SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Earl of Oxford"/1) | (@(roleclean,performerclean) "Earl of Oxford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 251 matches on Performance Title, 222 matches on Performance Comments, 171 matches on Event Comments, 48 matches on Author, and 12 matches on Roles/Actors.

Performances

Mainpiece Title: Sir Thomas Overbury

Performance Comment: Principal Characters by Lewis, Wroughton. Hull, Whitefield, Thompson, Mrs Jackson, Miss Leeson, Mrs Hartley. [Cast from text (Francis Newbery, 1777): Sir ThomasOverbury-Lewis; Earl of Somerset-Wroughton; Earl of Northampton-Hull; Sir Gervas Elvis-Whitfield; Officer-Thompson; Servant-Stevens; Countess of Somerset-Mrs Jackson; Cleora-Miss Leeson; Isabella-Mrs Hartley; Prologue-Hull; Epilogue-Mrs Hartley. [These were spoken. as here assigned, at the first 9 performances only (see17770503).]These were spoken. as here assigned, at the first 9 performances only (see17770503).]
Cast
Role: Earl of Somerset Actor: Wroughton
Role: Earl of Northampton Actor: Hull

Afterpiece Title: High Life below Stairs

Dance: As17761015

Performances

Mainpiece Title: Percy

Performance Comment: [Principal Characters by Lewis, Aickin, Hull, Whitfield, Robson, Thompson, Wroughton, Mrs Jackson, Mrs Barry. Cast from text (T. Cadell, 1778 [i.e. 1777]), and Universal Magazine, Dec. 1777, p.307: Percy-Lewis; Earl Raby-Aickin; Sir Hubert-Hull; Edric-Whitfield; Harcourt-Robson; Servant-Thompson; Earl Douglas-Wroughton; Birtha-Mrs Jackson; Elwina-Mrs Barry; New Prologue-Mrs Bulkley; New Epilogue spoken-Lee Lewes. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Earl Raby Actor: Aickin
Role: Earl Douglas Actor: Wroughton

Afterpiece Title: St

Dance: After Epilogue: As17770924

Performances

Mainpiece Title: Edward The Black Prince; Or, The Battle Of Poictiers

Performance Comment: English: Edward-Kemble; Lord Audley-Farren; Earl of Warwick-Barrymore; Earl of Chandos-Williames; Salisbury-Fawcett; Arnold-Brereton. French: King John-Staunton; Dauphin-Phillimore; Duke of Athens-R. Palmer; Charney-Packer; Archbishop of Sens-Chaplin; Cardinal Perigort-Aickin; Ribemont-Palmer; Mariana-Miss E. Kemble .
Cast
Role: Earl of Warwick Actor: Barrymore
Role: Earl of Chandos Actor: Williames

Afterpiece Title: The Apprentice

Dance: End of mainpiece, as17831018

Performances

Mainpiece Title: The Noble Peasant

Performance Comment: Principal Characters by Palmer, Parsons, Riley, Gardner, Aickin, Davies, Swords, Barrett, Edwin, Brett, Bannister; Miss George, Miss Morris, Miss Brett, Mrs Bannister. [Cast from text (George Robinson, 1784): Leonard-Palmer; Earl Egbert-Parsons; Harold-Riley; AnlafF-Gardner; Earl Walter-Aickin; Will Cloudeslee-Davies; Fool-Edwin; Clym o' the Clough-Brett; Adam Bell-Bannister; Adela-Miss George; Alice-Miss Morris; Dwarf-Miss Brett; Edwitha-Mrs Bannister. Swords, Barrett are unassigned.] hathi. hathi.
Cast
Role: Earl Egbert Actor: Parsons
Role: Earl Walter Actor: Aickin

Afterpiece Title: The Guardian

Performances

Mainpiece Title: Lord Russel

Performance Comment: Characters are as follows: King Charles II, James Duke of York, Earl of Bedford, Lord Russel, Algernon Sidney, Lord Howard, Sir George Jefferies, Father Peters, Hubert, Lieutenant of the Tower; Lady Russel. Which are kindly undertaken to be represented by Ladies and Gentlemen, who never performed on any Stage. [Cast from text (no pub. [c. 1794]): King Charles II-Capt. Harriett (of the Navy); James Duke of York-Hyanson (a Yorkshire Attorney, Brother to Mrs McNally); Earl of Bedford-Laurence [sic] (Father to the celebrated Painter); Lord Russel-Horne (of the Temple); Algernon Sidney-another Laurence (not the Painter); Lord Howard of Eserick-Supple; Sir George Jefferies-A Young Lawyer of the Temple; Father Peters-Major Sykes; Hubert, Preceptor to Lord Russel-Henry Lucas, Esq. (Son of the late celebrated Dr Lucas) (who also wrote and spoke the Prologue); Kirk, Lieutenant of the Tower-Elliot; Lady Russel-Mrs Batiere (who also wrote and spoke the Epilogue).] Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug . Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug .
Cast
Role: Earl of Bedford Actor: Laurence
Event Comment: Mainpiece: [With alterations by John Philip Kemble] Not acted these 4 years. [In his prompt copy (1808) now in Harvard Theatre Collection Kemble's annotation lists the following as needed in the opening scene: 10 principals, Captain of the Guard, 3 Knights, 2 Pages, 2 Gentlemen with Crown, 2 Gentlemen with Map, Physician, Herald, 2 Ladies with Goneril, 2 Ladies with Regan, 2 Standard Bearers, 12 Guards. Nearly every scene opens or closes with drums and trumpets. In the storm scene, "Thunder and lightning; lamps down," i.e. the footlights lowered out of sight into a shallow trough. It is not unlikely that these arrangements were adhered to in this present revival.] "Kemble said that, however singular it might be, in Lear an audience quite unsettled him; the noise of the box-doors caught his ear, and routed all his meditated effects; and he found it absolutely impossible to do that at night which he had thrown out during the rehearsal in the morning" (Boaden, Siddons, II, 376). Receipts: #350 9s. 6d. (310.9.6; 38.12.0; 1.8.0)

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Kemble; Duke of Burgundy-Caulfield; Duke of Cornwall-Benson; Duke of Albany-Whitfield; Earl of Gloster-Packer; Earl of Kent-Aickin; Edgar-Wroughton; Edmund-Barrymore; Gent. Usher-R. Palmer; Esquire-Dignum; Physician-Jones; Attendant-Fawcett; Captain-Maddocks; Herald-Cooke; Old Man-Hollingsworth; Gentleman-Phillimore; Goneril-Mrs Cuyler; Regan-Mrs Ward; Cordelia-Mrs Siddons.
Cast
Role: Earl of Gloster Actor: Packer
Role: Earl of Kent Actor: Aickin

Afterpiece Title: The Deserter

Performances

Mainpiece Title: Mary Queen Of Scots

Performance Comment: Duke of Norfolk-Kemble; Sir William Cecil-Aickin; Lord Herries-Barrymore; Davison-Packer; Earl of Shrewsbury-Benson; Earl of Huntingdon-Phillimore; Sir Amias Paulet-Fawcett; Beton-Whitfield; Nawe-Alfred; Lieutenant-Maddocks; Sheriff-Lyons; Queen Mary-Mrs Siddons; Queen Elizabeth-Mrs Ward; Lady Douglas-Mrs Powell; Lady Scroop-Miss Tidswell.

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: At Hay King Lear

Performance Comment: King Lear-Kemble; Duke of Burgundy-Caulfield; Duke of Cornwall-Benson; Duke of Albany-Whitfield; Earl of Gloster-Packer; Earl of Kent-Aickin; Edgar-Wroughton; Edmund-Barrymore; Gentleman Usher-R. Palmer; Esquire-Dignum; Physician-Jones; Attendant-Fawcett; Captain-Maddocks; Herald-Cooke; Old Man-Burton [Public Advertiser: Hollingsworth]; Gentleman-Phillimore; Goneril-Mrs Cuyler; Regan-Mrs Ward; Cordelia-Mrs Siddons.
Cast
Role: Earl of Gloster Actor: Packer
Role: Earl of Kent Actor: Aickin

Afterpiece Title: The Cheats of Scapin

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Performance Comment: King Henry-Kemble; Duke of Gloucester-C. Kemble; Duke of Bedford-Dignum; Duke of Exeter-Aickin; Earl of Westmoreland-Sedgwick; Archbishop of Canterbury-Maddocks; B. of Ely-Jones; Earl of Cambridge-Webb; Lord Scroop-Cooke; Sir Thomas Gray-Bland; Sir T. Erpingham-Waldron; Gower-R. Palmer; Fluellen-Baddeley; Nym-Burton; Bardolph-Phillimore; Pistol-Suett; Boy-Master Chatterley; Williams-Whitfield; Bates-Banks; King Charles-Packer; Dauphin-Barrymore; Duke of Burgundy-Trueman; Constable-Benson; Governor of Harfleur-Hollingsworth; Montjoy-Caulfield; Quickly-Mrs Booth; Queen Isabel-Mrs Powell; Katharine-Miss DeCamp.

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Kemble; Duke of Burgundy-Dignum; Duke of Cornwall-C. Kemble; Duke of Albany-Whitfield; Earl of Kent-Aickin; Earl of Gloucester-Packer; Edgar-Wroughton; Edmund-Barrymore; Knights-Caulfield, Phillimore, Maddocks, Welsh; Physician-Jones; Captain of the Guard-Trueman; Officer-Cooke; Oswald-Russell; Herald-Banks; Page to Goneril-Master Chatterley; Page to Regan-Master Gell; Old Man-Burton; Edward-Benson; Ruffians-Webb, Evans; Goneril-Mrs Cuyler; Regan-Mrs Maddocks; Cordelia-Mrs Siddons; Aranthe-Miss Tidswell.
Cast
Role: Earl of Kent Actor: Aickin
Role: Earl of Gloucester Actor: Packer

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The Ghost

Afterpiece Title: The Widow of Malabar

Afterpiece Title: Merry Sherwood [and see17951221]

Performance Comment: Principal Vocal Characters: First Bowman, Friar Tuck-Bowden; Tinker-Knight; Cryer-Rees; Beggar Man-Townsend; Tanner-Richardson; Allen@o'@Dale-Gray; Martha-Mrs Mountain; Damsel-Mrs Clendining; Witch of Nottingham Well-Mrs Martyr; [Principal Pantomimic Characters: as17951221 Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; [Part I. Scene I. A View in Sherwood Forest; Archers regaling on Venison Song-Follett; [Robin entering, receives a challenge from Marian, the Sheriff of Nottingham's Daughter, to shoot the Deer. The Sheriff and Arthur-o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-; [Scene III. A Hall in the Sheriff's House; Sheriff introduces Marian to Arthur-o'-Bradley, her [sic] intended Bride-Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight; [seated at a Table, which changes to the Town Stocks in which they are confined-Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining; [imploring Robin Hood's aid to rescue the Princess. Scene X. The Earl of Nottingham, his Daughter, and the Count discovered-Giants, Pigmies-Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-; [Part II. Scene I. A View in Fountain Dale. Story of the Curtal Fryar Song-Bowden; [Robin's skill in Archery-Arthur-o'-Bradley changed to a Tree-shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-; [Robin procures his Garments to rescue Will Scarlet. Scene III. Nottingham Castle. Scarlet attended by the Sheriff, his Guards, led to Execution. Scene IV. Nottingham Market-Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-; [the Marriage of Allen and Martha Martha's song to Allen o'Dale-Mrs Mountain; [Harlequin changes the Scene to Scene VI. A View of the Sea and Scarborough Cliffs, with a Cottage. Harlequin changes the Cottage to a Ship-a French Vessel appears in view, which he changes to a cart-and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII [sic]. Birksley Monastery. The renovation of Robin by the Witch of Nottingham Well Witches Recitative-Mrs Martyr; [Scene VII [sic]. Clouds with Angels supporting Wreaths-which changes to Scene VIII. Representing the Triumphs of Archery, as17951228. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.

Performances

Mainpiece Title: Arrived At Portsmouth

Afterpiece Title: The Days of Yore

Performance Comment: Principal Characters by Pope, Middleton, Harley, Macready, Hull, Toms, Richardson, Davenport, Claremont, Thompson, Williamson, Mrs Clendining, Mrs Pope. Cast from text (C. Dilly, 1796): Voltimar-Pope; King Alfred-Middleton; Oddune, Earl of Devonshire-Harley; Sibald-Macready; Roger de Malvern-Hull; Alric, Earl of Northumberland-Toms; Gothrun-Richardson; Redwald-Davenport; Egbert-Claremont; Mollo-Thompson; Messenger-Williamson; Lothaire-Mrs Clendining; Swithun-Blurton; Dane-Abbot; Oswena-Miss Morris [see17960114]; Adela-Mrs Pope; Prologue-Toms.

Performances

Mainpiece Title: Mary Queen Of Scots

Performance Comment: Duke of Norfolk-Kemble; Sir W. Cecil-Aickin; Lord Herries-Barrymore; Davison-Packer; Earl of Shrewsbury-Benson; Earl of Huntingdon-Phillimore; Sir Amias Paulet-Wentworth; Beton-Whitfield; Nawe-Trueman; Lieut. of the Tower-Caulfield; Sheriff-Maddocks; Servant-Webb; Queen Mary-Mrs Siddons; Queen Elizabeth-Mrs Powell; Lady Douglas-Miss Miller; Lady Scrope-Miss Tidswell.

Afterpiece Title: Harlequin Captive

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

Event Comment: On the assumption that the run began on 28 June and extended twelve days (as Downes states), it would continue through 11 July. On 3 July a group of players entitled the Red Bull Company began a series of performances at Oxford. The performances are known through the entries in Anthony Wood's journal. For a discussion of the problems as to what actors these were, see Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713", Review of English Studies, XIX (1943), 366. On this day the players acted Tu Quoque, in which, according to Richard Walden (Io Ruminans, 1662) Anne Gibbs acted Gertrude

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Event Comment: On this day arrived in London the news of the death of the King's sister, the Duchess of Orleans, which occured on 20 June 1670. According to The Bulstrode Papers (I, 144), 25 June 1670: The players are silenced dureing this tyme of sadness. [Probably acting ceased for at least six weeks, the customary period for silencing the companies when the Court went into full mourning. Nevertheless, the Duke's Company may have been permitted to act at Oxford. See Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713," Review of English Studies XIX (1943), 366-67.

Performances

Event Comment: The King's Company acted at Oxford during this month. See Sybil Rosenfeld, Some Notes on the Players in Oxford, 1661-1713, Review of English Studies, XIX (1943), 369-70

Performances

Event Comment: The King's Company. This play was acted at Oxford on 19 March 1680@1 before Charles II (see True Protestant Mercury, 19-23 March 1680@1; Wilson, Theatre Notes from the Newdigate Newsletters, p. 80; and Smith's Protestant Intelligence, 24-28 March 1681). The play may have been given first in London; if not, it probably was not acted there until after Easter, 3 April 1681. The company also performed The Plain Dealer in Oxford on 21 March 1680@1 (Smith's Protestant Intelligence, 24-28 March 1681)

Performances

Mainpiece Title: Tamerlane The Great

Event Comment: The United Company played at Oxford in July. On 3 July the Queen recommended that permission be granted to the players to act there for twelve days beginning 7 July. See Rosenfeld, Some Notes on the Players in Oxford, p. 371. See also Luttrell, A Brief Relation, 4 July (III, 129)

Performances

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: The men's roles-young Gentlemenfor their Diversion. [A notice for 16 Aug. states that Chamont was played by Phillips, an Oxford student.]A notice for 16 Aug. states that Chamont was played by Phillips, an Oxford student.]

Song:

Dance: To be expressed in the Great Bills

Event Comment: Benefit Mrs Mills and Mrs Saunders. N.B. This is positively the last time of Acting till Winter, the Company being obliged to go immediately to Oxford. [For the Oxford repertory, see Cibber, II, 135-39.

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Performances

Mainpiece Title: King Richard The Third

Performance Comment: As17320320 but Tyrrel-Norris; Oxford-Williams; Lieutenant-Collet.
Cast
Role: Oxford Actor: Williams

Afterpiece Title: The Stage Coach Opera

Music: II: Preamble on the Kettle Drums-Joab Bakeron the Stage; Mr Handel's Water Musick-; V: Tollet's Grounds-Mr Baker on a Side Drum, accompanied with a Violin, the like having never been attempted by any Person before

Dance: III: Tambourine-Miss Wherrit

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17330411 but Oxford-Cole.
Cast
Role: Oxford Actor: Cole.

Afterpiece Title: The Mock Doctor

Afterpiece Title: The Amorous Sportsman

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard III-Delane; Henry VI-Giffard; Buckingham-W. Giffard; Richmond-Bardin; Norfolk-Harbin; Ratcliff-Jenkins; Stanley-Rosco; Catesby-Havard; Tressel-Huddy; Oxford-Moore; Prince Edward-Miss Norris; Duke of York-Miss Haughton, the first time of her appearing on the stage; Mayor-Penkethman; Queen Elizabeth-Mrs Roberts; Lady Anne-Mrs Giffard; Dutchess of York-Mrs Haughton .
Cast
Role: Oxford Actor: Moore

Afterpiece Title: The Lottery

Dance: La Follette s'cest Ravisee by F. Tench and Mrs Woodward. Pastoral by Vallois and Mrs Bullock. Scots Dance, as17341202