SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Emperor of the Nawcheys"/1) | (@(roleclean,performerclean) "Emperor of the Nawcheys")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 203 matches on Performance Title, 44 matches on Performance Comments, 38 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: With proper Scenes, Machines, Flyings, Sinkings, and other Decorations

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performance Comment: Trincalo-Bridgwater; Prospero-Roberts; Ferdinand-Marshal; Hypolito-Miss Holliday; Alonzo-Hewett; Antonio-Turbitt; Gonzalo-Mullart; Stephano-Hewson; Ventoso-Norris; Mustacho-Jones; Caliban-Paget; Sycorax-Topham; Ariel-Miss Norris; Miranda-Mrs Walter; Dorinda-Mrs Clive (with the Song of Dear, Pretty Youth, composed by Purcell); Neptune-Stoppelaer; Earthy Spirit-Waltz; Milcha-Mountier; Singing Devils-Snider, Nichols, Rainton, Young Cunningham; Winds-Lally, Topham, Lally Jr, Davenport; Watermen-Le Brun, Topham, J. Topham, Davenport, Lally Jr, Mullart, with a Grand Dance of Spirits, as perform'd before the Emperor of Constantinople at the Feast of Bairam: Chief Spirit-Le Brun; Amphitrite-Miss Young, who never appeared on any stage before .

Afterpiece Title: The Harlot's Progress

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber
Event Comment: Benefit for Mrs Clive. A new Operetta. Farce dull & hiss'd at ye End (Cross). Music by D'Fesch. Part of Pit laid into Boxes. Amphitheatre on Stage. N.B. Tis hoped Gentlemen won't take it ill that they can't be admitted into the Orchestra, as it will be impossible to perform the Entertainment without the whole band of Music. Tickets to be had of Mrs Clive at her Lodgings at the Wheatsheaf in Henrietta St. and of Mr Varney at the Stage Door. Receipts: #240 [Cross)

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The London Prentice

Performance Comment: Parts-Beard, Wilder, Vernon, Miss Thomas, Mrs Clive. [Emperor-Wilder; Vizir-Vernon; London Prentice-Beard; Humdrumeda-Miss Thomas; Princess Theoraze-Mrs Clive (MacMillan).]
Cast
Role: Emperor Actor: Wilder
Role: Princess Theoraze Actor: Mrs Clive

Dance: Devisse, Mlle Auretti

Event Comment: Benefit for Mrs Clive (Cross). Music of Afterpiece by DeFesch. Tickets at her lodgings at the Wheatsheaf in Henrietta St., and at the Stage Door. Afterpiece: Never performed but twice. Part of Pit to be laid into the boxes. Receipts: #210 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Cast
Role: Mathew Actor: Vaughan

Afterpiece Title: The London Prentice

Performance Comment: Princess-Mrs Clive; Prentice-Beard; Emperor-Wilder; Humdrumeda-Miss Thomas; Vizir-Vernon.
Cast
Role: Emperor Actor: Wilder

Dance: T$Three Sabatinis As17550203

Performances

Mainpiece Title: The Heroine Of The Cave

Performance Comment: Principal parts by: Reddish, Palmer, Cautherly, Jefferson, J. Aickin, Dimond, Packer, Davies, Hurst, Wheeler, Wright, Fawcett, Keen, Griffith, Miss Platt, Miss Younge. In V, an Ode-; Procession-; the vocal parts-Bannister, Champnes, Kear, Fawcett, Mrs Scott, Mrs Wrighten, Mrs Hunt; Prologue-Reddish; Epilogue-Miss Young; Alberti-Reddish; Colredo-Palmer; Everard-Packer; Clermont-Cautherly; Emperor of Germany-Jefferson; Rodolpho-J. Aickin; Mentzel-Davies; Lorenzo-Diamond; Seyfert-Hurst; Col. of Guards-Wheeler; Faulkner-Fawcett; Officers-Griffith, Wright, Keen; Laura-Miss Platt; Constantia-Miss Younge (Genest, V, 405).

Afterpiece Title: The Padlock

Music: II: A Solemn Hymn-

Dance: IV: The Sailors Revels, as17730918

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland]: taken from [the same, by] Massinger and [Mariamne, by] Fenton. [not in Larpent MS; not published.] With new Dresses. Henderson "might surely break himself of the aukward custom of clapping his hands together almost perpetually, and running on and off the stage with so ungraceful a levity" (Morning Chronicle, 11 Nov.). [Miss Younge was from dl.] Receipts: #127 10s. 6d. (124.14.0; 2.16.6)

Performances

Mainpiece Title: The Duke Of Milan

Performance Comment: Principal Characters by Henderson, Hull, Whitfield, Peile, L'Estrange, Fearon, Robson, Booth, Thompson, Aickin, Miss Platt, Miss Younge (1st appearance at this theatre). Cast from Morning Chronicle, 11 Nov.: Sforza-Henderson; Cardinal-Hull; Alphonso-Whitfield; Emperor-Peile; Pescara-L'Estrange; Spanish Captains-Fearon, Robson, Booth; Lodovico-Thompson; Francisco-Aickin; Attendant-Miss Platt; Marcelia-Miss Younge; New Prologue-Lee Lewes, Hull (Public Advertiser, 11 Nov.); New Epilogue-Mrs Bulkley (ibid.).
Cast
Role: Emperor Actor: Peile

Afterpiece Title: The Touchstone

Event Comment: Afterpiece [1st time; P I, by George Colman, the elder. His authorship has hitherto been questioned, but for its authentication see Peake, II, 54. Larpent MS 532; not published]: An Original, Whimsical, Operatical, Pantomimical, Farcical, Electrical, Naval, Military, Temporary, Local Extravaganza.The Overture and new Musick by Dr Arnold. With new Scenes [by Canter (Public Advertiser, 5 Sept.)], Dresses and Decorations. The Views of the Temple of Health and the Camp in St. James's Park designed and executed by Rooker. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: A Widow And No Widow

Afterpiece Title: The Genius of Nonsense

Performance Comment: Harlequin Vocal and Rhetorical-Bannister Jun.; Ditto Mum!-Lamash; Agreeable Companion [in a Post-Chaise-Webb; Landlord-Usher; Dame Turton-Edwin; Goody Burton-Webb; Gammer Gurton-Bannister; Pantaloon-Massey; Clown-Hussey (1st appearance on any stage these 20 years); Head Boy [of the Marine Society-Master Edwin; Officer in the Camp-Wood [i.e. doubled Goody Burton]; Attendant-Stevens; Irishman-Egan; Emperor of the Quacks-Bannister Jun. [i.e. doubled Harlequin]; Columbine-Miss Wewitzer; Maid-Miss Wood; Chambermaid-Mrs W. Palmer; Goddess of Health, Genius of Nonsense-Mrs Cargill.
Related Works
Related Work: The Genius of Nonsense Author(s): George Colman, the elder

Dance: In afterpiece: Master and Miss Byrne.[This dance was included in all subsequent performances.

Event Comment: Afterpiece: An Original, Whimsical, Operatical, Pantomimical, Farcical, Electrical, Naval, Military, Temporary, Local Extravaganza. 12th time [i.e. in continuation of the reckoning for the previous season]. The views of the Temple of Health, and the Camp in St. James's Park designed and executed by Rooker. [Prologue by George Colman elder (Colman, Prose, III, 229). Miss Lyon is identified in playbill of 11 June. Delpini was from dl.] The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: The Genius of Nonsense

Performance Comment: Harlequin Vocal and Rhetorical-Bannister Jun.; Ditto Mum!-Lamash; Agreeable Companion in a Post@Chaise-Webb; Landlord-Usher; Dame Turton-Edwin; Goody Burton-Burton [sic]; Gammer Gurton-Bannister; Pantaloon-Massey; Clown-Delpini (1st appearance on this stage); Head Boy of the Marine Society-Master Edwin; Officer in the Camp-Wood; Attendant-Stevens; Irishman-Egan; Emperor of the Quacks-Bannister Jun. [i.e. doubled Harlequin]; Columbine-Miss Wewitzer; Ballad Singer-A Gentlewoman (1st appearance on any stage [Miss Lyon]); Maid-Miss Wood; Chambermaid-Mrs W. Palmer; Goddess of Health, Genius of Nonsense-Mrs Cargill.
Related Works
Related Work: The Genius of Nonsense Author(s): George Colman, the elder

Dance: afterpiece: Master Byrn, Miss Byrn. [Danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: The Suicide

Related Works
Related Work: The Suicide Author(s): George Colman, the elder

Afterpiece Title: The Genius of Nonsense

Performance Comment: Harlequin, Vocal and Rhetorical-Bannister Jun.; Ditto, Mum!-Spencer; Agreeable Companion in a Post-Chaise-Webb; Landlord-Usher; Dame Turton-Edwin; Goody Burton-Wood; Gammer Gurton-Bannister; Pantaloon-Massey; Clown-Delpini; Head Boy of the Marine Society-Master Edwin; Officer in the Camp-Wood [i.e. doubled Goody Burton]; Emperor of the Quacks-Bannister Jun. [i.e. doubled Harlequin]; Columbine-Miss Morris; Ballad Singer-Mr Darley; Chambermaid-Mrs W. Palmer; Goddess of Health, and Genius of Nonsense-Miss Hooke (The Young Lady who performed the part of Polly [on 11 June]) .on 11 June]) .
Related Works
Related Work: The Genius of Nonsense Author(s): George Colman, the elder

Dance: As17820606

Event Comment: Afterpiece: An Original, Whimsical, Operatical, Pantomimical, Farcical, Electrical, Naval, Military, Temporary, Local Extravaganza. [This was Whitsun Eve, on which night the theatre was customarily closed.]

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Genius of Nonsense

Performance Comment: Harlequin, Vocal and Rhetorical-Bannister Jun.; Ditto, Mum!-Spencer; Agreeable Companion in a Post-Chaise-Egan; Landlord-Usher; Dame Turton-Edwin; Goody Burton-Wood; Gammer Gurton-Bannister; Pantaloon-Massey; Clown-Delpini; Head Boy of the Marine Society-Master Edwin; Officer in the Camp-Wood [i.e. doubled Goody Burton]; Emperor of the Quacks-Bannister Jun. [i.e. doubled Harlequin]; Columbine-Miss Morris; Ballad Singer-Mr Wewitzer; Chambermaid-Mrs W. Palmer; Goddess of Health and Genius of Nonsense-Miss Hooke .
Related Works
Related Work: The Genius of Nonsense Author(s): George Colman, the elder

Dance: End of Act II of mainpiece, as17830604

Performances

Mainpiece Title: The Heroine Of The Cave

Performance Comment: Alberti-Wroughton; Emperor-Clarke; Everard-Hull; Clermont-Whitfield; Rodolpho-Fearon; Lorenzo-Davies; Colredo-Kemble; Seyfert-Booth; Menzel-Thompson; Faulkner-Chalmers; Laura-Miss Platt; The Heroine of the Cave-Miss Younge .
Cast
Role: Emperor Actor: Clarke
Role: The Heroine of the Cave Actor: Miss Younge

Afterpiece Title: The Rival Knights

Cast
Role: The Devil Actor: Bannister

Afterpiece Title: Rosina

Song: In Act II of mainpiece an Anthem (singers not listed)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Genius of Nonsense

Performance Comment: Harlequin, Vocal and Rhetorical-Bannister Jun.; Ditto, Mum!-Spencer; Agreeable Companion in a Post-Chaise-Egan; Landlord-Usher; Dame Turton-Edwin; Goody Burton-Davies; Gammer Gurton-Bannister; Pantaloon-Stevens; Clown-Delpini; Head Boy of the Marine Society-Master Edwin; Officer in the Camp-Davies [i. e. doubled Goody Burton]; Emperor of the Quacks-Bannister Jun. [i. e. doubled Harlequin]; Columbine-Miss Morris; Ballad Singer-Mr Wewitzer; Chambermaid-Miss Brangin; Genius of Nonsense-Miss Hooke .
Related Works
Related Work: The Genius of Nonsense Author(s): George Colman, the elder

Performances

Mainpiece Title: The Sons Of Anacreon

Performance Comment: President (with an Imitative Song)-Bannister Jun.; the other Vocal Parts by Edwin, Wilson, Brett, Meadows, Davies, Gaudry, Bannister . the other Vocal Parts by Edwin, Wilson, Brett, Meadows, Davies, Gaudry, Bannister .

Afterpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: The Genius of Nonsense

Performance Comment: Harlequin, Vocal and Rhetorical-Bannister Jun.; Ditto Mum!-Milbourn; Agreeable Companion in a Postchaise-Booth; Landlord-Usher; Dame Turton-Edwin; Goody Burton-Davies; Gammer Gurton-Bannister; Pantaloon-Burton; Clown-Delpini; Emperor of the Quacks-Bannister Jun. [i.e. doubled Harlequin]; Colombine-Mrs Goodwin; Ballad Singer-Mr Wewitzer; Genius of Nonsense-Miss Langrish .
Related Works
Related Work: The Genius of Nonsense Author(s): George Colman, the elder

Song: In 1st piece capital Catches and Glees, selected from the most eminent Masters, with the celebrated Anacreontic Song by Bannister. imitations. End of 2nd piece, as17850726

Event Comment: The New Farce of JENNY'S WHIM; or, The Roasted Emperor [advertised on playbill of 30 Aug., in place of MY GRANDMOTHER] is unavoidably postponed. [This farce, by John O'Keeffe, was never acted; it was objected to by the Lord Chamberlain on the grounds that it "ridiculed the Emperor of Morocco." See MacMillan, Larpent Catalogue, p. 172.]

Performances

Mainpiece Title: Rule Britannia

Afterpiece Title: WAYS AND MEANS

Performance Comment: Sir David Dunder-Bannister Jun.; Young Random-Barrymore; Scruple-Davies; Old Random-Aickin; Roundfee-Suett; Quirk-Burton; Camey-Barrett; Peery-Usher; Tiptoe-R. Palmer (1st appearance these 2 years)//Lady Dunder-Mrs Hopkins; Mrs Peery-Mrs Booth; Harriett-Mrs Kemble; Kitty-Mrs Gibbs .
Related Works
Related Work: Ways and Means; or, A Trip to Dover Author(s): George Colman, the younger

Afterpiece Title: MY GRANDMOTHER

Cast
Role: Sir Matthew Medley Actor: Burton
Event Comment: Benefit for Mrs Kemble, being the last Time of her Appearing on the Stage. 1st piece [1st time; T 2, by John Philip Kemble, altered from the same by Philip Massinger. Larpent MS 1040: not published]: In Act I the Triumphal Entry of Domitian into the Capitolv. 2nd piece [1st time; C 3, by John Philip Kemble, altered from The Comical Lovers, by John Dryden and Colley Cibber. Larpent MS 1133: not published. Genest, VII, 243: C. Kemble on being asked, in 1821, if the above cast was right, said that he believed it was, but that he was ill and did not act]. [Address by Bertie Greatheed (European Magazine, June 1796, p. 397).] Morning Herald, 10 May: Tickets to be had of Mrs Kemble, No. 13, Caroline-street, Bedford-square. Account-Book: Paid H. S. Hargraves, Box No. 95, his Servant being turn'd out by Force, #1 4s. Receipts: #190 9s. 6d. (130.9.0; 59.10.0; 0.10.0; tickets: none listed; odd money: 0.0.6) (charge: #216 17s.)

Performances

Mainpiece Title: The Roman Actor

Performance Comment: The Emperor Domitian-Palmer; Lamia-Aickin; Aretinus-Caulfield; Rusticus-Maddocks; Sura-Webb; Parthenius-C. Kemble?; Cornellius-Trueman; Paris, the Roman Actor-Kemble; Aesopus-Whitfield; Latinus-Packer; Domitia-Mrs Powell; Julia-Miss DeCamp; Domitilla-Miss Heard; Galeria-Miss Miller.
Cast
Role: The Emperor Domitian Actor: Palmer
Role: Parthenius Actor: C. Kemble?
Role: the Roman Actor Actor: Kemble

Afterpiece Title: Celadon and Florimel; or, The Happy Counterplot

Performance Comment: Characters-Palmer, Wroughton, C. Kemble (?); Miss Farren, Mrs Goodall, Miss DeCamp, Mrs Kemble, Mrs Cuyler, Miss Granger, Miss Mellon. [Cast from Genest, VII, 243: Palamede-Palmer; Rhodophil-Wroughton; Celadon-C. Kemble; Melantha-Miss Farren; Doralice-Mrs Goodall; Florimel-Miss DeCamp; Flavia-Mrs Kemble; Olinda-Mrs Cuyler?; Sabina-Miss Granger?; Philotis-Miss Mellon. [Genest does not assign Olinda or Sabina; they are my conjecture. The names of the parts are in the Larpent MS.]Genest does not assign Olinda or Sabina; they are my conjecture. The names of the parts are in the Larpent MS.]

Afterpiece Title: No Song No Supper

Performance Comment: As17950917, but Robin (1st time)-Wathen; William-_; Servant-_.
Cast
Role: Robin Actor: Wathen

Entertainment: Monologue.End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage

Performance Comment: End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage.
Event Comment: Afterpiece [1st time; MD 2, by Prince Hoare, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres]: The Musick entirely new by Dussek [and Kelly]. With new Scenery [by Marinari (Monthly Mirror, Nov. 1798, p. 309)], Dresses, and Decorations. Books of the Songs to be had at the Theatre. Morning Chronicle, 7 May 1799: On May 9 will be published The Captive of Spilburg (1s. 6d.). Receipts: #209 6s. 6d. (108.10.6; 99.19.6; 0.16.6)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Tradelove Actor: Wathen

Afterpiece Title: The Captive of Spilburg

Performance Comment: Characters by Barrymore, Kelly, Suett, Bannister Jun., Miss Benson, Caulfield, Maddocks, Hollingsworth, Wentworth, Mrs Crouch, Mrs Bland. [Cast from text (Machell Stace, 1799): Korowitz-Barrymore; Cansemar-Kelly; Mousic@Mirhoff-Suett; Kourakin-Bannister Jun.; Iwan-Miss Benson; Liebstoff-Caulfield; Officers of the Emperor's Guards-Maddocks, Trueman; Tackstein-Hollingsworth; Kargad-Wentworth [these last two unassigned in text]; Eugenia-Mrs Crouch; Moola-Mrs Bland; Chorus of Soldiers-Danby, Wentworth, Brown, Tett, Denman, Atkins, Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun.; Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates.

Dance: In afterpiece: a Dance-Roffey, Whitmell, Wells, Male, Garman, W. Banks, Goodman, Gauron, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Luciet, Ms Drake, Ms Riches; New Hornpipe-Sga Bossi DelCaro

Event Comment: This play was presumably acted by the Duke's Company. In the preface to Heraclius, Emperour of the East, published in 1664, the author, Lodowick Carlell, complains that he had submitted his translation of Corneille, only to have it returned the very day that this version appeared on the stage. See also the letter by Katherine Philips, under Pompey the Great, Jan. 1663@4. Pepys, Diary: We made no long stay at dinner; for Heraclius being acted, which my wife and I have a mighty mind to see, we do resolve, though not exactly agreeing with the letter of my vowe, yet altogether with the sense, to see another this month, by coming hither instead of that at court, there having ueen none conveniently since I made my vowe for us to see there, nor like to be this Lent, and besides we did walk home on purpose to make this going as cheap as that would have been, to have seen one at Court, and my conscience knows that it is only the saving of money and the time also that I intend by my oaths....The play hath one very good passage well managed in it, about two persons pretending, and yet denying themselves, to be son to the tyrant Phocas, and yet heire of Mauricius to the crowne. The garments like Romans very well. The little girle is come to act very prettily, and spoke the epilogue most admirably. But at the beginning, at the drawing up of the curtaine, there was the finest scene of the Emperor and his people about him, standing in their fixed and different postures in their Roman habitts, above all that ever I yet saw at any of the theatres

Performances

Mainpiece Title: Heraclius

Event Comment: The Journal of Sir Richard Bulstrode (p. 19): This evening is repeated in the great Hall by foure persons of quality the Indian Emper, but the Company is made very private, soe as few attempt to gett in. Jean Chappuzeau, Le Theatre Francois (Paris, 1675), p. 55, states that in 1668 he saw a revival of The Indian Emperor in London. Pepys, Diary: 14 Jan.: They fell to discourse of last night's work at court, where the ladies and Duke of Monmouth and others acted The IndianEmperour; wherein they told me these things most remarkable: that not any woman but the Duchesse of Monmouth and Mrs Cornwallis did any thing but like fools and stocks, but that these two did do most extraordinary well: that not any man did any thing well but Captain O'Bryan, who spoke and did well, but, above all things, did dance most incomparably. That she did sit near the players of the Duke's house; among the rest, Mis Davis, who is the most impertinent slut, she says, in the world; and the more, now the King do show her countenance; and is reckoned his mistress, even to the scorne of the whole world; the King gazing on her, and my Lady Castlemayne being melancholy and out of humour, all the play, not smiling once. The King, it seems, hath given her a ring of #700, which she shews to every body, and owns that the King did give it her; and he hath furnished a house for her in Suffolke Street most richly, which is a most infinite shame. It seems she is bastard of Colonell Howard, my Lord Berkshire, and that he do pimp to her for the King, and hath got her for him; but Pierce says that she is a most homely jade as ever she saw, though she dances beyond any thing in the world

Performances

Mainpiece Title: The Indian Emperour

Performance Comment: Persons of the Court.
Event Comment: Lady Mary Bertie to Katherine Noel, 2 Jan. 1670@1: There is letely come out a new play writ by Mr Dreyden who made the Indian Emperor. It is caled the Conquest of Grenada. My brother Norreys tooke a box and carryed my Lady Rochester and his mistresse and all us to, and on Tuestay wee are to goe see the second part of it which is then the first tim acted (Rutland MSS, HMC, 12th Report, Part V [London, 1889], 22). From this letter it is difficult to tell whether by "Tuestay" is meant Tuesday 3 Jan. 1670@1 or Tuesday 10 Jan. 1670@1. Hence, Part II has been entered on both days

Performances

Event Comment: The King's Company. The date of this performance is known from the separately printed Prologue and Epilogue: A Prologue by Mr Settle to his New Play, called The Emperor of Morocco, with the Life of Gayland. Acted at the Theatre Royal, the 11th of March 1682. The Epilogue, Spoken by Mrs Coysh's Girl, as a Cupid. [Luttrell's date of acquisition, 16 March 1681@2, is on his copies of the Prologue and Epilogue (Huntington); they have also been reprinted in Wiley, Rare Prologues and Epilogues, pp. 84-85.

Performances

Mainpiece Title: The Heir Of Morocco With The Death Of Gayland

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Flying Post, 29-31 March 1698, suggests that the first performance probably occurred in late February or very early in March. One song, Though over all mankind, the music by Leveridge and sung by Mrs Lindsey, was published in A Second Book of Songs with a Through Bass, 1699

Performances

Mainpiece Title: Caligula

Performance Comment: Edition of 1698: Prologue-Mr Powell who Acted the Emperor; Epilogue-a Girl; Caligula-Powell; Valerius Asiaticus-Williams; Annius Minatianus-Simpson; Vitellius-Mills; Cassius Cheraea-Thomas; Lepidus-Evans; Philo-Disney; Cesonia-Mrs Knight; Julia-Mrs Temple; Salome-Mrs Cross.
Event Comment: John Vanbrugh to the Earl of Manchester, 25 Dec. 1699: Miss Evans the dancer at the New Playhouse is dead too; a feaver Slew her in eight and forty hours. She's much lamented by the Towne as well as the House, who can't well bare her loss; Matters running very low with 'em this Winter; if Congreve's Play [The Way of the World] don't help 'em they are undone. 'Tis a Comedy and will be play'd about Six weeks hence, nobody has seen it yet. Liveridge is in Ireland, he Owes so much money he dare not come over, so for want of him we han't had one Opera play'd this Winter; tho' Purcell has set one New One and Fingar another. We have got the Woman from the Chesire Cheese upon the Stage, who has the best Voyce for't by much that has been there at any time. We have the Emperors Crooaed Eunuch here, Francisco. They give him a hundred and twenty Guineas for five times. He has sung Once and was well likt. Dogget was here last Week, they gave him thirty pound to act Six times, which he did and fill'd the house every time (The Complete Works of Sir John Vanbrugh [Bloomsbury: Nonesuch Press, 1928], IV, 4)

Performances

Event Comment: Rich's Company. Post Boy, 30 May-1 June 1700: The Opera of the Prophetess, being this day Commanded to be Acted, for the Entertainment of the two Alcaids, the Envoys from the Emperor of Morocco. [When this play was revived at lif on 3 Dec. 1715, but Rich's Company, the bill was headed: Not Acted these Sixteen Years.

Performances

Mainpiece Title: The Prophetess

Event Comment: London Gazette, No. 3611, 17-20 June 1700: For the Entertainment of the Agents lately arrived from the Emperor of Morocco, to Morrow being Friday, will be new Musick, both Vocal and Instrumental, with a Prologue and Epilogue, in York-Buildings, to begin at 8 at Night

Performances

Mainpiece Title: Concert

Event Comment: Being the last Time of Acting till after May Fair. To begin at Five so that all may be done by Nine

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: The Comical Rivals; or, The School Boy

Music: As17030423

Dance: The Devonshire Girl, being now upon her Return to the City of Exeter, will perform three several Dances, particularly her last New Entry in Imitation of Mademoiselle Subligni, Whip of Dunboyn by Mr Claxton, her Master-The Devonshire Girl; ...And at the desire of several Persons of Quality (hearing that Mr Pinkeman hath hired the two famous French Girls lately arriv'd from the Emperor's Court), They will perform several Dances on the Rope upon the Stage, being improv'd to that Degree, far exceeding all others in that Art.-two famous French Girls; Newest Humours of Harlequin , as perform'd by him before the Grand Signior at Constantinople-father of two famous French Girls; Also the Famous Mr Evans, lately arriv'd from Vienna, will shew you Wonders of another kind, Vaulting on the Manag'd Horse, being the greatest Master of that kind in the World-Mr Evans

Performance Comment: ..And at the desire of several Persons of Quality (hearing that Mr Pinkeman hath hired the two famous French Girls lately arriv'd from the Emperor's Court), They will perform several Dances on the Rope upon the Stage, being improv'd to that Degree, far exceeding all others in that Art.-two famous French Girls; Newest Humours of Harlequin , as perform'd by him before the Grand Signior at Constantinople-father of two famous French Girls; Also the Famous Mr Evans, lately arriv'd from Vienna, will shew you Wonders of another kind, Vaulting on the Manag'd Horse, being the greatest Master of that kind in the World-Mr Evans.
Event Comment: Written by the Famous Ben. Johnson. [In Daily Courant, 23 Nov., The Emperor of the Moon had been advertised for this day.

Performances

Mainpiece Title: Volpone

Song:

Dance: