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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Edward Philips"/1) | (@(roleclean,performerclean) "Edward Philips")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3235 results for: Keyword - Edward Philips
We found 1929 matches on Author, 1040 matches on Performance Comments, 284 matches on Event Comments, 155 matches on Performance Title, and 0 matches on Roles/Actors.

1401
29 March 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: The Shipwreck

1402
01 April 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Feudal Times

1403
03 April 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: No Song No Supper

1404
05 April 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: The Adopted Child

1405
12 April 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: High Life below Stairs

Dance: As17980920

1406
30 May 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Blue-Beard

1407
03 October 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Related Works
Related Work: The Revenge Author(s): Edward Young

Afterpiece Title: The Embarkation

1408
16 November 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: The Pavilion

1409
19 November 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: My Grandmother

1410
26 November 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Blue-Beard

1411
08 January 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Lodoiska

1412
13 February 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Of Age To-morrow

1413
22 October 1757 @ Covent Garden

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Impostor

Afterpiece Title: Orpheus and Eurydice

1414
14 February 1789 @ Covent Garden

Performances

Mainpiece Title: The Toy

Afterpiece Title: Marian

Performance Comment: Edward-Johnstone; Sir Henry Freeman-Bannister; Robin-Blanchard; Thomas-Darley; Jamie-Fearon; Oliver-Thompson; Peggy-Mrs Kennedy; Patty-Mrs Martyr; Marian-Mrs Billington.
Cast
Role: Edward Actor: Johnstone

1415
21 November 1789 @ Covent Garden

Performances

Mainpiece Title: Marian

Performance Comment: Edward-Johnstone; Sir Henry Freeman-Bannister; Robin-Blanchard; Thomas-Darley; Jamie-Powel; Oliver-Thompson; Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Mrs Billington.
Cast
Role: Edward Actor: Johnstone

Afterpiece Title: The Follies of a Day

Afterpiece Title: The Death of Captain Cook

1416
25 February 1792 @ Covent Garden

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Marian

Performance Comment: Edward-Johnstone; Sir Henry Freeman-Incledon; Robin-Blanchard; Thomas-Darley; Jamie-Powel; Oliver-Thompson; Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Mrs Billington.
Cast
Role: Edward Actor: Johnstone

1417
18 November 1793 @ Covent Garden

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: MARIAN

Performance Comment: Edward-Johnstone; Sir Henry Freeman-Incledon; Robin -Blanchard; Thomas-Townsend; Jamie -. Powel; Oliver-Thompson//Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Miss Poole .
Cast
Role: Edward Actor: Johnstone

Song: In Act II of mainpiece Hark! the Lark at Heaven's Gate sings by Gray, Linton, Miss Barnett, Mrs Mountain; In afterpiece a new Hunting Song, composed by Shield, by Incledon [this song not listed on playbill, but see World, 19 Nov.]

Monologue: 1793 11 18 Before the mainpiece an Occasional Address by Middleton

1418
29 April 1794 @ Covent Garden

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship; Or, An Escape From France

Performance Comment: Edward-Incledon; Joey-Munden; Sedgly-Hull; Patrick-Rock; French Commandant-Claremont; Gaoler-Blurton; Sailor-Wilde; Captain O'Leary-Johnstone// Annette-Miss Poole .
Cast
Role: Edward Actor: Incledon

Afterpiece Title: THE LONDON HERMIT; or, Rambles in Dorsetshire

Afterpiece Title: THE SON-IN-LAW

1419
15 November 1794 @ Covent Garden

Performances

Mainpiece Title: The Rage

Afterpiece Title: Marian

Performance Comment: Edward-Johnstone; Sir Henry Freeman (with Old Towler)-Incledon; Robin-Townsend; Thomas-Gray; Jamie-Powel; Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Miss Poole.
Cast
Role: Edward Actor: Johnstone

1420
06 November 1795 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Marian

Performance Comment: Edward-Johnstone; Sir Henry Freeman (with Old Towler)-Incledon; Robin-Townsend; Thomas-Haymes; Jamie-Powel; Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Mrs Serres (1st appearance in that character).
Cast
Role: Edward Actor: Johnstone

1421
14 May 1798 @ Covent Garden

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: British Fortitude

Afterpiece Title: Marian

Performance Comment: Edward-Johnstone; Sir Henry Freeman-Incledon; Robin-Townsend; Thomas-Gray; Jamie-Powel; Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Mme Mara (1st appearance in that character).
Cast
Role: Edward Actor: Johnstone

Dance: In II 1st piece: As17971006

1422
01 February 1707 @ Drury Lane Theatre

Performances

Mainpiece Title: Camilla

1423
19 November 1660 @ Whitehall or St. James's

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

1424
26 February 1661 @ Whitehall or St. James's

Event Comment: Edward Gower to Sir R. Leveson, 26 Feb. 1660@1: No more plays at court after this night, and but three days this week at the playhouse (HMC, 5th Report, 1876, p. 202). Boswell (Restoration Court Stage, p. 279) accepts this as evidence that a play was acted at Court on this night. As this was Shrove Tuesday, Gower's statement may well reflect the restrictions upon plays during Lent

Performances

1425
01 January 1685 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: Edward Bedingfield to the Countess of Rutland, 1 Jan. 1684@5: Wee are in expectation of an opera composed by Mr Dryden, and set by Grabuche [Grabut], and so well performed at the repetition that has been made before his Majesty at the Duchess of Portsmouth's pleaseth mightily, but the rates proposed will not take soe well, for they have set the boxes at a guyny a place, and the Pitt at halfe. They advance 4,000 l. on the opera, and therefore must tax high to reimburse themselves (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 85)

Performances