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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Edward Cape Everard"/1) | (@(roleclean,performerclean) "Edward Cape Everard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1984 results for: Keyword - Edward Cape Everard
We found 939 matches on Author, 837 matches on Performance Comments, 238 matches on Event Comments, 101 matches on Performance Title, and 0 matches on Roles/Actors.

1026
19 November 1660 @ Whitehall or St. James's

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

1027
26 February 1661 @ Whitehall or St. James's

Event Comment: Edward Gower to Sir R. Leveson, 26 Feb. 1660@1: No more plays at court after this night, and but three days this week at the playhouse (HMC, 5th Report, 1876, p. 202). Boswell (Restoration Court Stage, p. 279) accepts this as evidence that a play was acted at Court on this night. As this was Shrove Tuesday, Gower's statement may well reflect the restrictions upon plays during Lent

Performances

1028
01 January 1685 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: Edward Bedingfield to the Countess of Rutland, 1 Jan. 1684@5: Wee are in expectation of an opera composed by Mr Dryden, and set by Grabuche [Grabut], and so well performed at the repetition that has been made before his Majesty at the Duchess of Portsmouth's pleaseth mightily, but the rates proposed will not take soe well, for they have set the boxes at a guyny a place, and the Pitt at halfe. They advance 4,000 l. on the opera, and therefore must tax high to reimburse themselves (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 85)

Performances

1029
22 March 1784 @ Drury Lane Theatre

Event Comment: Edward the Black Prince [announced on playbill of 20 Mar.] is obliged to be deferred on Account of the Indisposition of a principal Performer. Receipts: #139 13s. (138/3; 0/10; tickets not come in: 1/0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Harlequin Junior

Dance: End of Act III of mainpiece, as17840320End of Act IV, as17840311athi

1030
01 June 1778 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Citizen

Related Works
Related Work: The Citizen Turned Gentleman Author(s): Edward Ravenscroft

Dance: End: Hornpipe-Everard

Song: End II: Master Nelson

1031
25 August 1746 @ Bartholomew Fair

Performances

Mainpiece Title: Captain O'blunder; Or, The Brave Irishman

Dance: JJockey Dance-Adams; Hornpipe-Banberry

Entertainment: A Machine showing the capture of Cape Breton-

1032
02 September 1758 @ Bartholomew Fair

Performances

Mainpiece Title: The Old Widow Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: The Joyous Return of the Brave British Tars from the Conquest of Cape Breton

1033
02 September 1758 @ Bartholomew Fair

Performances

Mainpiece Title: The Woman Turn'd Bully; Or, The Lover's Triumph: With The Comical Humours Of squire Noodle And His Man doodle

Afterpiece Title: A Grand Representation of the Taking of Louisburg and Cape Breton by Admiral Boscawen and General Amherst

1034
18 September 1758 @ Southwark Fair

Performances

Mainpiece Title: The Old Widow Bewitched: With The Courtship Of loadham The Fat, pinchgut The Lean, And His Man meager; And The Adventures Of capt Puff Culverin, And dermot Majrah Ballingbrogue

Afterpiece Title: The Taking of Cape Breton

Song: AA new Song-on the Late Successes

1035
19 September 1758 @ Southwark Fair

Performances

Mainpiece Title: The Old Widow Bewitched

Afterpiece Title: The Taking of Cape Breton

Song: As17580918

1036
20 September 1758 @ Southwark Fair

Performances

Mainpiece Title: The Old Widow Bewitched

Afterpiece Title: The Taking of Cape Breton

Song: As17580918

1037
21 September 1758 @ Southwark Fair

Performances

Mainpiece Title: The Old Widow Bewitched

Afterpiece Title: The Taking of Cape Breton

Song: As17580918

1038
04 May 1770 @ Drury Lane Theatre

Performances

Mainpiece Title: The Funeral

Afterpiece Title: A Peep behind the Curtain

Dance: II: As17700428 I of the Farce: A Double Hornpipe-Walker, Miss Ward

Entertainment: V: Bucks Have At Ye All-Mas Cape

1039
28 May 1770 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: A Peep behind the Curtain

Entertainment: V: The Picture of a Playhouse; or, Bucks have at ye all-Master Cape

1040
04 March 1797 @ King's Theatre

Performances

Mainpiece Title: Alceste

Dance: Dances Incidental, as17970225; End Opera: Apollon Berger, as17961227

Song: Between I and II: upon the Present happy Occasion [the naval victory off Cape St. Vincent, 14 Feb. 1797,] God save the King, Rule Britannia-Mme Banti

1041
14 March 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: The Universal Passion

Afterpiece Title: The Intriguing Chambermaid

Song: The Favourite Airs out of L'Allegro il Penseroso by Handel-Miss Edwards; I: Miss Edwards; IV: Miss Edwards

Dance: II: L'Arlequine deux visages-Mlle Chateauneuf; III: La Tambourine Matelote-Maltere, Mlle Maltere; V: La Tambourine-Mlle Chateauneuf

1042
14 March 1745 @ Covent Garden

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Afterpiece Title: The Devil to Pay

Song: II: Wanton Breezes, from the Oratorio Love and Friendship-Miss Edwards; IV: (by particular desire) the Irish Song Ellen a Roon-Mrs Clive; V: The Favourite Duette Let Caesar and Urania Live (compos'd by the late Henry Purcell)-Mrs Clive, Miss Edwards

Dance: III: Cooke, Sga Campioni

1043
09 November 1791 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Afterpiece Title: Don Juan

Cast
Role: Katharina Actor: Mrs Edwards
Role: Vocal Parts Actor: Dignum, Sedgwick, Mrs Bland, Mrs Edwards, Miss Hagley

Dance: See17911105 [i.e. not listed on playbill]

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Mrs Crouch, Mrs Bland, Miss Hagley, Mrs Edwards; V: the Masque of Neptune and Amphitrite-Neptune Sedgwick,; Amphitrite Mrs Edwards

1044
17 March 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Devil to Pay

Dance: I: Le Tambourine-Mlle Chateauneuf; In IV: Muilment; V: Ballet-Denoyer, Mlle Chateauneuf

Song: III: Would You Taste the Noon@Tide Air (Comus)-Miss Edwards

1045
25 March 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Devil to Pay

Dance: III: Muilment; La Matelote, as17400324

Song: I: Would You Taste the Noon@Tide (Comus)-Miss Edwards; II: Nel Pugnar-Beard; V: Beard in the Character of a Captain of an English Man of War upon the taking Porto Bello

1046
29 March 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Virgin Unmask'd

Song: I: Song-Beard; as end V 25 March; V: Would You Taste the Noon@Tide (Comus)-Miss Edwards

Dance: In IV: Muilment

1047
19 April 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The School Boy

Related Works
Related Work: Scaramouch a Philosopher, Harlequin a School-Boy, Bravo, Merchant and Magician Author(s): Edward Ravenscroft

Dance: I: Muilment; III: Tambourine-Mlle Chateauneuf; V: Drunken Peasant-Master Ferg

Song: II: Beard; IV: The Noon Tide Air (Comus)-Miss Edwards; V: English Captain (as17400325-Beard

1048
09 May 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: An Historical Play [king Charles I]

Performance Comment: Fairfax-Havard; King-Giffard; Oliver Cromwell-Wright; Bishop Juxon-Ridout; Richmond-Woodward; Marquis of Lindsey-Green; Bradshaw-Marten; Ireton-Taswell; Tomlinson-Leigh; Duke of York-Miss Thynne; Gloster-Miss Edwards; Queen-Mrs Giffard; Lady Fairfax-Mrs Roberts; Princess Elizabeth-Miss Cole.
Cast
Role: Gloster Actor: Miss Edwards

Afterpiece Title: The Virgin Unmask'd

Dance: II: Le Tambourine-Mlle Chateauneuf; III: Muilment; IV: Pierots-Lalauze, Livier; D: Muilment

Song: I: The Noon Tide Air (Comus)-Miss Edwards

1049
12 May 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Devil to Pay

Song: I: The Noon Tide Air-Miss Edwards; III: Mary Scot-Mrs Clive

Dance: II: Le Tambourine-Mlle Chateauneuf; IV: Pierots-Lalauze, Liviez; V: Muilment

1050
22 May 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: The Squire Of Alsatia

Cast
Role: Sir Edward Actor: Quin

Afterpiece Title: The Tragedy of Tragedies

Dance: I: Pierots-Lalauze, Liviez; II: Muilment; III: Le Tambourine-Mlle Chateauneuf; IV: Hornpipe-Yates; V: French Peasants-Leviez, Mrs Walter; End Afterpiece: Drunken Peasant-Master Ferg

Song: II: The Noon Tide Air-Miss Edwards