Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Edwin"/1) | (@(roleclean,performerclean) "Edwin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
3049 results for: Keyword - Edwin.
We found 5251 matches on Roles/Actors, 843 matches on Performance Comments, 63 matches on Event Comments, 55 matches on Performance Title, and 1 matches on Author.

3026
09 March 1700 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. James Brydges, Diary: About 8: Sr G; [Coply] & I...going by ye playhouse in Lincolns inn fields, met Mr Edwin</a> (Huntington MS St 26)

Performances

Mainpiece Title: The Way Of The World

3027
24 January 1724 @ Lincoln's Inn Fields

Event Comment: By Their Royal Highnesses's Command. N.B. We are obliged to defer the New Tragedy, called Edwin</i>, till further Notice. Receipts: #156 7s

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: The Necromancer

3028
05 June 1780 @ Haymarket Theatre

Event Comment: Summer Amusement [announced on playbill of 3 June] is obliged to be deferred on account of Edwin</a>'s Indisposition. [As 3rd piece Public Advertiser announces Polly Honeycombe.

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Miss in her Teens

Dance: End I 2nd piece: As17800530; III: a Hornpipe-Master Byrne. [This was danced, as here assigned, in all subsequent performances.

3029
01 April 1782 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Tony Lumpkin in Town

Performance Comment: Principal Characters by Quick, Robson, Fearon, Booth, Stevens, Egan, Bates, Newton, Painter, Edwin; Mrs Davenett, Mrs Lewis. Cast not known. Prologue spoken by Whitfield .

Dance: End of mainpiece The Humours of Newmarket; with the Poney Races. Jockies-Harris, Langrish, Ratchford, Holloway; Ladies-Mrs Ratchford, Miss Francis, Miss Matthews

3030
14 May 1782 @ Covent Garden

Event Comment: Retaliation [announced on playbill of 13 May] is obliged to be deferred on account of Quick's and Edwin's Illness. Receipts: #182 5s. 6d. (179/18/0; 2/7/6)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Touchstone

3031
12 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Polly

Afterpiece Title: The Humours of an Election

Performance Comment: Characters by Wilson, Edwin, Staunton, Egan, Usher, Wewitzer, Darley, Davis, Barrett, Painter, Kenny, Massey, Webb, Stevens, Swords, Ledger, Parsons; Miss Morris, Mrs Webb. Cast not known. Prologue spoken by Palmer .

Dance: As17820611

3032
10 June 1784 @ Haymarket Theatre

Event Comment: [On this night Edwin, Miss Morris and Mrs Bannister appeared both at CG and the HAY.]

Performances

Mainpiece Title: Seeing Is Believing: A Dramatic Proverb

Afterpiece Title: Gretna Green

Afterpiece Title: The Election of the Managers

3033
10 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Performance Comment: Cadwallader-Jackson; Vamp-Osborne; Young Cape-Edwards; Sprightly-Frederic / Mrs Cadwallader (for that night only)-A Young Lady (Sister to Mr Edwin, of Covent Garden, 1st appearance in this, and 2nd on any stage [Mrs Williams]) .Mrs Williams]) .

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

3034
18 April 1785 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Land of Enchantment

Performance Comment: A Select Scene, consisting of Music and Dancing, in which: a Hunting Song [Tantivy, the welkin resounds] by Mrs Martyr; the celebrated Vauxhall Echo Catch [They say there is an echo here (performers not listed)]; a Pastoral Dialogue [Alas! Poor Sue] by Johnstone and Mrs Martyr; Auld Robin Gray by Mrs Kennedy; Poor ThomasDay by Edwin, Brett, Davies. Abdiel, the Genius-Master Farley .

Afterpiece Title: Barataria

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

3035
02 March 1786 @ Covent Garden

Event Comment: The Man of the World and Patrick in Prussia [i.e. Love in a Camp; both announced on playbill of 28 Feb.] are obliged to be deferred on account of the Indisposition of Macklin and Edwin. Receipts: #143 14s. (13 8/1/6; 5/12/6)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Rosina

Dance: As17851112

3036
29 August 1787 @ Haymarket Theatre

Event Comment: [Herrington, who was from the Royalty, and Mrs Farmer are both identified in Public Advertiser, 30 Aug. As afterpiece the playbill announces Peeping Tom, but "The fatigues Edwin</a> had undergone at his benefit the preceding evening rendered him incapable of performing last night. Peeping Tom was therefore obliged to be changed to The Golden Pippin" (Public Advertiser, 30 Aug.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Golden Pippin

3037
10 October 1787 @ Covent Garden

Event Comment: [As afterpiece the playbill announces Love in a Camp, but "Changed to The Padlock" (Account-Book), and see 17 Oct. "Edwin</a> was very much indisposed on Wednesday evening, [which] prevented his appearing(World, 12 Oct.).] Receipts: #145 6s. (137.12.6; 7.13.6)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Padlock

3038
22 November 1787 @ Covent Garden

Event Comment: [As afterpiece the playbill announces The Farmer, but "on account of Edwin</a>'s illness [it] was changed to Hob in the Well" (World, 23 Nov.).] Receipts: #155 12s. (152.3; 3.9)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Hob in the Well

3039
23 November 1787 @ Covent Garden

Event Comment: The Tender Husband [advertised on playbill of 22 Nov.] is obliged to be deferred to Monday [q. v., and 5 Dec.], on Account of Edwin</a>'s Indisposition. Receipts: #95 19s. (84.17; 11.2)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Barnaby Brittle

Dance: As17871029

3040
09 November 1789 @ White Horse Inn, Parsons Green, Fulham

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Chrononhotonthologos

Entertainment: Monologue. End: the tale of Edwin and Emma-Jones

Performance Comment: End: the tale of Edwin and Emma-Jones.
Cast
Role: the tale of Edwin and Emma Actor: Jones.

3041
02 June 1790 @ Drury Lane Theatre

Event Comment: Account-Book: Tickets delivered by Appleby, Bourk, Brigg, Daglish, Edwin</a>, Fox, Jones, Maddocks, Smith, Walker, Harris, Webb will be admitted. Receipts: #56 5s. (28.7; 27.18; 0.0; tickets: none listed)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The First Floor

Dance: End III: Hornpipe-Whittow; End: Minuet de la Cour-Mr and Mrs Brigg; in which Codrile-; to conclude with a Scotch Reel-Whittow

3042
23 June 1790 @ Haymarket Theatre

Event Comment: The Publick is most respectfully informed that, in consequence of the sudden Indisposition of Edwin</a>, The Son-in-Law and The Agreeable Surprise [both advertised on playbill of 22 June] are obliged to be postponed

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Citizen

Afterpiece Title: The Follies of a Day

3043
25 June 1790 @ Haymarket Theatre

Event Comment: The Battle of Hexham [advertised on playbill of 24 June] is obliged to be deferred till Monday next on account of the Insidposition of Edwin</a>

Performances

Mainpiece Title: The Suicide

Afterpiece Title: A Mogul Tale; or, The Descent of the Balloon

Dance: End I: a new dance, The Generous Sportsman-Byrn, Boyer [recte Boyce], Platt, Miss DeCamp, Mrs Goodwin

3044
28 April 1791 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Minor

Dance: End II: Negro Dance-

Song: End: some of the most favourite Catches and Glees-Bannister, Incledon, Blanchard, Davies, Williamson, Johnstone [for specific songs probably sung, see17910517]

Entertainment: Monologue. After singing: A Description of the Tombs in Westminster Abbey (after the manner of the late Mr Edwin</a>)-the Young Gentleman who performs Trudge

Performance Comment: After singing: A Description of the Tombs in Westminster Abbey (after the manner of the late Mr Edwin</a>)-the Young Gentleman who performs Trudge.

3045
13 June 1792 @ Drury Lane at King's Theatre

Event Comment: Account-Book: Tickets delivered by Alfred, Appleby, Benson, Banks, Cooke, Daglish, Mrs Edwin</a>, Mrs Gawdry, Master Gregson, Miss Jacobs, Jones, Lyons, Maddocks, Pilsbury, Walker, Whitmill will be admitted. Receipts: #459 9s. 6d. (53.2.6; 46.6.0; 7.5.0; tickets: 352.16.0)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Doctor and the Apothecary

Dance: End: Allemande-Whitmill, Miss Jacobs, Miss DeCamp

3046
31 May 1793 @ Drury Lane Theatre

Event Comment: Tickets delivered for this Evening [Account-Book: by Alfred, Appleby, Benson, Banks, Cooke, Jones, Maddocks, Stokes, Whitmell, Gregson, Pilsbury, Mrs Edwin</a>, Mrs Bramwell, Miss Redhead, Miss Menage] will be admitted. Receipts: #466 18s. (82.15.6; 16.18.0; 4.11.6; tickets: 362.13.0)

Performances

Mainpiece Title: At King's The Haunted Tower

Afterpiece Title: The Deaf Lover

Dance: End: Le Pas Russe-Master and Miss Menage; End I afterpiece: Dance-Whitmell

3047
12 February 1798 @ Covent Garden

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .

3048
16 February 1798 @ Covent Garden

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Performance Comment: As17980214, but The Argument-. [The Ballet (principally taken from Historical facts) commences with a Grand Battle before the Town of Orleans, in which the English being victorious, a wounded French Officer (Alenson) solicits shelter in the Inn where Joan of Arc and her sister Blanche reside; this is granted, and they scarcely retire, before the conquering party rush into the Inn, but are prevented from using outrage by the intervention of a young English General (Talbot) of whom the sisters become enamoured. He prefers Blanche; and Joan, from resentment, in conjunction with Alenson, meditate his ruin, in which they fail, and are forced to fly--Joan grown desperate, invokes supernatural aid, and receives a Banner from Lucifer--distinguishes the French King in the midst of his Courtiers, tho' a Nobleman in his habit had been imposed on her for him--demands a consecrated sword and shield at the tomb of Charlemagne--heads the French troops, and being victorious, takes young Talbot and her sister (whom he had espoused) Prisoners. +Edwin</i> (young Talbot's Page), not allowed to attend on his master, by concealing himself in the spoils of his tent is conveyed to the court-yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant (as17980214)] . .

Music: As17980214

3049
26 February 1798 @ Covent Garden

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Performance Comment: As17980216, but Edwin-_; here specified as: An Aerial Spirit in disguise-Miss Sims; [slight verbal changes in The Argument; and A New Grand Scene-[, representative of Antient British Heroes [who they were not specified] in place of the; Grand Historical Pageant-_.

Music: As17980214

Accessibility Report a Concern Careers Privacy Policy About Find People
© University of Oregon. All Rights Reserved.

UO prohibits discrimination on the basis of race, color, sex, national or ethnic origin, age, religion, marital status, disability, veteran status, sexual orientation, gender identity, and gender expression in all programs, activities and employment practices as required by Title IX, other applicable laws, and policies. Retaliation is prohibited by UO policy. Questions may be referred to the Title IX Coordinator, Office of Affirmative Action and Equal Opportunity, or to the Office for Civil Rights. Contact information, related policies, and complaint procedures are listed on the statement of non-discrimination.