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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Forest June"/1) | (@(roleclean,performerclean) "Forest June")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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797 results for: Keyword - Forest June
We found 648 matches on Event Comments, 110 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

651
17 June 1791 @ King's Theatre

Event Comment: Benefit for Badini. Gazetteer, 18 June: The novelty of the evening was what was called the singing of a Tulip and a Rose; that is, of two performers concealed in pedestals, upon which were placed pots of flowers

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Divertissement, as17910523

Ballet: End II: L'Amadriade. As17910517, but The Minuet de la Cour-Vestris Sen. as17910505

652
20 June 1791 @ Haymarket Theatre

Event Comment: [Prologue by John Peter Roberdeau (European Magazine, Aug. 1791, p. 141).] "Of Palmer Sen.'s? acting the chief fault is...a manner by far too juvenile. He has very much the turn of countenance and mode of speech suitable to Falstaff, but his gait has no appearance of debility or infirmity, and is such as any man might use, incumbered by the same dress" (Gazetteer, 21 June)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: King Henry the Fourth [Part I]

Dance: End II: Triple Hornpipe, as17910617

653
21 June 1791 @ Pantheon, Oxford Street

Event Comment: [Opera in place of Idalide, advertised in Morning Post, 20 June.

Performances

Mainpiece Title: La Locanda

Dance: As17910610

654
11 May 1792 @ Covent Garden

Event Comment: Benefit for Mrs Mountain. 1st piece: Not acted these 4 years [acted 22 May 1789]. 3rd piece: Not acted these 18 years [acted 3 June 1783]. Morning Herald, 27 Apr.: Tickets to be had of Mrs Mountain, No. 9, Bow-street, Covent Garden. Receipts: #119 10s. (117.12.6; 1.17.6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Irishman in London

Afterpiece Title: The Golden Pippin

Song: In 2nd piece: As17920421; End II: a Selection of the most favourite Catches and Glees from Harrison and Knyvett's Vocal Concert-; O let the merry peal go on-(Danby); When Arthur first in Court began-(Callcott); Tweedside What beauties does Flora-(Corfe); Come let us all a Maying go-(Hilton)

655
31 May 1792 @ Covent Garden

Event Comment: [In afterpiece the playbill retains Courtney, but "Oscar and Malvina, May 31, went off remarkably well, though Courtney, the piper, was not present. Weippert, with his harp, undertook the whole piece by himself, with wonderful execution and taste" (Morning Herald, 2 June).] Receipts: #238 11s. (235.11.6; 2.19.6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Oscar and Malvina

Music: The Harp and Pipes, as17920125, but _Courtney

656
05 June 1792 @ Drury Lane at King's Theatre

Event Comment: Mainpiece in place of She Wou'd and She Wou'd Not, advertised on playbill of 4 June.] Receipts: #194 9s. (119.8; 60.13; 14.8)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: No Song No Supper

657
06 June 1792 @ Drury Lane at King's Theatre

Event Comment: [Afterpiece in place of High Life below Stairs, advertised on playbill of 5 June.] Receipts: #233 2s. (180.16; 47.8; 4.15; ticket not come in: 0.3)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The First Floor

658
07 June 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for the young D'Egvilles, Johnstone, Nix & Dale. Morning Herald, 7 June: Tickets to be had of the young D'Egvilles, No. 18, Broad-street; of Johnston, No. 15, Martlet-court, Bow-street, Covent-Garden; of Nix, No. 8, Little Russel-street, Covent-garden; of Dale, No. 26, Stanhope-street, Claremarket. Receipts: #518 6s. (86.14.6; 29.1.0; 10.8.0; tickets: 392.2.6) (charge: #171 15s.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Bon Ton

Dance: End: a new Dance, Provision for the Convent; or, The Fryars' Frolick-G. D'Egville, Hamoir, Miss Fanny D'Egville, Sophia D'Egville, Miss DeCamp

Song: As17911003

Ballet: End I: a new Dance, The Martial Nymph; or, The Conquered Scythian. The Scythian-George D'Egville; Nymphs-Miss DeCamp, Miss Fanny D'Egville; The Victorious Nymph-Miss Sophia D'Egville

659
09 June 1792 @ Haymarket Theatre

Event Comment: The Last Opera this Season. "La Bella Pescatrice terminated the season at this place, on Saturday last, before an audience which fully occupied the house in all parts. The stage overflowed with nobility" (Morning Herald, 11 June)

Performances

Mainpiece Title: La Bella Pescatrice

Dance: As17920607

Ballet: La Foire de Smirne. As17920607

660
11 June 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Mme Mara. Morning Chronicle, 4 June; Tickets to be had of Mme Mara, No. 25, Queen Anne-street, East. Receipts: #233 5s. 6d. (170.5.6; 56.9.0; 6.11.0; tickets: none listed) (charge: #161 10s.)

Performances

Mainpiece Title: Dido Queen Of Carthage

Afterpiece Title: The Citizen

661
19 June 1792 @ Haymarket Theatre

Event Comment: [2nd piece in place of Summer Amusement, advertised on playbill of 18 June.

Performances

Mainpiece Title: Poor Old Hay-market

Afterpiece Title: The Battle of Hexham

Afterpiece Title: The Village Lawyer

662
28 June 1792 @ Haymarket Theatre

Event Comment: [Afterpiece in place of Poor Old Hay-Market, advertised on playbill of 27 June.

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Liar

663
07 March 1793 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MD 2, by James Boaden. Larpent MS 970; not published]: The Music principally composed by Attwood, with Airs selected from the works of Giornovichi and the late Mozart. Account-Book, 28 June: Paid Boaden for Ozmyn and Daraxa #100. Receipts: #270 1s. 6d. (196.6.6; 67.19.0; 5.16.0)

Performances

Mainpiece Title: At king's She Wou'd And She Wou'd Not

Afterpiece Title: Ozmyn and Daraxa

Dance: In afterpiece: Miss Menage, the Miss D'Egvilles

664
18 April 1793 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. [In mainpiece the playbill lists Mrs Esten, but "Previous to the play an apology was made in behalf of Mrs Davis, who had undertaken Mrs Esten's character in consequence of the indisposition of the latter lady. [After considerable objection] Mrs Davis was well received in the part" (Thespian Magazine, June 1793, p. 4).] Public Advertiser, 3 May 1793: This Day is published How to Grow Rich (1s. 6d.). Receipts: #257 17s. 6d

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: The Poor Soldier

Dance: End: The Bouquet, as17930415

665
20 April 1793 @ Drury Lane Theatre

Event Comment: ["We were sorry to see such an actor as Dodd descend into Buffoonery; in the dying scene of Roderigo he reminded us of the death of the Clown in Harlequin Skeleton" (Thespian Magazine, June 1793, p. 1).] Receipts #164 1s. (156.4; 7. 17)

Performances

Mainpiece Title: At Hay Othello

Afterpiece Title: The Prize

666
22 April 1793 @ Covent Garden

Event Comment: Benefit for Author [of mainpiece, who is named in MS annotation on BM playbill (cg, Vol. VIII). "Mrs Pope was taken ill in the course of the performance, and the remainder of the part was read by Miss Chapman" (Thespian Magazine, June 1793, p. 5)]. Receipts: #321 4s

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: The Midnight Wanderers

Cast
Role: Sir Gregory Forester Actor: Quick
Role: Peregrine Forester Actor: Munden
Role: Captain Forester Actor: Macready

Dance: As17930418

667
23 April 1793 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill assigns Horatio to Kemble, but he "being indisposed, Harley was the Horatio" (Thespian Magazine, June 1793, p. 1).] Receipts: #129 7s. (123.0; 6.7)

Performances

Mainpiece Title: At Hay The Fair Penitent

Afterpiece Title: The Cheats of Scapin

668
25 April 1793 @ Drury Lane Theatre

Event Comment: Benefit for Suett and Barrymore. [In mainpiece the playbill assigns Valentine to Barrymore and Scandal to Bensley, but "previous to the play an apology was made for the appearance of Whitfield in Valentine, as Barrymore had undertaken Scandal, in consequence of Bensley's being afflicted with a violent hoarseness" (Thespian Magazine, June 1793, p. 2).] Morning Herald, 25 Apr.: Tickets to be had of Suett, No. 21, King-street, Bloomsbury; of Barrymore, No. 11, Bedford-street, Bedford-row. Receipts: #447 10s. (95.19; 43.16; 6.1; tickets: 301.14). (charge: #159 0s. 4d.)

Performances

Mainpiece Title: At King's Love For Love

Afterpiece Title: The Devil to Pay

669
26 April 1793 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill retains Palmer as Woodville , but "The curtain was dropped in the middle of the first act, and after a delay of near half an hour, Barrymore informed the audience Palmer was not come to the theatre...and therefore solicited permission for Benson to [act] Woodville, which he had undertaken at a few minutes' notice. Benson (who had played the two first scenes of Vane) agreeable surprised the audience by his representation of Woodville" (Thespian Magazine, June 1793, p. 2). Who continued in the part of Vane (which cannot be doubled with that of Woodville) is not stated. R. Palmer, who acted it on 14 Feb., was indisposed.] Receipts: #175 4s. (117.16; 52.14; 4.14)

Performances

Mainpiece Title: At King's The Chapter Of Accidents

Afterpiece Title: The Prize

670
27 April 1793 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill retains Packer as Melanthon and Mrs Siddon as Euphrasia , but "Mrs Powell was the substitute for Mrs Siddons, and acquitted herself very ably. Melanthon was read by Maddocks [which part can be doubled with Greek Herald ]" (Thespian Magazine, June 1793, p. 3).] Receipts: #109 5s. (101.0; 8.5)

Performances

Mainpiece Title: At Hay The Grecian Daughter

Afterpiece Title: The Prize

671
29 April 1793 @ Drury Lane Theatre

Event Comment: Benefit for the Orphan Daughters of the late Mr Wrighten, prompter. [In mainpiece the playbill retains Mrs Kemble as Charlotte, but "Mrs Ward read Charlotte " (Thespian Magazine, June 1793, p. 3).] Receipts: #548 12s. 6d. (137.4.6; 32.11.0; 2.17.0; tickets: 376.0;0) (charge: #147 11s. 6d.)

Performances

Mainpiece Title: At King's The Gamester

Afterpiece Title: The Romp

672
09 May 1793 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Goodall and Mrs Bland. [In mainpiece the playbill retains Kemble as Beverley , but "Kemble being ill, Whitfield played Beverley" (Thespian Magazine, June 1793, P. 3).] Morning Herald, 4 May: Tickets to be had of Mrs Goodall, No. 13, Russel-street, Covent-Garden; of Mrs Bland, No. 12, St. Albans-street, Pall-Mall. Receipts: #432 4s. (74.19.0; 40.1.6; 7.8.0; tickets: 309.15.6) (charge: #169 10s. 8d.)

Performances

Mainpiece Title: At King's All In The Wrong

Afterpiece Title: No Song No Supper

673
22 May 1793 @ Drury Lane Theatre

Event Comment: Benefit for Whitfield and Mrs Ward. Afterpiece [1st time; F 2, by-Fernside, for whose authorship see Kemble Mem., based partly on Love's Cure; or, The Martial Maid, probably by Philip Massinger. Incidental music by Richard Suett]. Public Advertiser, 15 May: Tickets to be had of Whitfield, under the Great Piazza; of Mrs Ward; No. 6, York-street, Covent-Garden. Morning Herald, 12 June 1793: This day is published The Female Duellist (1s.). Receipts: #469 13s. 6d. (51.4.0; 33.9.0; 8.4.0; tickets: 376.16.6) (charge: #158 17s. 2d.)

Performances

Mainpiece Title: At King's A Trip To Scarborough

Afterpiece Title: The Female Duellist

Song: End: As on the pleasant banks of Tweed-Master Welsh

674
27 May 1793 @ Covent Garden

Event Comment: Benefit for Wild. 2nd piece [1st time; F 1, by Robert Woodbridge]. Morning Herald, 4 June 1793: This day is published The Pad (price not listed). 3rd piece [1st time; BALL. P 2 (?), by James Byrn, altered from his The Provocation!]: The Incidents partly new, and partly selected from the much admired Pantomime called Provocation. In the course of the Pantomime a representation of an Engagement between an English and French Man of War; A Ship-wreck; The original Allegoric Scene from Provocation: A View of an English Camp; A Naval and Military Procession. Morning Herald, 9 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #335 1s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck; or, French Ingratitude

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

675
01 June 1793 @ Drury Lane Theatre

Event Comment: Benefit for Caulfield, Miss DeCamp, Miss Tidswell & Miss Heard. [In mainpiece the playbill assigns Mr Worthy to Benson but "an apology was made for the absence of Benson...His part of Worthy was read by Whitfield" (Thespian Magazine, July 1793, p. 50).] Tickets delivered for the 8th of June will be admitted. Morning Herald, 24 May: Tickets to be had of Caulfield, No. 8, Dartmouth-street, Westminster; of Miss DeCamp, No. 70, Tottenham-Court-Road; of Miss Tidswell, No. 3, Little Charles-street, St. James's-square; of Miss Heard, No. 13, Panton-street, Hay-market. Receipts: #182 3s. (28.17; 3.5; tickets: 150.1) (charge: #86 8s.)

Performances

Mainpiece Title: At Hay The Recruiting Officer

Afterpiece Title: The Mariners