18000308O ever in my bosom live-Miss Wheatley, Mrs Atkins.

Entertainment: End: a Variety of Imitations-Rees

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: A Song for Every Body

Performance Comment: Polly Oliver (1st time)-Fawcett; a Favourite Ballad-Mrs Mountain; The Red Cross Knight-Mrs Mountain, Trueman, Fisher.

Afterpiece Title: Obi