Event Comment: Benefit for Reinhold. Mainpiece: By Particular Desire. [Tenducci advertised to play Arbaces for "positively the last time this season."] Tomorrow Isabella; or, the Fatal Marriage [which seems to indicate Garrick's adaption]. Charges #73 11s. Balance to Reinhold #55 15s. 6d., plus 90 10s. from tickets (Box 259; Pit 127; Gallery 67) (Account Book). Receipts: #55 15s. 6d

Event Comment: Boxes 10s. 6d. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. Places for the Boxes to be taken of Sarjant (only) at the Stage Door. Books of the Oratorios to be had at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. The date of Tenducci's re-appearance in London seems to have been a matter of some uncertainty (see dl, 10 Feb.)]

Event Comment: Mainpiece [1st time in London; co 3, 1st acted at Smock Alley Theatre, Dublin, 30 Jan. 1784. MS: Larpent 703, not published]: Written by [Robert] Jephson [with lyrics by Sir Nathaniel Barry (Larpent MS). In 1787 abridged by John O'Keeffe as Love and War]. With new Scenes and Decorations. A new Overture by the celebrated Haydn. The Airs by David Rizzio, [J. C] Bach, Paisiello, Duni, Carolan, Shield and Tenducci [i.e. "The Music partly compiled by Tenducci; the new Airs composed by Shield" (notice on playbill of 11 May)]. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Lying Valet, announced on playbill of 11 May.]

Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally, adapted from the same, by Michel Jean Sedaine. Not in Larpent MS; not published; synopsis of plot in Morning Chronicle, 17 Oct. For text of abridged version see 21 Oct.]: Taken from the celebrated French Opera of that Name. With the original Overture, Airs, Duetts, Trios, Chorusses and Finale, by the celebrated Gretry. To which are added Compositions by the following Masters; Anfossi, Bertoni, Duni, David, Rizzio, Carolan, Tenducci, and Shield. With new Dresses, Scenery and other Decorations. Books of the Songs to be had at the Theatre. [The printed score (Longman & Broderip, c. 1786) indicates that the music was adapted by Shield; it does not refer to Duni, Rizzio or Tenducci, but includes Philip Hayes and John Wilson. After the 1st 4 performances the mainpiece was reduced to an afterpiece of 3 short acts; see 21 Oct.] Account-Book, 28 Nov.: Paid Macnally in full for Coeur de Lion #121 18s. 6d. "Inchbald we thought [was] rather hardly dealt with. His voice happened to fail him in a particular turn of the tune he was singing, and some of the audience were ungenerous enough to disconcert him so far that he made a modest bow and retired [leaving his part unfinished. In consequence of this] a duet that was to have been sung by the King from the battlements of the castle, and Blondel without the walls, on which the turn of the fable hinged, was omitted; a circumstance that could not but materially affect the intrinterest, as it destroyed the connexion of the fable" (Morning Chronicle, 17 Oct.). [The following day Inchbald withdrew from his engagement at cg.] Receipts: #249 12s. 6d. (247.11.6; 2.1.0)

Event Comment: Music composed by Dr Arne. Pit and Boxes will be laid together at Half a Guinea, and no person to be admitted without Tickets, which may be had at Dr Arne's in the Piazza next the Church, Covent Garden, and of Varney at the Stage Door of the Theatre. First Gallery 5s. Upper Gallery 3s. 6d. [Information concerning this Oratorio appeared in the Public Advertiser, 23 Feb.. "on Saturday last the New Oratorio called Judith, composed by Dr Arne, to be at Drury Lane on Friday, was rehearsed at the House of a Lady of Quality, where was present a numerous Assembly of the First Distinction, who honoured it with the highest approbation. We are assured that in the Sacred Oratorio, Sg Tenducci has obtained Permission from his Plaintiff, to sing the part which Signora Eberhardi was so obliged as to understudy for him, in Case he could not obtain such Indulgence."