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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Frances Maria Knight"/1) | (@(roleclean,performerclean) "Frances Maria Knight")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1593 results for: Keyword - Frances Maria Knight
We found 1047 matches on Performance Comments, 343 matches on Author, 161 matches on Performance Title, 135 matches on Event Comments, and 0 matches on Roles/Actors.

1526
10 January 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. There is no certainty that this is the premiere of this play; in fact, there is uncertainty concerning the first production, for Nell Gwyn saw a play on 19 March 1673@4, The Country Knight, about which nothing otherwise is known and which might be this play. Nevertheless, the fact that the play was not entered in the Term Catalogues until May 1676 makes it unlikely that the play was first acted two years before its publication, especially since it became a moderately popular play

Performances

Mainpiece Title: The Country Wit

1527
29 October 1677 @ The City, London

Performances

Mainpiece Title: London's Triumphs

Performance Comment: Illustrated with many Magnificent Structures and Pageants. On which are orderly expressed Several Stately Representations of Poetical Deities, sitting and standing in great spdendor on several Scenes in proper Shapes. With Pertinent Speeches, Jocular Songs (sung by the City Musick), and Pastoral Dancing. Performed October 29, 1677, for the Celebration, Solemnity and Inauguration of the Right Honourable Sir Francis Chaplin, Knight, Lord Mayor of the City of London. At the Charge and Expences of the Industrious Designs, being the sole Undertaking of the Ancient and Right Worshipful Society of Clothworkers. Designed and Composed by Tho. Jordan.

1528
29 October 1678 @ The City, London

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Tuesday, October XXIX. 1678. For the Entertainment of the Right Honourable, and truly Noble Pattern of Prudence and Loyalty, Sir James Edwards Knight, Lord Mayor of the City of London. Containing a true Description of the several Pageants, with the Speeches spoken on each Pageant. Together with the Songs sung in this Solemnity. All set forth at the proper Costs and Charges of the Worshipful Company of Grocers. Designed and Composed by Tho. Jordan, Gent.

1529
29 October 1679 @ The City, London

Performances

Mainpiece Title: London In Luster

Performance Comment: [Projecting Many bright beams of Triumph: Disposed with Several Representations of Scenes and Pageants. Performed with great Splendor on Wednesday, October XXIX. 1679] At the Initiation and Instalment of the Right Honourable Sir Robert Clayton, Knight, Lord Mayor of the City of London. Dignified with divers delightfull Varieties of Presentors, with Speeches, Songs, and Actions, properly and punctually described. All set forth at the proper Cost and Charges of the Worshipful Company of Drapers. Devised and Composed by Tho. Jordan, Gent.

1530
02 February 1680 @ Dorset Garden Theatre

Event Comment: The True News; or, Mercurius Anglicus, 4-7 Feb. 1679@80: On Munday night last happened a great dispute in the Duke's Play-house, some Gentlemen in their Cupps entring into the Pitt, flinging Links at the Actors, and using several reproachfull speeches against the Dutchess of P. and other persons of Honour, which has occasioned a Prohibition from farther Acting, till his Majesties farther pleasyre. A letter written by the Dowager Countess of Sunderland to Henry Sidney, dated 6 Jan. 1679@80 [possibly misdated] refers to disorders which are similar to those recorded in The True News: You must needs hear of the abominable disorders amongst us, calling all the women whores and the men rogues in the playhouses--throwing candles and links--calling my Lord Sunderland traitor, but in good company; the Duke of York?, rascal; and all ended in "God bless his Highness, the Duke of Monmouth. We will be for him against the world." I am told they may be fined a great deal if they are prosecuted. Two of these are knights of shires, Sir Scroope How, and my Lord Wharton's@eldest son; the only sufferer yet is Porter. They are ashamed, I hear, and afraid (R. W. Blencowe, Diary of the Times of Charles the Second by the Honourable Henry Sidney [London, 1843], I, 237)

Performances

1531
29 October 1681 @ The City, London

Performances

Mainpiece Title: London's Joy; Or, The Lord Mayor's Show

Performance Comment: Triumphantly Exhibited in Various Representations, Scenes, and splendid Ornaments, with divers pertinent Figures and Movements: Performed on Saturday, October XXIX. 1681. At the Inauguration of the Right Honourable Sir John Moore, Knight, Lord Mayor of the City of London. With the Several Speeches, and Songs, which were spoken on the Pageant in Cheapside, and Sung in Guild-Hall during Dinner. All the Charges and Expences of the Industrious Designs being the sole Undertaking of the Worshipful Company of Grocers. Devised and Composed by Tho. Jordan, Gent.

1532
29 October 1683 @ The City, London

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Monday, October XXIX 1683. For the Entertainment of the Right Honourable, and truly Noble Pattern of Prudence and Loyalty, Sir Henry Tulse, Knight, Lord Mayor of the City of London. Containing A Description of the whole Solemnity. With Two new Songs set to Musick.

1533
29 October 1684 @ The City, London

Performances

Mainpiece Title: London's Royal Triumph For The City's Loyal Magistrate In An Exact Description Of Several Scenes And Pageants, Adorned With Many Magnificent Representations

Performance Comment: Performed on Wednesday, October XXIX. 1684. At the instalment and Inauguration of the Right Honourable Sir James Smith, Knight, Lord Mayor of the City of London. Illustrated with divers Delightful Objects of Gallantry and Jollity, Speeches and Songs, Single and in Parts. Set forth at the Proper Costs and Charges of the Worshipful Company of Drapers. Devised and Composed by Tho. Jordan, Gent.

1534
29 October 1686 @ The City, London

Performances

Mainpiece Title: London's Yearly Jubilee : Performed On Friday October Xxix

Performance Comment: 1686. For the Entertainment of the Right Honourable Sir John Peale, Knight, Lord Mayor of the City of London. With a Description of the several Pageants, Speeches and Songs, made proper for the Occasion. All set forth at the proper Costs and Charges of the Right Worshipful the Company of Mercers. Composed by M. Taubman.

1535
02 April 1691 @ Bedford Gate, Charles Street

Event Comment: London Gazette, No 2648, 26-30 March 1691: The New Consort of Musick, performed by Mr Frank and Mr Knight, in Charles-street, Covent-Garden (which was designed for Mondays and Thursdays) will be continued on Thursday next, at the usual hours, and every Thursday for the future, except the Thursday in Passion-Week

Performances

Mainpiece Title: Concert

1536
30 October 1693 @ The City, London

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Monday October 30, 1693. For the Entertainment of the Right Honourable Sir William Ashurst, Knight, Lord Mayor of the City of London. Containing A True Description of the several Pageants; with the Speeches Spoken on each Pageant. All set forth at the proper Cost and Charges of the Worshipful Company of Merchant Taylors. Together with The Festival Songs for His Lordship and the Companies Diversion.

1537
July 1696 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. There may have been a revival of Oedipus in the summer of 1696. In Francis Manning's Poems upon Several Occasions and to Several Persons (1701) there is a poem To Mr Betterton, Acting Oedipus King of Thebes. The first stanza describes the splendor of the installation of the Duke of Gloucester as a Knight of the Garter, an event which occurred at Windsor Castle in July 1696; but there is no certainty that Betterton's performance occurred before that date. It should be noted also that the play was reprinted in 1696

Performances

Mainpiece Title: Oedipus, King Of Thebes

1538
15 February 1697 @ Drury Lane Theatre and Lincoln's Inn Fields

Event Comment: James Brydges, Diary: I went to ye Playhouse in Covent Garden where I met Mr Knight, after wch I went to yr other playhouse, & there saw Sr Charles Barinton, & Mr Mildmay; before ye play was done, I came hence home (Huntington MS St 26)

Performances

1539
09 January 1700 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. This performance was probably the first day of this revival, for Matthew Prior wrote to Abraham Stanyan, 8 Jan. 1699@1700: To-morrow night Betterton acts Falstaff, and to encourage that poor house the Kit Katters have taken one side-box and the Knights of the Toast have taken the other (HMC, Bath MSS. [London, 1908], III, 394). See also 28 Jan. 1699@1700. The play was advertised in the London Gazette, No. 3601, 13-16 May 1700, and the title page states: Reviv'd, with Alterations. Written Originally by Mr Shakespear

Performances

Mainpiece Title: King Henry The Fourth; With The Humours Of Sir John Falstaff

1540
31 May 1704 @ Drury Lane Theatre

Event Comment: Benefit Mrs Knight. Not Acted there these Six Years. Written by the late Sir George Etheridge

Performances

Mainpiece Title: The Comical Revenge

Dance: duRuel, Cherrier, others

Song: And at the Desire of some Persons of Quality, several Entertainments of Singing in Italian- the Famous Segniora Francisca Margareta del'Epine being the best Songs she has Sung in England, the Musick that accompanies her compos'd by Signior Giacomo Greber; also an English Song of the late Mr Henry Purcell's-Segniora Francisca Margareta del'Epine

1541
27 March 1706 @ Drury Lane Theatre

Event Comment: Benefit Mrs Knight

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Song: Leveridge, Ramondon, Mrs Lindsey, the Boy

Dance: As17051227

1542
10 May 1711 @ Drury Lane Theatre

Event Comment: Benefit Mrs Knight. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: The Stage Coach

1543
12 May 1714 @ Drury Lane Theatre

Event Comment: Benefit Mrs Knight. At the Desire of several Persons of Quality. Written by Ben. Johnson

Performances

Mainpiece Title: Volpone

Dance: Mrs Santlow

1544
31 March 1715 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Knight. Mainpiece: Not Acted these Six Years. Receipts: #141 1s

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: The Beau Demolished

Song: A Dialogue-Leveridge, Pack; A Trumpet Song-Rawlins; The New Boy

Dance: As17150125; particularly An Italian Night Scene between Harlequin, Scaramouch, and Punch-

1545
31 March 1718 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Knight. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: Hob

Afterpiece Title: The Jealous Doctor

Dance: As17171022

1546
07 March 1719 @ King's Theatre

Event Comment: Performed after the French Manner. With New Scenes and Decorations proper to the Play. In which will be seen a Battle on Horseback between the Knight of the Sun and the Emperour of the Moon, call'd in French La Cavalcade Espagnol, a Performance never yet seen in England

Performances

Mainpiece Title: Arlequin Empereur Dans La Lune; Or, Harlequin Emperor In The Moon

Entertainment: A new leap over 14 Men-the Tumblers

1547
17 October 1721 @ Drury Lane Theatre

Event Comment: Written by Sir Richard Steele, Knight

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplish'd Fools

Dance:

1548
18 October 1721 @ Drury Lane Theatre

Event Comment: Written by Sir Richard Steel, Knight

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Dance: Mrs Booth, Shaw, Denoyer, Mrs Younger

1549
08 April 1743 @ Lincoln's Inn Fields

Event Comment: By Desire of the Knights of the Antient and Most Noble Order of the Golden Fleece. Benefit the Office-Keeper. [See letter in today's Daily Advertiser, for support of Cibber's Careless Husband: were its Author dead would be universally esteem'd one of the most polite Comedies in the World.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

1550
20 October 1744 @ Haymarket Theatre

Event Comment: At common prices. At the particular Desire of several Persons of Distinction who attend the Instalment of the Knights of the Bath, this Play is not to begin till exactly at half an hour after six, at which time the Curtain will be drawn up

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Gardener's Wedding

Music: Between the acts: Select Pieces of Musick-; Singing-Mrs Hill; III: The Noon Tide Air from Comus-Mrs Hill