SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English High German Dutch and Morocco Companies"/1) | (@(roleclean,performerclean) "English High German Dutch and Morocco Companies")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2260 matches on Event Comments, 1398 matches on Performance Title, 534 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A few hisses at the End of the Farce (Hopkins Diary). [Public Advertiser: A correspondent, who was at Drury Lane Theatre Thursday evening, remarks that the Ridicule of the Head-Dresses in Mr Garrick's last Epilogue, and in his performance of Sir John Brute, has had its proper Effect; for the Ladies have lowered their Main Top-Gallant Sails from nine inches to twelve; so that they are not present above three quarters of a yard higher than they ought to be.] Paid salary list 4 days #416 4s. 4d.; Tallow chandler #35 9s. 9d.; Mr Parsons on note by order #25; Settre and Co., Mercers #9 6s. 10d. Receipts: #252 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Spleen

Event Comment: Ladies send servants by 5 to keep Places and prevent Confusion. Doors will be opened at half after five o'clock. To begin at half after 6 o'clock (playbill). Mr G. Voice and Spirits was never finer he never wanted Spirit or Voice thro' the whole part and Convinced the Audience that those Amazing powers he has always possess'd are now as brilliant as ever. Never was a part play'd with greater Propriety nor an Audience more lavish of their Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] [A full column letter for the Morning Chronicle this date from Theatricus to Garrick protested the fact that his announced benefit for the Theatrical Fund on the 30th of May would be all sold out to the highest bidders for tickets; that a nobleman offering ten Guineas for four box seats would get them in preference to the tradesmen who offered only a pound, the stated price of the tickets. Since charity was the cause this writer suggested that Garrick give a second benefit night to the Fund, with the hopes (1) that the Fund would be thereby vastly increased, and (2) that opportunity might be given for twice as many People to see a Garrick final performance. It was, perhaps, in response to this public request that Garrick gave a second Benefit night for the Fund on 10 June. The Morning Post, 29 May, noted: "The concourse of servants assembled yesterday morning at seven o'clock, at Drury Lane Stage Door, to take places for the approaching benefit, in which it is said Mr Garrick will again play Richard III , was astonishing, amounting to many hundreds, three fourths of which were not able to Succeed in their embassies' (Hampden, Journal).] Receipts: #307 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Devil to Pay

Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Performances

Mainpiece Title: The Fathers; Or, The Good Natur'd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: Benefit for Parsons. Tickets to be had of Parsons, No. 141, High Holborn

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Flitch of Bacon

Dance: As17790531

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: A Fete

Performance Comment: SCENE I. A Church Yard by Moon Light. Poor Thomas Day-Bannister, Gaudry, Suett; [SCENE II. A Forest. Tally ho!-Mrs Wrighten; [SCENE III. A View of the Grand Fleet at Spithead. Blow high-Bannister; [with a Dance of Sailors-Blurton; [SCENE IV. A Venetian Carnival. Beviamo tuttre [recte Beviamo tutti tre] -Delpini, Gaudry, Du-Bellamy; Italian Laughing song-Delpini; [A Dance of Anticks-; [SCDNE THE LAST. A Rural Prospect. A Dance of Shepherds and Shepherdesses-Sg and Sga Zuchelli, Henry, Miss Armstrong; [To conclude with How merrily we live-Bannister, Gaudry, Mrs Cargill; Hecate-Holcroft.
Related Works
Related Work: The Village Fete Author(s): Richard Cumberland

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: A Fete; A Medley

Performance Comment: As17810425, but Blow high-_; Dance of Sailors-_; Beviamo tuttre-_; Italian laughing song-_; Dance of Anticks-_; Dance of Shepherds and Shepherdesses-_; How merrily we live-_; Hecate-_; SCENES I and II as SCENES I and II in A Fete, 25 Apr. SCENE III. A Storm and Shipwreck. Stand to your guns my hearts of oak-Bannister; SCENE THE LAST. An Irish Fair. Teague's Journey to London through Coventry-Moody; Dancing-the Miss Stageldoirs.
Related Works
Related Work: The Village Fete Author(s): Richard Cumberland

Afterpiece Title: The Rival Candidates

Performances

Mainpiece Title: The Fair Quaker; Or, The Humours Of The Navy

Afterpiece Title: A Fete

Performance Comment: As17810425, but Blow high-_; Dance of Sailors-_; A Dance of Shepherds and Shepheresses-_; Hecate-_ SCENE I, as17810425; SCENE II, as17810425; SCENE III as SCENE IV on 25 Apr.; Dance of Anticks-_; SCENE IV. Teague's Journey to London through Coventry-Moody as17810507; The Butterfly, as17800921; SCENE THE LAST. How merrily we live, as17810425. The Butterfly, as17800921; SCENE THE LAST. How merrily we live, as17810425.
Related Works
Related Work: The Village Fete Author(s): Richard Cumberland

Afterpiece Title: Who's the Dupe

Cast
Role: Sandford Actor: Aickin

Dance: Scene IV: The Butterfly, as17800921

Song: End III: song-Miss Barnes (1st attempt on any stage); End 1st piece: the Grand Naval Review-; Rule Britannia-Gaudry, Edwards, Williams

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: The Characters by Henderson, Wroughton, Lewis, Thompson, Fearon, J. Bates; Miss Satchell, Mrs Morton, Miss Younge. [Cast from text (T. Cadell, 1781), and London Chronicle, 19 Nov.: Austin-Henderson; Raymond-Wroughton; Theodore-Lewis; Fabian-Thompson; Officers of the Count-Fearon, J. Bates, Painter, &c.; Adelaide-Miss Satchell; Jacqueline-Mrs Morton; Hortensia-Miss Younge.] With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] . With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] .

Afterpiece Title: The Deaf Lover

Event Comment: Mainpiece: Altered from [The Scornful Lady, by] Beaumont and Fletcher [1st time; c 5, by William Cooke; incidental music by Michael Arne. Prologue by the alterer. Epilogue by George Colman, the elder (see text)]. Public Advertiser, 27 Jan. 1783: Wednesday Morning [29 Jan.] will be published The Capricious Lady (price not listed). "The costume of James's reign was strictly attended to in the dresses of the characters; and I remember the enjoyment of Mrs Abington, in a high ruff and a rich silver silk edged with black velvet" (Boaden, Siddom, I, 371). Receipts: #228 4s. 6d. (218/10/6; 9/14/0)

Performances

Mainpiece Title: The Capricious Lady

Afterpiece Title: Rosina

Dance: As17820927

Event Comment: Benefit for Quick. Public Advertiser, 8 Apr.: Tickets to be had of Quick, No. 99, High Holbourn. Mainpiece: Written by Beaumont [recte Massinger] and Fletcher. With Alterations [by Leonard Macnally (Not. Dram.)]. To conclude with a Representation of the Ceremony of receiving a Knight of the Order of Malta. The Music by Dr Arne. Afterpiece: Never performed here. Receipts: #292 13s. (197/1; tickets: 95/12) (charge: #105)

Performances

Mainpiece Title: The Knight Of Malta; Or, The Humourous Dane

Performance Comment: Mirando-Lewis; Mountferrat-Whitfield; Valetta-Hull; Colonna-Davies; Rollo-Fearon; Godfreno-Wroughton; Astorious-Thompson; Sailor-Bates; Captain Norandine-Quick [European Magazine, May 1783, p. 386 adds: Surgeon-Webb; Castriot-Helme]; Turkish Captive-Miss Satchell; Oriana-Mrs Robinson .
Cast
Role: Mirando Actor: Lewis
Role: Captain Norandine Actor: Quick

Afterpiece Title: The Ghost, or, The Devil to do about Her

Dance: As17821231

Song: In the Ceremony, by Reinhold, Mrs Martyr, and others

Event Comment: "Particular Commendation is to be given to the death of Arthur; it is very bold, and well disposed of. The jump is the highest we ever saw" (Public Advertiser, 15 Dec). Afterpiece: Not acted these 8 years. Receipts: #257 4s. (230/7; 26/7; 0/5; tickets not come in: 0/5)

Performances

Mainpiece Title: King John

Cast
Role: Pandulph Actor: Packer

Afterpiece Title: The Lottery

Dance: End of mainpiece, as17831204

Event Comment: "The appearance of Mrs Abington in the two characters of the Capricious Lady and Lady Bab Lardoon cannot fail of being considered as a high Treat ... as the first exhibits the coy, formal Manners of the last Age, and the latter the free degagee Breeding of the present" (Public Advertiser, 13 Feb.). Receipts: #227 12s. 6d. (211/10/0; 16/2/6)

Performances

Mainpiece Title: The Capricious Lady

Afterpiece Title: The Maid of the Oaks

Dance: End of mainpiece, as17830917; In Act I of afterpiece Dance by Harris, Miss Matthews, Miss Besford

Event Comment: Benefit for Quick. Mainpiece: With Alterations, Never acted here. Public Advertiser, 3 Apr.: Tickets to be had of Quick, No. 99, High Holbourn. Receipts: #316 5s. (190/17; tickets: 125/8) (charge: #105)

Performances

Mainpiece Title: The Two Gentlemen Of Verona

Afterpiece Title: The Rival Knights

Afterpiece Title: Tom Thumb

Song: In Act V of mainpiece A Frightened Song by Quick

Monologue: 1784 04 13 End of mainpiece a new Occasional Address spoken by Quick, riding on an Elephant

Event Comment: Benefit for Suett and R. Palmer. Public Advertiser, 30 Apr.: Tickets to be had of Suett, No. 230, High Holbourn, and of R. Palmer, No. 3, Cecil Street, Strand. Afterpiece: Not acted these 20 years [not acted since 4 Nov. 1762]. Receipts: #227 18s. (29/18/0; 31/14/6; 0/5/6; tickets: 166/0/0) (charge: #107 0s. 9d.)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague-cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Brereton; Sebastian-Bannister Jun.; Fabian-R. Palmer; Antonio-Wrighten; Clown (with the original Epilogue Song)-Parsons; Malvolio-Bensley; Viola-Mrs Bulkley; Maria-Mrs Brereton; Olivia (with songs)-Miss Phillips (1st appearance in that character) .
Cast
Role: Sir Andrew Ague Actor: cheek-Dodd

Afterpiece Title: A Pasticcio

Performance Comment: Scene I. A favourite Catch and Glee by Suett, Williames, Barrymore. Scene II. A favourite song by Miss George. Scene III. As Scene III, 26 Apr. Scene IV. Gramachree Molly by Miss Phillips. To conclude with The Sportsmen's Return, as17840311athi .

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin (an Usurper transformed by Magic to the Duke of Florence)-Palmer; Brunetto (Prince of Savoy)-R. Palmer; Barbarino and Alberto (Lords and Counsellors to the Duke)-Wilson and Phillimore; Officer-Spencer; Captain of the Guards-Alfred; Count Gulcardi (under the Character of Magosa Magician)-Wrighten; Puritan-Suett; Mason-Fawcett; Whip (the Coachman)-Chaplin; Jailer-Kenny; Supernatural Agents, Attendants upon Trappolin: Eo-Master Whitty; Meo-Master Purser; and Little Fred-Master J. Whitty; Lavinio (the Grand Duke of Tuscany)-Staunton; Officer's Widow-Mrs Love; Old Woman-Mrs Booth; Flametta (Mistress to Trappolin)-Miss Barnes; Prudentia (sister to the Duke)-Miss Tidswell; Isabella (Duchess of Tuscany)-Mrs Hedges .
Event Comment: [Afterpiece in place of High Life below Stairs,announced on playbill of 5 Jan.] Receipts: #61 0s. 6d. (42/13/0; 16/4/6; 2/3/0)

Performances

Mainpiece Title: The Fair Quaker; Or, The Humours Of The Navy

Afterpiece Title: The Irish Widow

Performance Comment: As17840921, but Whittle-Waldron. dancing and.
Cast
Role: Whittle Actor: Waldron. dancing and

Song: Mainpiece to finish with a Grand Naval Review, with a Dance of Sailors by Williamson, Mills, Miss Stageldoir, &c, and Rule Britannia by Williames, Chapman, &c

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst
Event Comment: [As afterpiece the playbill announces High Life below Stairs, but it was not acted. Its substitute is listed in the Account-Book.] Receipts: #273 9s. 6d. (254/6/0; 19/1/0; 0/2/6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: All the World's a Stage

Event Comment: Benefit for Quick. Public Advertiser, 5 Mar.: Tickets to be had of Quick, No. 99, High Holbourn. Mainpiece: Not acted these 20 years [not acted since 15 Apr. 1763]. Afterpiece [1st time; F 2, by Frederick Pilon]: Altered from [The Comical History of Don Quixote, Part II, by Thomas] D'Urfey. In Act I A Grand Baratarian Procession of Sancho to his Government. The Characters all dressed in the Habits of the Times

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Performance Comment: Sir Harry Wildair-Lewis; Beau Clincher-Quick; Young Clincher-Edwin; Alderman Smuggler-Wewitzer; Jubilee Dicky-Stevens; Tim Errand-Fearon; Vizard-Cubitt; Caption-Thompson; Colonel Standard-Wroughton; Angelica-Mrs T. Kennedy; Lady Darling-Miss Platt; Parley-Mrs Wilson; Lady Lurewell-Mrs Bates .
Cast
Role: Tim Errand Actor: Fearon
Role: Colonel Standard Actor: Wroughton

Afterpiece Title: Barataria; or, Sancho Turn'd Governor

Performance Comment: Sancho Panca-Quick; Duke-Cubitt; Manuel-Bonnor; Pedro-Thompson; Recorder-Booth; Alonzo-Helme; Smuggler-Stevens; Custom House Officer-Bates; Gardener-Jones; Tailor-Kennedy; Cryer-Besford; Thin Man-Newton; Don Quixote-Davies; Lady Tereza Panca-Mrs Webb; Spanish Lady-Mrs Pitt; Duchess-Mrs Poussin; Mary the Buxom-Mrs Wilson. [Text (J. Almon, 1785) adds: Big Woman-Miss Brangin, and calls Spanish Lady, Rodriguez.] hathi. hathi.

Dance: As17841201

Monologue: 1785 03 29 Preceding the mainpiece Mother Shipton's Review of the Audience (Written by the late D. Garrick, Esq.) [speaker not listed, but probably Quick]

Event Comment: Benefit for Quick. Mainpiece: Altered from Shirley. Never acted here. With proper Scenes, Dresses, and Decorations. [Epilogue by Edward Topham (European Magazine, May 1786, p. 368).] Afterpiece: In 2 Acts; written by Addison. Public Advertiser, 29 Mar.: Tickets to be had of Quick, No. 99, High Holborn. Receipts: #281 17s. 6d. (153/14/6; 4/4/0; tickets: 123/19/0) (charge: #105)

Performances

Mainpiece Title: The Bird In A Cage; Or, Money Works Wonders

Afterpiece Title: The Drummer; or, The Haunted House

Dance: In Act III of mainpiece a Grand Dana of Ladies [performers not listed]; End of mainpiece The Drunken Sailor Reclaim'd [performers not listed, but see17860304

Event Comment: [Afterpiece in place of Daphne and Amintor, announced on playbill of 6 June.] Windham Diary (7 June 1786), p. 79: Mrs Siddons did 'Rosalind' much better than the first time, but not equal to her tragedy: there is a want of hilarity in it; it is just, but not easy. The highest praise that can be given to her comedy is, that it is the perfection of art; but her tragedy is the perfection of nature. Receipts: #219 16s. 6d. (192/1/0; 26/2/6; 1/13/0)

Performances

Mainpiece Title: As You Like It

Cast
Role: Orlando Actor: Kemble

Afterpiece Title: The Flitch of Bacon

Dance: End of Act I of mainpiece The Lucky Return, as17860522

Song: As17860218

Event Comment: The oratorio conductors do not receive the applause Stanley used to receive "owing to their being concealed by the boys, who are placed on high benches between the audience and the conductor, whose respects, though duly paid, have been scarely visible to the greater part of the house" (Public Advertiser, 28 Mar.)

Performances

Mainpiece Title: Judas Maccabaeus; Redemption 0

Song: End II: an Italian Air-Mme Mara

Event Comment: Benefit for Quick. 3rd piece [1st time; F 1, author unknown. Not in Larpent MS; not published]: Altered from [the same by] Farquhar. Public Advertiser, 6 Apr.: Tickets to be had of Quick, No. 99, High Holbourn. Receipts: #324 1s. (156.4; 2.17; tickets: 165.0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Stage Coach; or, Inn in an Uproar

Entertainment: Monologue Before: Mother Shipton's Review of the Audience (Written By D. Garrick, Esq., with Alterations and Additions) (for that night only)-Quick

Performance Comment: Garrick, Esq.=, with Alterations and Additions) (for that night only)-Quick.
Event Comment: Benefit for Mlle Coulon. Tickets to be had of Mlle Coulon, No. 8, Great Suffolk-street, Charing-cross. "The Dance between Gardel and Vestris on Thursday is everywhere talked of, in the highest terms of admiration. Such excellence no audience ever before witnessed" (General Advertiser, 5 Apr.). Receipts not listed

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: a New Ballet serious and demi-charactere (composed by Noverre)-Gardel, Mlle Coulon, Mlle Hilligsberg, Didelot, Chevalier, Henry, the two Miss Simonets, Miss Harvey, Vestris; End Opera: Euthyme et Eucharis-see17880313 conclude with: the celebrated Pas de Quatre of Panurge-Gardel, Mlle Hilligsberg, Mlle Coulon, Vestris

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1781]); the music by Sarti, under the direction of Mazzinghi. "At length in the spring arrived the celebrated Marchesi, whose fame had long reached this country, and who had been extolled to such a degree that impatience and expectation were raised to the highest pitch; and on the first night of his appearance the theatre was not only crowed to the utmost in every part, but on the rising of the curtain, the stage was so full of spectators that it was some time before order and silence could be obtained, and with some difficulty that Marchesi, who was to open the opera, could make his way before the audience. Marchesi was at this time a very well-looking young man, of good figure, and graceful deportment. His acting was spirited and expressive: his vocal powers were very great, his voice of extensive compass, but a little inclined to be thick (Mount-Edgcumbe, 66-67). Receipts: #437 15s. 6d., i.e. 560 tickets delivered to Prendergrass [see 8 Dec. 1787], who sold 558; 110 to Toosey, who sold 86; 400 to Butler, who sold 285; 236 to Snelson, who sold 204. Total non-subscription tickets sold: 1133

Performances

Mainpiece Title: Giulio Sabino

Dance: End: The Military Dance, as17880115; End Opera: Les Fetes de Tempe, as17880228

Event Comment: [Afterpiece in place of High Life below Stairs, advertised on playbill of 28 Jan., and erroneously listed in Kemble Mem.] Receipts: #225 2s. 6d. (198.15.0; 25.3.0; 1.4.6)

Performances

Mainpiece Title: The Haunted Tower

Cast
Role: Baron of Oakland Actor: Baddeley

Afterpiece Title: Harlequin's Frolicks

Dance: As17891204

Event Comment: Benefit for Bannister. [Mrs Wells had 1st acted Macheath at the hay, 14 Sept. 1781; Bannister had acted Polly at the same theatre, 16 Sept. 1785.] Gazetteer, 3 Apr.: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. "There is now a most vehement rage of innovation in language, government, religion, and everything else...On the British stage, with infinite applause, young and beautiful actresses perform sometimes the Parts of highwaymen; and some singing actors squall in an affected voice resembling, and intended to imitate, that of women; the most humourous dramatic pieces are frittered away into songs; and I should not be surprised to hear that henceforth Miranda and Juliet are to be personated by grim-visaged grenadiers seven feet high, and Falstaff by a slender miss just entered her teens" (Universal Magazine, Mar. 1795, p. 171). Receipts: #285 14s. (162.4.6; 5.9.6; tickets: 118.0.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Flitch of Bacon

Dance: As17891024

Song: In course of Evening: The Wolf-Bannister