SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English Scotch and Irish Ballads"/1) | (@(roleclean,performerclean) "English Scotch and Irish Ballads")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1509 matches on Performance Title, 553 matches on Event Comments, 480 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Authority of the Lord Chamberlain. At the request of several of the Scotch Nobility. Benefit for Raeburn. Mainpiece: In its original state, as it was written by Allan Ramsay in 1724 [recte 1725]. The Characters to be entirely new dressed. The Doors to be opened at 5:00. To begin at 6:00. No persons to be admitted behind the scenes, nor any money returned after the curtain is drawn up. Ladies are requested to send their servants by Five to keep places. Tickets to be had of Raeburn, No. 4, Gloucester-court, St. James's; of Walker, the Globe, Pall-mall; of Mackintosh, the George, East Harding-street, Shoe-lane; of Watson, the Fleece, Little Windmill-street (being the original Scotch house); of Mrs Shaw, the St. Andrew, near the Armitage-bridge, Wapping

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Related Works
Related Work: The Gentle Shepherd Author(s): Cornelius Vandertop

Afterpiece Title: Wit's Last Stake

Performance Comment: Linger-Ryder; Savell [Saville]-Bland; Cavet [Caveat]-Aberdein; Itam [Item]-Brown; Boy-Middleton; Martin Sly-Smith; Mrs Watch [Mrs Watchly]-Mrs Reid; Mira [Myra]-Miss Bouton; Lucata [Lucetta]-Mrs Lefevre .
Cast
Role: Saville] Actor: Bland

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

Performances

Mainpiece Title: The Wonder

Afterpiece Title: A Fete

Performance Comment: Scene l. A Church-yard by Moonlight. Poor ThomasDay by Barrymore, Chapman, Suett. Scene II. A Masquerade Scene. Song by Miss George, and a Scotch Reel, as17830920. Scene III. Time has not thinn'd my flowing Hair by Williames and Miss Phillips, scene the last. A Rural Prospect. Tally-ho! by Mrs Wrighten, and The Sportsmen's Return, as17840311athi .

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: Gretna Green

Performance Comment: Rorey-Suett; Captain Gorget-Bannister; Crack-Abbot; Landlord-Ledger; Anvil-Waldron Jun.; Sexton-Burton; Tipperary-R. Palmer; Signora Figurante-Mrs Bland; Lady Pedigree-Mrs Hopkins; Scotch Woman-Miss Tidswell; Miss Plumb-Mrs Gibbs.
Cast
Role: Landlord Actor: Ledger
Role: Signora Figurante Actor: Mrs Bland
Role: Scotch Woman Actor: Miss Tidswell

Afterpiece Title: The Liar

Cast
Role: Polly Actor: Mrs Bland

Afterpiece Title: Bannian Day

Cast
Role: Villagers Actor: Mrs Bland, Miss Leak, Miss DeCamp
Role: Polly Actor: Mrs Bland

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Oscar and Malvina

Performance Comment: As17980327but Malvina-Mlle St.Amand; Scotch Lassie-Mrs Iliff [who also took Mrs Mountain's part in the songs].who also took Mrs Mountain's part in the songs].
Event Comment: [Following the 2nd piece the playbill lists The Scotch Ghost, but "The Public is most respectfully informed that in consequence of the very sudden and violent indisposition of Signora Bossi DelCaro it is not in her power to have the honour of appearing before them this Evening, and there being no other person who can supply her place, The Scotch Ghost...is unavoidably obliged to be omitted" (printed slip attached to Kemble playbill).] Receipts: #188 7s. (127.14; 59.18; 0.15)

Performances

Mainpiece Title: Blue-beard

Cast
Role: Courtal Actor: Holland

Afterpiece Title: The Lying Valet

Cast
Role: Gayless Actor: Holland

Afterpiece Title: Of Age To-morrow

Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17971004, but Sir Francis Gripe-Quick; Miranda-Miss Betterton.
Cast
Role: Miranda Actor: Miss Betterton.

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Performance Comment: As17980214, but The Argument-. [The Ballet (principally taken from Historical facts) commences with a Grand Battle before the Town of Orleans, in which the English being victorious, a wounded French Officer (Alenson) solicits shelter in the Inn where Joan of Arc and her sister Blanche reside; this is granted, and they scarcely retire, before the conquering party rush into the Inn, but are prevented from using outrage by the intervention of a young English General (Talbot) of whom the sisters become enamoured. He prefers Blanche; and Joan, from resentment, in conjunction with Alenson, meditate his ruin, in which they fail, and are forced to fly--Joan grown desperate, invokes supernatural aid, and receives a Banner from Lucifer--distinguishes the French King in the midst of his Courtiers, tho' a Nobleman in his habit had been imposed on her for him--demands a consecrated sword and shield at the tomb of Charlemagne--heads the French troops, and being victorious, takes young Talbot and her sister (whom he had espoused) Prisoners. +Edwin (young Talbot's Page), not allowed to attend on his master, by concealing himself in the spoils of his tent is conveyed to the court-yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant (as17980214)] . .
Cast
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: her sword and shield break to pieces Actor: she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: Nobles and Officers Actor: Dyke, Lee, Curties
Role: French and English Officers and Choristers Actor: Linton, Street, Gray
Role: Grand Historical Pageant Actor: .

Music: As17980214

Event Comment: Mainpiece: By Particular Desire. [Goodfellow doubled in the roles of Campeius and the Surveyor.

Performances

Mainpiece Title: Henry Viii

Cast
Role: Brandon Actor: Bransby.
Role: Lord Sands Actor: Neale

Afterpiece Title: The Stage Coach

Performance Comment: As17451230, but an Irish Oratorio-_; Irish Roratorio-Barrington.
Cast
Role: Irish Roratorio Actor: Barrington.
Role: Landlord Actor: Vaughan
Role: Irish Oratorio Actor: Barrington.

Dance: V: Mechel, Mlle Mechel

Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. MS: Larpent 1000]: The greatest part entirely new, with a few Select Scenes from the most approv'd Compositions. With new Scenery, Machinery, Dresses and Decorations. The Dresses entirely new. The new Music composed by Shield, the rest selected from Harington, Dr Arne, Eley, Reeve, Pepusch, Galliard, George Ware, Hook, &c. The Scenery and Machinery entirely new painted by Richards, Hodgins, Walmsley, Lupino, Pugh, Phillips and Malton. The Dances entirely new, composed by Byrn. Account-Book, 23 Apr. 1795: Paid James Wild in full for Dr Faustus #40. European Magazine, Jan. 1794, p. 49: Dr Faustus has afforded entertainment to three if not four generations. It was first produced at Drury-lane in 1723, by Mr Thurmond, a dancing-master, and was afterwards succeeded at Lincoln's inn-fields, in the same year, by Mr Rich's more splendid performance [entitled The Necromancer; or, Harlequin Doctor Faustus], which received improvement at different revivals of it. At the latter end of 1766 [at Covent Garden] Mr Woodward made some alterations, and it was revived with great success. It is again brought forward with applause, and recalls to the remembrance of those who formerly saw it with delight, the recollection of the most enchanting period of life. The opening scene of Tartarus . . . was first introduced in the speaking pantomime of The Mirror [at Covent Garden, 30 Nov. 1779). Receipts: #352 13s. 6d. (324/13/6; 28/0/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Business and Characters: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas, &c. &c. (design'd and executed by Richards; music by Shield). Lucifer-Cubitt; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Bclial-Linton; Ades-Street. II. The Study of Dr Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-West. III. A Landscape and Water Mill (painted by Walmsley). Harlequin-Boyce; Pierrot-Follett; Miller-Hawtin; Taylor-Simmons; Bridemen-Cranfield, Ratchford, Blurton, Wilde, Rayner, Jackson, &c.//Miller's Wife-Miss Leserve; Bridemaids-Mrs Follett, Mrs Watts, Mrs Ratchford, Mrs Cranfield, Mrs Crowe, Mrs Lloyd, &c.; Colombine-Mme Rossi; Philidel (the Celestial Spirit)-Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog (The Machinery invented by Hodgins). Landlady (with a song in character)-Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne) by Blanchard, Bernard, Davies, Linton, Street, Spofforth, &c. VI. A View of Smithfield on a Market-Day (painted by Hodgins and Phillips). A New Glee (composed by Shield [singers not listed]). VII. The Garden of Faustus (painted by Pugh). Zephyrus-Byrn//Flora-Mlle St. Amand. VIII. A Tobacco Warehouse, which changes to an Equestrian Figure by Roubiliac. IX. A Street, in which is introduced two Irish Sedan Chairs (designed by Hodgins). Harington's Stammering Glee by Blanchard, Townsend, Cubitt. X. A View of a Garden and Tent, which changes to a Canal, in which will be introduced the celebrated piece of machinery, The Peacock. XI. A Farm Yard, which changes to a Chinese Bridge. XII. The Infernal Regiom, with a Shower of Fire. XIII. The Temple of Glory (designed and executed by Hodgins). Aerial Spirits-Byrn, Holland, Mlle St. Amand, Cranfield, Ratchford, King, Blurton, Wilde, Mrs Castelle, Miss Kirton, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Blurton .
Event Comment: Benefit Mrs Barbier. This is the last Benefit Mrs Barbier will have in England. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #53 9s. 6d.; tickets #74 17s. 6d

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Venus and Adonis (last Interlude)

Song: Mrs Wright, Mrs Chambers

Performances

Mainpiece Title: The Fashionable Lady; Or, Harlequin's Opera: In The Manner Of A Rehearsal

Dance: Burny, Sandham, Eaton, R. Williams as Harlequin, Scaramouch, Punch, Pantalon

Performances

Mainpiece Title: The Fashionable Lady

Performance Comment: See17300421 but Lady-Mrs Mountfort; Ballad-Penkethman; Meanwell-W. Giffard; Modely-Burny; Drama-Lacy; Merrit-W. Williams; Hackum-Pearce; Smooth-Mrs Thomas; Whim-Smith; Trifle-Collett; Voice-Bardin; Sprightly-Mrs Giffard; Prattle-Mrs Palmer; Mutes: Harlequin-Burny; Scaramouch-Sandham; Pantalon-Dukes; Punch-R. Williams; Pierrot-Eaton.
Cast
Role: Scaramouch Actor: Sandham

Music: SSelarce a Trumpet Solo-Burk Thumoth

Event Comment: With Scenes, Machines, and other Decorations proper to the Opera

Performances

Mainpiece Title: The Fashionable Lady; Or, Harlequin's Opera

Performance Comment: Fashionable Lady-Mrs Mountfort; Ballad-Penkethman; Meanwell-W. Giffard; Modely-Burny; Drama-Machen; Merit-W. Williams; Hackum-Pearce; Smooth-Mrs Thomas; Whim-Smith; Trifle-Collet; Voice-Bardin; Sprightly-Mrs Giffard; Prattle-Mrs Palmer; Mutes: Harlequin-Sandham; Scaramouch-Pollet; Pantalon-Dukes; Punch-R. Williams; Pierot-Eaton.
Cast
Role: Harlequin Actor: Sandham
Event Comment: Benefit Mrs Palmer. At the particular Desire of several Gentlemen and Ladies

Performances

Mainpiece Title: The Fashionable Lady

Performance Comment: As17301204, but Fashionable Lady-Mrs Palmer; Ballad-Morgan; Boatswain-Pearce; Pantomimes-Sandham, R. Williams, Master Woodward; Prattle-_.

Afterpiece Title: The Sailor's Wedding

Event Comment: At Fielding-Hippisley Booth, in the George-Inn-Yard. Mainpiece: A Dramatic Entertainment. Afterpiece: A Ballad Opera. Done from the French of Moliere. Intermix'd With Variety of Songs set to old Ballad Tunes, and Country Dances. 1 to 11 p.m

Performances

Mainpiece Title: Love And Jealousy; Or, The Downfall Of Alexander The Great

Performance Comment: Alexander-Rosco; Clytus-Huddy; Hephestion-Houghton; Lysimachus-Mullart; Roxana-Mrs Mullart; Statira-Mrs Haughton.
Cast
Role: Alexander Actor: Rosco

Afterpiece Title: A Cure for Covetousness; or, The Cheats of Scapin

Dance: FFooting Dance-LeBrun, Mrs Ogden; Fisher Tench, Mlle D'Lorme

Performances

Mainpiece Title: Zara

Performance Comment: Zara-Mrs Cibber; Osman (by particular Desire, during the first Run only)-a Gentleman; Lusignan-Milward; Nerestan-Cibber; Chatillon-Berry; Orasmin-Turbutt; Melidor-Cross; Selima-Mrs Pritchard; but edition of 1736 has Orasmin-Este. Prologue written by Colley Cibber and spoken by Cibber Jr Epilogue spoken by Mrs Clive .

Afterpiece Title: Harlequin Restor'd; or, Taste a la Mode

Performance Comment: Tragedy-Raftor and Mrs Cantrell; Comedy-Turbutt and Mrs Bennet; Squire Flash-Taylor; John Trot-Hough; Longbib the Vintner-Salway; Park Centinel-Fife; Harlequin-Le Brun; Colombine-Miss Mann; Enchanter-Salway; Auctioneer-Rainton; Prentice-Rosamond; Park Keeper-Gray; Kate Sutler-Beckham; Ballad Singers-Salway, Mrs Pritchard; Drawers-Roberts, Towers; Milkmaids-Mrs Walter, Mrs PelUng, Mrs Anderson, Miss Brett; Mlle La Modestie-Harlequin Phillips; Mons Flip Flap-Towers; Mons Somerset-Roberts; Mons Roundall-Hough .

Performances

Mainpiece Title: King Henry The Fourth, Part Ii

Performance Comment: Falstaff-Quin; King-Mills; Prince-W. Mills; Lancaster-Este; York-Milward; Justice-Boman; Westmoreland-Winstone; Pistol-Cibber; Shallow-Johnson; Silence-Miller; Feeble-Griffin; Bardolph-Shepard; Poins-Oates; Falstaff's Boy-Miss Cole; Mrs Quickly-Mrs Cross; Doll Tearsheet-Miss Mann.
Cast
Role: Westmoreland Actor: Winstone

Afterpiece Title: Harlequin Restor'd

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Harlequin Restor'd

Event Comment: Mainpiece: By Particular desire. Afterpiece: Never Acted Before. [The Farce by Fielding is a sequel to The Virgin Unmasked.] Forbidden soon by the Lord Chamberlain. It being supposed that a particular man of quality was pointed at in one of the characters. The prohibition short of duration (Genest, III, 652). See A Letter to a Noble Lord to whom it alone belongs, occasioned by a representation at Drury Lane of a Farce call'd Miss Lucy in Town (1742), [a 20 page pamphlet criticizing the Lord Chamberlain for allowing this farce. Author gives a scene by scene account emphasizing the bawdry and discounting the pious conclusion. He concludes with remarks on theatrical dancing]: As to Dances, I think your province of prohibition does not extend; so the Public cannot owe their gratitude to you for several. I appeal to those who have been on the coast of Malabar and the banks of the Ganges whether we have not had some that have exceeded on posture, or anything of that kind so common amongst the polite Indians of Indostan. Afterpiece: Mrs Clive mimics the Muscovita admirably, and Beard Amorevoli intolerably (H. Walpole to H. Mann, 26 May).-Horace Walpole Correspondence with Sir Horace Mann, I, 435. Receipts: #70

Performances

Mainpiece Title: Othello

Afterpiece Title: Miss Lucy in Town

Performance Comment: Lucy-Mrs Clive; Zorobabel-Macklin; Signor Cantileno-Beard; Ballad-Ray; Thomas-Neale; Lord Bawble-Cross; Goodwill-Taswell; Mrs Haycock-Mrs Macklin; Tawdry-Mrs Bennet[from edition of 1742, but listed in the order of the actors' names given in London Daily Post and General Advertiser].from edition of 1742, but listed in the order of the actors' names given in London Daily Post and General Advertiser].
Event Comment: TThe Provok'd Husband had been announced. Afterpiece: Being a Sequel to the Virgin Unmask'd

Performances

Mainpiece Title: As You Like It

Cast
Role: Orlando Actor: Mills

Afterpiece Title: Miss Lucy in Town

Song: I: Song-Beard

Dance: V: Turkish Seraglio, as17421025, but With New Habits and Decorations

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Virgin Unmask'd

Performance Comment: As17440418 but Goodwill-Rosco; Blister-Marten; Coupee-Woodward; Wormwood-Hayman; Thomas-Anderson; Quaver-Beard; a new Ballad-Beard.
Cast
Role: Thomas Actor: Anderson

Dance: SScotch Dance, as17431124; Dance-Cooke

Song: TTo Arms, Britons Strike Home-Leveridge, Beard, Reinhold

Related Works
Related Work: The Genoese Pirate; or, Black-Beard Author(s): James Sanderson
Event Comment: Benefit Stoppelaer, and Powell and Gardener (Boxkeepers)

Performances

Mainpiece Title: Love's Last Shift

Cast
Role: Amanda Actor: Mrs Pritchard

Afterpiece Title: The Virgin Unmask'd

Cast
Role: Thomas Actor: Anderson

Dance: Cooke

Performances

Mainpiece Title: The Distrest Mother

Performance Comment: Andromache-Mrs Roberts, first on that stage these twelve years; Pyrrhus-Mills; Orestes-Cibber; Hermione-Miss Jenny Cibber, first time in that part; Phoenix-Furnival; Pylades-Mozeen; Cephisa-Mrs Chetwood; Cleone-Miss Houghton.

Afterpiece Title: The Gardener's Wedding

Music: Between the acts: Select Pieces of Musick-; Singing-Mrs Hill; III: The Noon Tide Air from Comus-Mrs Hill

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sealand Actor: Rosco
Role: Mrs Sealand Actor: Mrs James
Role: Isabella Actor: Mrs Bland

Afterpiece Title: Phebe

Song: III: Song of Diana, as17460313 IV: (By Particular Desire,)A French Song-Beard

Dance: II: Peasant-Cooke; V:(By Desire,) Minuet-Cooke, Sga Campioni

Event Comment: At the Desire of several Persons of Quality. By Authority....By Bayes's New-raised Company of Comedians....All other parts [of mainpiece] to be attempted by the new Company; Most of whom never appeared on any stage before. Particularly, the part of Miranda , by a Young Gentlewoman. Being positively her first Essay in a Theatrical Capacity. Boxes 5s. Pit 3s. Gallery 2s. To begin at 6:30 P.m. [No concert formula.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mock Doctor

Song: I: The Lover's Rapture-

Dance: II: A New Pierot's Dance-; IV: The Drunken Peasant-; End: A Country Dance-the Characters in the Comedy