Event Comment: Paid Black? Lyon bill #2 7s. 4d. (Treasurer's Book). [This is a recurring item weekly throughout the season varying in amounts from about #1 to #3. Tavern. Run by Yearley Waterer. Not noted further. Total payments this season about #75.] Public Advertiser, Theatrical Intelligence: Any Young Lady inclined to the Stage, is offered an advantageous Opportunity to experience her Theatrical Abilities in a very desirable Situation. As this Advertisement appears not from an itinerant Manager, nor results from a Dearth of People, but a Wish to promote Merit, which often (for want of the proper Mode of Application, or Fear in the Parties of their Intentions being made public, in case their Services should not be received) lies hid and unnoticed, it is hoped none but such as are possessed of a good Figure, as that will be greatly regarded, and whose Capabilities are blended with a real Inclination will apply. Enquire for W. at No. 114, in Long-Acre between the hours of Eleven and One on Wednesday or Thursday Morning in person, as no Attention will be paid to any Substitute. The Stage: A Gentlewoman, who has played capital Characters with unblemished Reputation in the three Kingdoms, takes this Method of acquainting such Ladies who have Talents and Inclination for the stage, that she undertakes to instruct them for the Profession many having been unsuccessful, more from Want of previous Instructions than Want of Genius. Her Attention to the great Articles of Reading and Speaking, with Elegance and Propriety, as well as Expression, Grace, and Ease, will be found of infinite Service to those who are assisted by the least Understanding. Those Ladies who do not intend to display their Talents in Public may be instructed for their Amusement. Enquire for E. H. No. 2 Queen Street, near Windmill Street, Haymarket. N.B. Any Lady will be waited on by a Line directed as above. [These advertisements ran for a number of days.] Receipts: #183 16s. (Treasurer's Book)

Event Comment: The Characters [of the mainpiece] New Dressed according to the habits of the times. [At foot of the bill first appears the customary notice: Places for the Boxes to be taken only of Mr Sarjant at the Stage Door. The Doors to be opened at 5 o'clock. To begin at 6 o'clock. Vivant Rex & Regina."] Paid Church & Militia tax for theatre #8 15s. and for House in Bow Passage 6s. 3d. (Account Book). Receipts: #232 14s. 6d

Event Comment: Mainpiece: Not acted for 14 years, altered from Shirley. [See 7 Feb. 1758.] Characters New Dress'd in the Habits of the Times. This Comedy is reviv'd with Alterations. It is well perform'd & had great Applause (Hopkins Diary). Paid Half year's paving &c. to Mich. last for Drury Lane & Russel St. #14. Mr Godfrey for women's cloaths, #15. Mr Clutterbuck's last summer's balance #57 15s. 2d.; Mrs Foster for men's cloaths, #25 (Treasurer's Book). Receipts: #121 9s. 6d. (Treasurer's Book)

Event Comment: Mainpiece: Not acted these 20 years. [See 16 April 1751.] With the Decorations prescribed by Shakespeare. The Characters new Dressed in the Haibts of the Times. [The reviewer for Town and Country Magazine preferred Mrs Hartley's acting in Jane Shore to that in Henry VIII, where she frequently sunk into a whining monotony which from the length of some of the speeches became very disagreeable.' She did, however, he thought, do the last scene well.] Receipts: #223 13s. 6d. (Account Book)

Event Comment: The Irish Widow to be laid aside after this night on account of Mrs Barry's playing some principal characters. Paid salary list #513 17s. 6d.; Rec'd stopages #20 4s. 6d. (Treasurer's Book). Receipts: #158 17s. (Treasurer's Book)

Event Comment: Music of Afterpiece entirely new Composed by Dibdin. [An adaptation of Goldoni's Il Filosofo di Campagna.] Book of Songs to be had at Theatre (playbill). The Wedg R. a Comic Opera of Two Acts wrote & composed by Mr Dibdin. The Music very pretty--as the Author was kept a Secret The Town fancy'd that is one of Mr Bickerstaff & call'd out to know who was the Author. Mr Garrick inform'd them that he had no power to declare who the Author was but he could assure them that it was not Mr Bickerstaffs this did not Satisfy them at last Mr Dibdin went on & declard himself to be the Author & made an Affidavit of it & then the Farce went on with Applause (Hopkins Diary). [Account of The Wedding Ring in Westminster Magazine for Feb. 1773.] Paid #4 4s. for licensing The Wedding Ring and Alonzo (Treasurer's Book). [Maria Macklin, in a MS letter to her father, 3 Feb. 1773, commented fully on this night's performance: "Written as it was suppos'd by Bickerstaffe. The music by Dibdin. I went with a party into the Gallery to see the event as there was a great riot expected, & indeed never did I see an audience more inflamed. They would not suffer them to begin the piece. At last Mr King came on with a written paper in his hand, which he said he was desir'd to read in the name of the managers. After a great noise they let him read it. He said just before the play began the managers had receiv'd a letter from Mr Dibdin in which he declared that Bickerstaff was not the author of that piece, that he had made oath of it, and was ready to do the same again, but that for very particular reasons the author could not be given up. Then they stopp'd him & roar'd out that the author should be given up then. He continued as loud as he possibly could, reading on that 'but that if Mr Dibdin did not very soon given up the author he never should be suffered to appear again on that stage or any other.' Very luckily that turn'd them as I believe the House would have come down. The piece then began. Before the end of the first act one of Bannister's songs were encor'd. The other party were against it and would not let it go on. They all stood up and insisted that the author should be known then. After some time the house being nothing but confusion, Dibdin was push'd upon the stage ready to drop with fright, and declared that he was the author himself. Then they were as noisy the other way. Made them finish the piece, but how you may guess in a storm. It is like the Padlock, but the songs not so good." (Brander Matthews, Actors and Actresses, extra illustrated, Vol. I. Harvard Theatre Collection.). Westminster Magazine this month included in parallel columns flattering "Characters of Mr Garrick and Mr Colman," the Rival managers. The article especially praised Garrick's acting.] Receipts: #252 3s. 6d

Event Comment: Mainpiece: A New Tragedy [by Arthur Murphy] never performed The Music by Dr Arne. The Characters New Dress'd. [Long account and generally unfavorable review of Alzuma in the Westminster Magazine for March.] Receipts: #206 18s. 6d

Event Comment: Eleventh and Last time of performing Mainpiece this season. Afterpiece: By Particular Desire. Othello and The Irish Widow, to have been performed this evening for Mr Barry's Benefit, oblig'd to be deferr'd till further notice (playbill). Mr Barry being Ill his Benefit which was to have been this Night is oblig'd to be deferr'd (Hopkins Diary). [So, according to Hopkins, the profits went to the house.] Receipts: #171 19s. 6d. To the Public Advertiser: Sir, I spent an agreeable evening lately with a Country Friend at the Primitive Puppet Show, and was not displeased at the ridicule pointed at the dull, spiritless stuff, which composes modern Sentimental Comedy. I was entertained too with the manner in which some of the Actors were taken off; But I cannot think mimicry worthy to furnish an Evening Entertainment for a Polite British Audience, or suited to the happy ridicule and pointed wit of Aristophanes. The old Roman comedy, as it was called, was designed for nobler purposes: it was directed to improve the head and mend the heart. The keen manly satire of that Comedy was pointed at Upstart, Braggart, Vice, and to expose the dangerous unfeeling craft of innocent Villainy, or to use the words of Mr Pope--Brand the bold front of shameless, guilty man. Such was, and such ought to be, the salutary Direction of Wit, and Satire by exhibiting characters in their genuine colours, when the mask, which disguises and conceals them from the eyes of the Weak the Credulous, and the Ignorant, is drawn off. The words of Horace are--Detrabere et pellam, mitidus qua quisque per ora Cederet, introrsum turpis. Yours, Dramaticus. Poetry for the Public Advertiser. Epigram on the New Tragedy Alonzo. @No wonder that each female voice@Resounds Alonzo's praise;@A sure foundation of Applause,@The crafty Author lays.@ @Against the Virtue of his Wife@A Husband, if he's wise@According to the Gallant HOME,@Should not believe his eyes.

Event Comment: Benefit for Hull. Mainpiece [a tragedy by Thomas Hull, based upon the version by William Hawkins, 1749, suggested by William Shenstone, and instigated by the presence of Mrs Hartley among the actresses at cg]: Never acted before. Characters to be dressed in the Habits of the Times (playbill). Charges #64 5s. Profit to Hull #50 13s. 6d., plus #75 6s. from Tickets (Box 165; Pit 171; Gallery 84) (Account Book). Receipts: #114 18s. 6d

Event Comment: Benefit for Lewes. Mainpiece [a Tragedy by Nicholas Rowe]: not acted these 20 years. [See 3 Feb. 1756.] The characters dress'd in the habits of the times (playbill). Charges #69 14s. Profit to Lee Lewes #153 18s. (Box 227; Pit 417; Gallery 346) (Account Book). Receipts: #84 9s

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Jewell. [First time for all the women in the characters of the mainpiece.

Event Comment: Benefit for Brereton. [Afterpiece not printed. Larpent MS lists characters: Widow Watchem, Harriet, Maria, Bluster, Swallow, Truman, Juggle (MacMillan).] This Farce was written by Mr Andrews it was receiv'd with Applause (Hopkins Diary). Paid tallow chandler's 8th Bill #37 13s. 2d.; half years Land & Window Tax to Lady Day last for St Martin's #38 4s. 4d.; Easter Offering 10s. 6d.; Chorus 2 nights (this incl.) #3 11s. (Treasurer's Book). Receipts: #216 8s. Charges: #67 6s. 6d. Profits to Brereton: #149 1s. 6d. (Treasurer's Book)