SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E and C Dilly"/1) | (@(roleclean,performerclean) "E and C Dilly")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1375 matches on Event Comments, 973 matches on Performance Comments, 320 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A little hissing during the farce, & at the End ye Audience call'd, no more &c.--& insisted upon another farce being given out wch Mr Blakes did--farewell Taste (Cross). The Book of the Entertainment will be sold in the theatre, and at R. Francklin's in Russel Street, Covent Garden (playbill). [The publication of Taste was dedicated to Francis Delaval, and includes in prefatory remarks Foote's distinction between Comedy and Farce: As the follies and absurdities of men are the sole objects of Comedy, so the powers of Imagination (Plot and Incident expected) are in this kind of writing greatly restrainded. No unnatural assemblages, no creatures of the fancy can procure the protection of the Comic Muse; men and things must appear as they are. To Farce greater liberties are permitted. I look upon Farce to hold the same rank in drama that Burlesque does in other poetry. It is employed either in debasing lofty subjects, or in raising humble ones.'] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Strictland Actor: Berry
Role: Mrs Strictland Actor: Mrs Ward
Role: Landlady Actor: Mrs Yates

Afterpiece Title: Taste

Song: III: Haughty Strephon by Dr Arne-Master Vernon

Event Comment: Publish'd, A Treatise of the Passions so far as they regard the stage &c., by Mr Foote. 1s. [First pub. 1747, it contains an interesting comment on Garrick's Lear.] Romeo and Juliet which was bespoke, and was to have been acted last Monday at Drury Lane, will be acted there next Monday, Miss Bellamy being recovered from her late indisposition. Receipts: #190 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Shepherd's Lottery

Event Comment: A Scots' Pastoral Comedy. A Concert, &c. By desire. To begin at 5 p.m. Prices Boxes 5sPit 3s. Gallery 2s. [Time and prices repeated in subsequent bills.

Performances

Mainpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd Author(s): Cornelius Vandertop
Event Comment: This Tragedy is taken from ye French by ye Revd Mr Francis. A great Noise before ye play began, occasion'd by ye Music not playing what they lik'd, they being Palted wou'd not come into the Orchestra-a Branch knock'd down, Candles thrown &c.-Mr Garrick went on, order'd ye Music in, & all was quiet-went off with great Applause (Cross). Never acted before. Characters New Dress'd Mr Garrick is intitled to my sincerest Gratitude for his Performance as an Actor, and for his Punctuality as a Manager...his strong good Sence, with that Spirit of Theatrical Criticism, which is his peculiar natural Genius (Prefatory matter by Francis first in ed.). Receipts: 180 (Cross)

Performances

Mainpiece Title: Eugenia

Performances

Mainpiece Title: Eugenia

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Lethe

Performance Comment: Mercury-the above Italian Gentleman; Lady-Gentlewoman from the Theatre-Royal in Dublin; To conclude with the Grand March from Judas Maccabeus-.

Song: Vocals-an Italian Gentleman

Event Comment: This day is publish'd Judas Macchabaeus: a Sacred Drama as it is performed at Covent Garden. Set by Mr Handel. Printed for J. Watts. This day Publish'd The Oracle, a Comedy of one act as it is perform'd at Covent Garden, at 1s. By Mrs Cibber printed for R. Dosdley in Pall Mall, &c

Performances

Mainpiece Title: Judas Macchabaeus

Event Comment: By command. P. of Wales & Broth &c. (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Queen Mab

Event Comment: Benefit for Macklin. Afterpiece: A New Dramtic Satire in two acts. N.B. As several of the Town have prejudged the Pit the Boxes and Galleries acting their own parts themselves for their diversion, to be of the same species of the Lick at the Town last year; and that it can mean only the ordinary Approbation or Disapprobation of the Audience, Signor Pasquin thinks it incumbent on himself to assure to Publick that all those conjectures are groundless; And farther, he assures them that the Pit, &c. acting their parts has no other meaning than the common literal sense; and that the Audience are really interwoven in the piece; and are to be bona fide part of the Dramatis Personae; and he makes no doubt but that he shall make them perform their parts to a numerous and polite audience, and with universal Applause. But he begs that those Ladies and Gentlemen who intend to perform in the Pit and Galleries will be at the Theatre betimes, for particular reasons; and those who are to act in the Boxes are requested to send their servants to keep their places by three o'clock. Signor Pasquin has received the letters sent by the Town and the Village, and they may depend upon having Places kept for them upon the Stage. The Hiss concerning the Robin Hood Society will be complied with (General Advertiser). [The parts were: Pasquin, Marforio, Sir Eternal Grinn, Sir Conjecture Positive, Sir Roger Ringwood, Bob Smart, Soloman Common Sense; Count Hunt Bubble, Sir John Ketch, hic and Hac (Scribblers), Hydra, Lady Lucy Loveit, Miss Diana Singlelife, Miss Brilliant, Miss Bashfull (Larpent MS 96).

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Covent Garden Theatre; or, Pasquin turn'd Drawcansir, Censor of Great Britain

Performance Comment: The parts of the Pit, Boxes, Galleries, Stage, and Town to be performed by themselves, for their diversion; the parts of several Dull, disorderly characters, in and about St Jame's to be performed by certain persons, for example; And the part of Pasquin@Drawcansir to be performed by his Censorial Highness;, for his interest. The Satire to be introduced by an Exordium;, and to conclude by a satirical@panegyrical@ironical@comical@original Peroration upon the Virtues, Vices, Wisdom and Folly, Judgment and Power of the Town. Both to be spoken from the Rostrum-Signor Pasquin.

Dance: GGrand Comic Ballet, as17511216

Event Comment: Benefit for Mrs James and Miss Minors. No building on stage. Tickets of Mrs James at her lodgings at Mr Saunder's Carpenter, in Little Wild St., Lincoln's Inn Fields; Miss Minors' at Mr Nicholl, a Baker in Catherine St., and at stage door. An Information was given to Henry Fielding, Esq; that a Set of Barber's apprentices, journeymen staymakers, maid-servants, &c. had taken a large Room at the Black Horse in the Strand, to act the tragedy of The Orphan; the Price of Admittance One Shilling. About eight o'clock the said Justice issued his warrant, directed to Mr Welch, High Constable, who apprehended the said actors, and brought them before the said Justice, who, out of compassion to their youth, only bound them over to their good behavior. They were all conducted through the streets in their Tragedy Dresses, to the no small Diversion of the Populace. (General Advertiser). Receipts: #138 (Cross)

Performances

Mainpiece Title: Oroonoko

Cast
Role: Blandford Actor: Palmer

Afterpiece Title: Miss in Her Teens

Dance: IV: Sg Piettro, Janeton Auretti, Master Piettro

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Lethe

Event Comment: Benefit for Barnard, Driscoll, Trott (Lobby Doorkeeper Doorkeeper) and Widow Banks. Tickets deliver'd by Ross, Brown, Elliott &c. will be taken

Performances

Mainpiece Title: The Committee

Cast
Role: Lt Story Actor: Anderson

Afterpiece Title: The What D'ye Call It

Dance: TTwo Pierrots, as17520504; Drunken Peasant-Phillips, Smith

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Harlequin Ranger

Event Comment: By particular Desire. A Concert, &c., Benefit for Hallam at the New Wells, Lemon St., now open only upon this occasion. Boxes 2s. 6d. Pit and First gallery 2s. Upper Gallery 1s. [Prices repeated.

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: An Old Man Taught Wisdom; or, The Virgin Unmasked

Entertainment: Singing-

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Dance: Concluding: Devisse, Mad Auguste

Event Comment: [Both pieces by command of the] Prince of Wales, &c. (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Genii

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17530412 but Jane-Mrs Bland.
Cast
Role: Jane Actor: Mrs Bland.
Role: Jane Shore Actor: Mrs Bland
Role: Catesby Actor: Anderson

Afterpiece Title: Harlequin Statue

Dance: II: Drunken Peasant-Miles; the Clown-Bennet; IV: Grand Scots Ballet-Cooke, Miss Hilliard

Song: III: Smiling Dawn from Jeptha-Mrs Chambers

Event Comment: MMrs Cowper did Sylvia, for her first appearance here (she came from Bath, Richmond &c.)-Toll. Afterpiece as originally perform'd (Cross) [i.e., without the burlesque scenes of The Fair (see 6 Nov. 1752).] This piece [Harlequin Ranger] was now acted as originally written. It is surprising that Mr Garrick should be the first to introduce Pantomime Entertainments (this season) especially as his own universal talents are seconded by a good company of performers. We suppose he does it to gratify the taste of the town; but such Smithfield exhibitions should certainly be banish'd from all regular theatres; and as Mr Woodward is an excellent comedian, it would be more eligible in him if he chuses to wear the motley dress any more to appear in the character of a speaking Harlequin, after the manner of the Italian Comedy; and indeed it is not a little surprising that nothing of this kind has yet been admitted upon our stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct. 1753.). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Palmer; Sylvia-Mrs Cowper[, her 1st appearance there she went to Ireland the next season-(Genest, IV, 380)]; Justice Balance-Burton; Worthy-Havard; Kite-Berry; Bullock-Taswell; Welch Collier-Blakes; Brazen-Woodward; Recruits-Vaughan, W. Vaughan; Melinda-Mrs Mills; Rose-Miss Minors; Lucy-Mrs Bennet.

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Manor

Performance Comment: Freehold-Bridgwater; Moldy-Dyer; Heartwell-Ridout; Lurcher-Anderson; Double Jugg-Dunstall; Vulture-Cushing; Sir John English-Arthur; Carbuncle-Wignel; Sneak-Paddick; Timothy-Collins; Longbottom-Bencraft; Flora-Mrs Dyer; Aura-Mrs Vincent; With a Country Dance-incident to the play.
Cast
Role: Lurcher Actor: Anderson

Afterpiece Title: Harlequin Sorcerer

Dance: Grandchamps, Mlle Camargo

Event Comment: [M$Murphy in caustic comment in the Gray's Inn Journal this date laid out a set of rules for actor decorum for both Managers, but apparently directed it mostly towards Rich]: I. That no player shall during the performance stand with a vacant face, making a tour with his eyes around the House, or ogling the ladies in the Green Boxes, but that he shall to the best of this power, be attentive to the business of the scene in which he is engag'd. II. That no player shall come on imperfect in his part, or take liberties to insert his own jokes and witticisms in the Productions of those Geniuses, for whom he should have the proper respect due to the superiority of their parts. III. That no one shall mistake bawling for Expression; strutting and swaggering for deportment; twisting the body and looking cunning for sprightliness; pinching of hats and standing on tiptoe for graceful attitude; wry faces for Humour, &c., but that each player who cannot arrive at excellence, shall at least pay some regard to decency. IV. That Murder shall always be committed on stage without being comical

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Player Actor: Anderson

Afterpiece Title: Harlequin Sorcerer

Event Comment: New Scenes, Music, Habits, Decorations, Machines &c. Nothing under Full Prices. A new Pantomime-went off with great Applause (Cross). [The afterpiece dealt with in high irony by Murphy in Gray's Inn Journal (29 Dec.): It is writ entirely upon the Grecian plan, so much admired by the French critics, and of course does not bid very fair to please the multitude in this country, whose taste is too much vitiated by Shakespeare's monstruous irregularity, to relish the simplicity of this piece. Mr Ranger will only observe that he is highly pleased with the Fable, the Morality, the University, and Integrity of it, and as the writing is equal all through, he looks upon it to be one of the best Pantomimes in the English language.] Receipts: #180 (Cross)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Fortunatus

Song: I: Beard

Related Works
Related Work: The Genoese Pirate; or, Black-Beard Author(s): James Sanderson
Event Comment: Last time of performing [the afterpiece] this Season. Tickets deliver'd out by Vernon, Sanderson, &c. for a Bold Stroke for a Wife will be taken this night. Receipts: #140 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: Creusa

Event Comment: At the chapel of the Foundling Hospital. [Beard and Ch. Smith gave their services free. Deutsch notes that this is the first list of Messiah performers preserved at the Foundling Hospital. The treasurer of the Hospital recorded receipts from 1,219 tickets and by cash-#666 15s. and an outlay of #58 17s. 6d., for Musicians, singers, constables, &c. Net to Hospital: #607 17s. 6d.

Performances

Mainpiece Title: The Messiah

Performance Comment: [Deutsch, Handel, pp. 750-52, lists 33 musicians, 18 singers, five servants, plus a number of organ blowers, porters, and constables who put on this performance. Among the singers the following from the theatres and the opera performed: Beard, Giulia Frasi, Sga Galli, Christina Passerini, Wass, Baildon, and Baildon Jr Champness, Wilder, Dupre, Walz, Cox, and Legg.]
Event Comment: MMrs Midnight's Concert Vocal and Instrumental Music after which for one night only will be given [Sack Posset, &c.] gratis. Benefit for Mrs Midnight. Boxes 5s. Pit 3s. Gallery 2s. To begin exactly at 7 p.m

Performances

Mainpiece Title: Sack Posset

Afterpiece Title: La Pantomime du Charpentier

Entertainment: Mad Tom-Sg Musardo; New Concerto on the Tambour de Basque-; accompanied with the original Jews Harp-; Hurdy Gurdy-; and an Oration on the Salt Box-Mrs Midnight

Dance: Several New Dances-Bambaregines, Sambucio, Atterino

Song: Several New Songs-Lauder, others